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Plain of Jezeel & Carmel [on envelope]. 10805 Interpositive

Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 8")
Type:
Archival materials
Landscapes (representations)
Photographs
Stereoscopic photographs
Place:
Carmel (Calif.)
Palestine
Plain of Jezeel
Local Numbers:
RSN 24363
General:
Same as RSN 14893 and 27690
Currently stored in box 3.2.38 [137]
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Plains  Search this
Genre/Form:
Landscapes (representations)
Photographs -- 1900-1910 -- Interpositives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 24283-24379
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref22129

Adam Clark Vroman photographic postcards of California missions and Camulos Ranch

Creator:
Vroman, A. C. (Adam Clark), 1856-1916  Search this
Names:
Mission La Purísima Concepción (Calif.)  Search this
Mission San Antonio de Pala  Search this
Mission San Gabriel Arcangel (San Gabriel, Calif.)  Search this
Mission San Juan Capistrano  Search this
Mission San Luis Obispo de Tolosa (San Luis Obispo, Calif.)  Search this
Mission San Miguel Arcangel (San Miguel, Calif.)  Search this
Nuestra Señora de la Soledad (Mission : Calif.)  Search this
San Antonio de Pádua (Mission)  Search this
San Buenaventura Mission  Search this
San Carlos Borromeo Basilica (Carmel, Calif.)  Search this
San Francisco de Asís Mission (San Francisco, Calif.)  Search this
San Juan Bautista (Mission : San Juan Bautista, Calif.)  Search this
San Luis Rey Mission (Calif.)  Search this
Santa Barbara Mission  Search this
Santa Clara Mission  Search this
Santa Inés Mission (Solvang, Calif.)  Search this
Jackson, Helen Hunt, 1830-1885. Ramona  Search this
Extent:
48 Postcards (collotype)
Type:
Collection descriptions
Archival materials
Postcards
Photographs
Place:
Camulos (Calif.)
Date:
circa 1900
Scope and Contents note:
Photographic postcards made by Adam Clark Vroman of California Missions and Camulos Ranch, part of "Vroman's Series of Postcards." The depicted mission include San Juan Bautista, Santa Clara, San Luis Rey de Francia, San Juan Capistrano, San Gabriel Arcangel, San Antonio de Pala, San Diego de Alcala, San Buenaventura, Santa Barbara, Santa Ynez, La Purisima Conception, San Luis Obispo de Toloso, San Miguel, San Antonio de Padua, Our Lady of Solitude, Soledad, San Fernando Rey, San Francisco de Asis, Carmel (Monterey), and San Francisco Solano. The photographs of Camulos Ranch relate to Helen Hunt Jackson's book Ramona and have the subtitle "Ramona Haunts" with a notation of related book pages.
Biographical/Historical note:
Adam Clark Vroman (1856-1916) was a bookstore owner and photographer of Southwest Native Americans and culture. He and his wife moved to Pasadena, California, in 1892, where he took up photography, mostly documenting pueblos in New Mexico. After his wife's death in 1894, Vroman opened a bookstore in Pasadena, though he continued to make photography excursions to southern California, Arizona, and New Mexico. He also made photographs for the Bureau of American Ethnology during two expeditions in 1897 and 1899. Vroman's photographs illustrated the 1913 edition of Helen Hunt Jackson's novel Ramona.
Local Call Number(s):
NAA Photo Lot 89-58
Location of Other Archival Materials:
Additional photographs by Vroman can be found in the National Anthropological Archives in Photo Lot 14, Photo Lot 92-3, the records of the Department of Anthropology, and the BAE historical negatives.
Correspondence from Vroman can be found in the National Anthropological Archives in the Otis Tufton Mason papers.
The Smithsonian American Art Musem, University of California-Riverside's Museum of Photography, Massachusetts Historical Society, and the Center for Creative Photography at the University of Arizona Libraries hold Vroman photographs.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Missions -- California  Search this
Genre/Form:
Postcards
Photographs
Citation:
Photo Lot 89-58, Adam Clark Vroman photographic postcards of California missions and Camulos Ranch, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.89-58
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-89-58

Ruth Law Scrapbook

Collection Creator:
Law, Ruth  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1916-1918
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Ruth Law Collection, Acc. NASM.XXXX.0387, National Air and Space Museum, Smithsonian Institution.
See more items in:
Ruth Law Collection
Ruth Law Collection / Series 1: Ruth Law Scrapbook
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0387-ref517
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Newspaper and Journal Articles: General

