Search Results

Manufacturer:

Foto Murals of California  Search this

Medium:

Photomurals

Type:

Wallcoverings

Sample book

Object Name:

Sample book

Made in:

USA

Date:

1948

Credit Line:

Gift of Various Donors

Accession Number:

1980-78-1

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Wallcoverings Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

EDAN-URL:

edanmdm:chndm_1980-78-1

Variant company name:

"Modern American Home"  Search this

Company Name:

California Redwood Assn.  Search this

Includes:

Black and white images

Physical description:

1 piece; 1 box

Language:

English

Type of material:

Trade catalogs

Trade literature

Place:

San Francisco, California, United States

Date:

1900s

Topic (Romaine term):

Architectural designs and building materials  Search this

Topic:

"Decoration and ornament, Architectural"  Search this

Architectural design  Search this

Building materials  Search this

Record ID:

SILNMAHTL_10157

Location:

Trade Literature at the American History Museum Library

Collection:

Smithsonian Libraries Trade Literature Collections

Data source:

Smithsonian Libraries

EDAN-URL:

edanmdm:SILNMAHTL_10157

Designer:

Christina Kim, American b. South Korea, 1957  Search this

Producer:

dosa, inc., Los Angeles, California, USA, founded 1984  Search this

Embroiderer:

Rajka Designs, Indian  Search this

Medium:

Hand-spun, hand-woven brocaded cotton jamdani scraps, pieced and embroidered

Type:

embroidery & stitching

Exhibitions

Amulets

Made in:

Gujarat, India

Date:

2016

Credit Line:

Courtesy of dosa inc.

Accession Number:

87.2015.7-1/55

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Exhibitions Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

EDAN-URL:

edanmdm:chndm_87.2015.7-1_55

Creator:

Carrillo, Eduardo, 1937-1997  Search this

Names:

Oakes College (University of California, Santa Cruz) -- Faculty  Search this

University of California, Santa Cruz -- Faculty  Search this

Extent:

3.8 Linear feet

1.75 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Drawings

Date:

circa 1953-1999

bulk 1975-1997

Summary:

The papers of Chicano painter, printmaker, and educator Eduardo Carrillo measure 3.8 linear feet and date from circa 1953-1999, with the bulk from 1975-1997. The collection is comprised primarily of artwork and teaching materials, along with some biographical material. Biographical material includes birth and marriage certificates, writings by Carrillo and others, a portrait photograph, documentation of properties and building projects in Mexico, and some miscellaneous correspondence. Also included are obituary and memorial materials including a digital video recording documentary about Carrillo. Professional files include documentation of courses taught by Carrillo on Mexican art history, as well as educational exhibitions and films he produced, and studio documentation. Subject files on various topics in Mesoamerican Art support Carrillo's teaching of Mexican Art History. Printed materials include invitations catalogs and posters for exhibitions of Carrillo's work as well as his extended community of artist friends. The Artwork series includes early career and student artwork by Carrillo, along with original posters and a printing plate by Carlos Cortez, and artwork by friends and students.

Scope and Contents:

The papers of Chicano painter, printmaker, and educator Eduardo Carrillo measure 3.8 linear feet and date from circa 1953-1999, with the bulk from 1975-1997. The collection is comprised primarily of artwork and teaching materials, along with some biographical material. Biographical material includes birth and marriage certificates, writings by Carrillo and others, a portrait photograph, documentation of properties and building projects in Mexico, and some miscellaneous correspondence. Also included are obituary and memorial materials including a digital video recording documentary about Carrillo. Professional files include documentation of courses taught by Carrillo on Mexican art history, as well as educational exhibitions and films he produced, and studio documentation. Subject files on various topics in Mesoamerican Art support Carrillo's teaching of Mexican Art History. Printed materials include invitations catalogs and posters for exhibitions of Carrillo's work as well as his extended community of artist friends. The Artwork series includes early career and student artwork by Carrillo, along with original posters and a printing plate by Carlos Cortez, and artwork by friends and students.

