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Birth of Baby

Culture/People:
Rincon Band Luiseño  Search this
Artist/Maker:
Bonita Wa Wa Calachaw Nunez (Wa Wa Chaw/Wa Wa Calac Chaw [Keep From the Water]/Princess Wa Wa Chaw), Rincon Band Luiseño, 1888-1972  Search this
Seller:
Gypsy Tea Room  Search this
Previous owner:
Esther N. Finkelstein, Non-Indian, 1910-2011  Search this
Donor:
Esther N. Finkelstein, Non-Indian, 1910-2011  Search this
Title:
Birth of Baby
Object Name:
Painting
Media/Materials:
Board, oil paint
Techniques:
Painted
Object Type:
Painting/Drawing/Print
Place:
New York City; New York; USA (inferred)
Date created:
circa 1950
Catalog Number:
25/5031
Barcode:
255031.000
See related items:
Rincon Band Luiseño
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6c84ca7d1-df14-4573-a9f0-ca5981fa7cc4
EDAN-URL:
edanmdm:NMAI_270899
Online Media:

Basket

Culture/People:
probably Karuk (Karok) (attributed)  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
Object Name:
Basket
Media/Materials:
Willow, conifer root, bear grass, maidenhair fern stem
Techniques:
Twined, false-embroidered, half-twist overlay
Dimensions:
12.4 x 16.3 cm
Object Type:
Containers and Vessels
Place:
Lower Klamath River; Del Norte County, Humboldt County; California; USA
Date created:
circa 1950
Catalog Number:
25/8379
Barcode:
258379.000
See related items:
Karuk (Karok)
Containers and Vessels
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6ca5af4ef-d015-4b08-b812-42b175262595
EDAN-URL:
edanmdm:NMAI_274319
Online Media:

Wastebasket

Culture/People:
Washoe (Washo)  Search this
Artist/Maker:
Enie Cornbread (Ennie Cornbread/Edith Sam Cornbread), Washoe (Washo), ca. 1894-1976  Search this
Previous owner:
Indian Arts and Crafts Board, Department of the Interior (IACB), 1935-  Search this
IACB source:
Wa-Pai-Shone Craftsmen, Inc. (Wa-Pai-Shone Products/Wa-Pai-Shone Trading Post/WaPaiShone Craftsmen), 1936-  Search this
Object Name:
Wastebasket
Media/Materials:
Willow, bracken fern root
Techniques:
Twined, dyed
Dimensions:
29.5 x 34 cm
Object Type:
Made-for-Sale items and Souvenirs
Place:
California or Nevada; USA (inferred)
Date created:
circa 1945
Catalog Number:
25/5383
Barcode:
255383.000
See related items:
Washoe (Washo)
Made-for-Sale items and Souvenirs
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws66b943b59-550b-4a8f-a132-5daf1c90658b
EDAN-URL:
edanmdm:NMAI_271248
Online Media:

Mother and Child

Culture/People:
Rincon Band Luiseño  Search this
Artist/Maker:
Bonita Wa Wa Calachaw Nunez (Wa Wa Chaw/Wa Wa Calac Chaw [Keep From the Water]/Princess Wa Wa Chaw), Rincon Band Luiseño, 1888-1972  Search this
Seller:
Gypsy Tea Room  Search this
Previous owner:
Esther N. Finkelstein, Non-Indian, 1910-2011  Search this
Donor:
Esther N. Finkelstein, Non-Indian, 1910-2011  Search this
Title:
Mother and Child
Object Name:
Painting
Media/Materials:
Tin, oil paint
Techniques:
Hammered, painted
Object Type:
Painting/Drawing/Print
Place:
New York City; New York; USA (inferred)
Date created:
circa 1950
Catalog Number:
25/5030
Barcode:
255030.000
See related items:
Rincon Band Luiseño
Painting/Drawing/Print
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws66511b6f4-1e0f-4c4f-b31d-dda0a540807e
EDAN-URL:
edanmdm:NMAI_270898
Online Media:

Advertising art

Culture/People:
Non-Indian  Search this
Artist/Maker:
Suisun Valley Fruit Growers Association  Search this
Previous owner:
Lawrence R. Baca, Chaticks Si Chaticks (Pawnee)  Search this
Donor:
Lawrence R. Baca, Chaticks Si Chaticks (Pawnee)  Search this
Object Name:
Advertising art
Media/Materials:
Paper, ink
Techniques:
Commercially produced/manufactured, printed
Dimensions:
19.1 x 28.0 cm
Object Type:
Advertising/Logo items
Place:
Suisun City, Solano County; California; USA
Date created:
circa 1945
Catalog Number:
26/9868
Barcode:
269868.000
See related items:
Non-Indian
Advertising/Logo items
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws61c75bf58-f713-4bc8-b6ab-802a9a006ede
EDAN-URL:
edanmdm:NMAI_412422

Yvonne Greer Theil

Artist:
Misha Dolnikoff, 1920 - 2005  Search this
Sitter:
Yvonne Greer Theil, 1910 - Indeterminable  Search this
Medium:
Glazed ceramic
Dimensions:
30.5cm (12"), Accurate
Type:
Decorative Arts
Date:
c. 1940-1950
Topic:
Yvonne Greer Theil: Female  Search this
Yvonne Greer Theil: Literature\Writer  Search this
Portrait  Search this
Credit Line:
Owner: Oakland Museum of California
Website: www.museumca.org/
Object number:
63.22.30
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm426ab2e7b-7a80-4316-97e2-bbe97ae896e0
EDAN-URL:
edanmdm:npg_63.22.30