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 5, Folder 5
Type:
Archival materials
Text
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 3: General materials of Hattie Meyers Junkin
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref141
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Correspondence -- With Children

Collection Creator:
Ya-Ching, Lee  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Text
Date:
1952 - 1964
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
See more items in:
Lee Ya-Ching Papers
Lee Ya-Ching Papers / Series 1: Personal
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2008-0009-ref14
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Hans Hofmann

Subject:
Hofmann, Hans  Search this
Type:
Photographs
Place:
Carmel, Calif.
Date:
1931
Record number:
(DSI-AAA)10085
See more items in:
Hans Hofmann papers, circa 1904-2011
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10085
Online Media:

Group on a patio in Carmel

Subject:
Dahl, Arthur L.  Search this
Tobey, Mark  Search this
Type:
Photographs
Place:
Carmel, Calif.
Date:
ca. 1975
Record number:
(DSI-AAA)4269
See more items in:
Arthur L. and Joyce Lyon Dahl papers, 1926-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_4269
Online Media:

Mark Tobey at the opening of his retrospective at the Louvre

Photographer:
Dahl, Arthur L., 1942-  Search this
Dahl, Arthur L., 1942-  Search this
Subject:
Tobey, Mark  Search this
Type:
Photographs
Place:
Carmel, Calif.
Paris, France
Date:
1961
Topic:
Exhibitions  Search this
Record number:
(DSI-AAA)4270
See more items in:
Arthur L. and Joyce Lyon Dahl papers, 1926-1988
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_4270
Online Media:

Oral history interview with William Morris, 2009 July 13-14

Interviewee:
Morris, William, 1957-  Search this
Morris, William, 1957-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Benaroya, Jack  Search this
Benaroya, Rebecca  Search this
Campbell, Joseph  Search this
Carpenter, James  Search this
Chihuly, Dale  Search this
Demarco, Ricky  Search this
Graves, Nancy Stevenson  Search this
Hauberg, John H. (John Henry)  Search this
Hydman-Vallien, Ulrica  Search this
Jung, C. G. (Carl Gustav)  Search this
Karan, Donna  Search this
Kirkpatrick, Joey  Search this
Libenský, Stanislav  Search this
Lipofsky, Marvin  Search this
Lipski, Donald  Search this
Mace, Flora  Search this
Marioni, Dante  Search this
Moore, Benjamin P.  Search this
Oppenheim, Dennis  Search this
Pfaff, Judy  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo  Search this
Seguso, Livio  Search this
Signoretto, Pino  Search this
Smith, Kiki  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil  Search this
California State University, Chico  Search this
Central Washington University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Carlos Borromeo Basilica (Carmel, Calif.)  Search this
Type:
Interviews
Sound recordings
Place:
British Isles -- Description and travel
Topic:
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Sculptors -- Washington (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15699
(DSI-AAA_SIRISBib)283555
AAA_collcode_morris09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283555
Online Media:

Walter Tittle diaries, 1902-1958

Creator:
Tittle, Walter, 1883-1966  Search this
Tittle, Walter, 1883-1966  Search this
Topic:
Painting, American -- California -- Carmel -- Diaries  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)13434
(DSI-AAA_SIRISBib)210696
AAA_collcode_tittwalt
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210696

Picture postcard, "San Carlos Borroméo (El Carmel Mission) near Monterey, California - 1770."

Graphic artist:
Eno, I. L.  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 9.5 cm x 14 cm; 3 3/4 in x 5 1/2 in
Object Name:
postcard
Object Type:
Photomechanical Relief Processes
Photomechanical Lithographic Processes
Other Terms:
postcard; Halftone
Place made:
United States: California, San Diego
Associated place:
United States: California
Date made:
ca 1914
ID Number:
1986.0639.0331
Accession number:
1986.0639
Catalog number:
1986.0639.0331
See more items in:
Work and Industry: Graphic Arts
Cultures & Communities
Communications
California Mission Postcards
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-4ac1-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_826617

With Friends, Carmel, Calif.

Collection Creator:
Archipenko, Alexander, 1887-1964  Search this
Container:
Box 14, Folder 32
Type:
Archival materials
Date:
1951
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research facility. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Lantern slides and glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alexander Archipenko papers, 1904-1986, bulk 1930-1964. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Archipenko papers
Alexander Archipenko papers / Series 10: Photographic Material / 10.1: People / Alexander Archipenko with Others
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-archalex-ref298

Rainier, F.E. ("Buzz") and Barbara, residence, Carmel, Calif.