Arrangement:

The collection is arranged in 5 series:

Series 1: Biographical Material, circa 1953-1999 (0.3 Linear Feet; Box 1, Oversize 3, ER01)

Series 2: Project Files, circa 1972-1993 (0.6 Linear Feet; Box 1)

Series 3: Subject Files, circa 1980s-1990s (0.6 Linear Feet; Boxes 1-2)

Series 4: Printed Material, circa 1960-1990s (0.8 Linear Feet; Box 2, Oversize 4-6)

Series 5: Artwork, circa 1950s-1990s (1.7 Linear Feet; Box 2, Oversize 7-21)

Biographical / Historical:

Eduardo Carrillo (1937-1997) was a painter, muralist, printmaker, and professor in Santa Cruz, California. Carrillo was a key member of the Chicano art movement in the 1960s and 1970s. He was a founding faculty member of Oakes College at the University of California, Santa Cruz, where he was an instructor at for over twenty-five years. Carrillo received his BA in fine arts from UCLA and later spent a year studying abroad at the Prado Museum in Madrid with his first wife Sheila. Together they moved to Carrillo's ancestral home of La Paz in Baja California Sur, Mexico in 1966, where he founded and directed the El Centro de Arte Regional. The school focused on reviving traditional crafts of the region. In 1969 he returned to California where he continued to exhibit artwork and work as an educator. He taught various disciplines including native traditional pottery, painting, and Mexican Art History, all of which resonated with his own artistic practice.

Carrillo is known primarily as a painter working in oils and watercolors, with images referencing history, religion, and mythology. Increasingly in the 1970s, political subjects entered Carrillo's paintings and mural projects. One of Carrillo's most well-known works is "El Grito," a large scale ceramic tile mural completed in 1979 for the city of Los Angeles. Carrillo died in 1997 following a brief battle with cancer. The Museo Eduardo Carrillo was founded by Carrillo's wife Alison to promote Carrillo's art as well as perform various outreach initiatives including a scholarship program. In 2010 a gallery was dedicated at the Crocker Museum of Art in Sacramento to the paintings of Eduardo Carrillo and his peers.

Provenance:

Donated 2018 by Eduardo Carrillo estate via Alison Carrillo, executor and widow of Eduardo Carrillo.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Educators -- California  Search this

Painters -- California  Search this

Printmakers -- California  Search this

Muralists -- California  Search this

Topic:

Mexican American artists  Search this

Latino and Latin American artists  Search this

Chicano art movement  Search this

Genre/Form:

Drawings

Citation:

Eduardo Carrillo Papers, circa 1953-1999. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.carredua

See more items in:

Eduardo Carrillo papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-carredua

Collection Creator:

Carrillo, Eduardo, 1937-1997  Search this

Container:

Box 1, Folder 8

Type:

Archival materials

Date:

circa 1982

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Eduardo Carrillo Papers, circa 1953-1999. Archives of American Art, Smithsonian Institution.

See more items in:

Eduardo Carrillo papers

Eduardo Carrillo papers / Series 2: Professional Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-carredua-ref14

Collection Creator:

Carrillo, Eduardo, 1937-1997  Search this

Extent:

0.6 Linear feet (Boxes 1-2)

Type:

Archival materials

Date:

circa 1980s-1990s

Scope and Contents:

Printed Material includes press clippings and promotional material including press releases, invitations, catalogs, and posters, primarily regarding the art career of Carillo and his community of artists including fellow faculty at University of California, Santa Cruz.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Eduardo Carrillo Papers, circa 1953-1999. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.carredua, Series 3

See more items in:

Eduardo Carrillo papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-carredua-ref3

Creator:

Brookman, Philip  Search this

Names:

Mary Porter Sesnon Art Gallery  Search this

Washington Project for the Arts (D.C.)  Search this

Avalos, David  Search this

Hock, Louis  Search this

Extent:

3.5 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1977-1993

Summary:

The papers of curator Philip Brookman measure 3.5 linear feet and date from 1977 to 1993. The collection documents Brookman's exhibition, writing, and filmmaking projects in the form of artist files, exhibition files, professional files, and subject and research files. Much of the material concerns the production and distribution of Brookman's 1988 video documentary about Chicano art in California, Mi Otro Yo (My Other Self), that grew out of the exhibition and conference "Califas: An Exhibition of Chicano Art and Culture in California," held at University of California, Santa Cruz in 1981 and 1982.

Scope and Contents:

The papers of curator Philip Brookman measure 3.5 linear feet and date from 1977 to 1993. The collection documents Brookman's exhibition, writing, and filmmaking projects in the form of artist files, exhibition files, professional files, and subject and research files. Much of the material concerns the production and distribution of Brookman's 1988 video documentary about Chicano art in California, Mi Otro Yo (My Other Self), that grew out of the exhibition and conference "Califas: An Exhibition of Chicano Art and Culture in California," held at University of California, Santa Cruz in 1981 and 1982.