Grace F. Thorpe Collection

Creator:
Thorpe, Grace F.  Search this
Names:
National Congress of American Indians  Search this
United States Indian School (Carlisle, Pa.)  Search this
Abourezk, James G., 1931-  Search this
Seely, Dagmar  Search this
Thorpe, Charlotte  Search this
Thorpe, Jim, 1887-1953  Search this
Extent:
3.5 Linear feet
2,175 Photographic prints
166 negatives (photographic)
27 nitrate negatives
113 slides (photographs)
5 contact sheets
Culture:
Sac and Fox (Sauk & Fox)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives (photographic)
Nitrate negatives
Slides (photographs)
Contact sheets
Place:
Oklahoma
Arizona
Japan -- 1940-1950
Pearl River (N.Y.)
Jim Thorpe (Pa.)
Date:
1900-2008
Scope and Contents:
The Grace F. Thorpe Collection (1900-2008) includes documents, photographic prints, slides, negatives and other materials that encapsulate the breadth of Grace Thorpe's life and work as a WWII veteran, Native rights activist, and dedicated daughter, mother and family member. This includes material from her personal, military and professional life. Series 1: Early Life and Family History (1921-1940) includes materials related to the Thorpe family including photographs of Grace's parents, Jim and Iva at the Carlisle Indian School as well as letters and photographs from Grace as a young girl. Series 2: Military Career and Life in Japan (1943-1950) includes documents, photographic prints and negatives from Grace's time as a Corporal in the Women's Army Corps and her life as a wife and mother in Japan following the war. This series also includes the medals Grace received for her service in WWII. Series 3: Pearl River, New York and Business (1950-1967) contains documents and photographs from Grace's time as a mother and business woman in Pearl River, New York. Series 4: Working on Behalf of Native Americans and Activism (1968-1977) includes documents, photographic prints and negatives from Grace's work with various Native American organizations on economic and civil rights issues following her move to Arizona in 1967. Series 5: Jim Thorpe and His Legacy (1912-1984) includes documents, photographic prints and negatives regarding Jim Thorpe and the work by the Thorpe family to restore Jim's Olympic record and keep his legacy alive. Series 6: Later Years (1979-2007) includes documents, photographic prints and negatives from Grace's life in Oklahoma, her work as an environmental activist, and other activities later in her life.
Arrangement:
This collection has been arranged in six series chronologically based on how the collection was received with minor changes. The Series' include--Series 1: Early Life and Family History (1921-1940), Series 2: Military Career and Life in Japan (1943-1950), Series 3: Pearl River, New York and Business (1950-1967), Series 4: Working on Behalf of Native Americans and Activism (1968-1977), Series 5: Jim Thorpe and His Legacy (1912-1984), and Series 6: Later Years (1979-2007). There is some chronological crossover between Series 5: Jim Thorpe and His Legacy and the rest of the collection.

The physical arrangement of the materials was determined by storage needs.
Biographical / Historical:
Grace Frances Thorpe was born in Yale, Oklahoma on December 10, 1921 to parents James (Jim) Francis Thorpe (Sac and Fox (Sauk)) and Iva Margaret Miller Thorpe. Jim, already a famed athelete and olympic medalist, had met Iva as students at Carlisle Indian School and were married in 1913. Grace was the youngest of four, Gail Margaret, James and Charlotte Marie though her brother James died from polio at a young age. When Iva and Jim divorced in 1923, Iva and the girls moved to Chicago while Jim moved to California to pursue work in the movies. For school, Grace attended St. Mary's Academy, Sacred Heart, in Oklahoma and Haskell Institute in Kansas, which was where her father had attended school.

In 1943 Grace worked briefly at the Ford Motor Company before enlisting in the Women's Army Corps (WAC) during WWII. After attending training and graduating from the WAAC Training Center in Ft. Oglethorpe, Georgia, Thorpe attained the rank of Corporal, and served as a Recruiter for the Women's Army Corps stationed in Tucson and Camp White in Oregon before being assigned overseas to the New Guinea Campaign. From 1944-1945 Corporal Thorpe was stationed in New Guinea, Philippines and Japan. Following an Honorable Discharge in 1945, Grace remained in Japan during the occupation with her husband Lieutenant Fred W. Seely (1918-2008) whom she married in June 1946. She became employed at General MacArthur Headquarters as Chief of the Recruitment Section, Department of Army Civilians, Tokyo, Japan. Both of her children, Dagmar (1946-) and Paul Thorpe (1948-1964) were born during this time in Japan.

Grace and her children left Japan and arrived in San Francisco on April 20, 1950. They lived in Pearl River, New York from late 1950 to the mid 1960s. She first became employed as a Hostess with Welcome Wagon upon completing training in July of 1951 and later became a supervisor, business machine salesperson, and territorial account executive for the Yellow Pages with the Reuben H. Donnelly Corp. earning recognition in Distinguished Sales Performance. She completed a course in effective speaking and human relations conducted by the Dale Carnegie Institute and won a Best Speech Award. In 1967, Grace moved to Arizona where she became involved with American Indian tribes. Grace was appointed Economic Development Conference Coordinator for the National Congress of American Indians (NCAI)'s 1968 and 1969 conferences. In 1969-1970, Grace joined Native American Activists at the occupation of Alcatraz Island for three months and managed their publicity. She then served as a Congressional Intern from 1974-1975 for Senator James Abourezk. Grace was later appointed Legislative Assistant with the Senate Select Committee on Indian Affairs and as a Task Force Program and Planning Analyst for the American Indian Policy Review Commission. During this time period she attended—The Antioch School of Law, Washington DC; Massachusetts Institute of Technology (Research Fellow), Boston, Massachusetts; University of Tennessee, Knoxville and Northeastern University, Tahlequah, Oklahoma. During this time she also began working on the restoration of her father's 1912 Olympic titles as well as other projects to recognize and honor her father.