Collection Creator:
Sheets, Millard, 1907-1989  Search this
Container:
Box 16, Folder 41
Type:
Archival materials
Date:
1969-1971
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Millard Sheets papers, circa 1907-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Millard Sheets papers
Millard Sheets papers / Series 6: Project Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-sheemill-ref537

George W. Sims Papers

Collector:
National Museum of American History (U.S.). Division of Community Life  Search this
National Anthropological Archives  Search this
National Anthropological Archives  Search this
National Museum of American History (U.S.). Division of Community Life  Search this
Author:
Sims, George W.  Search this
Extent:
5 Cubic feet (22 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Manuscripts
Audiotapes
Scrapbooks
Slides (photographs)
Place:
Carmel (Calif.)
Panama Canal (Panama)
California
Date:
1896-1981.
Summary:
Collection documents Sims's activities as a traveler and his interest in historic restoration. It includes forty-one notebooks, 6,000 color slides, a smaller number of photographic prints, forty-one stereo view cards, and three boxes of personal papers and ephemera. While some images are personal, the majority form a documentary record of various subjects and places and provide biographical information on Sims.
Scope and Contents:
These papers document Sims's activities as a traveler and his interest in historic restoration. They consist of forty-one notebooks, Series 1-4; and three boxes, Series 5-9, of personal papers and ephemera. Series 5-7 are particularly valuable for biographical information. Series 10 includes 6,000 color slides, a smaller number of photographic prints, and forty-one stereo view cards. The total volume of the collection is approximately eleven linear feet.

The notebooks cover the years 1896, 1908-1913, 1918, and 1934-1976. The notebooks are written in a documentary styles that is enhanced by literary touches and perceptive details. The subjects include visits to several national parks, the Boronda adobe, and travel on most continents.

The 6,000 35mm slides that Sims took between 1944 and 1976 portray the use of the automobile in travel, national and international touring, and family travel. They are organized by either trip or location. They document his collecting, research, and restoration interests, and complement his written and artistic work. In technique, Sims's photographs are at least a cut above amateur photography. The slides remain in the order in which the Archives Center received them. In some cases they are organized, captioned, and numbered as a slide program. In other cases, while they are captioned they are not part of a specific slide program that Sims organized. Usually the identification in the Detailed Container List represents Sims' s own captions, which have been copied from the slide sleeves.

While some images are personal, the majority form a documentary record of various subjects and places. All the slides are dated and labeled or captioned, either on box inserts or on the slides themselves. The slides are generally organized by trip. Of particular interest is the documentation of Sims's restoration of the Boronda adobe. These slides are well captioned and show the step by step process.

The slides include many early Kodachromes from the 1940s in excellent condition. These represent the few examples of this type in the Museum. Although these slides are not extraordinarily rare, they are a very early example of the color process.

There are also black and white prints and a few color prints. Some of these document an automobile trip along the California coast in the 1930s. All the black-and-white prints portray the photographer for Sims's concern to document his travels adequately and in a meaningful way.

The three document boxes of supplemental material includes articles, correspondence (for example, a letter to Sims from the Henry Ford Museum thanking him for donating an oral history of a motoring trip he had taken), business cards, certificates of achievement, hotel ephemera, news clippings (Series 12), published travel accounts, printed travel brochures, and audio tapes (Series 11), in which Sims recounts many of his trips over the years. This material is valuable because it provides biographical information on Sims. It also may be useful for exhibits and research. Much of the material—the hotel ephemera and the printed travel brochures and accounts—is similar to ephemera in the Warshaw Collection.

Sims's photographs are similar in content to two other collections in the Archives Center. The Clyde W. Stauffer Family Photographic Album portrays family automobile trips across the United States between 1935 and 1940. The Donald Sultner Welles Collection of travel slides documents locations throughout the United States and around the world.
Arrangement:
The collection is divided into 12 series.

Series 1:Notebooks, 1896-1975

Series 2: Political Notes, 1964-1976

Series 3: Comments on Vietnam, 1954-1975

Series 4: Moon Landings, 1969-1976

Series 5: Scrapbooks, 1896-1981, undated

Series 6: Correspondence, 1920-1987

Series 7: Biography, 1911-1938

Series 8: Published Material, 1927-1966

Series 9: Artifacts, 1913-1937

Series 10: Photographs, circa 1936-1962

Series 11: Audio Materials

Series 12: Newsclippings, undated
Historical:
Boronda Adobe

In 1946 George W. Sims purchased the old Boronda adobe in the Carmel Valley of California, and over the next ten years he restored it.