Artist files are for David Avalos, Guillermo Gómez-Peña, Louis Hock, Elizabeth Sisco, and others. Exhibition files include correspondence, notes, loan agreements, and printed material concerning Made in Aztlán, Photographing Ourselves: Contemporary Native American Photography, Chicano Art: Resistance and Affirmation/CARA among others. Professional files provide documentation on "El Centro Cultural de la Raza - Fifteen Years," Culture Wars: Documents from the Recent Controversies in the Arts, and various projects at Washington Project for the Arts.

Arrangement:

The collection is arranged as five series.

Series 1: Artist Files, 1981-1991 (Box 1; 0.5 linear feet)

Series 2: Exhibition Files, 1982-1992 (Boxes 1-2; 1.0 linear feet)

Series 3: Professional Files, 1982-1991 (Boxes 2-3, OV 5; 0.8 linear feet)

Series 4: Subject and Research Files, 1977-1993 (Box 3; 0.4 linear feet)

Series 5: Califas Documentation, 1981-1993 (Boxes 3-4, OV 5; 0.8 linear feet)

Biographical / Historical:

Philip Brookman is a curator in California and Washington, D.C. He was director of the Mary Porter Sesnon Art Gallery at the University of California at Santa Cruz from 1974 to 1983, a curator at El Centro Cultural de la Raza in San Diego from 1985 to 1986, and a curator at the Washington Project for the Arts from 1987 to 1997. Brookman was also Curator of Photography and Media Arts at the Corcoran Gallery of Art and is a consulting curator at the National Gallery of Art in Washington, D.C. He and his wife, Amy Brookman, co-directed the documentary Mi Otro Yo (My Other Self) about Chicano art in California which grew out of the Califas conference held at the University of California at Santa Cruz (UCSC) in 1982.

Provenance:

The papers were donated by Philip Brookman in 1999.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Occupation:

Art museum curators -- Washington (D.C.)  Search this

Art museum curators -- California  Search this

Topic:

Mexican American art  Search this

Latino and Latin American artists  Search this

Chicano art  Search this

Citation:

Philip Brookman papers, 1977-1993. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.broophil

See more items in:

Philip Brookman papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-broophil

Collection Creator:

Brookman, Philip  Search this

Extent:

0.5 Linear feet (Box 1)

Type:

Archival materials

Date:

1981-1991

Scope and Contents:

Files on artists contain mostly exhibition announcements and catalogs, clippings, and other printed material along with smaller amounts of correspondence and notes. Of note is documentation on collaborations between Brookman and artists David Avalos, Guillermo Gómez-Peña, Louis Hock, and Elizabeth Sisco on several public art projects. Files on David Avalos includes material on California Mission Daze, "End of Line," San Diego Donkey Cart, "Emma Goldman Speaks," the Super Bowl and MLK billboard public art projects, Crossing Borders/Chicano Artists and other exhibitions, DIA Foundation, public artists collaboration grant application, Teatro Campesino, manuscripts regarding Avalos, interview transcripts, and one notebook.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Philip Brookman papers, 1977-1993. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.broophil, Series 1

See more items in:

Philip Brookman papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-broophil-ref1

Collection Creator:

Brookman, Philip  Search this

Container:

Box 1, Folder 20-21

Type:

Archival materials

Date:

circa 1983

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Philip Brookman papers, 1977-1993. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

See more items in:

Philip Brookman papers

Philip Brookman papers / Series 2: Exhibition Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-broophil-ref19

Collection Creator:

Brookman, Philip  Search this

Extent:

1 Linear foot (Boxes 1-2)

Type:

Archival materials

Date:

1982-1992

Scope and Contents:

The series consists of correspondence, notes, loan agreements, and printed material concerning Asco 83 (1983), held at the Mary Porter Sesnon Art Gallery at the University of California at Santa Cruz; correspondence, printed material, and Brookman's draft catalog essays for the exhibitions Chicano Art: Resistance and Affirmation or CARA and Forty Years of California Assemblage; and correspondence, transcripts, printed material, slides, and photographs regarding the exhibition War and Memory: In the Aftermath of Vietnam (1987), held at the Washington Project for the Arts. Files for other exhibitions include Third World Artists in California (1983), Photographing Ourselves: Contemporary Native American Photography (1986), and Made in Aztlán (1985), an exhibition coinciding with the fifteenth anniversary of Centro Cultural de la Raza.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Philip Brookman papers, 1977-1993. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.broophil, Series 2

See more items in:

Philip Brookman papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-broophil-ref2

Collection Creator:

Brookman, Philip  Search this

Container:

Box 2, Folder 4

Type:

Archival materials

Date:

1988-1991

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Philip Brookman papers, 1977-1993. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

See more items in:

Philip Brookman papers

Philip Brookman papers / Series 2: Exhibition Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-broophil-ref25

