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Oral history interview with Gary Griffin

Interviewee:
Griffin, Gary, 1945-  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Rochester Institute of Technology -- Faculty  Search this
Extent:
73 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 August 4
Scope and Contents:
An interview of Gary Griffin conducted 2004 August 4, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Bloomfield Hills, Michigan.
Griffin speaks of the opening of the new studio building at Cranbrook; growing up in Los Angeles, California; spending summers in Taos, N.M. with his grandmother; his mother's antique and decorating business; going to Catholic high school; working in a furniture repair shop as a teenager; taking college courses in welding and art; transferring to California State University, Long Beach, and getting a dual degree in industrial and fine arts; deciding to focus on metalwork; getting his M.F.A. at Tyler School of Art; metalsmiths who influenced his early work; the role of functional and conceptual art; having Stanley Lechtzin as a teacher and mentor; the craft community in Philadelphia, attending metalsmith workshops and conferences; and being influenced by decorative arts. Griffin also speaks of becoming head of the jewelry program at Rochester Institute of Technology; working with Hans Christensen; participating in the Society of North American Goldsmiths; his interest in machine technology; deciding to turn from jewelry to blacksmithing; finding dealers for his work; the art community in Rochester; keeping variety in his work; teaching at Cranbrook and rebuilding the metals program; how material culture influences his teaching and artwork; how economics impacts his work; working on commission; making the entrance gates at Cranbrook; working on some of his other important pieces; his current project; the difference between craft and fine arts; and his plans for the future. Griffin also recalls Al Pine, Jack Prip, John Marshall, Philip Fike, Olaf Skoogfors, Elliot Pujol, Rudolf Staffel, Albert Paley, Mary Jane Leland, and others.
Biographical / Historical:
Gary Griffin (1945- ) is a metalsmith and educator from Bloomfield Hills, Michigan. Glenn Adamson is a curator and art historian from Wisconsin.
General:
Originally recorded on 5 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 52 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Metal-workers -- Michigan -- Bloomfield Hills -- Interviews  Search this
Decorative arts  Search this
Metal-work  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.griffi04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw933eb11f5-709d-4f6c-8646-723d70252a65
EDAN-URL:
ead_collection:sova-aaa-griffi04
Online Media:

Maxine Seelbinder Merlino papers

Creator:
Merlino, Maxine Ollie Seelbinder, 1912-  Search this
Names:
California State University, Long Beach -- Faculty  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Date:
1928-2003
Summary:
The papers of illustrator, muralist, theatrical set designer, and professor Maxine Seelbinder Merlino papers measure 1.1 linear feet and date from 1928-2003. The collection includes correspondence; newspaper clippings and reviews of artist's work; sketches for stage and set designs and mural decorations; federal commission contracts; exhibition brochures; theater playbills and announcements; photographs; original art work, including drawings and sketches; original lithographs; and material on the dedication of the Merlino Gallery at California State University, Long Beach.
Scope and Content Note:
The papers of illustrator, muralist, theatrical set designer, and professor, Maxine Seelbinder Merlino papers measures 1.1 linear feet and date from 1928-2003. The collection includes correspondence; newspaper clippings and reviews of artist's work; sketches for stage and set designs and mural decorations; federal commission contracts; exhibition brochures; theater playbills and announcements; photographs; original art work, including watercolor sketches; original lithographs; and material on the dedication of the Merlino Gallery at California State University, Long Beach.

Documenting Merlino's work on New Deal federal government programs are letters sent to her in the early 1940s from the Public Buildings Administration and the Section of Fine Arts of the Federal Works Agency in Washington, D.C. as well as three photographs of a mural executed by Merlino for the Recorder of Deeds Building in Washington, D.C. that depicts Benjamin Banneker, a pioneering African-American surveyor, inventor, and astronomer.