The Boronda adobe was built above the Carmel River in 1832 by José Manuel Boronda on his 7,000 acre Rancho de Los Laureles land grant. José was the son of Don Manuel Boronda, the first schoolteacher in California. José was married to Juana Cota of Santa Barbara. The sixty-four foot long house has adobe walls twenty-seven inches thick and hand-hewn redwood beams. Senor and Senora Boronda lived there with their fifteen children. It was in this house that Senora Boronda reputedly made a new cheese much liked by her neighbors and today known as Monterey Jack cheese. She eventually produced enough to sell to the surrounding community.

The Boronda family sold the ranch and adobe to Nathan W. Spaulding in the late 1860s or early 1870s. He was a mayor of Oakland, California. The next owner was the Pacific Improvement Company in the early 1880s, the forerunner of Del Monte Properties Company. A small cheese factory was built to commercialize the product under the name "Monterey Jack." Nevertheless, the adobe eventually became abandoned as a house. Before Sims purchased it the adobe was used as a shelter for dairy cows.

Sims plastered the outside walls to protect the soft adobe bricks and whitewashed the interior walls. The original dirt floor was covered with a floor of two-inch clear, heart redwood, random planks. It slopes downhill as does the roof of the house. The entire house follows the topography of the site. Sims left several cables stretching across the crudely raftered ceiling to support the walls.

Sims reroofed the house with one hundred year old roof tiles from the old Vasquez adobe in Monterey, California. He also constructed a workshop on the cement foundation of the old cheese factory and milk barn, added a carport, and built a fence protected patio of the Mexican type, adjacent to a Spanish garden with gravel paths. The patio walls were made of adobe created from Carmel Valley soil.

The first floor of the adobe consists of a long living room, a kitchen, a bedroom, and a bath. An inside staircase was added and leads to the second floor living room, two bedrooms, and a bath. All of the rooms on the main floor are on a different level. The kitchen at one end of the house is thought to date to the 1790s when the land belonged to the Carmel Mission.
Biographical / Historical:
George W. Sims (1896-1986) was a tax lawyer, certified public accountant, world traveler, and collector of pre-Columbian objects. He spent his childhood in Fairfax County, Virginia. At age seventeen he began the study of law at the Washington College of Law (now American University), and worked at night as a telephone company traffic manager. He was employed as a clerk in the Panama Canal Zone by the Panama Railroad Company, Commissary Branch, from 1915-1916. Sims left Washington, DC, because he needed money for school and received a better salary in Latin America. "The pay was 25% higher there [Panama] than in the U.S.A., because the risks of Yellow Fever were great, and work and living conditions less satisfactory than at home." (Box 8, folder 6) This was the first of his many trips to other countries. He then returned to Washington and graduated from law school.

Between 1918-1919 he served as sergeant first class in the aviation section of the Signal Corps. He was stationed for a time at the Vichy (France) Hospital Center, a part of the United States Base Army Hospital, No. 115. After the war Sims did graduate work in accounting at Benjamin Franklin University in the District of Columbia, studying at night. During the day he worked in the Navy Department's communications section.

In 1919 Sims and a few friends traveled west on one of the early automobile trips across the United States. In July he visited Fresno, California. He returned that same year to Washington, DC, and "made plans for making the West (and Fresno) his permanent home." In January, 1924, Sims returned with his wife to fulfill those plans and thus began his long time love affair with the West and California." (Scrapbooks: Vol. 38, Box 8, folder 2)

After his first wife Katherine died in 1946, Sims spent much time on world cruises. His destinations included North, South, and Central America, Eastern and Western Europe, Africa, Asia, and the Pacific Islands. Between 1946 and 1956 he also purchased and restored the 1832 Boronda adobe in Carmel, California.

Sims married Emma Marenchin Sims on her birthday November 2, 1971 in Santa Barbara, California. Prior to her marriage Mrs. Sims (1914-? ) worked in the public health field after graduating from Western Reserve University in Cleveland. She remarked, "My world opened up when I married George." Sims died in 1986.
Provenance:
Collection donated by George W. Sims, January 10, 1985.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Travel photography  Search this
Adobe houses  Search this
Pre-Columbian objects  Search this
Vichy France  Search this
Audio tapes  Search this
Genre/Form:
Photographs -- 20th century
Manuscripts
Audiotapes
Scrapbooks -- 20th century
Slides (photographs) -- 1950-2000
Photographs -- Phototransparencies -- 20th century
Citation:
George W. Sims Papers, 1896-1981, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0127
See more items in:
George W. Sims Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0127
Online Media:

United China Relief, Inc.