After returning to her tribal homeland in Oklahoma she became active in tribal affairs and in 1983 successfully restored her father's Olympic record. She also conducted genealogical research on the Thorpe family. Her article "The Jim Thorpe Family' was published as a two-part series in the Chronicles of Oklahoma in 1981. In later years, Grace served her tribe as a tribal judge, health commissioner, and became an environmental activist opposing nuclear waste on tribal lands. She remained active in Native American issues, a matriarch of the Thorpe family, and involved with her granddaughter, Tena Malotte, and her great-grandchildren, Aspen and Huna.

Biographical note provided by Dagmar Seely, daughter to Grace Thorpe, with additions by Rachel Menyuk, Processing Archivist.
Separated Materials:
27 nitrate negatives have been moved offsite and are being housed at the National Anthropological Archives.
Provenance:
Donated by Dr. Dagmar Seely and Tena Malotte, 2015.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Yellow pages  Search this
United States. Army. Women's Army Corps  Search this
World War, 1939-1945 -- New Guinea.  Search this
World War, 1939-1945 -- Japan.  Search this
World War, 1939-1945 -- Philippines.  Search this
Alcatraz Island (Calif.) -- History -- Indian occupation, 1969-1971.  Search this
Citation:
Identification of specific item; Date (if known); Grace F. Thorpe Collection, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.085
See more items in:
Grace F. Thorpe Collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-085
Online Media:

John Davis Hatch papers

Creator:
Hatch, John Davis  Search this
Names:
St. John's College (Annapolis, Md.) -- Students  Search this
University of Massachusetts -- Faculty  Search this
University of Oregon -- Faculty  Search this
Bluemner, Oscar, 1867-1938  Search this
Browne, Henry Kirke  Search this
Callahan, Kenneth, 1905-1986  Search this
Clark, Ezra  Search this
Cranch, John, 1807-1891  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Darley, Felix Octavius Carr, 1822-1888  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Granger, C. H.  Search this
Guy, Seymour J., 1824-1910  Search this
Harvey, George W., 1855-  Search this
Hatch, Olivia Stokes  Search this
Henry, Edward Lamson, 1841-1919  Search this
Inman, Henry, 1801-1846  Search this
McNeill, Lloyd  Search this
Peale, Rembrandt, 1778-1860  Search this
Scott, Julian  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Extent:
24.9 Linear feet
Type:
Collection descriptions
Archival materials
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Date:
1790-1995
Summary:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
Scope and Content Note:
The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.

Scattered biographical materials include an invitation to the Hatch's anniversary party in 1964, short biographical sketches and resumes, certificates, report cards, a silhouette of the Hatch Family circa 1904, and a typecript of a diary written by Olivia Hatch as a child.

Correspondence includes professional correspondence between Hatch and colleagues; letters from family and friends; and some materials regarding exhibitions from the Hatch Collection. The bulk of correspondence spans Hatch's professional career although there are scattered letters from 1915-1943 from Hatch to his parents. Also found are letters addressed to an unidentified "Henry." Correspondence is also found in the research files.

Personal business and financial records consist of inventories, bills, receipts, and other records for artworks purchased, loaned, or donated by Hatch. Also found are records from the J. D. Hatch Associates Cultural Consultants, a draft of Hatch's will, stock and tax materials, and travel papers and passports.

Scattered diaries and journal fragments and a transcript date from 1925-1965. Thirteen "Daily Reflection Journals" date from 1975-1987.

Research files on artists and subjects are extensive, comprising one-half of the collection. Files are varied and may include primary research materials, correspondence, printed materials, notes, and writings. Some of the artists' letters and other materials dated from 1790-early 1800s may have been purchased by Hatch. Among many other items, there is an illustrated letter written by Oscar Bluemner and photographs of Bluemner; primary research materials dating from the early 1800s on John Vanderlyn including a will, receipts, and correspondence; a letter from Rembrandt Peale dated 1830, and an autograph letter from John Trumbull dated 1790. Also found is an index card file.

Organization files contain files and records related to Hatch's affiliations with many cultural organizations. A small amount of teaching and education files consist of Hatch's notes and lectures from the University of Oregon and the University of Massachusetts, and from his continuing education courses he took at St. John's College. Writings and notes include short essays by Hatch, mostly concerning art, exhibitions and museum administration; book reviews; general notes, lists, and reports.

Printed Materials are comprised of exhibition catalogs and announcements, including those from the American Drawing Annual in the 1940s-1950s; printed articles annotated by Hatch; clippings; pricelists; and published works.

A small number of photographs are of Hatch, some by Dorothy Frazer; of his family and friends; and of artists. The bulk of the photographs are of works of art including those owned by Hatch.

