Search Results

Creator:

Dale, Dianne  Search this

Polk, P. H., 1898-1985  Search this

Names:

Barry, Marion, 1936-2014  Search this

Dale, Almore M., 1911-1984  Search this

Dale, Dianne  Search this

Dale, John Henry, Jr., 1888-1973  Search this

Dale, Lucille Emma Patterson, 1889-1973  Search this

Dale, Marie Howard, 1914-2011  Search this

Dale, Norman Edward, 1908-1991  Search this

Garner, Araminta Dale, 1913-1987  Search this

Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this

Patterson, Wilhelmina Bessie, 1888-1962  Search this

Extent:

6 Linear feet (9 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Programs

Clippings

Correspondence

Ephemera

Postcards

Place:

Anacostia (Washington, D.C.)

Date:

1866 - 1990.

Summary:

The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.

Scope and Contents note:

The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.

Arrangement note:

The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files

Biographical/Historical note:

The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.

General Note:

Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883

Provenance:

The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.

Rights:

The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

African Americans  Search this

African American families  Search this

Genre/Form:

Photographs

Programs

Clippings

Correspondence

Ephemera

Postcards

Citation:

Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.

Identifier:

ACMA.06-074

See more items in:

Dale-Patterson Family collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885

EDAN-URL:

ead_collection:sova-acma-06-074

Maker:

Scovill Manufacturing Company  Search this

Measurements:

overall: 5/8 in; x 1.5875 cm

Object Name:

token

Place made:

United States: Connecticut, Waterbury

Date made:

ca 1887

Credit Line:

Scovill, Inc.

ID Number:

1981.0296.0075

Catalog number:

1981.0296.0075

Accession number:

1981.0296

See more items in:

Work and Industry: Production and Manufacturing

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746ad-e5cc-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1446587

Collection Interviewee:

Murphy, W.B.  Search this

Norris, Alice  Search this

Norris, E. E.  Search this

Prior, Joseph  Search this

Meehan, Vincenta  Search this

Mercer, Richard  Search this

Meyers, Peter H.  Search this

Mulcahy, Paul  Search this

Welsh, Dick  Search this

White, Richard  Search this

Rindlaub, Jean  Search this

Rombach, Scott  Search this

Shaub, Harold  Search this

Weir, Chris  Search this

Coulson, Zoe  Search this

Gearon, Dan  Search this

Cronin, Betty  Search this

Conill, Alicia  Search this

Conlon, Robert  Search this

Conill, Rafael  Search this

Jordan, James  Search this

McNutt, James  Search this

McGovern, R. Gordon  Search this

Goerke, Donald E.  Search this

Holmes, Martha  Search this

Haber, Bernie  Search this

Jones, Caroline Robinson, 1942-2001 (advertising executive)  Search this

Adams, Anthony  Search this

Baum, Herbert M.  Search this

Bergin, John F.  Search this

Bair, Dean  Search this

Collection Interviewer:

Griffith, Barbara S., Dr.  Search this

Collection Creator:

Archives Center, National Museum of American History  Search this

Campbell Soup Company  Search this

Extent:

1 Videocassettes (U-matic)

1 Videocassettes (VHS)

Container:

Box 22 (Reference Copies)

Box 20 (Master Copies)

Type:

Archival materials

Moving Images

Videocassettes (u-matic)

Videocassettes (vhs)

Date:

1961-1976

Scope and Contents:

Campaigns/Commercials: Cambell Kids Animation

Sing a Song of Campbell's Soup

How We Make Campbell's Tomato Soup

Si Si: Soup This Good Just Has to be Campbell's

Wishing: Soup This Good Just Has to be Campbell's

Tow Good Soups: Sing a Song of Soup Sense

Vacuum Bottle: Sing a Song of Soup Sense

Square Dance: Have you Had Your Soup Today?

Carnival: Have you Had Your Soup Today?