Collection Creator:
Kuniyoshi, Yasuo, 1889-1953  Search this
Container:
Box 3, Folder 14
Type:
Archival materials
Date:
1942
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Yasuo Kuniyoshi papers, 1906-2016, bulk 1920-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Yasuo Kuniyoshi papers
Yasuo Kuniyoshi papers / Series 4: Organization Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kuniyasu-ref54
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Walter Tittle diaries

Creator:
Tittle, Walter, 1883-1966  Search this
Extent:
18 Volumes ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Volumes
Date:
1902-1958
Scope and Contents:
18 diaries kept by Tittle containing personal reflections and some professional records and notes.
Biographical / Historical:
Painter, etcher; Carmel, Calif. Middle name: Ernest.
Provenance:
Lent 1968-1969 by Mrs. Walter Tittle, Tittle's widow.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Etchers -- California -- Carmel  Search this
Painters -- California -- Carmel  Search this
Topic:
Painting, American -- California -- Carmel -- Diaries  Search this
Identifier:
AAA.tittwalt
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tittwalt

Oral history interview with William Morris

Interviewee:
Morris, William, 1957-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Chico -- Students  Search this
Central Washington University -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
San Carlos Borromeo Basilica (Carmel, Calif.)  Search this
Benaroya, Jack, 1921-2012  Search this
Benaroya, Rebecca  Search this
Campbell, Joseph, 1904-1987  Search this
Carpenter, James, 1949-  Search this
Chihuly, Dale, 1941-  Search this
Demarco, Ricky  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Hauberg, John H. (John Henry), 1916-  Search this
Hydman-Vallien, Ulrica, 1938-2018  Search this
Jung, C. G. (Carl Gustav), 1875-1961  Search this
Karan, Donna, 1948-  Search this
Kirkpatrick, Joey  Search this
Libenský, Stanislav, 1921-2002  Search this
Lipofsky, Marvin, 1938-2016  Search this
Lipski, Donald, 1947-  Search this
Mace, Flora, 1949-  Search this
Marioni, Dante, 1964-  Search this
Moore, Benjamin P.  Search this
Oppenheim, Dennis, 1938-2011  Search this
Pfaff, Judy, 1946-  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo, 1932-2001  Search this
Seguso, Livio, 1930-  Search this
Signoretto, Pino, 1944-  Search this
Smith, Kiki, 1954-  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil, 1938-  Search this
Extent:
7 Items (Sound recording: 7 wav files (5 hr., 5min.), digital)
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
British Isles -- Description and Travel
Date:
2009 July 13-14
Scope and Contents:
An interview of William Morris conducted 2009 July 13-14, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Morris' home, in Stanwood, Washington.
William Morris speaks of his decision to stop working in glass in 2005; his deep connection to the natural world; working now with stone; the longstanding theme of man and nature in his work; his influence on the studio glass movement; use of installations; relationship to the greater art world; Cache [1993]; the importance of working in a team, particularly with Jon Ormbrek; studio practice and philosophy of working in the studio; series Man Adorned and first use of the human form; how his work evolves artistically; the influence of his travels on his work and his particular affinity for Mesoamerican culture; the process of choosing his subjects; growing up in Carmel, California, and frequenting the museum at the Carmel Mission Basilica; his early fascination with Native American artifacts and history in the museum; childhood spent hiking in the hills around Carmel and youth spent camping and rock-climbing; art instruction during childhood; ceramics work in high school; introduction to ideas of Carl Jung and Joseph Campbell by his high school teacher, Lloyd Baskerville; undergraduate work at California State University, Chico, working with Vernon Patrick; first experience with glass in high school, through the Fort Ord military base crafts department; brief studies at Central Washington University in Ellensburg, Washington; arriving at Pilchuck Glass School, Stanwood, Washington, in 1977 as a shop assistant/maintenance person; his first encounter with Dale Chihuly; 10 years as Chihuly's main assistant and de facto apprenticeship; his greater overall technical education at Pilchuck; the development of his own team as he continued to work with Chihuly; working with Chihuly and Italo Scanga; the synergy of working in a group and artistic cross-pollination at Pilchuck; the influence and mentorship of Judy Pfaff; working with Italian glass masters at Pilchuck; the influence of Pino Signoretto; his trip with Chihuly to the British Isles, which inspired his series Stone Vessels and series Standing Stones in the mid-1980s; his practice of working in series; series Petroglyph Vessels, and the beginning of narrative in his work; the importance of naiveté, experimentation, and a "confidence in innocence"; series Artifacts; the influence of Donald Lipski on Morris' installations; series Burial Urns and series Burial Rafts; series Canopic Jars; commissions for George Stroemple; the genesis of the series Rhyton; the transcendental/mythic qualities in his work; series Crow and Raven; more discussion of series Man Adorned; series Rattles; collaboration with fashion designer Donna Karan; the importance of glass as a material, and the importance of "play"; the value of an apprentice-type program; his work in bronze and with Nancy Graves; series Cinerary Urns and coming to terms with the deaths of close friends; series Mazorca; series Idolo and Idolito; series Native Species (2006); series Fish Traps; more discussion of his decision to leave glassworking; documentary film Creative Nature, 2008; "Myth, Object, and the Animal" exhibition; the adventurous spirit of the American studio glass movement, particularly in the early years; his preference for short workshops rather than longer teaching sessions; the aesthetic continuity of his work throughout his career; his appreciation of the community of collectors of glass art. He also recalls Ken Wiese, Robert and Terrie Kvenild, Bertil and Ulrica Vallien, Gary Galbraith, Stan Price, Dennis Oppenheim, Kiki Smith, Dante Marioni, Livio Seguso, Marvin Lipofsky, Benjamin Moore, Jamie Carpenter, Checco Ongaro, Lino Tagliapietra, Ricky DeMarco, Flora Mace, Joey Kirkpatrick, Trumaine Mason, Karen Willenbrink, Ross Richmond, Randy Walker, John Hauberg, Stanislav Libenský, Graham Graham, Charlie Cowles, George and Dorothy Saxe, and Jack and Rebecca Benaroya.
Biographical / Historical:
William Morris (1957- ) is a glass artist in Stanwood, Washington.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 5 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Study and teaching  Search this
Ceramics -- Study and teaching  Search this
Glass artists -- Washington (State) -- Interviews  Search this
Sculptors -- Washington (State) -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.morris09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-morris09

