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Oral history interview with Alexis Smith, 2014 January 24-April 14

Interviewee:
Smith, Alexis, 1949-  Search this
Smith, Alexis, 1949-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Subject:
Bell, Larry  Search this
Burden, Barbara  Search this
Burden, Chris  Search this
Celmins, Vija  Search this
Chicago, Judy  Search this
Coplans, John  Search this
Gehry, Frank O.  Search this
Grieger, Scott  Search this
Howard, Coy  Search this
Irwin, Robert  Search this
Krull, Craig  Search this
Moses, Avilda  Search this
Ruppersberg, Allen  Search this
Sedivy, Richard  Search this
Solomon, Jerry  Search this
Holly Solomon Gallery  Search this
Honor Fraser Gallery  Search this
Margo Leavin Gallery  Search this
Mizuno Gallery  Search this
Nicholas Wilder Gallery  Search this
University of California, Irvine  Search this
University of California, Los Angeles  Search this
Type:
Interviews
Sound recordings
Place:
France -- description and travel
Topic:
Art -- Study and teaching  Search this
Installations (Art)  Search this
Multimedia (Art)  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)16169
(DSI-AAA_SIRISBib)366489
AAA_collcode_smith14
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_366489
Online Media:

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Collector:
National Museum of American History (U.S.). Archives Center  Search this
Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
American Federation of Teachers  Search this
Department of Defense, Comprehensive Review Working Group  Search this
Gay Officers Action League. GOAL  Search this
Gay, Lesbian, Bisexual and Transgender Community Center of Baltimore and Central Maryland  Search this
ONE National Gay and Lesbian Archives  Search this
San Diego LGBT Pride  Search this
Servicemembers Legal Defense Network  Search this
Smith College  Search this
University of Connecticut  Search this
William Way Community Center  Search this
Biren, Joan E.  Search this
Bushnell, Megan  Search this
Davidson, James, Dr.  Search this
Dietrich, Joe  Search this
Exline, Gregory  Search this
Florence, Laura  Search this
Huebner, David  Search this
Jain, Shawn  Search this
Karazsia, Amy  Search this
Karazsia, William G.  Search this
Lombardi, Angela  Search this
Lynch, Patsy  Search this
Meinke, Mark  Search this
Nitz, Ryan  Search this
Reichard, Bradley  Search this
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Ros, Silvia  Search this
Sabatino, Michael  Search this
Shannon, Michael A.  Search this
Sheets, Justin  Search this
Snodgrass, Adam  Search this
Voorheis, Robert  Search this
Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Other:
Larson, Gordon P., 1910-1988 -- 20th century  Search this
Names:
McWaine, Dwayne, Dr.  Search this
Extent:
61 Cubic feet (186 boxes, 20 map-folders)
Type:
Collection descriptions
Archival materials
Passports
Postcards
Photographs
Posters
Videocassettes
Advertising
Dvds
Songbooks
Periodicals
Place:
Canada -- Description and Travel
Germany -- description and travel
Amsterdam (Netherlands)
Washington, D.C. -- history
Los Angeles (Calif.)
New York, New York
Date:
1825-2021, undated
bulk 1960-2019
Summary:
This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.
Scope and Contents:
The Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection contains periodicals, ephemera, posters, postcards, advertisements, photographs, organizational records, publications, correspondence, and other materials related to all aspects of the LGBT community and the civil rights issues pertaining thereto. The collection was created by the Archives Center to bring together materials specifically pertaining to the LGBT community. This collection contains material from communities and individuals throughout the United States. The collection is currently strongest in periodicals, newspapers and ephemera and very strong in material from California and New York. The collection continues to add new items and the researcher would be wise to take a broad view in targeting their research topics in the collection.
Arrangement:
The collection is divided into twenty-four series.

Series 1: Periodicals, 1937-2018

Series 2: Agencies, Associations, and Organizations, 1984-2018, undated

Series 3: Community Life and Subject Files, 1825-2018, undated

Subseries 3.1: Photographs and Slides, 1870-1980, undated

Subseries 3.2: Ephemera and Buttons, 1969-2018, undated

Subseries 3.3: Posters and Prints, 1825-2018, undated

Subseries 3.4: Subject Files, 1958-2018, undated

Subseries 3.5: Pride, 1976-2018, undated

Subseries 3.6: HIV and AIDS, 1987-2017, undated

Series 4: Advertising, Business, and Publications, 1970-2018, undated

Subseries 4.1: Advertising, 1970-2018, undated

Subseries 4.2: Business, 1998-2017, undated

Subseries 4.3: Television, Theater, and Motion Pictures, 1978-2018, undated

Subseries 4.4: Bar ephemera and advertisement, 1979-2018, undated

Subseries 4.5: Publications, 1976-2018, undated

Series 5: Biren, Joan E. (JEB), 195-2018, undated

Subseries 5.1: Xerographic Copies of Photoprints, 1971-1995, undated.

Subseries 5.2: Posters and Oversize Advertisement, 1973-2018, undated

Series 6: Dietrich, Joseph A., 1992-2010

Series 7: Mattachine Society Records, 1942-1996, undated

Subseries 7.1: Correspondence, 1952-1991, undated

Subseries 7.2: Board of Directors Minutes, 1954-1974, undated

Subseries 7.3: Organizational Information, 1942-1993, undated

Subseries 7.4: Councils, Chapters, and Committees, 1953-1965, undated

Subseries 7.5: Conventions, 1953-1960, undated

Subseries 7.6: Publications, 1944-1996, undated

Series 8: Rainbow History Community Pioneers, 2003-2012, undated

Series 9: Strub, Sean O., addendum, 1987-2011, undated

Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB, 1990-2014, undated

Series 11: Ros, Silvia, 2009-2011

Series 12: Huebner, David, 2009-2014

Series 13: St. George, Philip, 1945-1955, undated

Series 14: Will & Grace, 1995-2006

Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York, 1910-2014, undated

Subseries 15.1: Photographs, Photographic Negatives, and Slides, 1985-2010, undated

Subseries 15.2: Heritage of Pride (HOP), 1984-2014, undated

Subseries 15.3: Barna, Joseph T., 1910-2013, undated,

Series 16: Becker, John M., 1999-2014, undated

Series 17: Rohrbaugh, Richard, 1972-1986, undated

Series 18: Guest, Michael E., 2001-2009

Series 19: The Fosters, 2013

Series 20: Pride at Work, 1990-2015

Series 21: Sabatino, Michael and Voorheis, Robert, 1980-2016, undated

Subseries 21.1: Archilla, Gustavo A. and Lokkins, Elmer T., 1916-2014, undated

Series 22: Gay Officers Action League (GOAL), 1982-2016, undated

Series 23: Brown, Adele "Del" and Herizon's Bar, 1985-1991, undated

Subseries 1: Changing Herizons, and Herizons Newsletter, 1983-1991

Series 24: Universal Felloship Metropolitan Community Churches (UFMCC), 1957-2019, undated
Historical Note:
While the quest for equal rights has been pursued by generations, it is generally acknowledged that the modern day Lesbian, Gay, Bisexual, and Transgender (LGBT) civil rights movement began in New York City in June 1969 with the Stonewall Riots. Prior to this time a number of activists, individuals, and organizations such as The Mattachine Society, Daughters of Bilitis and others, fought to bring recognition of LGBT civil rights to the forefront of American society. While the movement was primarily, and most visually, centered in New York City and San Francisco, periodicals, guide books, and ephemeral material interconnected the larger LGBT community throughout the United States. The increased visibility of the LGBT movement inspired groups at odds with that new found visibility and call to action. The challenge to what was termed "traditional" values encouraged counter-LGBT groups to define and solidfy their constituency as well. This collection comprises material that is generated by individuals and organizations that have been on both sides of the question.
Related Materials:
Materials in the Archives Center