Representing Merlino's early New York period are brochures of group exhibitions and her one-woman show in a theater gallery. Among the original works of art are two original lithographs: Franco's Destruction, which was reproduced in a 1938 issue of New Masses, and Hearst's Empire, which appeared in the April 1938 edition of The Fight magazine.
Arrangement:
The collection is arranged as five series:

Missing Title

Series 1: Biographical, 1929-2003 (Box 1; 5 folders)

Series 2: Letters, 1936-2001 (Box 1; 6 folders)

Series 3: Projects, 1927-2002 (Box 1-2; 26 folders)

Series 4: Printed Material, 1939-1969 (Box 1-2; 13 folders)

Series 5: Works of Art, 1932-1957 (Box 1, 3, OV 4; 21 folders)
Biographical Note:
Maxine Ollie Seelbinder Merlino was born in Portland, Oregon in 1912. She trained at the Portland Art Museum School before venturing to New York City where she took classes at the Art Students' League with, among others, Will Barnet, Anton Refregier, Adolph Gottlieb, Hans Hofmann, and Harry Sternberg. Maxine Merlino worked in New York from 1936 to 1943 as a free-lance illustrator, muralist, and theatrical set designer.

In 1940 and 1942, Merlino won mural commissions for the United States Department of Interior Section of Fine Arts program. She designed and executed murals for the S.S. Garfield, and painted a mural that graced the Recorder of Deeds Building in Washington, D.C., one of seven murals in the building celebrating the contributions of African Americans.

Relocating to Long Beach, California in 1943, she worked as a scientific illustrator for the Army Air Force during the Second World War and subsequently as a stage, set and costume designer for theater and film producer Preston Sturges. From the early 1950s until her retirement in 1976, she was affiliated with California State University, Long Beach where she served as a Professor of Art and Theater Design and then as Dean of the Art Department. In recognition of Dr. Merlino's contributions to the department, the university dedicated an art gallery in her name, in February 2003.
Provenance:
Dr. Merlino donated her papers in 2003.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Set designers -- California  Search this
Topic:
Mural painting and decoration -- 20th century -- California  Search this
Women artists  Search this
Federal aid to the arts  Search this
Art -- Study and teaching  Search this
Works of art  Search this
Women illustrators  Search this
Women muralists  Search this
Women designers  Search this
Women educators  Search this
Genre/Form:
Drawings
Photographs
Citation:
Maxine Seelbinder Merlino papers, 1928-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.merlmaxi
See more items in:
Maxine Seelbinder Merlino papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90a9011ad-dc22-46af-8069-cbf79c038f97
EDAN-URL:
ead_collection:sova-aaa-merlmaxi

Oral history interview with Frank E. Cummings, III, 2006 December 28-2007 January 5

Interviewee:
Cummings, Frank E.  Search this
Interviewer:
Lauria, Jo, 1954-  Search this
Subject:
Cooke, Edward S.  Search this
Castle, Wendell  Search this
Prestini, James  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Frank E. Cummings, III, 2006 December 28-2007 January 5. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
African American artists  Search this
African American art -- African influences  Search this
Theme:
Craft  Search this
African American  Search this
Record number:
(DSI-AAA_CollID)13599
(DSI-AAA_SIRISBib)268663
AAA_collcode_cummin06
Theme:
Craft
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_268663
Online Media:

Oral history interview with Frank E. Cummings, III

Interviewee:
Cummings, Frank E.  Search this
Interviewer:
Lauria, Jo  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Castle, Wendell, 1932-2018  Search this
Cooke, Edward S., 1954-  Search this
Prestini, James, 1908-  Search this
Extent:
74 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2006 December 28-2007 January 5
Scope and Contents:
An interview of Frank E. Cummings, III conducted 2006 December 28 and 2007 January 5, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home, in Long Beach, California.
Cummings speaks of his childhood in Los Angeles and the challenges he faced in school; receiving a B.A. from California State University, Long Beach; working with troubled youth as a social worker with Neighborhood Youth Association; teaching at California State University, Long Beach while earning his M.F.A. at California State University, Fullerton through the Black Faculty Teaching Program; the invitation by Eudorah Moore to show in "California Design XI"; the importance of having his and his students' work published in Dona Meilach's book, "Creating Modern Furniture: Trends, Techniques, Appreciation"; the role of reflective surfaces in his work to capture the viewer's attention; using a diamond stylus to draw on glass; serving as the first M.F.A. graduate program coordinator at California State University, Long Beach; the development and creation of his famed clock, It's About Time, now in the Museum of Fine Arts, Boston; working as a gofer for Sam Maloof during a three day seminar at Yosemite National Park; receiving an invitation from Maloof to teach at Penland School of Crafts in Penland, North Carolina; his experiences at Haystack Mountain School of Crafts in Deer Isle, Maine.; the consistent drive throughout his career to continue working, exhibiting, and publishing; his love of teaching; the honor of receiving the Outstanding Professor Award at California State University, Fullerton, in 1997; receiving a National Endowment of Arts grant in 1973 to spend two months in Ghana, Africa examining connections between the African American struggle for identity in the ghettoes of the United States and struggles faced in Africa; returning to various regions in Africa in 1981 at the request of the State Department to evaluate and help increase object making productivity in villages while exhibiting his art in museums throughout the continent; his deliberate selection of materials; the role race has played in his career; his reverence of nature; designing furniture for the set of the movie, "How Stella Got Her Groove Back;" the development and creative process of the Carousel series; finding inspiration in his wife, C.C.; and plans for the future. Cummings also recalls Raymond Hein, Thomas Ferreira, James Prestini, Wendell Castle, William Hunter, Edward Cooke, Gerald W.R. Ward, Kelly H. L'Ecuyer, and others.
Biographical / Historical:
Frank E. Cummings III (1938- ) is a furniture maker and woodworker of Long Beach, California. Jo Lauria ( 1954- ) is a curator and art writer of Los Angeles, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 28 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Woodworkers -- California  Search this
Topic:
Decorative arts  Search this
African American artists  Search this
African American art -- African influences  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cummin06
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92ea683fd-bb6d-4e10-be30-d8a847ad89d3
EDAN-URL:
ead_collection:sova-aaa-cummin06
Online Media:

Oral history interview with John Cederquist

Interviewee:
Cederquist, John  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University -- Students  Search this
Franklin Parrasch Gallery  Search this
Museum of Fine Arts, Boston  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Oakland Museum  Search this
Saddleback College -- Faculty  Search this
Bennett, Garry Knox, 1934-  Search this
Clark, Garth, 1947-  Search this
Cooke, Edward S., 1954-  Search this
Danto, Arthur Coleman, 1924-  Search this
Gaines, Tom  Search this
Hughes, Robert, 1938-2012  Search this
Makepeace, John  Search this
Maruyama, Wendy, 1952-  Search this
Parrasch, Franklin  Search this
Smith, Roberta  Search this
Snidecor, John  Search this
Straight, Bob  Search this
Straight, Chris  Search this
Turnbull, George  Search this
Zuecher, Gary  Search this
Extent:
11 Items (Sound recording: 11 sound files (4 hr., 54 min.), digital, wav file)
111 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 April 14-15
Scope and Contents:
An interview of John Cederquist conducted 2009 April 14-15, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Cederquist's studio, in San Clemente, California.
John Cederquist speaks of his recent series Dollar Bill; his long-standing interest in perspective and use of tool imagery in his work; his childhood in Southern California; his early interest in art through custom car art; high school art instruction and focusing on craft; earning undergraduate and graduate degrees at California State University, Long Beach in the late 1960s and early 1970s; teaching at Saddleback College, Mission Viejo, California, starting in the early 1970s; work in wood and leather; other brief teaching jobs in Southern California universities; early exhibitions; exhibition and demonstrations at Parnham House, Beaminster, England, 1978; starting to teach perspective at Saddleback; Number One; the Egg and the Eye gallery/cafe, Los Angeles, California; Game Table [1982]; Auntie Macassar Goes West, 1987-88; philosophical and aesthetic differences between wood artists on the East and West coasts; exhibition: "Material Evidence: Master Craftsmen Explore ColorCore," Workbench: the Gallery, New York, New York, 1984; "California Woodworking," the Oakland Museum [of California, 1980; Thonet catalog as source material]; influence of animation in film and television; the perceptual and conceptual issues in translating two dimensions into three, and vice versa; the nature of illusion and perception; inclusion of work in an exhibition at the Museum of Fine Arts, Boston, 1989; the influence of How to Wrap Five Eggs: Traditional Japanese Packaging, Hideyuki Oka, Trumbull, Connecticut: Weatherhill, 1967; use of the Thomas Chippendale book (1754) as source material; subtle influence of cubism on Ghost Boy [1992] piece; his choice of furniture as the vehicle for his aesthetic exploration; series Furniture That Builds Itself (1991-2007), and continued influence of cartoons and animation; his choice of different kinds of wood; series How to Wrap Five Crates; series Kimonos and the influence of Japanese aesthetics; When Machines Dream of Hokusai [1995]: Road to Dreamland; series Wave (early to mid-1990s), and Tubular [1990], the first in the series; series Kosode; series This Is Not Lunch; historical Japanese tattoos as a source of inspiration; "Furniture That Builds Itself," Franklin Parrasch Gallery, New York, New York, 2003; sense of humor and "goofiness" in his work; Flat Foot Floogie Builds a Bench. [2003]; influence of photography on his work; his pieces as functional furniture and the artistic potential therein; social commentary in his recent Kosode pieces; Heavenly Victory; how his pieces get named; "The Art of John Cederquist: Reality of Illusion," Oakland Museum of California, 1999-2000; Breakthrough series: Steamer, early 1990s; Top Drawer (1985); Space Age Wave Machine (1999); use of thick wood instead of veneer; strengths and weaknesses of a university setting for art studies; the importance of being part of the craft movement; the role of Garth Clark's gallery in the movement; the importance of working with the Franklin Parrasch gallery; his admiration for art critic Robert Hughes; the role of online media in art journalism and criticism and journalism. He also recalls Gary Zuercher, Franklin Parrasch, John Snidecor, George Turnbull, John Makepeace, Edward S. Cooke, Garry Knox Bennett, Wendy Maruyama, Tom Gaines, Bob and Chris Straight, Arthur Danto, and Roberta Smith.
Biographical / Historical:
John Cederquist (1946- ) creates fine art furniture and wood sculpture. Cederquist is known for using trompe l'oeil in his work. He was educated at Long Beach State University and teaches at Saddleback College.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 4 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Cabinetmakers -- California -- Interviews  Search this
Topic:
Art -- Study and teaching  Search this
Decorative arts  Search this
Furniture designers -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Woodworkers -- California -- Interviews.  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cederq09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e6b8700a-8d69-4730-8c1b-fa580b376816
EDAN-URL:
ead_collection:sova-aaa-cederq09
Online Media:

Oral history interview with Cindy Kolodziejski

Interviewee:
Kolodziejski, Cindy, 1962-  Search this
Interviewer:
Lloyd, Frank, 1951-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University, Long Beach -- Faculty  Search this
Frank Lloyd Gallery  Search this
Garth Clark Gallery (New York, N.Y.)  Search this
J. Paul Getty Museum  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Otis College of Art and Design -- Students  Search this
University of California, Los Angeles. Library  Search this
Albuquerque, Lita  Search this
Bacerra, Ralph, 1938-2008  Search this
Caroompas, Carole  Search this
Clark, Garth, 1947-  Search this
Delisle, Roseline  Search this
Dowell, Roy  Search this
Giegerich, Jill, 1952-  Search this
Lauria, Jo  Search this
Lodato, Peter  Search this
Marsh, Tony, 1954-  Search this
Mason, John, 1927-2019  Search this
Nagle, Ron  Search this
Pagel, David  Search this
Saxe, Adrian Anthony, 1943-  Search this
Sturman, Eugene  Search this
Thomason, Barbara A.  Search this
Extent:
7 Items (Sound recording: 7 wav files (4 hr., 10 min.), digital)
36 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
New York (N.Y.) -- Description and views
Arizona -- Description and Travel
California -- description and travel
China -- Description and Travel
Greece -- description and travel
Italy -- description and travel
Nepal -- Description and Travel
Date:
2007 May 5-16
Scope and Contents:
An interview of Cindy Kolodziejski conducted 2007 May 5-16, by Frank Lloyd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Frank Lloyd Gallery, in Santa Monica, California.
Kolodziejski speaks of moving in her early childhood from Germany to Arizona and finally to California; the divorce of her parents at a young age and her feelings of abandonment; her desire as a young child to be an artist; the early influence of her grandmother, an art teacher; teaching herself how to draw by copying images and creating still-lifes; an influential art teacher in high school who encouraged her to pursue college-level art classes and attend art school after graduation; her decision to enroll at Otis College of Art and Design; her foundation art classes at Otis and increasing interest in ceramics; choosing ceramics as a medium because of its flexibility and of form and potential for imagery; the value of her art education to her career; earning a Master of Fine Arts degree while teaching at California State University, Long Beach; the union of form, function, and imagery in her work, especially seen in a recent exhibition at the Frank Lloyd Gallery titled "Reversal of Fountain"; using the University of California, Los Angeles, libraries to find images at first, and later searching the internet for inspiration; creating pieces which play with and explore gender issues and sexuality; being reviewed and featured in articles which are especially concerned with issues of the body and femininity; the documentation of her art in various periodicals and texts, including a piece she wrote for Ceramics Monthly concerning her own work; gaining exposure through these articles, which helped to advance her career; the painstaking and technical process required to fashion her works of art; showing at the Garth Clark Gallery very quickly after graduation; traveling to Greece, China, Nepal, New York, and Italy, and being influenced by the exposure to the different art and cultures; recent travels with her daughter to Italy and feeling excited and humbled by the beauty of certain works; giving a talk at the Getty Museum about a show entitled "The Royal Menagerie" featuring the Meissen large-scale porcelain animals; participating in group shows in museums, particularly the "Color and Fire" exhibit which showcased important ceramicists from 1950 to 2000; being awarded various grants and feeling that applying for those awards is a very worthwhile experience for many artists; teaching first at the high school level and then in college; her teaching methods; forming friendships with fellow artists and art teachers; integrating the use of technology into her art-making process by finding and manipulating images on the computer; feeling motivated to produce in a positive way for exhibition deadlines; the support and friendships that developed through exhibiting with the Clark Garth and Frank Lloyd galleries; the encouragement and support she has been shown by her family throughout her career; and categorizing herself first and foremost as an artist rather than a craft artist or ceramicist. Kolodziejski recalls, Lita Albuquerque, Jill Giegerich, Peter Lodato, Barbara Thomason, Roy Dowell, Eugene Sturman, Carol Caroompas, Tony Marsh, Ralph Baccera, Adrian Saxe, Ron Nagle, Roseline Delisle, John Mason, Jo Lauria, David Pagel, Garth Clark, and others.
Biographical / Historical:
Cindy Kolodziejski (1962- ) is a sculptor and painter from Venice, California. Frank Lloyd (1951- ) is a gallery owner from Santa Monica, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- California -- Venice  Search this
Sculptors -- California -- Venice  Search this
Topic:
Ceramics  Search this
Ceramics -- Technique  Search this
Self-taught artists  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.kolodz07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec3e455-7879-43de-ba7b-9db80c22c835
EDAN-URL:
ead_collection:sova-aaa-kolodz07
Online Media:

The Smithsonian Asian Pacific American Center Calls Upon Its Community to Share the Power of Music

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Fri, 14 May 2021 19:17:51 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_1f039473af92df71a8e55fc0a781a634

Did the Ancient Greeks Design Temples With Accessibility in Mind?

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Thu, 23 Jul 2020 11:30:00 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_c56f9138c0efdca4bd8e57e85f159107

Faculty 77 : [exhibition], September 12 - October 2 / California State University, Long Beach, School of Fine Arts, Dept. of Art

Author:
California State University, Long Beach Art Galleries  Search this
California State University, Long Beach Department of Art  Search this
Physical description:
[40] p. : ports. ; 31 x 21 cm
Type:
Exhibitions
Place:
California
Long Beach
Date:
1977
C1977
20th century
Topic:
College teachers as artists--Exhibitions  Search this
Art, American  Search this
Artists--Exhibitions  Search this
Call number:
N6530.C2 F14
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_149023

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