Collection Creator:

Brookman, Philip  Search this

Container:

Box 3, Folder 6

Type:

Archival materials

Date:

circa 1993

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Philip Brookman papers, 1977-1993. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

See more items in:

Philip Brookman papers

Philip Brookman papers / Series 4: Subject and Research Files

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-broophil-ref36

Collection Creator:

Brookman, Philip  Search this

Extent:

0.8 Linear feet (Boxes 3-4, OV 5)

Type:

Archival materials

Date:

1981-1993

Scope and Contents:

The series includes correspondence, agreements, notes, printed material, transcripts, audiovisual logs, and other records relating to the production and distribution of Philip and Amy Brookman's 1988 video documentary, Mi Otro Yo, about Chicano art in California. The documentary project grew out of the exhibition and conference, Califas: An Exhibition of Chicano Art and Culture in California, which was held at the University of California at Santa Cruz in 1981 and 1982. Brookman worked as the exhibition coordinator responsible for the scheduling and management of the traveling exhibition.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.

Collection Citation:

Philip Brookman papers, 1977-1993. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.broophil, Series 5

See more items in:

Philip Brookman papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-broophil-ref5

Creator:

Bojórquez, Chaz  Search this

Extent:

5.9 Linear feet

98.44 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Drawings

Sketchbooks

Date:

1956-2017

Summary:

The papers of Chicano painter and commercial artist Charles "Chaz" Bojórquez measure 5.9 linear feet and 98.44 GB and date from 1956 to 2017. The collection documents Bojórquez's career as an artist through professional files, writings and notes, project books, printed and digital material, artwork, and photographic material.

Scope and Contents:

The papers of Chicano painter and commercial artist Charles "Chaz" Bojórquez measure 5.9 linear feet and 98.44 GB and date from 1956 to 2017. The collection documents Bojórquez's career as an artist through professional files, writings and notes, project books, printed and digital material, artwork, and photographic material.

Professional files primarily include correspondence with attached business records or press clippings regarding Bojórquez's involvement with graffiti groups. Writings by Bojórquez include writings on graffiti, interview responses, transcripts of talks, and notes. Project books were compiled by Bojórquez to document commercial projects for companies such as Fendi, Reebok, Disney, MTV, and Vans and include drawings, notes, travel documents, price lists and other materials. Printed material primarily includes published designs by Bojórquez. The collection also includes approximately 14 sketchbooks and four portfolios containing drawings and designs by Bojórquez, as well as photographic materials depicting Bojórquez with his friends and family and his artwork. All series contain materials in digital format.

Arrangement:

The collection is arranged as six series.

Series 1: Professional Files, 1970-2008 (Boxes 1, 8; 0.5 linear feet, ER01-ER04; 2.86 GB)

Series 2: Writings and Notes, circa 1985-2015 (Box 1; 0.2 linear feet, ER05-ER12, ER95-ER105; 25.52 GB)

Series 3: Project Books, 1979-2017 (Boxes 1-3, 6-8; 2.5 linear feet, ER13-ER93; 30.85 GB)

Series 4: Printed Materials, 1994-circa 2010 (Box 3; 0.5 linear feet, ER94, ER106; 0.141 GB)

Series 5: Artwork, 1956-2017 (Boxes 4, 7-9; 1.3 linear feet, ER107-ER134; 27.75 GB)

Series 6: Photographic Materials, 1968-circa 2010 (Boxes 4-5; 0.9 linear feet, ER135-145; 11.32 GB)

Biographical / Historical:

Charles "Chaz" Bojórquez (1949- ) is a Chicano painter and commercial artist in Los Angeles, California.

Bojórquez attended the Chouinard Art Institute, now known as the California Institute of the Arts or CalArts, where he studied calligraphy under Master Yun Chung Chiang. Bojórquez is regarded as a pioneer in street art. Since the 1960s, he has been integrating the graffiti style of the East Los Angeles Mexican American community with the calligraphy styles of other cultures. As a commercial designer, Bojórquez has designed products for Fendi, Disney, Vans, and other major companies internationally. His work is in the collections of the Smithsonian Institution, the Museum of Contemporary Art in Los Angeles, and other collections throughout the U.S. He has been active in numerous arts groups including graffiti advocacy groups such as the Arroyo Arts Collective, Graffiti Arts Coalition, and the Chicano Axis Art Group.

Provenance:

The papers were donated in 2016 and 2017 by Chaz Bojórquez.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival born-digital records with no duplicate copies requires advance notice.