Michio and Aveline Kushi Macro-Biotics Collection (AC0619)

The Shamrock Bar: Photographs and Interviews (AC0857)

John-Manuel Andriote Victory Deferred Collection (AC1128)

Archives Center Wedding Documentation Collection (AC1131 )

Division of Science, Medicine, and Society HIV/AIDS Reference Collection (AC1134)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)

Joan E. Biren (JEB) Queer Film Museum Collection (AC1216)

World AIDS Institute (WAI) Collection (AC1266)

Servicemembers Legal Defense Network (SLDN) Records (AC1282)

Helping Persons with AIDS (HPA) Records (AC1283)

DC Cowboys Dance Company Records (AC1312)

Bil Browning and Jerame Davis Papers (AC1334)

David Hadley Rockwell New York Disco Ephemera Collection (AC1342)

Leonard P. Hirsch Federal Globe Records (AC1357)

Corbett Reynolds Papers (AC1390)

Mark Segal Papers (AC1422)

The Mattachine Society of Washington "Love in Action" Collection (AC1428)

Academy of Washington Records (AC1458)

Matthew Shepard Papers (AC1463)

I'm From Driftwood Records (AC1503)

The Division of Political History holds artifacts related to gay activist Franklin Kameny and a variety of political buttons. They also hold LGBT related artifacts from Joan E. Biren (JEB).

The Division of Medical and Science holds objects donated from Dr. Renee Richards, Sean O. Strub, and Leonard Hirsch.

The Division of Entertainment and the Arts holds objects donated by The Fosters and Will & Grace.
Provenance:
This collection was assembled by the Archives Center, National Museum of American History, Smithsonian, beginning in 2004.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women's music  Search this
Transgender people -- Identity  Search this
Sexual orientation  Search this
Political activists  Search this
Lesbianism  Search this
Lesbian and gay experience  Search this
Gay activists  Search this
Homosexuality  Search this
HIV and AIDS  Search this
Feminism  Search this
Bisexuality  Search this
Bars (Drinking establishments)  Search this
Gay Pride  Search this
Genre/Form:
Passports
Postcards
Photographs -- 2000-2010
Posters
Videocassettes
Advertising
DVDs
Photographs -- 20th century
Songbooks
Periodicals
Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1146
Online Media:

Oral history interview with Barbara Bloom, 2012 October 18-2013 January 31

Interviewee:
Bloom, Barbara, 1951-  Search this
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Baldessari, John  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul  Search this
Duchamp, Marcel  Search this
Fischl, Eric  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gorney, Jay  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick  Search this
Irwin, Robert  Search this
Knowles, Alison  Search this
Kappe, Ray  Search this
Kienholz, Edward  Search this
Mullican, Matt  Search this
Mulvey, Laura  Search this
Orr, Eric  Search this
Paik, Nam June  Search this
Palestine, Charlemagne  Search this
Paz, Octavio  Search this
Ruppersberg, Allen  Search this
Ruscha, Edward  Search this
Salle, David  Search this
Sontag, Susan  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney  Search this
Trockel, Rosemarie  Search this
Wheeler, Doug  Search this
Wilde, Oscar  Search this
Young, La Monte  Search this
Bennington College  Search this
California Institute of the Arts  Search this
Biennale di Venezia  Search this
Type:
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and travel
Holland -- description and travel
Netherlands -- description and travel
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Women artists  Search this
Women photographers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)16106
(DSI-AAA_SIRISBib)362118
AAA_collcode_bloom12
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_362118
Online Media:

Oral history interview with Barbara Bloom

Interviewee:
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Bennington College -- Students  Search this
Biennale di Venezia  Search this
California Institute of the Arts -- Students  Search this
Baldessari, John, 1931-  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul, 1939-  Search this
Duchamp, Marcel, 1887-1968  Search this
Fischl, Eric, 1948-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorney, Jay, 1896-1990  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick, 1938-1998  Search this
Irwin, Robert, 1928-  Search this
Kappe, Ray, 1927-  Search this
Kienholz, Edward, 1927-  Search this
Knowles, Alison, 1933-  Search this
Mullican, Matt, 1951-  Search this
Mulvey, Laura  Search this
Orr, Eric, 1939-1998  Search this
Paik, Nam June, 1932-  Search this
Palestine, Charlemagne  Search this
Paz, Octavio, 1914-  Search this
Ruppersberg, Allen, 1944-  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Sontag, Susan, 1933-2004  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney, 1925-  Search this
Trockel, Rosemarie, 1952-  Search this
Wheeler, Doug, 1939-  Search this
Wilde, Oscar, 1854-1900  Search this
Young, La Monte  Search this
Extent:
9 Items (Sound recording: 9 sound files (6 hr., 12 min.), digital, wav)
132 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and Travel
Holland -- Description and Travel
Netherlands -- description and travel
Date:
2012 October 18-2013 January 31
Scope and Contents:
An interview of Barbara Bloom conducted 2012 October-2013 January 31, by James McElhinney, for the Archives of American Art, at Bloom's home and studio, in New York, New York.
Bloom speaks of growing up in Brentwood, California; her first experience with art; her childhood and exposure to creativity; the influence of art and philosophy; going to museums as a kid; living in Monte Factor and then Los Angeles; her creative process, influences, and life as an artist; art mentors and art lessons with Cathy Herman; traveling with her family; her mom being an actress; attending Bennington College in Vermont, the 1960s, the and collage aesthetic; attending CalArt; the changes in art education at the university level; drugs use; Fluxus; John Cage and attending 4'33; living in Europe and specifically Netherlands, Germany, and Holland; books and love of reading; her daughter; the post-studio era; film and meta-movies; making "The Diamond Lane;" images and objects' connection to meanings; The Gaze; undressing the wall; Homage to Jean Seberg, Godard, Berlin; East Germany; being agnostic and Jewish; Venice Biennale; collectors; cycle of shows; MFA programs; The Tip of the Iceberg; surgeries; hospital visit, personal training, and recovery; The Seven Deadly Sins; her father; Tellus Magazine; Judaism; fabrications and drawings; archives; relationship between the artist and the viewer; her husband; 010011.net; recent show; and As It Were, So To Speak. Bloom also recalls Monte and Betty Factor, Ed Kienholz, Ron Kappe, Robbie Robe, Ray Kappe, Matt Mullican, Eric Orr, Robert Irwin, Doug Wheeler, Total: digital recordings; Claire Steinman, Rosemarie Trockel, Ash Grove, James Lee Byars, Frances Rey, Sidney Tillim, Norman O. Brown, Paul Cotton, Paul Brock, Buckminster Fuller, John Baldessari, Nam June Paik, Dick Higgins, Alison Knowles, Serge Tcherepnin, Simone Forte, Charlemagne Palestine, La Monte Young, David Salle, Eric Fischl, Marcel Broodthaers, Susan Sontag, Tim Maul, Caroline Tisdale, Marcel Duchamp, Laura Mulvey, John Berger, Oscar Wilde, Ed Ruscha, Isabella Kacprzak, Octavio Paz, Leo Castelli, Allen Ruppersberg, Jay Gorney, Claudia Gould, Susan Bronstein, Donald Judd, Robert DuGrenier, Pistoletto, Anthony Coleman, Mel Bochner, and Ken Saylor.
Biographical / Historical:
Barbara Bloom (1951- ) is a photographer, designer, and installation artist in New York, New York. James McElhinney (1952- ) is an artist and professor in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Designers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Women artists  Search this
Women photographers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bloom12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bloom12