Artwork includes two sketchbooks - one by Kenneth Callahan and another by Lloyd McNeill; and additional drawings and sketches by Julian Scott, Henry Kirke Browne, Kenneth Callahan, Ezra Clark, John Cranch, Jasper Francis Crospey, F. O. C. Darley, C. H. Granger, Seymour J. Guy, George Harvey, Edward Lamson Henry, Henry Inman, as well as unsigned or illegible names.
Arrangement:
The collection is arranged as 11 series:

Series 1: Biographical Information, circa 1900-1980s (Box 1; 8 folders)

Series 2: Correspondence, 1903-1990s (Box 1-3; 2 linear feet)

Series 3: Personal Business and Legal Records, Date (Box 3; 0.3 linear feet)

Series 4: Diaries and Journals, 1925-1987 (Box 3, 23; 1.2 linear feet)

Series 5: Research Files, 1790-1992 (Box 3-13, 20-21, 24; 12.7 linear feet)

Series 6: Organization Files, 1930s-1990s (Box 13-14; 1.0 linear feet)

Series 7: Teaching and Education Files, 1930s-1993 (Box 14-15; 1.0 linear feet)

Series 8: Writings and Notes, 1936-1990s (Box 15; 0.3 linear feet)

Series 9: Printed Material, 1870s-1990s (Box 15-19, 22, 25-26, OV1; 5.9 linear feet)

Series 10: Photographs, circa 1900-1990s (Box 22; 0.2 linear feet)

Series 11: Artwork, 1851-1973 (Box 22; 0.3 linear feet)
Biographical Note:
Art historian, collector, educator, and museum administrator John Davis Hatch (1907-1996) worked in the Boston and New England area, as well as the Pacific Northwest, and New York state. Hatch served as director of the Art Institute of Seattle, the Isabella Stewart Gardner Museum, the Albany Institute of Art and History, and the Norfolk Museum of Art and Sciences.

John Davis Hatch was born in San Francisco, California in 1907. His father, grandfather, and great-grandfather were architects and Hatch studied landscape architecture at the University of California, Berkeley. He served as an apprentice to Lockwood de Forest. After abandoning landscape architecture, he accepted a position as director of the Seattle Fine Arts Society (1928-1931) at the age of twenty-one and taught art history courses at the University of Washington.

In 1932, Hatch accepted the position of assistant director of the Isabella Stewart Gardener Museum in Boston, Massachusetts. He also directed the federal Public Works of Art Project in New England. Additionally, Hatch served from 1940-1948 as director of the Albany Institute of Art and History and from 1950-1959 of the Norfolk Museum of Arts and Sciences. Hatch worked as an art advisor for exhibitions at five historically African-American colleges in Atlanta and in San Simeon in California. He founded the American Drawing Annual exhibition.

Hatch conducted extensive research on artists Oscar Bluemner and John Vanderlyn, American silverwork, and American drawing. In addition, Hatch collected American drawings and later donated many of works of art from his personal collection to the National Gallery in Washington, D.C. Aside from his early teaching in Washington state, Hatch taught at the University of Massachusetts and the University of Oregon. He was a member of numerous professional arts-related organizations.

In 1939, Hatch married Olivia Stokes with whom he had four children: Sarah, John, Daniel and James. He died in 1996.
Related Material:
The Archives of American Art holds two oral history interviews with John Davis Hatch: June 8, 1964 conducted by H. Wade White and 1979-1980 conducted by Robert F. Brown. Also found is a separately cataloged photograph of Hatch and Henry Francis Taylor from 1933.

Additional research materials complied by Hatch are located in the Albany Institute of History and Art, the Metropolitan Museum, the library of the National Gallery of Art, and the Senate House, Kingston, New York.

Hatch donated two hundred and seventy American drawings to the National Gallery of Art in Washington, D.C.
Separated Material:
Four books annotated by Bluemner, a letter from Bluemner, a letter from A. Stieglitz to Bluemner, photographs of works of art, and exhibition materials were removed from the papers and merged with the Oscar Bluemner papers at the Archives of American Art.
Provenance:
John Davis Hatch and the John Davis Hatch estate donated his papers to the Archives of American Art in several installments between 1960-1996. Many of the primary materials relating to John Vanderlyn were acquired by Hatch from a photographer in Kingston, New York who received them from a niece of Vanderlyn. Robert Graham of James Graham and Sons gave Vanderlyn's will to Hatch.
Restrictions:
Use of originals requires an appointment.
Rights:
The John Davis Hatch papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Drawing, American  Search this
Art, American  Search this
Artists -- United States  Search this
Art historians -- Massachusetts  Search this
Art -- Collectors and collecting  Search this
Art, American -- Study and teaching  Search this
Genre/Form:
Essays
Reviews (documents)
Photographs
Diaries
Sketchbooks
Notes
Lectures
Sketches
Citation:
John Davis Hatch, 1790-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hatcjohn
See more items in:
John Davis Hatch papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hatcjohn