Campbell Red & White Advertising

Cambell's Puts More Goodness In

Soup This Good Just Has to be Campbell's

They Always Eat Better When You Remember the Soup

Brighten the Season

Reach for the Campbell's: It's Right on Your Shelf

How Do You Haandle a Hungry Man? Manhandlers

Invisible Vegetables

Campbell Up

Get Your Campbell's Worth

M'm M'm Good

Campbell Corners

Get Your Campbell's Worth

1957-1958 Marketing Presentation with Bill Nixon Introducing the "Have You Had Your Soup Today?" Campaign

Collection Restrictions:

Collection is open for research.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Collection Citation:

Campbell Soup Advertising Oral History and Documentation Project, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

The Campbell Soup Advertising Collection

The Campbell Soup Advertising Collection / Series 4: Television Commercials / 4.1: Commercials

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e9885918-eee4-456f-bc29-0694b4d5599c

EDAN-URL:

ead_component:sova-nmah-ac-0367-ref121

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2017-09-08T15:30:00.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_OOQpDOz0wDI

Creator:

Smithsonian Channel  Search this

Type:

YouTube Videos

Uploaded:

2017-09-22T15:30:00.000Z

YouTube Category:

Entertainment  Search this

See more by:

smithsonianchannel

Data Source:

Smithsonian Channel

YouTube Channel:

smithsonianchannel

EDAN-URL:

edanmdm:yt_XBx3YnHd5ec

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2014-06-11T14:01:44.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_VoZy6eSObSQ

Creator:

Smithsonian Institution  Search this

Type:

YouTube Videos

Uploaded:

2011-08-15T17:24:58.000Z

YouTube Category:

Music  Search this

See more by:

SmithsonianVideos

Data Source:

Smithsonian Institution

YouTube Channel:

SmithsonianVideos

EDAN-URL:

edanmdm:yt_V_kh7mxe7CI

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2011-09-23T14:56:22.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_5rPqPWo2tvQ

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2012-06-15T17:59:18.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_8xObEoK4yHA

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2011-08-04T20:14:46.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_Bw2xdHApjt8

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2012-07-25T02:57:29.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_SAZqSrnJC2Y

Creator:

Smithsonian Center for Folklife and Cultural Heritage  Search this

Type:

YouTube Videos

Uploaded:

2012-04-13T19:21:22.000Z

YouTube Category:

Music  Search this

Topic:

Cultural property  Search this

See more by:

smithsonianfolkways

Data Source:

Smithsonian Center for Folklife and Cultural Heritage

YouTube Channel:

smithsonianfolkways

EDAN-URL:

edanmdm:yt_j-evG_OZZC0

Container:

Box 17 of 27

Type:

Archival materials

Collection Citation:

Smithsonian Institution Archives, Accession 00-002, National Museum of American History, Exhibition Records

See more items in:

Exhibition Records

Exhibition Records / Box 17

Archival Repository:

Smithsonian Institution Archives

EDAN-URL:

ead_component:sova-sia-fa00-002-refidd1e6173

Provenance:

Founders Garden Club of Sarasota  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Casa del Carnevale (Sarasota, Florida)

United States of America -- Florida -- Sarasota County -- Sarasota

Scope and Contents:

1 folder and 36 digital images. The folder includes worksheets and historic information about land development in the Florida Keys.

General:

The Italianate Revival house built in 1937 has been expanded by the current owners who are descended from the original owners, on a property of approximately one acre. Many specimen plants that were collected between 1950 and 1990 have been retained and rearranged to accommodate expansions to the house. With new plantings added the gardens emphasize the colors, specimen variety and textures in subtropical trees, shrubs, vines and flowering plants. There are eleven different varieties of palms, including the mature royal palms that tower over the street front of the property, and shorter pygmy date palms used as foundation plants under balconies. Bromeliads grow in enormous urns on either side of the original front door. Flowering vines that add color year round include Mexican flame vine, bougainvillea, stephanotis, Confederate jasmine and angel's trumpet. Dense growth for a jungle-like effect is encouraged and minimizes water usage.