Oral history interview with Richard Marquis, 2006 September 16

Interviewee:
Marquis, Richard, 1945-  Search this
Marquis, Richard, 1945-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Bauer, Fred  Search this
Blakebrough, Les  Search this
Concannon, Bill  Search this
de Santillana, Ludovico  Search this
Eubanks, John  Search this
Fine, Jody  Search this
Lipofsky, Marvin  Search this
Littleton, Harvey K.  Search this
Marioni, Dante  Search this
Melchert, Jim  Search this
Mount, Nick  Search this
Naess, Bob  Search this
Nagle, Ron  Search this
Pearson, John  Search this
Price, Kenneth  Search this
Spagnoli, Jerry  Search this
Statom, Therman  Search this
Tagliapietra, Lino  Search this
Voulkos, Peter  Search this
Wax, Jack  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tasmanian School of Art  Search this
University of California, Berkeley  Search this
University of California, Los Angeles  Search this
University of Washington  Search this
Type:
Sound recordings
Interviews
Place:
Australia -- description and travel
Topic:
Decorative arts  Search this
Glass blowing and working -- Italy  Search this
Glass blowing and working -- Study and teaching  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13549
(DSI-AAA_SIRISBib)265219
AAA_collcode_marqui06
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_265219
Online Media:

Oral history interview with Gerhardt Knodel, 2004 August 3

Interviewee:
Knodel, Gerhardt, 1940-  Search this
Knodel, Gerhardt, 1940-  Search this
Interviewer:
Adamson, Glenn, 1972-  Search this
Subject:
Abakanowicz, Magdalena  Search this
Albers, Anni  Search this
Al-Hilali, Neda  Search this
Andreson, Laura  Search this
Christo  Search this
Hicks, Sheila  Search this
Kester, Bernard  Search this
Larsen, Jack Lenor  Search this
Leland, Mary Jane  Search this
Smith, Kiki  Search this
Tawney, Lenore  Search this
Zeisler, Claire  Search this
Cranbrook Academy of Art  Search this
Los Angeles City College  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles  Search this
Type:
Interviews
Sound recordings
Place:
California -- Los Angeles -- Description and travel
Michigan -- Description and travel
Topic:
Abstract expressionism  Search this
Decorative arts  Search this
Textile crafts -- Study and teaching  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)12740
(DSI-AAA_SIRISBib)249179
AAA_collcode_knodel04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249179
Online Media:

Oral history interview with Harlan Butt, 2009 July 27-28

Interviewee:
Butt, Harlan, 1950-  Search this
Butt, Harlan, 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Brooks, Jan  Search this
Glantz, Ken  Search this
Japanese tea ceremony  Search this
Kington, L. Brent (Louis Brent)  Search this
Lechtzin, Stanley  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene  Search this
Pijanowski, Hiroko Sato  Search this
Pujol, Elliot  Search this
Scanga, Italo  Search this
Shirk, Helen Z.  Search this
Snyder, Gary  Search this
Staffel, Rudolf  Search this
Winokur, Robert  Search this
American Craft Council  Search this
Arrowmont School of Arts and Crafts  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts  Search this
Rhode Island School of Design  Search this
San Diego State University  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale  Search this
Tyler School of Art  Search this
University of North Texas  Search this
Type:
Interviews
Sound recordings
Place:
Australia -- description and travel
India -- description and travel
Japan -- Description and Travel
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)15907
(DSI-AAA_SIRISBib)296475
AAA_collcode_butt09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_296475
Online Media:

Panama-California Exposition

Subject:
Panama-California Exposition (1915 : San Diego, Calif.)  Search this
Panama-California Exposition (1915 : San Diego, Calif.) Buildings  Search this
Physical description:
1 volume (unpaged) illustrations 26 x 33 cm
Type:
Pictorial works
Place:
California
San Diego
San Diego (Calif.)
Date:
1915
Topic:
Exhibition buildings  Search this
Buildings  Search this
Travel  Search this
Description and travel  Search this
Call number:
T872.C1 P36 1915
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_935476

Oral history interview with Alexis Smith

Creator:
Smith, Alexis, 1949-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Names:
Holly Solomon Gallery  Search this
Honor Fraser Gallery  Search this
Margo Leavin Gallery  Search this
Mizuno Gallery  Search this
Nicholas Wilder Gallery  Search this
University of California, Irvine -- Students  Search this
University of California, Los Angeles -- Faculty  Search this
Bell, Larry, 1939-  Search this
Burden, Barbara  Search this
Burden, Chris, 1946-  Search this
Celmins, Vija, 1938-  Search this
Chicago, Judy, 1939-  Search this
Coplans, John  Search this
Gehry, Frank O., 1929-  Search this
Grieger, Scott  Search this
Howard, Coy  Search this
Irwin, Robert, 1928-  Search this
Krull, Craig  Search this
Moses, Avilda  Search this
Ruppersberg, Allen, 1944-  Search this
Sedivy, Richard  Search this
Solomon, Jerry  Search this
Extent:
5 Items (Sound recording: 5 sound files (3 hr., 11 min.), digital, wav)
84 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
France -- description and travel
Date:
2014 January 24-April 14
Scope and Contents:
An interview with Alexis Smith conducted 2014 January 24 and April 14, by Hunter Drohojowska-Philp, for the Archives of American Art at Smith's studio, in Venice, California.
Ms. Smith discusses growing up in Southern California and her early years living with her parents on the grounds of Metropolitan State Hospital, a mental institution in Norwalk, California; her mother's death when Ms. Smith was 11; the family's time in Whittier and Palm Springs and being raised as an only child by her father; her early interest in French studies and travel to France as a student; her interest in studying art beginning with a John Coplans class at UC Irvine; her time at at UC Irvine in the early days of the university and her growing attraction to the life of an artist; the origin of her name Alexis Smith; and the encouragement of her fellow artists to continue pursuing her cut-up collages from literature, photos, magazines, and Hollywood ephemera. Ms. Smith also describes her time with her artist women's group in the 70s; her husband Scott Grieger; working for Frank Gehry; her showing with the Nicholas Wilder Gallery; her relationship with Chris Burden and her time with him during his period of performance pieces in the 70s; the Riko Mizuno Gallery; her work with terrazzo and its use for installations at the LA Convention Center, Ohio State University, and other installations; the appropriation of text and the assistance of Jerry Solomon utilizing custom frames in her artwork; the impact of women from history, media and literature on her art; her relationship with Coy Howard; the Holly Solomon Gallery; her Jane series; her On the Road series; her installation Snake Path at UC San Diego; her piece for SITE Santa Fe Red Carpet; teaching at UCLA; her installation of the piece Scarlet Letter at Las Vegas Central Library and its subsequent removal; her associations with Margo Leavin Gallery and Honor Fraser gallery; and the loss of her long-time studio space and the challenges of storing her artwork. Ms. Smith also recalls Judy Chicago, Robert Irwin, Vija Celmins, Larry Bell, Barbara Burden, Richard Sedivy, Avilda Moses, Craig Krull, and Allen Ruppersberg among others.
Biographical / Historical:
Alexis Smith (1949- ) is a collage, multimedia, and installation artist in Los Angeles, California. Hunter Drohojowska-Philp is an art critic and writer from Beverly Hills, California.
General:
Originally recorded as 5 sound files. Duration is 3 hr., 11 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Collagists -- California  Search this
Topic:
Art -- Study and teaching  Search this
Installations (Art)  Search this
Multimedia (Art)  Search this
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.smith14
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smith14

