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Screaming Queens: The Riot at Compton's Cafeteria, frameline, DVD

Series Collector:
National Museum of American History (U.S.). Archives Center  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Container:
Box 109
Type:
Archival materials
Moving Images
Date:
2005
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 5: Biren, Joan E. (JEB)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1609

Kameny, Frank, notebook 2, Georgia to Missouri

Series Collector:
National Museum of American History (U.S.). Archives Center  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Container:
Box 88, Folder 3
Type:
Archival materials
Date:
1956-1961, undated
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 3: Community Life and Subject Files / 3.2: Events, Ephemera and Buttons
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2537
3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Kameny, Frank, notebook 2, Georgia to Missouri digital asset number 1
  • View Kameny, Frank, notebook 2, Georgia to Missouri digital asset number 2
  • View Kameny, Frank, notebook 2, Georgia to Missouri digital asset number 3

SCDB-057: ESTEC and Biopack

Collection Creator:
Brown, David M.  Search this
Type:
Archival materials
Scope and Contents:
ESTEC (European Space Centre, Noordwijk, Netherlands) footage short. Sight seeing in Amsterdam; eating in cafeteria. Close up William McCool working with experiment from Switzerland (sample in glove box) detailed explanation by William McCool of experiment shown in closeup - good footage, but not many close ups of William McCool. Controls for freezing, cooler, etc. experiment containers, close door. Interior centrifuges, glove box. X stress. Screwdriver on culture box. Bones experiment. Lukin 18 syringe. Orange hotel flag. Statue of ? Dutch historical person?? Or?? Exterior hotel seem overexposed. Beach seems overexposed.

Film Type: Color; Sound; MiniDV (SD) Run Time: 0:38:19
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
David M. Brown Papers, Acc. 2006-0013, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.2006.0013, Item VK 00055
See more items in:
David M. Brown Papers
David M. Brown Papers / Videotapes
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-2006-0013-ref951

Oral history interview with Philip Pavia, 1965 Jan. 19

Interviewee:
Pavia, Philip, 1915-2005  Search this
Pavia, Philip, 1915-2005  Search this
Interviewer:
Hooton, Bruce Duff, 1928-  Search this
Subject:
Baziotes, William  Search this
De Kooning, Willem  Search this
Hayter, Stanley William  Search this
Kline, Franz  Search this
Motherwell, Robert  Search this
Nakian, Reuben  Search this
Club (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Surrealism  Search this
Record number:
(DSI-AAA_CollID)11694
(DSI-AAA_SIRISBib)212465
AAA_collcode_pavia65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212465

Oral history interview with Ad Reinhardt, circa 1964

Interviewee:
Reinhardt, Ad, 1913-1967  Search this
Reinhardt, Ad, 1913-1967  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Record number:
(DSI-AAA_CollID)12891
(DSI-AAA_SIRISBib)213746
AAA_collcode_reinha64
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213746
Online Media:

Delegate

Published by:
MelPat Associates, American, 1965 - 1986  Search this
Created by:
C. Melvin Patrick, American, died 1985  Search this
Subject of:
Charles Richard Drew, American, 1904 - 1950  Search this
President Lyndon Baines Johnson, American, 1908 - 1973  Search this
Roy Wilkins, American, 1901 - 1981  Search this
National Pan-Hellenic Council, American, founded 1930  Search this
Hubert Horatio Humphrey Jr., American, 1911 - 1978  Search this
Dr. Martin Luther King Jr., American, 1929 - 1968  Search this
Dr. Benjamin Elijah Mays, American, 1894 - 1984  Search this
Ebenezer Baptist Church, American, founded 1886  Search this
Southern Christian Leadership Conference, American, founded 1957  Search this
Sen. Edward Brooke, American, born 1919  Search this
Joseph Davies Tydings, American, 1928 - 2018  Search this
Lawrence Warren Pierce, American, born 1924  Search this
Bertram L. Baker, American, 1898 - 1985  Search this
Wayne L. Morse, American, 1900 - 1974  Search this
Harry Belafonte Jr., American, born 1927  Search this
Coretta Scott King, American, 1927 - 2006  Search this
Rev. Ralph David Abernathy, American, 1926 - 1990  Search this
Gordon Parks, American, 1912 - 2006  Search this
Morehouse College, American, founded 1867  Search this
Percy Ellis Sutton, American, 1920 - 2009  Search this
Bayard Rustin, American, 1912 - 1987  Search this
Eugene Nickerson, American, 1918 - 2002  Search this
Leonard Farbstein, American, 1902 - 1993  Search this
Senator Robert F. Kennedy, American, 1925 - 1968  Search this
The Girl Friends, Inc., American, founded 1927  Search this
Floyd McKissick, American, 1922 - 1991  Search this
Interracial Council for Business Opportunity, American, founded 1963  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
National Urban League, American, founded 1910  Search this
Harold Robert Perry, American, 1916 - 1991  Search this
Zeta Phi Beta Sorority, American, founded 1920  Search this
National Newspaper Publishers Association, American, founded 1827  Search this
Omega Psi Phi Fraternity, Inc., American, founded 1911  Search this
International Free and Accepted Modern Masons, Inc. and Order of the Eastern Star, American, founded 1950  Search this
Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this
New York Jets, American, founded 1960  Search this
Ancient and Accepted Scottish Rite of Freemasonry  Search this
National Association of Negro Musicians, Inc., founded 1919  Search this
National Medical Association, American, founded 1895  Search this
National Dental Association, American, founded 1913  Search this
Joan Murray  Search this
Philippa Schuyler, American, 1931 - 1967  Search this
Berry Gordy Jr., American, born 1929  Search this
Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this
Shriners International, American, founded 1870  Search this
Sen. Edward Brooke, American, born 1919  Search this
Sidney Poitier, Bahamian American, born 1927  Search this
Kappa Alpha Psi Fraternity, Inc., American, founded 1911  Search this
Inez Yeargan Kaiser, American, 1918 - 2016  Search this
Pearl Bailey, American, 1918 - 1990  Search this
Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this
National Council of Negro Women, founded 1935  Search this
Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this
National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this
National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this
Robert J. Mangum, American, 1920 - 2014  Search this
369th Veterans Association, American  Search this
National Association of Market Developers, American, founded 1953  Search this
Medium:
ink on paper
Dimensions:
H x W x D: 12 × 8 7/8 × 3/16 in. (30.5 × 22.5 × 0.5 cm)
Type:
magazines (periodicals)
Place made:
Harlem, New York City, New York, United States, North and Central America
Date:
1968
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Communities  Search this
Football  Search this
Fraternal organizations  Search this
Fraternities  Search this
Funeral customs and rites  Search this
Government  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Journalism  Search this
Labor  Search this
Mass media  Search this
Men  Search this
Political organizations  Search this
Politics  Search this
Professional organizations  Search this
Religious groups  Search this
Sororities  Search this
Sports  Search this
U.S. History, 1961-1969  Search this
Urban life  Search this
Women  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely
Object number:
2012.167.3
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5f7b7586d-84ee-4f44-b24e-aa264dcdee1f
EDAN-URL:
edanmdm:nmaahc_2012.167.3
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>Delegate</I> digital asset number 1

Oral history interview with Ad Reinhardt

Interviewee:
Reinhardt, Ad, 1913-1967  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Extent:
53 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Date:
circa 1964
Scope and Contents:
An interview of Ad Reinhardt conducted circa 1964, by Harlan Phillips, for the Archives of American Art.
Reinhardt speaks of his time spent working for the easel division of the WPA; his involvement with the American Abstract Artists (AAA); his admiration for Stuart Davis (despite his lack of involvement with the AAA; his time with the New York School in the forties; his desire for an objective Art History; the under-recognition of the abstract artists during their formative period; his feelings towards political cartoons and the social power/potential of art; his role as editor of the Columbia Jester; his unique position in the art world as an alumni of a liberal arts college rather than arts school; his time spent at the Institute of Fine Art studying under Alfred Salmony; the changing image of the artist as an intellectual (Motherwell, Rothko, Holty, Greene); de Kooning and Pollock's attempts to be the romantic artist; his bad feelings toward German and Italian Expressionists; futurists and some of the Fauve painters; his belief in collage as an anti-art; the position of art as the 'non-useful;' the exploration of meaninglessness by Kierkegaard, Kulick, and Sartre; his writing "Twelve Rules for the New Academy", "The Artist in Search of an Academy", "Art is Art Dogma", "Ten Rules for a Code of Ethics;" the importance of an aesthetic Morality; the Student Peace Movement (James Wexler, Thomas Merton); Artists' Union, American Artists' Congress, and the WPA; disapproval for the art market of the fifties and his preference towards artists with a salary making art for museums; the debate on the part of the Artists' Congress as to whether or not to support the Russian invasion of Finland; his dislike for the Bauhaus and the American carry-overs (Brooklyn Art scene); the article "ABC Art" in Art in America which claimed that he belongs to a whole new geometric ethic of imageless painting; his disapproval of Clement Greenberg's exploitation of the artist; his time spent studying with Francis Kriss; his year in the National Academy; his interest in Islamic art; his disconnect with Hofmann; his association with the Club and the Waldorf Cafeteria; his ideological opposition to de Kooning; the problems of treating art as a living; his feelings towards "The Shape of Time"; the recent mistake of art historians documenting the thirties without fulling embracing the abstract artists; the confusion of fine art and cultural pieces; the idea that Abstract Art is not a vase that you pour meaning into; his belief that the three most important artistic statements in recent years have come from Clive Bell, Focillon, Kubler; the relationship between religion and art; the importance of perseverance despite lack of praise; and his speech at the Club "What's Wrong." The interview is conducted in a way that facilitates more of an artistic statement, rather than a historical/ personal question and answer session.
Biographical / Historical:
Ad Reinhardt (1913-1967) was a painter from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 52 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Identifier:
AAA.reinha64
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-reinha64
Online Media:

Oral history interview with Philip Pavia

Interviewee:
Pavia, Philip, 1915-2005  Search this
Interviewer:
Hooton, Bruce Duff, 1928-  Search this
Names:
Club (New York, N.Y.)  Search this
Baziotes, William, 1912-1963  Search this
De Kooning, Willem, 1904-1997  Search this
Hayter, Stanley William, 1901-1988  Search this
Kline, Franz, 1910-1962  Search this
Motherwell, Robert  Search this
Nakian, Reuben, 1897-1986  Search this
Extent:
1 Sound tape reel (Sound recording, 7 in.)
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1965 Jan. 19
Scope and Contents:
An interview of Philip Pavia conducted 1965 Jan. 19, by Bruce Hooton, for the Archives of American Art.
Pavia speaks of the group of artists who met nightly at the Waldorf cafeteria during and after the World War II years, including Willem de Kooning, Franz Kline and others; refugee artists who joined the group after the war; Dubuffet's influence; the Tenth Street group; the development of The Club; surrealism; the rise of abstract expressionism. He also recalls Robert Motherwell, Reuben Nakian and Stanley William Hayter.
Biographical / Historical:
Philip Pavia (1915-2005) was a sculptor from New York, N.Y. In 1948, Pavia founded the artists' group, the Club (also known as the Eighth St. Club), acted as treasurer, and organized it's Wednesday and Friday night panel discussions and lectures.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 26 min.
An unrelated interview of Donald Judd (2/3/65) conducted by B. Hooten is also on this tape.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Use requires an appointment.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Surrealism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pavia65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pavia65
Online Media:

Oral history interview with Perkins Harnly

Interviewee:
Harnly, Perkins, 1901-1986  Search this
Interviewer:
Pennington, Estill Curtis  Search this
Hartigan, Lynda Roscoe  Search this
Extent:
1 Sound cassette (Sound recording)
24 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1981 Oct. 15
Scope and Contents:
Interview of Harnly Perkins, conducted 1981 Oct. 15, by Estill Pennington for the Archives of American Art, at the National Museum of American Art, in Washington, D.C.
Harnly speaks of painting portraits of famous actors and documenting various interiors for the Index of American Design. He recalls working in a cafeteria and his respect for various artist, including Joseph Cornell and others.
Biographical / Historical:
Perkins Harnly (1901-1986) was a painter from Culver City, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.harnly81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harnly81
Online Media:

Fit for a Queen: Perkins Harnly, Victorian Style, and Queer Identity in Mid-Century America

Creator:
National Portrait Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-04-07T15:40:32.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_GHt1v8NHNsc

1992.0532.137, SI NEG.#92-16729, Black & Decker, Inc. Photograph of a cafeteria. The cafeteria is empty except for staff in the far background. There are rows of tables with wire backed seats. There is a row of windows along the side, slightly visible...

Container:
Box 3
Type:
Archival materials
Photographs
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Black and Decker Collection, Archives Center, National Museum of American History
See more items in:
Black and Decker Collection
Black and Decker Collection / Series 2: Photographs / Photographs, 1992.0532.052-.151
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1441-ref277

1992,0532.150, SI NEG.#92 16742, Black & Decker, Inc. Photograph of a cafeteria food line. There are four African-American women, staff, behind the food counter, all are looking at the camera Behind the women is the food menu for the day. To the proper...