The property was purchased from the John Ringling Estates, and references to the involvement of family members in the circus and carnivals is found in garden features. A mobile sculpture "Circus" by Frederick Prescott is sited outside the dining room window. A mosaic on the wall of one of the additions depicts Ringling Brothers clown Emmet Kelly and family member, plant collector, puppeteer and previous owner Marion McKennon. Her husband Joseph McKennon initiated the grassroots campaign Save Our Bays to prevent dredging to create more building sites in the Florida Keys. A park and bird sanctuary was established on some of the new ground rather than housing. In 1991 this property was designated a historic landmark by the City of Sarasota.

Persons associated with the garden include John Ringling and Owen Burns of John Ringling Estates (former owners 1917-1927); Mr. and Mrs. Charles Leigh (former owners, 1927-1969); Mr. and Mrs. Joseph McKennon (former owners, 1969-2002); Dwayne Henderson (former owner, 2002-2003); Paul Bergman (builder, 1936-1937); Wm. Thorning Little (architect for renovation and additions, 2004-2007 and 2003-2008); Daniel Patrick Ball (builder, 2003-2008); Michael L. Gilkey, Jr. (landscape architect, 2005-2007); Brian K. Desormier (landscape installation and maintenance (2005- ); Frederick Prescott (sculptor); Dimitar Kasabov (mosaic artist).

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Florida -- Sarasota  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File FL264

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Florida

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6a069e618-64eb-43f5-88ea-60fdb0a5580d

EDAN-URL:

ead_component:sova-aag-gca-ref12028

Photographer:

Janes, Alice R.  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Digital image (JPEG file, color.)

Type:

Archival materials

Digital images

Place:

The Hill School Arboretum (Middleburg, Virginia)

United States of America -- Virginia -- Loudoun -- Middleburg

Date:

2010 Oct.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Virginia -- Middleburg  Search this

Maple  Search this

Trees  Search this

Garden borders  Search this

Perennials  Search this

Lawns  Search this

Autumn  Search this

Hedges  Search this

Genre/Form:

Digital images

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item VA490014

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Virginia / VA490: Middleburg -- The Hill School Arboretum

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb654874e7c-db8e-4f99-bbde-1c7207388382

EDAN-URL:

ead_component:sova-aag-gca-ref19415

Artist:

Jerry Uelsmann, American, b. Detroit, Michigan, 1934  Search this

Medium:

Gelatin silver photograph

Dimensions:

sheet: 7 7/8 × 9 7/8 in. (20 × 25.1 cm) image: 5 1/2 × 5 3/4 in. (14 × 14.6 cm)

Type:

Photograph

Date:

1971

Credit Line:

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Herbert Lust, 2019

Accession Number:

2019.035

See more items in:

Hirshhorn Museum and Sculpture Garden Collection

Data Source:

Hirshhorn Museum and Sculpture Garden

GUID:

http://n2t.net/ark:/65665/py2cd6af5a4-b3b6-4fd6-a24e-e2cb9a9f08f8

EDAN-URL:

edanmdm:hmsg_2019.035

Painter:

Stella, Joseph 1877-1946  Search this

Medium:

Oil on canvas

Type:

Paintings

Owner/Location:

Yale University Art Gallery 1111 Chapel Street New Haven Connecticut 06520 Accession Number: 1941.689

Date:

1913-1914

Topic:

Abstract  Search this

Landscape--New York--Coney Island  Search this

Ceremony--Festival--Mardi Gras  Search this

Control number:

IAP 07261535

Data Source:

Art Inventories Catalog, Smithsonian American Art Museums

EDAN-URL:

edanmdm:siris_ari_38290

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Culture:

Afro-Caribbean cults  Search this

Yoruba (African people)  Search this

Type:

Collection descriptions

Archival materials

Business records

Sound recordings

Slides (photographs)

Contracts

Notes

Digital images

Memorandums

Plans (drawings)

Audiotapes

Audiocassettes

Negatives

Photographic prints

Videotapes

Correspondence

Video recordings

Place:

Caribbean Area

Haiti

Jamaica

Virgin Islands

Costa Rica

Panama

Colombia

Gabon, -- Ngounié, -- Samba

Date:

October 8-13, 1980

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1980 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 7 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: American Talkers

Series 3: Caribbean Americans

Series 4: Community Activities and Food Preservation

Series 5: Finnish Americans

Series 6: Folk Housing and Energy Efficiency

Series 7: Southeast Asian Americans

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1980 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The 1980 Festival was the third to use "community" as its over-arching theme, and the last to be held in October. As with recent Festivals, it was held on a site on the National Mall later to be occupied by the National Museum of African American History and Culture, between 14th and 15th Streets and between Constitution Avenue and Madison Drive (see site plan). It was also the first to be organized by the newly-established Office of Folklife Programs (1980-1992), successor to the former Folklife Program of the Office of American and Folklife Studies (1977-1980). The indoor programming in several museums that had characterized the 1977-1979 Festivals was discontinued and all activities were held outdoors.

When families and community groups gather to celebrate or to mourn, Festival Director Ralph Rinzler observed in the program book, they depend on traditional flavors, sounds, dances, and prayers to reinforce their sense of belonging, their group strength and cultural identity. At the annual Folklife Festival, the Smithsonian acknowledged the power of these traditions, which recall the value that Americans continue to place on being members of groups - familial, occupational, ethnic, regional, and religious. Festival organizers considered this recognition a step in the process of cultural conservation, in the belief that cultural variety, on a national and on a global scale, makes life itself more rewarding. Community and identity thus served as the twin poles around which Festival programs were organized.

The 1980 Festival (October 8-13) included a Caribbean Carnival with steel band and calypso competitions; Finnish Americans from northern Minnesota demonstrating a traditional "whip-sled" for children and such crafts as making Christmas tree ornaments from wood shavings; Southern carpenters building a traditional "dog trot" house; Southeast Asians demonstrating weaving, embroidery, stone carving, calligraphy; among others. The Festival asserted that rootedness is a tangible part of the fascination with history, our own or our country's or that of some distant place. This was seen as a part of life that everyone should value, and so the Festival not only celebrated customs and ways of doing things, but evoked the pride of being someone from somewhere. The 1980 Program Book provided information on each of the programs.

The 1980 Festival was again co-presented by the Smithsonian Institution and National Park Service, with support from the U.S. Department of Energy, U.S. Department of Agriculture, and Music Performance Trust Funds. It was organized by the Office of Folklife Programs.

Folklife Advisory Council

Wilcomb E. Washburn, Chairman, Roger Abrahams, Richard Ahlborn, Richard Dorson, William Fitzhugh, Lloyd Herman, Robert Laughlin, Scott Odell, Ralph Rinzler, Peter Seitel, Richard Sorenson, Thomas Vennum

Office of Folklife Programs

Ralph Rinzler, Director; Richard Derbyshire, Archivist; Susan Kalcik, Folklorist; Jeffrey LaRiche, Program Coordinator; Jack Santino, Folklorist; Peter Seitel, Senior Folklorist; Thomas Vennum, Ethnomusicologist; Steve Zeitlin, Folklorist

National Park Service

Russell E. Dickenson, Director; Manus J. Fish, Jr., Regional Director, National Capital Region

Fieldworkers and presenters:

Steve Addiss, John W. Berquist, Charley Camp, Amy Catlin, Dennis Coelho, Héctor Corporán, Amanda Dargan, Richard Flint, Marjorie Hunt, Geraldine Johnson, Fred Lieberman, Howard Marshall, Von Martin, Maxine Miska, Bill Moore, Elliott Parris, Leslie Prosterman, Arthur Rosenbaum, Jack Santino, Marta Schley, Katherine Williams, Margaret Yocom, Steven Zeitlin

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:

Smithsonian Folklife Festival records: 1980 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Food habits  Search this

Folklore  Search this

Folk art  Search this

arts and crafts  Search this

World music  Search this

Folk festivals  Search this

Folk music  Search this

Afro-Caribbeans  Search this

Santeria  Search this

Rumba (Dance)  Search this

Reggae music  Search this

Rastafarians  Search this

Carnivals  Search this

Genre/Form:

Business records

Sound recordings

Slides (photographs)

Contracts

Notes

Digital images

Memorandums

Plans (drawings)

Audiotapes

Audiocassettes

Negatives

Photographic prints

Videotapes

Correspondence

Video recordings

Citation:

Smithsonian Folklife Festival records: 1980 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1980

See more items in:

Smithsonian Folklife Festival records: 1980 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk527808409-1b6d-47a7-b10a-cd935c49fd29

EDAN-URL:

ead_collection:sova-cfch-sff-1980

Creator:

Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this

Names:

Smithsonian Folklife Festival  Search this

Extent:

1 Cubic foot (approximate)

Type:

Collection descriptions

Archival materials

Sound recordings

Digital images

Notes

Negatives

Video recordings

Contracts

Audiocassettes

Business records

Memorandums

Slides (photographs)

Plans (drawings)

Audiotapes

Photographic prints

Videotapes

Correspondence

Place:

Caribbean Area

Grenada

Antigua

Nevis

Haiti

Trinidad and Tobago

Virgin Islands

Saint Lucia

Date:

October 3-8, 1979

Summary:

The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.

Scope and Contents note:

This collection documents the planning, production, and execution of the 1979 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.

Arrangement note:

Arranged in 7 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Caribbean Carnival

Series 3: Children's Area

Series 4: Folklife in the Museum - Folk Medicine

Series 5: Folklore in Your Community

Series 6: Medicine Show

Series 7: Native American Architecture

Historical note:

The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1979 Festival of American Folklife was produced by the Smithsonian Folklife Program of the Office of American and Folklife Studies and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.

Introduction:

The 1979 Folklife Festival continued to take community as its theme, as had been announced in 1978. The Festival celebrated the creative genius of many cultural groups - some had been on American soil only for months, others for millenia. The point of the Smithsonian festivals and the museums' displays of diversity struck home to the people who came to the museums and reached out for reaffirmation of identity. People feared the loss of identity in the sense of anomie that came with being a cipher, a numeral, a set of digits, organizers believed; they feared big government, big business, megastates that might rule the world. Coupled with the fear of homogenization was the fear of the loss of one's own soul. One way to strengthen our sense of identity and to demonstrate our essential humanity, the Festival asserted, was the reaffirmation of the differences among us, the persistence of our traditions at the ground roots of life, a countercurrent for survival.

In 1979 the Festival welcomed the newly-arrived ethnic community of Vietnamese, who had brought with them rich folklife traditions. From the West Indies came immigrants who enliven our cities with the folk theatrical spectacle of Carnival. Native Americans from several tribal groups shared their knowledge of ways in which their housing has been adapted to local environmental conditions.The International Year of the Child was celebrated at the Festival in the program book cover and articles, and in the living presentations of children's folklife in the Children's Area, where Lumbee Indian children re-created a Field Day celebration, and several other children's communities enacted Halloween traditions. Occupational communities were represented by D.C. firefighters, taxicab drivers, and stonecarvers from the National Cathedral. Other communities represented, which had formed around particular interests or institutions, were a medicine show, mom-and-pop neighborhood stores, street criers, and CB radio clubs.

As with the two preceding years, the 1979 Festival (October 3-8) was held on a site on the National Mall later to be occupied by the National Museum of African American History and Culture, between 14th and 15th Streets and between Constitution Avenue and Madison Drive (see site plan). Indoor activities including a symposium focused on folk medicine took place in the National Museum of History and Technology, in the days preceding the outdoor Festival (September 27-30). The 1979 Program Book provided information on each of the programs.

The 1979 Festival was again co-presented by the Smithsonian Institution and National Park Service, with support from the U.S. Department of Energy and the Music Performance Trust Funds. It was organized by the Folklife Program within the Office of American and Folklife Studies.