Oral history interview with Merryll Saylan

Interviewee:
Saylan, Merryll B., 1936-  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Association of Woodturners  Search this
California State University, Northridge -- Students  Search this
International Turned Objects Show (1988 : Philadelphia, Pa.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles -- Students  Search this
Wood Turning Center (Philadelphia, Pa.)  Search this
Woodstock School of Painting  Search this
Blunk, J. B., 1926-2002  Search this
Cooper, Michael Jean  Search this
Evans, Ralph  Search this
Foy, George  Search this
Fredell, Gail  Search this
Glaser, Jerry  Search this
Lipofsky, Marvin, 1938-2016  Search this
Maruyama, Wendy, 1952-  Search this
Rapp, Joanne  Search this
Stocksdale, Bob, 1913-2003  Search this
Stubbs, Del  Search this
Weir-Quiton, Pamela  Search this
Extent:
7 Items (Sound recording: 7 compact discs (6 hr., 9 min.), digital, 2 5/8 in.)
116 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
England -- description and travel
France -- description and travel
Guatemala -- Description and Travel
Hong Kong -- Description and Travel
Japan -- Description and Travel
Philippines -- Description and Travel
Date:
2006 May 20-June 5
Scope and Contents:
An interview of Merryll Saylan conducted 2006 May 20-June 5, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the Victoria & Albert Museum, in London, England.
Saylan speaks of her childhood in Los Angeles, California; her early musical education in piano and viola; memories of World War II; her family's political views during the Cold War; meeting her first husband at UCLA; dropping out of school to move to Virginia and Georgia in fulfillment of her husband's military service; experiencing anti-Semitism in Georgia; the challenges of her eldest son's speech problems; traveling to France, Japan, Guatemala, Hong Kong and the Philippines; her interest in Japanese culture; completing her B.A. in design at UCLA and her M.A. in studio art at California State University, Northridge; anti-Vietnam sentiment on campus; early interests in environmental design; her second husband and his friends; her interest in furniture and woodworking; differing approaches to woodworking on the east and west coasts; her views on feminism and working women; her use of color and texture in woodworking; teaching experiences; popular perception of her work; receiving a grant to go to England and her involvement with English and German woodturners; the lack of collector interest in her work; forced absences from working because of illnesses; serving on the boards of the American Association of Woodturners and The Woodturning Center; her involvement in the International Turned Objects Show, the Sculpture Objects & Functional Art Biannual Exposition, and the International Turning Exchange; her thoughts on future work. Saylan also recalls George Foy, Bob Stocksdale, Michael Cooper, Pamela Weir-Quiton, Joanne Rapp, J.B. Blunk, Marvin Lipofsky, Gail Fredell, Wendy Maruyama, Ralph Evans, Del Stubbs, Jerry Glaser, and others.
Biographical / Historical:
Merryll Saylan (1936- ) is a wood artist from San Rafael, California. Glenn Adamson (1972- ) is a museum professional, in London, England.
General:
Originally recorded on 7 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 6 hr., 9 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Woodworkers -- California  Search this
Topic:
Decorative arts  Search this
Environmental engineering  Search this
Feminism and art  Search this
Furniture making  Search this
Furniture making -- Study and teaching  Search this
Turning -- Study and teaching  Search this
Women artists  Search this
Woodwork  Search this
World War, 1939-1945  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.saylan06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-saylan06

Oral history interview with Gerhardt Knodel

Interviewee:
Knodel, Gerhardt  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Cranbrook Academy of Art -- Faculty  Search this
Los Angeles City College -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Los Angeles -- Students  Search this
Abakanowicz, Magdalena  Search this
Al-Hilali, Neda, 1938-  Search this
Albers, Anni  Search this
Andreson, Laura  Search this
Christo, 1935-  Search this
Hicks, Sheila, 1934-  Search this
Kester, Bernard  Search this
Larsen, Jack Lenor, 1927-2020  Search this
Leland, Mary Jane  Search this
Smith, Kiki, 1954-  Search this
Tawney, Lenore  Search this
Zeisler, Claire, 1903-1991  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 23 min.), digital, wav)
77 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
California -- Los Angeles -- Description and Travel
Michigan -- Description and Travel
Date:
2004 August 3
Scope and Contents:
An interview of Gerhardt Knodel conducted 2004 August 3, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Bloomfield Hills, Michigan.
Knodel speaks of his German heritage; his parents each immigrating to Los Angeles; growing up in Los Angeles and being part of the German community; his father building houses; the influence of his childhood environment on his artwork; taking art classes in school; participating in theater and set design; studying art at Los Angeles City College; collecting textiles; transferring to UCLA; teaching high school art; the influence of Abstract Expressionism on his early work; quitting teaching and studying fiber arts at University of California, Long Beach; traveling to numerous countries, and their influence on his artwork; researching and lecturing on fabric as environment; how the fiber art movement has evolved and changed; early exhibitions and the need for more venues; the fiber art community in the 1960s and 70s; the importance of University art programs; moving to Michigan and teaching at Cranbrook; the importance of scale and context in his work; making large scale pieces to fit within an architectural space; working on commission for public projects; working with the community in Pontiac, Michigan on a commissioned piece; the influence of the history of textiles; being director of the Cranbrook Academy of Art; putting figures on to textiles; the decline of the fiber art movement; and the benefits of schools such as Cranbrook. Knodel also recalls Bernard Kester, Mary Jane Leland, Laura Andreson, Anni Albers, Sheila Hicks, Neda Al-Hilali, Lenore Tawney, Claire Zeisler, Magdalena Abakanowicz, Jack Lenor Larsen, Christo, Kiki Smith, and others.
Biographical / Historical:
Gerhardt Knodel (1940-) is a fiber artist from Bloomfield Hills, Michigan. Glenn Adamson is a curator and, art historian from Wisconsin.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 23 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Fiber artists -- California  Search this
Topic:
Abstract expressionism  Search this
Decorative arts  Search this
Textile crafts -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.knodel04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-knodel04