Edward and Rosamond Walling Tirana Corbett papers

Creator:
Corbett, Edward, 1919-  Search this
Corbett, Rosamond Walling Tirana, 1910-1999  Search this
Grace Borgenicht Gallery  Search this
Names:
McChesney, Mary Fuller  Search this
McChesney, Robert Pearson, 1913-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Reveille, Thomas  Search this
Spohn, Clay Edgar, 1898-1977  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
7 Linear feet ((partially microfilmed on 7 reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1932-1978
Scope and Contents:
Biographical information, correspondence, scrapbooks, writings, artwork and art-related information, photographic materials, school records, financial materials, miscellaneous items, and printed materials. Also included are papers of Rosamond Corbett's husband, economist Rifat Tirana (3 ft.).
REELS 4376-4382: Biographical information includes personal documents, photographs, clippings, yearbooks, letters and other items. Correspondence, ca. 1940-1978, is with Clay Spohn (1960s), Ad Reinhardt (1940s, 1950s, and 1960s), Clyfford Still (1950s and 1960s), Mary Fuller and Robert McChesney, Grace Borgenicht, Andrew Dasburg, Richard Diebenkorn, Ira Glackens, Gyorgy Kepes, Katharine Kuh, David Leonard, Richard Merkin, Dorothy Miller, Seong Moy, Jerry Nordland, Hassel W. Smith, Earl Stoh, Alan Temko, Tirana Family members, Jack Tworkov, Anna Strunsky Walling (Rosamond's mother), and Adja Yunkers. Scrapbooks, 1948-1978, on Edward, contain photographs, clippings, correspondence (much of it from the Grace Borgenicht Gallery), exhibition catalogs, and printed materials; one is on on Rosamond and her family, 1932-1952 (during her marriage to economist Rifat Tirana).
Other material includes notes and poetry written by the Corbetts; artwork and art-related information primarily of Edward Corbett, including a sketchbook, loan agreements and receipts, information about the sale of his paintings, and exhibition catalogs and reviews; photographs, negatives and slides of the Corbetts and others, and of works of art; teaching files from Mount Holyoke College and the University of California at Santa Barbara; financial records, including statements, contracts, and receipts; exhibition catalogs; clippings; and an engagement calendar (1958) for Edward Corbett. Also included are materials on drug abuse.
UNMICROFILMED: Papers of Rifat Tirana, including resumes; correspondence, 1942-1952; notes, writings, lectures, and printed material on international trade; reports on pre-World War II Albania written while serving in the League of Nations, 1932-1939; manuscript of Tirana's SPOIL OF EUROPE, 1941, published under the pseudonym Thomas Reveille; and clippings.
Biographical / Historical:
Edward Corbett (1919-1971) and his wife Rosamond Walling Tirana Corbett (1910-1999) were painters from Calif., N.M., Mass., and Washington, D.C. Edward Corbett was an early Abstract Expressionist. Married Rosamond Tirana in 1962. Rosamund Tirana was married to Rifat Tirana (d. 1952). Died June 27, 1999.
Provenance:
Donated 1983 by Mrs. Rosamond Tirana Corbett.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Abstract expressionism -- United States  Search this
Women artists  Search this
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.corbedwa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-corbedwa

Japanese American Documentary Collection

Creator:
Tanaka, Peter, Dr.  Search this
Tsukamoto, Mary  Search this
McGovern, Melvin  Search this
Nitta, Eugene T.  Search this
Ishimoto, Norman  Search this
Source:
Armed Forces History, Division of (NMAH, SI).  Search this
Former owner:
Armed Forces History, Division of (NMAH, SI).  Search this
Names:
Japanese Americans Citizens League  Search this
Emi, Frank  Search this
Hashimoto, M.  Search this
Kamikawa, Juichi  Search this
Kamikawa, Kazu, Mrs.  Search this
Kawashiri  Search this
Kihari, Shigeya  Search this
Matsumoto  Search this
Miyake, Takashi  Search this
Oliver, Floyd A.  Search this
Ozamoto, T.  Search this
Vogel, Mabel Rose  Search this
Wakabayashi, Ron  Search this
Extent:
1 Cubic foot (3 boxes and 1 oversized folder)
Type:
Collection descriptions
Archival materials
Typescripts
Passports
Albums
Books
Cartoons (humorous images)
Christmas cards
Comic books
Newsletters
Panoramas
Personal papers
Photograph albums
Photographs
Posters
Ration books
Scrapbooks
Telegrams
Place:
Minidoka
Manzanar
Idaho
Amache (Calif.)
California -- 1940-1950
Date:
1900s-1993
Scope and Contents:
The collection is an assortment of souvenirs and memorabilia, which have survived the years since World War II. Many of them, Christmas cards, high school graduation programs, notes to friends, snapshots, and photographic prints in the form of dance programs reflect the interests and concerns of all teenagers. There are camp newsletters and Japanese passports, identification cards, ration books, meal passes, posters; a photograph album contains both family photographs and a record of achievements of members of the Kamikawa family. There is a transcript of a taped interview with Mrs. Kamikawa, who was nearly 90 in February 1982, the time of the interview. A book, Lone Heart Mountain by Estelle Ishigo, portrays in text and sketches life in the relocation centers.

The collection has been filed under the name of each donor rather than by subject such as passports, newsletters, photographs. With very few exceptions the material is in good condition. The historical sketch of the Matsumoto family tree in the photograph album is badly damaged.
Arrangement:
1 series, arranged alphabetically by donor.
Biographical / Historical:
On December 7, 1941, the Japanese bombed Pearl Harbor and the United States went to war. On February 19, 1942, President Franklin Delano Roosevelt issued Executive Order 9066 authorizing the military to exclude "any and all persons" from designated areas of the United States to protect the national defense. Thus, without the imposition of martial law, the military were given authority over the civilian population.

Under this order, nearly 120,000 men, women and children of Japanese ancestry, nearly two thirds of who were United States citizens, were forced out of their homes and into detention camps in isolated areas of the west. Many of them spent the years of the war living under armed guards, and behind barbed wire. Children spent their school days in the camps, young men left to volunteer or be drafted for military service. The War Relocation Authority administered the camps.