MS 384 Salinan comparative vocabulary

Creator:
Henshaw, Henry W. (Henry Wetherbee), 1850-1930  Search this
Extent:
8 Pages
Culture:
Esselen Indians  Search this
Indians of North America -- California  Search this
Type:
Collection descriptions
Archival materials
Pages
Place:
Carmel (Calif.)
Date:
undated
Scope and Contents:
Compares vocabularies marked "Eslen," "Ecclemachs," and "Carmel of Mofras."
Local Numbers:
NAA MS 384
Topic:
Language and languages -- Documentation  Search this
Citation:
Manuscript 384, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS384
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms384
Online Media:

Harmothoe imbricata

Collector:
Dr. Marian H. Pettibone  Search this
Ocean/Sea/Gulf:
North Pacific Ocean  Search this
Preparation:
Alcohol (Ethanol)
Place:
Pebble Beach, Carmel, California, United States, North Pacific Ocean
Collection Date:
6 Jul 1948
Common name:
Polychaetes
Published Name:
Harmothoe imbricata (Linnaeus, 1767)
USNM Number:
24963
See more items in:
Invertebrate Zoology
Annelida
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/368d3d253-4536-473d-813d-c9ce64b230e3
EDAN-URL:
edanmdm:nmnhinvertebratezoology_813208

Tenonia priops

Collector:
Don Wootton  Search this
Ocean/Sea/Gulf:
North Pacific Ocean  Search this
Preparation:
Alcohol (Ethanol)
Place:
Pebble Beach, Carmel, California, United States, North Pacific Ocean
Collection Date:
6 Jul 1948
Common name:
Polychaetes
Published Name:
Tenonia priops (Hartman, 1961)
Antinoe sp.
USNM Number:
26642
See more items in:
Invertebrate Zoology
Annelida
Data Source:
NMNH - Invertebrate Zoology Dept.
GUID:
http://n2t.net/ark:/65665/3673b4e29-11a5-4ba4-ae59-d1bb50fe882e
EDAN-URL:
edanmdm:nmnhinvertebratezoology_815306

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