Oral history interview with Richard Marquis

Interviewee:
Marquis, Richard, 1945-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Tasmanian School of Art  Search this
University of California, Berkeley -- Students  Search this
University of California, Los Angeles -- Faculty  Search this
University of Washington -- Faculty  Search this
Bauer, Fred  Search this
Blakebrough, Les, 1930-  Search this
Concannon, Bill  Search this
Eubanks, John  Search this
Fine, Jody  Search this
Lipofsky, Marvin, 1938-2016  Search this
Littleton, Harvey K.  Search this
Marioni, Dante, 1964-  Search this
Melchert, Jim, 1930-  Search this
Mount, Nick  Search this
Naess, Bob  Search this
Nagle, Ron  Search this
Pearson, John, 1940-  Search this
Price, Kenneth, 1935-2012  Search this
Spagnoli, Jerry  Search this
Statom, Therman, 1953-  Search this
Tagliapietra, Lino  Search this
Voulkos, Peter, 1924-2002  Search this
Wax, Jack  Search this
de Santillana, Ludovico  Search this
Extent:
9 Items (Sound recording: 9 sound files (4 hr., 57 min.), digital, wav)
81 Pages (Transcripts)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Australia -- Description and Travel
Date:
2006 September 16
Scope and Contents:
An interview of Richard Marquis conducted 2006 September 16, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Freeland, Washington.
Marquis speaks of his childhood spent moving around Arizona, Colorado, and California; his lifelong affinity for collecting objects; attending University of California, Berkeley; the influence of seeing the shows "Abstract Expressionist Ceramics" at the University of California at Irvine in 1966 and "American Sculpture of the Sixties" at Los Angeles County Museum of Art in 1967; receiving a Fulbright grant to study glassblowing in Murano, Italy; experiences at Venini Fabbrica Glass Factory in Murano; teaching experiences at University of Washington, Seattle and UCLA; traveling throughout Australia to set up glass workshops; working as artist-in-residence at Tasmanian School of Art in Hobart, Tasmania, Australia; establishing Marquis Deluxe Studios; large-scale installation collaborations with Therman Statom; the importance of teaching and sharing knowledge; the cyclical progression and diversity of his work; future plans to work less with glass and focus instead on daguerrotypes. Marquis also recalls Peter Voulkos, Ron Nagle, Marvin Lipofsky, James Melchert, Harvey K. Littleton, John Eubanks, John Pearson, Ludovico de Santillana, Lino Tagliapietra, Bob Naess, Fred Bauer, Nick Mount, Les Blakebrough, Jack Wax, Jody Fine, Therman Statom, Kenneth Price, Dante Marioni, Jerry Spagnoli, and Bill Concannon, among others.
Biographical / Historical:
Richard Marquis (1945- ) is glass artist and educator from Freeland, Washington. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 4 hrs., 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Educators -- Washington (State)  Search this
Glass artists -- Washington (State)  Search this
Topic:
Decorative arts  Search this
Glass blowing and working -- Italy  Search this
Glass blowing and working -- Study and teaching  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.marqui06
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marqui06

Elayne Zorn Collection

Source:
Cutipa Lima, Juan de Dios  Search this
California Academy of Sciences. Anthropology Department  Search this
Textile Museum (Washington, D.C.)  Search this
Author:
Zorn, Elayne  Search this
Names:
American Anthropological Association  Search this
Brooklyn Museum of Art  Search this
University of Central Florida. Department of Sociology & Anthropology  Search this
Cahlander, Adele  Search this
Former owner:
California Academy of Sciences. Anthropology Department  Search this
Textile Museum (Washington, D.C.)  Search this
Cutipa Lima, Juan de Dios  Search this
Extent:
1,474 Photographic prints
11526 Negatives (photographic)
10 Videocassettes
11 Linear feet
57 Sound recordings (57 cassette tapes.)
11412 Slides (photographs)
Culture:
Quechua  Search this
Aymara  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives (photographic)
Videocassettes
Sound recordings
Slides (photographs)
Negatives
Research
Audiocassettes
Writings
Field notes
Place:
Sacaca (Bolivia)
Potosí (Bolivia : Dept.) -- Description and travel.
Puno (Peru : Dept.)
Andes Region -- Economic integration.
Taquili (Peru) -- Economic conditions
Peru
Taquili (Peru) -- Social life and customs
Date:
1971-2010
Summary:
The Elayne Zorn Collection measures 11 linear feet and contains thousands of photographic objects including negatives, slides and prints. The collection material spans the years of Zorn's professional and student activity in the fields of anthropology and Latin American studies from around 1975 until 2010. The material in this collection reflects Zorn's long association with the community in Taquile, Peru which led up to the publication of her book, Weaving a Future, in 2004. Zorn also spent a significant amount of time conducting field research in Andean communities in Bolivia examining the relationships between tourism and textiles. Zorn's additional professional activities included serving as a textile collector and expert advisor for museum collections and exhibitions as well as performing academic duties at the University of Central Florida.
Scope and Contents:
The Elayne Zorn Collection spans the years of Zorn's professional and student activity in the fields of anthropology and Latin American studies from 1975 until 2010. This includes material from Zorn's field research in the Andean Regions of Peru and Bolivia as well as her professional activities as a textile collector and expert advisor for museum collections and exhibitions. This collection is arranged into six series with additional subseries. Series 1, Field Research, includes field notebooks, correspondence, and general research from Taquile, Peru, Sakaka, Bolivia and La Paz, Bolivia. Series 2, Professional Activities, includes presentation and lecture notes, object catalogs for various museum collections and Zorn's academic work conducted at the University of Central Florida. Series 3, Publications and Writings, contains both articles written by Zorn, including her Master's thesis and dissertation, and articles published by colleagues. Series 4, Ephemera and Miscellaneous, contains a variety of materials including posters, postcards, datebooks and calendars as well as material gathered by Zorn's former husband, Juan Cutipa. Series 5, Photographs, includes negatives, slides, prints and digital media that document Zorn's work in the field. The bulk of the photographs capture the daily lives of weavers as well as important community holidays and festivals. Series 6, Audio-Visual Materials, includes a small amount of VHS tapes as well as audio-cassettes on which Zorn recorded traditional Andean music performed at festivals she attended in Peru and Bolivia.
Arrangement:
Series 1: Field Research, 1975-2006

Subseries 1.1: Taquile, Peru, 1975-1994 [1977-1981]