This collection of documentary materials relates to the involuntary relocation of Japanese Americans was collected by the Division of Armed Forces History in connection with the exhibit A More Perfect Union: Japanese Americans and the United States Constitution at the National Museum of American History in 1988. The donors either were members of the Japanese American Citizens League or reached through the League. Interesting and revealing information is available about a few of the donors. They were primarily teenagers or young adults at the time of the relocation and the materials in the collection reflect their interests and concerns. Juichi Kamikawa, who had completed a year of college in Fresno, California, graduated from the Corcoran School of Art in Washington, D.C. after the war and became a respected artist. His family record is one of distinction in both Japan and the United States for several generations. Masuichi Kamikawa, his father, received the Order of the Sacred Treasure from the Japanese Emperor for outstanding contributions to the cultural heritage of Japan. Among achievements cited were his work in merchandizing and banking in Fresno, California. Mary Tsukamoto is one of the contributors to the video conversations in the exhibit. She is a retired teacher who was 27 years old in 1942 and a long time resident of Florin, California. Along with her entire family, she was sent to the center at Jerome, Arkansas. Mabel Rose Vogel taught high school at one of the camps, Rowher Center, Arkansas.
Related Materials:
The Division of Armed Forces History will have additional documents collected for the exhibit, A More Perfect Union, described above, that may be useful. Another collection on this topic in the Archives Center is collection #450, the Gerald Lampoley Collection of Japanese American Letters, 1942 1943, a collection of six letters written by Japanese Americans to their former teacher. Researchers may also refer to the records of the War Relocation Authority, Record Group 210, or those of the United States Commands, 1947 , Record Group 338, in the National Archives. Further, the National Headquarters of the Japanese American Citizens League in San Francisco, California, and the Japanese American National Museum in Los Angeles, California, maintain related collections.
Provenance:
Donated by a number of Japanese Americans, many of whom are members of the Japanese American Citizens League, headquartered in San Francisco. This material was acquired for inclusion in the exhibition, A More Perfect Union, described above, but was not placed on display for one reason or another. In certain instances, items in this collection were omitted from the exhibit if they were considered too fragile or too sensitive to prolonged exposure to light. It is possible that related items, currently on display, ultimately will be transferred to the Archives Center; if this occurs, it would be useful to distinguish between the two groups of exhibited and undisplayed materials. Transferred from the Division of Armed Forces History, June 1988.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Collection located at off-site storage area.

Viewing film portion of collection requires special appointment, please inquire; listening to LP recordings only possible by special arrangement. Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Military history, Modern  Search this
Concentration camps -- 1942-1945 -- United States  Search this
World War, 1939-1945  Search this
Genre/Form:
Typescripts -- 1940-1950
Passports
Albums -- 1940-1950
Books
Cartoons (humorous images) -- 20th century
Christmas cards
Comic books
Newsletters -- 1940-1950
Panoramas
Personal papers -- 1940-1950
Photograph albums -- 1940-1950
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1940-1950
Posters -- 1940-1960
Ration books
Scrapbooks -- 1900-1950
Telegrams -- 1940-1950
Citation:
Japanese American Documentary Collection, dates, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0305
See more items in:
Japanese American Documentary Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0305
Online Media:

Edward and Rosamond Walling Tirana Corbett papers, 1932-1978

Creator:
Corbett, Edward, 1919-1971  Search this
Corbett, Rosamond Walling Tirana, 1910-1999  Search this
Subject:
Reinhardt, Ad  Search this
Spohn, Clay Edgar  Search this
Still, Clyfford  Search this
McChesney, Mary Fuller  Search this
McChesney, Robert Pearson  Search this
Reveille, Thomas  Search this
Type:
Sketchbooks
Topic:
Abstract expressionism -- United States  Search this
Women artists  Search this
Art, Modern -- 20th century -- United States  Search this
Record number:
(DSI-AAA_CollID)7520
(DSI-AAA_SIRISBib)209679
AAA_collcode_corbedwa
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209679

Caterpillar Tractor Co. Photoprints

Creator:
Warshaw, Isadore, 1900-1969  Search this
Holling, W. J.  Search this
Chandler, Don  Search this
Caterpillar Tractor Co. (Peoria, Ill.).  Search this
Broden  Search this
Names:
Caterpillar Tractor Co. (Peoria, Ill.).  Search this
Extent:
11 Items
Type:
Collection descriptions
Archival materials
Photographs
Aerial photographs
Place:
Texas -- 1940-50
Illinois -- photographs -- 1948-1949
Georgia -- 1940-1950
California -- 1940-1950
Date:
1948-1949.
Scope and Contents note:
11 photoprints of Caterpillar Tractor Co. buildings and products: three photographs of company buildings, including two aerial views, and eight photographs of tractors, including views of machines at work in various locations. Tractors with various models of scrapers are shown in San Antonio, Texas; Whittier, California; and Colquitt County, Georgia. Locations of five tractor views unidentified: one shows two stationary tractors, the others show machines at work in roadbuilding and cemetery construction.
Biographical/Historical note:
Photographs probably commissioned by Caterpillar for public relations or advertising use.
Provenance:
Source unknown, but possibly originally in Warshaw Collection of Business Americana.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Road construction -- Photographs -- 1940-1950  Search this
Labor and laboring classes -- Photographs  Search this
Factories -- 1940-1950  Search this
Earthmoving machinery -- Photographs -- 1940-1950  Search this
Construction workers  Search this
Construction industry -- Photographs -- 1940-1950  Search this
Cemeteries -- Construction -- 1940-1950  Search this
Tractors -- Photographs -- 1940-1950  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1940-1950
Aerial Photographs
Citation:
Caterpillar Tractor Company Photoprints, Archives Center, National Museum of American History, Smithsonian Institution.
Collection processed by NMAH Staff, undated
Identifier:
NMAH.AC.0146
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0146