Folklife Advisory Council

Wilcomb E. Washburn, Chairman, Roger Abrahams, Richard Ahlborn, Richard Dorson, William Fitzhugh, Lloyd Herman, Robert Laughlin, Scott Odell, Ralph Rinzler, Peter Seitel, E. Richard Sorenson, Thomas Vennum

Folklife Program, Office of American and Folklife Studies

Ralph Rinzler, Director; Richard Derbyshire, Archivist; Susan Kalcik, Folklorist; Jeffrey LaRiche, Program Coordinator; Jack Santino, Folklorist; Peter Seitel, Senior Folklorist; Thomas Vennum, Jr., Ethnomusicologist; Steve Zeitlin, Folklorist

National Park Service

William J. Whelan, Director; Manus J. Fish, Jr., Regional Director, National Capital Region

Fieldworkers and presenters:

Nicholas Bocher, Sylvia Grider, Glenn Hinson, Marjorie Hunt, Fred Lieberman, Susan Manos, Phyllis May, Robert McCarl, Maxine Miska, Peter Nabokov, Elliott Parris, Kate Rinzler, Betsy Seamans, Barbara Strickland, Katherine Williams, Peggy Yocum

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Forms Part Of:

Smithsonian Folklife Festival records: 1979 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]

Related Archival Materials note:

Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk art  Search this

Folk music  Search this

Food habits  Search this

Folklore  Search this

arts and crafts  Search this

World music  Search this

Folk festivals  Search this

Genre/Form:

Sound recordings

Digital images

Notes

Negatives

Video recordings

Contracts

Audiocassettes

Business records

Memorandums

Slides (photographs)

Plans (drawings)

Audiotapes

Photographic prints

Videotapes

Correspondence

Citation:

Smithsonian Folklife Festival records: 1979 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.SFF.1979

See more items in:

Smithsonian Folklife Festival records: 1979 Festival of American Folklife

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk59a8230d1-35c3-48d1-9e83-b362e383bb30

EDAN-URL:

ead_collection:sova-cfch-sff-1979

Creator:

Warshaw, Isadore, 1900-1969  Search this

Extent:

0.53 Cubic feet (consisting of 1 box, 1 folder, 2 oversize folders, 1 map case folder.)

Type:

Collection descriptions

Archival materials

Business ephemera

Ephemera

Date:

circa 1887-1948

Summary:

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Camping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Scope and Contents:

This material consists primarily of printed advertisements, catalogues, brochures, cooking recipes, price lists and scattered correspondence on letterhead stationery from manufacturers and dealers of camping equipment.

The companies tended to manufacture products such as trailer awnings, duffle bags, boots, axes, hunting knives, ropes, out bags, camp stoves, lamps, sleeping bags, hunting apparel, cooking utensils, knapsacks, blankets and tents. Tents appear to be the main product for a number of these companies. The tents were manufactured for circuses, stables, concessions, carnivals, fairs, travelers and offices. Other products not related to camping include pre-fabricated houses and hammocks.

A smaller amount of material consists primarily of brochures, scattered correspondence, instructions and pamphlets from camps and camping sites. The camps were mostly for youth but some adult and gender oriented camps are among these materials. Related books include Activities for Summer Camp published in 1948 by the Arts Cooperative Service, Inc. and Bits of Camp Life by C. W. Reed and Louis Harlow dedicated to the Grand Army of the Republic by the artists. This is mostly visual images of the war and was published in 1888. The bulk of the material is early twentieth century.

Arrangement:

Materials are organized alphabetically by name of company. There is one folder of material on camps. There is also a folder of camp instructions and aid. The remainder of the material is five folders of related publications.

Materials in the Archives Center:

Archives Center Collection of Business Americana (AC0404)

Forms Part Of:

Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material

Provenance:

Camping is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.

Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Sports  Search this

Camps  Search this

Genre/Form:

Business ephemera

Ephemera

Citation:

Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

NMAH.AC.0060.S01.01.Camping

See more items in:

Warshaw Collection of Business Americana Subject Categories: Camping

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep882a34746-efff-4863-aef8-6b89c9eeac9e

EDAN-URL:

ead_collection:sova-nmah-ac-0060-s01-01-camping