Subseries 1.2: Sakaka, Bolivia, 1985-1994

Subseries 1.3: La Paz, Bolivia, 2006

Subseries 1.4: Miscellaneous Field Notes, 1976-2006

Series 2: Professional Activities, 1978-2010

Subseries 2.1: Conferences and Presentations, 1977-2009

Subseries 2.2: Museum Work, 1976-2008

Subseries 2.3: General, 1976-2010

Series 3: Publications and Writings, 1979-2009

Subseries 3.1: Elayne Zorn, 1979-2009

Subseries 3.2: Other Authors, 1979-2005

Series 4: Ephemera and Miscellaneous, 1975-2009

Series 5: Photographs, 1970-2006

Subseries 5.1: Negatives, 1976-1997

Subseries 5.2: Slides, 1970-2002

Subseries 5.3: Prints, 1978-2000

Subseries 5.4: Digital Media, 2002-2006

Series 6: Audio-Visual Materials, 1983-1994

Subseries 6.1: Cassette Tapes, 1983-1991

Subseries 6.2: Videotapes, 1991-1994
Biographical / Historical:
Elayne Leslie Zorn was born on February 3, 1952 in New York City. She attended Hunter College High School and Barnard College. She received her Bachelor's of Fine Arts degree in Textile Arts from the California College of the Arts in 1975. She then began a long association with the community on the Island of Taquile, in the Puno region of Peru, conducting fieldwork on native weaving techniques. She also began a long-term affiliation with the Museo Nacional de Etnografia y Folklore in La Paz, Bolivia and collected textiles in the Macusani region of Peru for an exhibit at the California Academy of Sciences. She received her Master's degree in Latin American Studies from the University of Texas, Austin in 1983, with fieldwork concentrated on economic development and tourism in Taquile, Peru. During her time in Peru in the 1970's and 1980's, Zorn became an accomplished musician, playing the charango and Bolivian mandolin in performances in Andean towns as well as in New York City. Zorn resumed graduate studies in 1985 at Cornell University where she received her Master of Arts degree in anthropology in 1987 followed by her Ph.D. in 1997. At Cornell she worked under the supervision of Professor Billie Jean Isbell and conducted much of her dissertation fieldwork in Sakaka, Bolivia focusing on the global transformation of cloth and identity in highland Andean regions. Zorn worked as a visiting Assistant Professor of Anthropology at Colgate University from 1997 to 1998 and then hired as Professor of Anthropology at the University of Central Florida from 1998 until 2010. While at the University of Central Florida, Zorn received both teaching-related and research-related awards as well as grants to continue her fieldwork in the Andean regions of Peru and Bolivia. She also co-directed the PeruVine/PeruDigital Project, an interactive and immersive website to present field data from Peru's Institute of Ethnomusicology online. In 2004 Zorn published her book, Weaving a Future: Tourism, Cloth and Culture on an Andean Island (University of Iowa Press), an analysis of textile traditions as it relates to global change.

In addition to her academic duties, throughout her career Zorn collaborated with various museums and cultural institutions as a consultant and collector. These included, but are not limited to, The Brooklyn Museum, The Textile Museum, Smithsonian Center for Folklife Programs, UNICEF and the Inter-American Foundation. She was also a member of various professional societies including the American Anthropological Association, the Bolivian Studies Association, the Society for Latin American, Carribean, and Latino Studies as well as the Textile Society of America. Zorn passed away June 15, 2010 and was survived by her mother, Sandra Gordon, and her son, Gavriel Cutipa-Zorn.

Sources: http://anthropology.cos.ucf.edu/include/file/people/cv/zorn_elayne.pdf (Accessed May 01, 2012) http://digitalethnography.dm.ucf.edu/pv/Zorn.html (Accessed May 1, 2012)
Provenance:
This collection was donated by Gavriel Cutipa-Zorn, Elayne Zorn's son in April of 2011.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Tourism -- Andes Region  Search this
Women weavers -- Social life and customs -- Photographs  Search this
Festivals -- Bolivia -- Potosí  Search this
Textile fabrics -- Andes Region  Search this
Genre/Form:
Negatives
Research
Slides (photographs)
Audiocassettes
Writings
Field notes
Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.022
See more items in:
Elayne Zorn Collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-022
Online Media:

Oral history interview with Harlan Butt

Interviewee:
Butt, Harlan W., 1950-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
American Craft Council  Search this
Arrowmont School of Arts and Crafts -- Faculty  Search this
Enamelist Society  Search this
Haystack Mountain School of Crafts -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Crafts -- Faculty  Search this
Rhode Island School of Design -- Faculty  Search this
San Diego State University -- Faculty  Search this
Society of North American Goldsmiths  Search this
Southern Illinois University at Carbondale -- Students  Search this
Tyler School of Art -- Students  Search this
University of North Texas -- Faculty  Search this
Brooks, Jan  Search this
Glantz, Ken  Search this
Japanese tea ceremony  Search this
Kington, L. Brent (Louis Brent), 1934-2013  Search this
Lechtzin, Stanley, 1936-  Search this
Moty, Eleanor  Search this
Paley, Albert  Search this
Pijanowski, Eugene, 1938-  Search this
Pijanowski, Hiroko Sato, 1942-  Search this
Pujol, Elliot  Search this
Scanga, Italo, 1932-2001  Search this
Shirk, Helen Z., 1942-  Search this
Snyder, Gary, 1930-  Search this
Staffel, Rudolf, 1911-2002  Search this
Winokur, Robert, 1933-  Search this
Extent:
7 Items (Sound recording: 7 sound files (5 hr., 19 min.), digital, wav)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
India -- description and travel
Japan -- Description and Travel
Date:
2009 July 27-28
Scope and Contents:
An interview of Harlan W. Butt conducted 2009 July 27-28, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Butt's studio, in Ptarmigan Meadows, Colorado.
Harlan Butt speaks of the influence of Asian art on his work; the use of text and imagery in his work; the use of pattern in his work; his undergraduate minor in weaving; the influence of Asian religion and mythology; series The Earth Beneath Our Feet , Garden Anagogies, and Snakes in Heaven; his childhood growing up in Hopewell, New Jersey, near Princeton; undergraduate work at Tyler School of Art, Philadelphia, Pennsylvania; discovery of Buddhism and Eastern religions; his mother's death when he was 20; studying with Stanley Lechtzin and Elliot Pujol at Tyler; graduate school at Southern Illinois University, Carbondale; interest in Japanese tea ceremony; more exploration of Zen Buddhism; use of color in his work; studying with L. Brent Kington; reliquary series; move to Connecticut in 1974; second trip to Japan in 1984 to co-curate Kyoto Metal: An Exhibition of Contemporary Japanese Art Metalwork; introduction to Japanese system of artisan apprenticeship; early efforts as a writer and poet; the influence of poet Gary Snyder; summer teaching position at Rhode Island School of Design, Providence; teaching job at San Diego [California] State University in the mid-1970s; rattles and pipes series; exploring the Western landscape; the power of the snake image; taking a teaching position at University of North Texas, Denton (1976- ); first trip to Japan in 1980; differences in artisanal/metalworking practices in Japan and the United States; teaching workshops at various craft schools, Penland School of Crafts, Penland, North Carolina; Haystack School of Crafts, Deer Isle, Maine; and Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee, compared with teaching in a university; the pros and cons of the gallery system; work with the Nancy Yaw Gallery, Birmingham, Michigan; the challenge of commission work; National Parks Project, Denton Center for the Visual Arts, Denton, Texas; the role of haiku and text in his pieces; series 1,001 Views of Mt. Mu; series Snakes in Heaven; the influence of his wife and children; trip to India and organizing Colour & Light: The Art and Craft of Enamel on Metal, National Gallery of Modern Art, Mumbai, 2001; trip to Australia; involvement with the Society of North American Goldsmiths, Enamelist Society, and American Craft Council; subtle issues of environmentalism in his work; his affinity for metalsmithing and enameling. He also recalls [Rudolf] Staffel, Robert Winokur, Italo Scanga, Jan Brooks, Mike Riegel, Rachelle Thiewes, Eleanor Moty, Albert Paley, Shumei Tanaka, Ken Glantz (Ken Chowder), Randy Thelma Coles, Sandy Green, Mickey McCarter, Gene Pijanowski, Hiroko Pijanowski, Toshihiro Yamanaka, Helen Shirk, Ana Lopez, and Sarah Perkins.
Biographical / Historical:
Harlan W. Butt (1950- ) is an artist, metalsmith, and educator in Denton, Texas. Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.
General:
Originally recorded on 4 sound mini discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Interviews  Search this
Topic:
Art, Asian  Search this
Art -- Study and teaching  Search this
Buddhism  Search this
Metal-workers -- Texas -- Interviews  Search this
Weaving -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.butt09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-butt09