Merchant Marine/Navy World War Two Oral History and Memorabilia Collection

Creator:
Porter, John C.  Search this
Collector:
Armed Forces History, Division of (NMAH, SI).  Search this
Navarre, Jack B., 1925- (merchant seaman)  Search this
Armed Forces History, Division of (NMAH, SI).  Search this
Names:
San Mateo Coast Guard Station  Search this
United States. Merchant Marine  Search this
Extent:
0.01 Cubic feet (1 folder)
Container:
Box 1
Type:
Collection descriptions
Archival materials
Newspapers
Oral history
Scrapbooks
Identity cards
Menus
Correspondence
Military passes
Photographs
Diaries
Passports
Place:
San Mateo (Calif.)
Date:
1943-1946
Summary:
The collection documents Jack B. Navarre's service in the Merchant Marine's and Navy between 1943 and 1946.
Scope and Contents:
This collection consists of official correspondence, identification papers, and ephemeral material relating to Navarre's service in the Merchant Marine between 1943 and 1946. The correspondence concerns his appointment and training in the Merchant Marine Cadet Corps and his discharge from the Merchant Marine. Identification papers include his seaman's passport, his cadet school ID card and service record, his Coast Guard pass, and an ID card for Puerto Rico. Other materials include ship's crew passes from the vessels he served on, a shore leave pass for Naples, a job assignment card, and overtime sheets from his tour aboard the Sea Partridge. Many of these materials are attached to pages from a scrapbook. Of interest also are several ship's menus from 1944 and a photocopy of a ship's newspaper, dated September 3, 1945, describing the surrender of Japan.

Papers relating to John C. Porter include his diary, kept while serving on the U.S.S. Severn, and his photograph.
Biographical / Historical:
Jack B. Navarre was born in Detroit in 1925. In October 1943, at the age of 18, he was accepted into the U.S. Merchant Marine Cadet Corps as a Cadet Midshipman Engineer. He underwent basic training at the San Mateo Coast Guard Station in California from January to April 1944. He then reported aboard the S.S. Canada Victory in San Francisco for a period of training afloat.

Navarre served on three separate ships in the South Pacific War Zone between 1944 to 1945. After his training period on the Canada Victory ended in February 1945, he served a tour doing engine maintenance aboard the S.S. Sea Flasher from March to June 1945. This was followed by a tour as an oiler aboard the S.S. Sea Partridge from June to September 1945.

He subsequently served aboard the S.S. Coast Rica Victory in October 1945, sailing to Marseilles, France, and Naples, Italy, and then aboard the S.S. Malvern Hill, sailing to Puerto Rico in January 1946.

John C. Porter was born in Lowell, Massachusetts in 1924, and grew up in Claremont, New Hampshire and later in Newport, Rhode Island. He developed an early interest in radio, building his own radios and working for a radio and TV business installing antennas. He took and passed the FCC's test to acquire amateur call letters, but Pearl Harbor intervened. Amateur radio use was prohibited, and no call letters were issued for the duration of World War II. He wanted to be a radioman in the Navy, and was accepted.

At the age of eighteen, Porter joined the Navy in Providence, Rhode Island. He was assigned to a new ship being commissioned at Sparrow's Point, in Baltimore, the U.S.S. Severn, which saw service in the Pacific. After the War, Porter worked as a plumber and school custodian in Scituate, Rhode Island. He retired in 1987 and died in 1992.
Provenance:
Collection donated by Delia Porter, date unknown, and Jack B. Navarre, August 24, 1990.
Restrictions:
Collection is open for research.
Rights:
Some material in collection probably under copyright.
Topic:
World War, 1939-1945 -- Merchant Marine  Search this
Ships -- Manning  Search this
Merchant Marine -- Manning of vessels -- United States  Search this
Merchant Marine -- United States  Search this
Seamen -- 1940-1950  Search this
Merchant seamen  Search this
World War, 1939-1945 -- Naval operations  Search this
World War, 1939-1945 -- Campaigns -- Pacific Ocean  Search this
Marine engineers  Search this
Genre/Form:
Newspapers -- Ships -- 1940-1950
Oral history -- 1940-1950
Scrapbooks -- 1900-1950
Identity cards -- 1940-1950
Menus -- Ships -- 1940-1950
Correspondence -- 1940-1950
Military passes -- Ships -- 1940-1950
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1940-1950
Diaries -- 20th century
Passports
Citation:
Merchant Marine/Navy World War Two Oral History and Memorabilia Collection, 405, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0405
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0405

Portrait of a Woman

Artist:
Louise Dahl-Wolfe, American, b. San Francisco, California, 1895–1989  Search this
Medium:
Gelatin silver photograph
Dimensions:
image: 12 × 9 1/2 in. (30.5 × 24.1 cm) mount: 19 3/4 × 14 3/4 in. (50.2 × 37.5 cm)
Type:
Photograph
Date:
1940-1950
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Herbert Lust, 2019
Accession Number:
2019.079
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py20c07288c-cd1a-434d-b746-8bc467b3b2a6
EDAN-URL:
edanmdm:hmsg_2019.079

Stanton Macdonald-Wright collection, 1940-1950

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Subject:
Ettleson, Ben  Search this
Topic:
Painting, American  Search this
Record number:
(DSI-AAA_CollID)9031
(DSI-AAA_SIRISBib)211220
AAA_collcode_macdstan4
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211220