Occupation:

Painters -- California -- Los Angeles  Search this

Commercial artists -- California -- Los Angeles  Search this

Topic:

Latino and Latin American artists  Search this

Graffiti art  Search this

Chicano artists  Search this

Genre/Form:

Drawings

Sketchbooks

Citation:

Charles "Chaz" Bojórquez papers, 1956-2017. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.bojochaz

See more items in:

Charles "Chaz" Bojórquez papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-bojochaz

Collection Creator:

Bojórquez, Chaz  Search this

Extent:

2.03 Gigabytes (94 computer files)

Container:

Folder ER10

Type:

Archival materials

Gigabytes

Date:

2003-2012

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival born-digital records with no duplicate copies requires advance notice.

Collection Citation:

Charles "Chaz" Bojórquez papers, 1956-2017. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

See more items in:

Charles "Chaz" Bojórquez papers

Charles "Chaz" Bojórquez papers / Series 2: Writings and Notes

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-bojochaz-ref116

Collection Creator:

Morehouse, Harold E., 1894-1973  Search this

Container:

Box 4, Folder 2

Type:

Archival materials

Text

Collection Restrictions:

No restrictions on access

Collection Rights:

Permissions Requests

Collection Citation:

Harold E. Morehouse Flying Pioneers Biographies Collection, Acc. XXXX-0450, National Air and Space Museum, Smithsonian Institution.

See more items in:

Harold E. Morehouse Flying Pioneers Biographies collection

Harold E. Morehouse Flying Pioneers Biographies collection / Series 1.1: Biographies of Flying Pioneers 1.1

Archival Repository:

National Air and Space Museum Archives

EDAN-URL:

ead_component:sova-nasm-xxxx-0450-ref103

Collection Creator:

Morehouse, Harold E., 1894-1973  Search this

Container:

Box 4, Folder 5

Type:

Archival materials

Text

Collection Restrictions:

No restrictions on access

Collection Rights:

Permissions Requests

Collection Citation:

Harold E. Morehouse Flying Pioneers Biographies Collection, Acc. XXXX-0450, National Air and Space Museum, Smithsonian Institution.

See more items in:

Harold E. Morehouse Flying Pioneers Biographies collection

Harold E. Morehouse Flying Pioneers Biographies collection / Series 1.1: Biographies of Flying Pioneers 1.1

Archival Repository:

National Air and Space Museum Archives

EDAN-URL:

ead_component:sova-nasm-xxxx-0450-ref106

Collection Creator:

Morehouse, Harold E., 1894-1973  Search this

Container:

Box 4, Folder 6

Type:

Archival materials

Text

Collection Restrictions:

No restrictions on access

Collection Rights:

Permissions Requests

Collection Citation:

Harold E. Morehouse Flying Pioneers Biographies Collection, Acc. XXXX-0450, National Air and Space Museum, Smithsonian Institution.

See more items in:

Harold E. Morehouse Flying Pioneers Biographies collection

Harold E. Morehouse Flying Pioneers Biographies collection / Series 1.1: Biographies of Flying Pioneers 1.1

Archival Repository:

National Air and Space Museum Archives

EDAN-URL:

ead_component:sova-nasm-xxxx-0450-ref107

Collection Creator:

Morehouse, Harold E., 1894-1973  Search this

Container:

Box 4, Folder 7

Type:

Archival materials

Text

Collection Restrictions:

No restrictions on access

Collection Rights:

Permissions Requests

Collection Citation:

Harold E. Morehouse Flying Pioneers Biographies Collection, Acc. XXXX-0450, National Air and Space Museum, Smithsonian Institution.

See more items in:

Harold E. Morehouse Flying Pioneers Biographies collection

Harold E. Morehouse Flying Pioneers Biographies collection / Series 1.1: Biographies of Flying Pioneers 1.1

Archival Repository:

National Air and Space Museum Archives

EDAN-URL:

ead_component:sova-nasm-xxxx-0450-ref108

Collection Creator:

Morehouse, Harold E., 1894-1973  Search this

Container:

Box 4, Folder 11

Type:

Archival materials

Text

Collection Restrictions:

No restrictions on access

Collection Rights:

Permissions Requests

Collection Citation:

Harold E. Morehouse Flying Pioneers Biographies Collection, Acc. XXXX-0450, National Air and Space Museum, Smithsonian Institution.

See more items in:

Harold E. Morehouse Flying Pioneers Biographies collection

Harold E. Morehouse Flying Pioneers Biographies collection / Series 1.1: Biographies of Flying Pioneers 1.1

Archival Repository:

National Air and Space Museum Archives

EDAN-URL:

ead_component:sova-nasm-xxxx-0450-ref112