Elizabeth Campbell Fisher Clay papers

Creator:
Clay, Elizabeth Campbell Fisher, 1871-1959  Search this
Names:
Smith College  Search this
Henri, Robert, 1865-1929  Search this
Rothenstein, William, Sir, 1872-1945  Search this
Extent:
1.9 Linear feet
0.057 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sketches
Sound recordings
Drawings
Travel diaries
Paintings
Sketchbooks
Diaries
Place:
Netherlands -- description and travel
New York (N.Y.) -- Description and views
France -- description and travel
California -- description and travel
England -- description and travel
Date:
circa 1873-circa 2015
bulk 1890-1930
Summary:
The papers of Massachusetts lithographer and etcher Elizabeth Campbell Fisher Clay measure 1.9 linear feet and 0.057 GB and date from circa 1873 to circa 2015, with the bulk of materials from 1890 to 1930. This collection includes biographical materials, correspondence, writings, fifteen diaries, six travel diaries, teaching files, artwork, printed materials, and photographs.
Scope and Contents:
The papers of Massachusetts lithographer and etcher Elizabeth Campbell Fisher Clay measure 1.9 linear feet and 0.057 GB and date from circa 1873 to circa 2015, with the bulk of materials from 1890 to 1930. This collection includes biographical materials, correspondence, writings, fifteen diaries, six travel diaries, teaching files, artwork, printed materials, and photographs.

Biographical materials include ephemera from a Spain trip, and other miscellany.

The bulk of the correspondence consists of letters from artist Robert Henri giving advice and information about travel plans and visits. Other correspondents include family members, the artist William Rothenstein, and a few others.

Writings include annotated appointment calendars, art class notes, notebooks, and a book register. Diaries and travel diaries describe Smith College, feedback from Robert Henri regarding artwork, and travels abroad to England, France, and Holland, as well as to New York and California. There are a few sketches scattered throughout the diaries. There is an audiocassette and digitized photographs and content related to the diaries. There is also an annotated chronological list of the diaries.

Artwork consists of one sketchbook and several folders of loose sketches, drawings, and paintings of people and places.

Printed materials consist of a few news clippings about Smith College, a newspaper image of an art class trip to Spain, 2 reviews of exhibitions, and a clipping about the New York School of Art.

Photographs are of Elizabeth Campbell Fisher Clay, family, friends, artists, travel, and houses. There are three photograph albums: one of the woods around Smith College; another album of travel photographs in France and Holland that includes photographs of Clay and fellow art students painting at various locations; and an album of Paris photographs that depict the studio Clay shared with other students, friends, and a few images of Robert Henri. Some photographs are annotated.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, 1906-circa 2015 (0.1 linear feet, 0.001 MB; Box 1, ER01)

Series 2: Correspondence, 1897-1960 (0.1 linear feet; Box 1)

Series 3: Writings and Notebooks, circa 1898-1959 (0.1 linear feet; Box 1)

Series 4: Diaries, 1887-circa 2005 (1 linear feet, 0.016 GB; Boxes 1-2, ER02-ER03)

Series 5: Artwork, circa 1890-circa 1957 (0.3 linear feet, Boxes 2-3, OV 4)

Series 6: Printed Materials, 1894-1957 (0.1 linear feet; Box 3, OV 4)

Series 7: Photographs, circa 1873-1987 (0.2 linear feet; Box 3)
Biographical / Historical:
Elizabeth Campbell Fisher Clay (1871-1959) was a lithographer and etcher who worked in Massachusetts and Halifax, England.

Elizabeth Campbell Fisher Clay was born in West Dedham, Massachusetts in 1871. Her parents were Joseph and Mary Elizabeth Fisher and she had 2 siblings, Hattie and Joseph. Clay graduated from Smith College in Northampton, Massachusetts in 1892. She then attended the Museum of Fine Arts in Boston and the New York School of Art, where she studied under Robert Henri and William Merritt Chase from approximately 1898 to 1909. Around this same time, Clay traveled abroad and studied art in Holland and Spain. She also attended the Art Students League of New York and studied in Paris where she shared a studio with other art students. Robert Henri, whom Clay considered a mentor, regularly visited the Paris studio to review the students' work.

In 1908, Clay had a solo exhibition at Rowland's Gallery in Boston. In 1909, she married Howard Clay in Dedham, Massachusetts. Henry was the alderman of Halifax, England, and the couple moved there sometime after their marriage. They had three children, Howard Fisher Clay, Monica Mary, and Harriet.

Clay continued to exhibit her artwork in England for over 30 years. She exhibited at the British Society of Women Artists, the New English Art Club, the Royal Academy of Arts, the Royal Cambrian Academy of Art, the Royal Society of British Artists, the Women's International Art Club, and the Yorkshire Union of Arts. In Massachusetts, her artwork was in exhibitions at the Boston Art Club, the Copley Society of Art, and other venues.