Herbert M. Faust Papers

Creator:
Crocker, Judith A.  Search this
Faust, Herbert M. (salesman, manager)  Search this
Names:
Curtis Publishing Company.  Search this
Mutual Broadcasting Company.  Search this
Saturday Evening Post.  Search this
United States. War Production Board.  Search this
Extent:
1.5 Cubic feet (4 boxes )
Type:
Collection descriptions
Archival materials
Clippings
Correspondence
Market surveys
Scrapbooks
Place:
Kansas
Sabetha (Kansas)
Date:
1918-1949.
Summary:
Papers relate to Mr. Faust's diverse career, including information on advertising in the 1920s, including two marketing studies from 1920 1922 of Sabetha, Kansas; his War Production Board experience, 1943-1944, which demonstrates the magnitude of that operation, its contribution to the war effort, and the extensive involvement of the American public in the salvage effort; and correspondence relating to his employment with and retirement from the Mutual Broadcasting Company, 1945-1948. These papers constitute a personal record of a successful career which reached its peak with important wartime civilian service.
Scope and Contents note:
These papers all relate to Mr. Faust's career and readily divide into three series: (1) his years with the Curtis Publishing Company, 1918 1943, which contains information on advertising in the 1920s; (2) his War Production Board experience, 1943 1944, which demonstrates the magnitude of that operation, its contribution to the war effort, and the extensive involvement of the American public in the salvage effort; and (3) correspondence relating to his employment with and subsequent retirement from the Mutual Broadcasting Company, 1945 1948. Some of his other papers undoubtedly became part of the final records of both the Curtis Publishing Company and the War Production Board. Mr. Faust's papers constitute a personal record of a successful career which reached its peak with important wartime civilian service.
Arrangement:
Divided into 3 series: 1) Curtis Publishing Company, 1918-1943; 2) War Production Board, 1943-1944; 3) Mutual Broadcasting Company, 1945-1948.
Biographical/Historical note:
Herbert M. Faust spent more than 24 years with the Curtis Publishing Company, from 1918 to 1943. Starting as a salesman in Chicago for Country Gentleman, a magazine published by Curtis, he later became manager of the Cleveland office of the Saturday Evening Post, manager of Curtis' Detroit Advertising Branch, and then manager of the New York Advertising Branch. His final position with the company was as Advertising Manager.

He left Curtis in September 1943 to join the War Production Board as a "dollar a year" man but was quickly transferred to the Federal payroll. The function of the War Production Board was to exercise general direction over the war procurement and production programs of all Federal departments and agencies. Mr. Faust served as Director of the Salvage Division of the War Production Board. During his tenure, there was a very heavy emphasis on paper salvage and much of the material in his papers relates to it.

In November 1944, Mr. Faust left the War Production Board to assume a position as manager of the central division of the Mutual Broadcasting System in Detroit, Michigan. He was employed there until his resignation in January 1949, following which he and his wife moved to California.
Provenance:
Collection donated by Judith A. Crocker, July 1, 1991.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Broadcasting -- 1940-1950  Search this
advertising  Search this
Marketing  Search this
World War, 1939-1945  Search this
Genre/Form:
Clippings
Correspondence -- 1930-1950
Market surveys
Scrapbooks -- 1900-1950
Citation:
Herbert M. Faust Papers, 1918-1949, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0397
See more items in:
Herbert M. Faust Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0397

Stanton Macdonald-Wright collection

Creator:
Macdonald-Wright, Stanton, 1890-1973  Search this
Names:
Ettleson, Ben  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1940-1950
Scope and Contents:
Nine photographs of Macdonald-Wright, a photograph of 3 unidentified men with a sculpture, 2 color wheels, and 3 color charts.
Biographical / Historical:
Stanton Macdonald-Wright (1890-1973) was a painter in Los Angeles, California.
Provenance:
Donated 1981 by Mr. and Mrs. Ben Ettelson. Ettelson received the papers from his mother.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Painting, American  Search this
Identifier:
AAA.macdstan4
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-macdstan4

Male figure

Object Name:
blolo bian
Maker:
Baule artist  Search this
Medium:
Wood, paint
Dimensions:
H x W x D: 25 x 6.8 x 6 cm (9 13/16 x 2 11/16 x 2 3/8 in.)
Type:
Figure
Geography:
Côte d'Ivoire
Date:
ca. 1950
Topic:
Marriage  Search this
Shrine/Altar  Search this
Female use  Search this
male  Search this
Credit Line:
Gift of Philip L. Ravenhill and Judith Timyan
Object number:
93-1-2
Restrictions & Rights:
Usage conditions apply
See more items in:
National Museum of African Art Collection
Exhibition:
ongoing exhibition
On View:
NMAfA, Pavilion Gallery
Data Source:
National Museum of African Art
GUID:
http://n2t.net/ark:/65665/ys704e0d67f-9e0f-4800-a07e-17085f1962d2
EDAN-URL:
edanmdm:nmafa_93-1-2

John Henry on the Right, Steam Drill on the Left, from the John Henry Series, (painting)

Painter:
Hayden, Palmer 1890-1973  Search this
Medium:
Oil on canvas
Culture:
African American  Search this
Type:
Paintings
Owner/Location:
Museum of African American Art Los Angeles California
Date:
1944-1954
Topic:
Figure group  Search this
Ethnic  Search this
Object--Tool--Hammer  Search this
Occupation--Labor  Search this
Architecture--Machine  Search this
Architecture exterior--Industry--Railroad Yard  Search this
Landscape  Search this
Literature--Character--John Henry  Search this
Control number:
IAP 87500026
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_470305

Big Bend Tunnel, from the John Henry Series, (painting)

Painter:
Hayden, Palmer 1890-1973  Search this
Medium:
Oil on canvas
Culture:
African American  Search this
Type:
Paintings
Owner/Location:
Museum of African American Art Los Angeles California
Date:
1944-1954
Topic:
Figure group  Search this
Ethnic  Search this
Object--Tool--Hammer  Search this
Object--Tool--Shovel  Search this
Occupation--Labor  Search this
Architecture--Vehicle  Search this
Architecture--Other--Tunnel  Search this
Architecture exterior--Industry--Railroad Yard  Search this
Landscape  Search this
Literature--Character--John Henry  Search this
Control number:
IAP 87500027
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_470306

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