Elizabeth Campbell Fisher Clay eventually returned to the United States and passed away in Philadelphia in 1959.
Provenance:
This collection was donated to the Archives of American Art in 2015 by Harriet Fisher Bemus, Elizabeth Campbell Fisher Clay's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washingon, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Lithographers -- Massachusetts  Search this
Topic:
Women artists  Search this
Etchers -- Massachusetts  Search this
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Photographs
Sketches
Sound recordings
Drawings
Travel diaries
Paintings
Sketchbooks
Diaries
Citation:
Elizabeth Campbell Fisher Clay papers, circa 1873-circa 2015, bulk 1890-1930. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clayeliz
See more items in:
Elizabeth Campbell Fisher Clay papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-clayeliz

Oral history interview with Mary Merkel-Hess, 2010 August 24-25

Interviewee:
Merkel-Hess, Mary, 1949-  Search this
Merkel-Hess, Mary, 1949-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Barrett, Tim, (Papermaker)  Search this
Choo, Chunghi  Search this
Eikerman, Alma  Search this
Grotta, Thomas  Search this
Larsen, Jack Lenor  Search this
Seppä, Heikki  Search this
Browngrotta Arts (Gallery)  Search this
Marquette University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of Wisconsin--Madison  Search this
Santa Fe Armory Show (1977 : Santa Fe, N.M.)  Search this
SOFA West Santa Fe  Search this
Type:
Sound recordings
Interviews
Place:
Europe -- description and travel
Japan -- Description and Travel
Topic:
Basket making  Search this
Metalsmithing  Search this
Papermaking  Search this
Philosophy  Search this
Women artists  Search this
Women sculptors  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15895
(DSI-AAA_SIRISBib)296002
AAA_collcode_merkel10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_296002
Online Media:

Oral history interview with Catherine Opie, 2012 August 13-27

Interviewee:
Opie, Catherine, 1961-  Search this
Opie, Catherine, 1961-  Search this
Interviewer:
Drohojowska-Philp, Hunter  Search this
Subject:
Burleigh, Julie  Search this
Regen, Shaun Caley  Search this
Regen, Stuart  Search this
Type:
Interviews
Sound recordings
Place:
California -- San Francisco -- Description and travel
Topic:
Women artists  Search this
Artists (LGBTQ)  Search this
Lesbian artists  Search this
Record number:
(DSI-AAA_CollID)16124
(DSI-AAA_SIRISBib)363041
AAA_collcode_opie12
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_363041
Online Media:

Oral history interview with Lyle Ashton Harris, 2017 March 27-29

Interviewee:
Harris, Lyle Ashton, 1965-  Search this
Harris, Lyle Ashton, 1965-  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Subject:
Baker, Houston A., Jr.  Search this
Barton, Nancy, (Artist)  Search this
Basquiat, Jean-Michel  Search this
Butler, Cornelia H.  Search this
Carby, Hazel V.  Search this
Collier, Jim  Search this
Gates, Henry Louis, Jr.  Search this
Geer, Tommy  Search this
Goldin, Nan  Search this
Gonzalez-Torres, Felix  Search this
Gray, Todd  Search this
Grayson, John  Search this
Hemphill, Essex  Search this
Julien, Isaac  Search this
Lord, Catherine  Search this
Mapplethorpe, Robert  Search this
Mays, Vickie M.  Search this
O'Dench, Ellen  Search this
O'Meally, Jackie  Search this
O'Meally, Robert G.  Search this
Riggs, Marlon T.  Search this
Seeley, J.  Search this
Sekula, Allan  Search this
Tate, Greg  Search this
Tilton, Jack  Search this
Watson, Simon  Search this
Wilson, Millie  Search this
Woodman, Francesca  Search this
American Academy in Rome  Search this
California Institute of the Arts  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Wesleyan University (Middletown, Conn.)  Search this
Whitney Museum of American Art  Search this
Type:
Interviews
Sound recordings
Place:
England -- London -- Description and travel
Ghana -- Description and travel
Netherlands -- Amsterdam -- Description and travel
New York (N.Y.) -- Description and travel
Tanzania -- Description and travel
Topic:
AIDS activists  Search this
AIDS (Disease) and the arts  Search this
Racism  Search this
African American artists  Search this
Artists (LGBTQ)  Search this
Gay artists  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)17456
(DSI-AAA_SIRISBib)387759
AAA_collcode_harris17
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_387759
Online Media:

Elizabeth Campbell Fisher Clay papers, circa 1873-circa 2015, bulk 1890-1930

Creator:
Clay, Elizabeth Campbell Fisher, 1871-1959  Search this
Clay, Elizabeth Campbell Fisher, 1871-1959  Search this
Subject:
Henri, Robert  Search this
Rothenstein, William, Sir  Search this
Smith College  Search this
Type:
Photographs
Sketches
Sound recordings
Drawings
Travel diaries
Paintings
Sketchbooks
Diaries
Place:
Netherlands -- description and travel
New York (N.Y.) -- Description and views
France -- description and travel
California -- description and travel
England -- description and travel
Topic:
Women artists  Search this
Etchers -- Massachusetts  Search this
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)16256
(DSI-AAA_SIRISBib)370921
AAA_collcode_clayeliz
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370921
Online Media:

Oral history interview with Mary Merkel-Hess

Interviewee:
Merkel-Hess, Mary  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Browngrotta Arts (Gallery)  Search this
Marquette University -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
SOFA West Santa Fe  Search this
Santa Fe Armory Show (1977 : Santa Fe, N.M.)  Search this
University of Wisconsin--Madison -- Students  Search this
Barrett, Tim, (Papermaker)  Search this
Choo, Chunghi  Search this
Eikerman, Alma  Search this
Grotta, Thomas  Search this
Larsen, Jack Lenor, 1927-2020  Search this
Seppä, Heikki  Search this
Extent:
5 Items (Sound recording: 5 sound files (4 hr., 11 min.), digital, wav)
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Europe -- description and travel
Japan -- Description and Travel
Date:
2010 August 24-25
Scope and Contents:
An interview of Mary Merkel-Hess conducted 2010 August 24 and 25, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Merkel-Hess' home, in Iowa City, Iowa.
Mary Merkel-Hess speaks of growing up in the rural Midwest; deciding pursue an artistic career; studying philosophy at Marquette University and earning an MFA the University of Wisconsin-Madison; becoming part of the art community in Iowa City; beginning her artistic career in metalsmithing and later transitioning into fiber mediums; using basketry and papermaking methods along with a variety of materials to devise original techniques; the role of light, balance, juxtaposition in her fiber sculptures; working from both natural and human impacted landscapes; traveling extensively through Europe and Japan; attending the Armory Show and SOFA Santa Fe; interacting with galleries such as Browngrotta Art Gallery and Olson-Larsen Galleries; completing public and residential commissions; supporting herself through the sale of her work. Mary Merkel-Hess also recalls Chungi Choo, Heikki Seppä, Tim Barrett, Alma Eikerman, Shereen LaPlantz, Jack Lenor Larsen, Tom Grotta, Marlene Olson, Wendy Haas, Katie Gingrass and others.
Biographical / Historical:
Mary Merkel-Hess (1949-) is fiber artist in Iowa City, Iowa. Mija Riedel (1958-) is an independent scholar and writer in San Francisco, California.
General:
Originally recorded on 3 memory cards. Reformatted in 2010 as 5 digital wav files. Duration is 4 hr.,11 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Fiber artists -- Iowa City -- Iowa  Search this
Sculptors -- Iowa City -- Iowa  Search this
Topic:
Basket making  Search this
Metalsmithing  Search this
Papermaking  Search this
Philosophy  Search this
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.merkel10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-merkel10

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