Container:
Box 3
Type:
Archival materials
Photographs
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Black and Decker Collection, Archives Center, National Museum of American History
See more items in:
Black and Decker Collection
Black and Decker Collection / Series 2: Photographs / Photographs, 1992.0532.052-.151
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1441-ref290

Oklahoma City, OK: Correspondence (Inter-Office and In-Coming)

Collection Creator:
National Congress of American Indians  Search this
Container:
Box 1, Folder 11
Type:
Archival materials
Date:
1946
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Collection Title, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
National Congress of American Indians records
National Congress of American Indians records / Series 1: NCAI Conventions and Mid-year Conferences
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-010-ref39
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Oklahoma City, OK: Correspondence (Inter-Office and In-Coming) digital asset number 1

Cafeteria Employees Union

Collection Creator:
Kent, Rockwell, 1882-1971  Search this
Container:
Reel 5165, Frame 671-676
Type:
Archival materials
Date:
1941
Collection Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Rockwell Kent papers
Rockwell Kent papers / Series 1: Alphabetical Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kentrock-ref671

Jeff Bezos Gifts Historic $200 Million to the Smithsonian

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 14 Jul 2021 18:06:16 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_3dc12b8a57c2d301c9fb655f966eba7a

Catherine Hann Papers

Creator:
Hann, Catherine (Huynh bach Thuy)  Search this
Names:
United Nations. Office of the High Commissioner for Human RIghts.  Search this
United States Catholic Conference. Migration and Refugee Services  Search this
Extent:
0.6 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Oral histories (document genres)
Correspondence
Identity cards
Diaries
Audiotapes
Checkbooks
Date:
1953-2006
Summary:
Papers relating to Catherine Hann's life in Vietnam (1953-1981), her flight by boat to Malaysia and stay at Pulau Bidong refugee camp (February --September 1981), her immigration to the United States (September 1981), and her work in Maryland as a circuit board assembler, manicurist and esthetician.
Scope and Contents:
The Catherine Hann Papers are divided into five series: Life in Vietnam, pre-1981; Stay in Malaysia, 1981; United States, 1981-2006; Oral History Interviews, 2002, 2006; and Photographs, 1955-2005.

Series 1 consists of four documents from Hann's life in Vietnam: an official copy of Hann's 1953 birth certificate, her college student ID, her Gia Long High School student ID and her 1974 South Vietnamese identity card.

Series 2 documents Hann's stay in the Pulau Bidong refugee camp off the coast of Malaysia and her family's medical processing in Kuala Lumpur. Especially interesting is a small diary Hann kept in 1981 documenting the building of the fishing boat, the voyage in the Gulf of Thailand, the stay at Pulau Bidong and Kuala Lumpur, and the family's first few months in the United States. There is an English translation of the diary. Other materials in this series include letters sent by relatives and friends to Hann in the refugee camp, papers documenting a family member's attempt to sponsor the family in the U.S., and hand-made Certificates of Commendation awarded to Hann's husband for his work in the refugee camp. The original letter with attached photographs from the U.S. Embassy in Kuala Lumpur granting permission for the family to immigrate is included.

Series 3 describes Hann's life in the United States as she transitioned from refugee to financially successful American citizen. Uncommon pieces of ephemera are cancelled checks repaying a loan from the United States Catholic Conference for the purchase of plane tickets from Malaysia to the United States. Also included are papers from Hann's seventeen years in the electronics industry, textbooks for manicurist training, a ledger and checkbook from Hann's short-lived Nails & Beauty Spa, Inc., and daily schedules with earnings from her current job at Totally Polished.

Series 4 consists of the original audiocassettes, reference CDs and typed transcript of an oral history conducted by Susan B. Strange, associate curator, with Hann on March 7, 2006, as well as a typed transcript of a December 14, 2002, interview with Hann conducted by Daniel Ekman, a student at St. Andrew's Episcopal School in Potomac, Maryland.

Original photographs in Series 5 document Hann's life in Vietnam, her husband's work in the refugee camp, the family's departure from Pulau Bidong, and Hann at work at Fairchild Space Co. Also in Series 5 is a folder with photocopies of seven photographs taken in 2005 by a Smithsonian staff member of Hann working at her manicure table. Smithsonian negative numbers are included with the photocopies; releases from the photographer, Hann, and the woman having a manicure, are in the Archives Center's control file for this collection. In the same folder are photocopies of five photographs (originals retained by Hann) showing Hann's life in Vietnam; the Archives Center scan number is printed on each photocopy. Hann granted copyright in these five photographs to the National Museum of American History on April 22, 2006; the release form is in the Archives Center's control file.
Arrangement:
The collection is divided into five series with chronological arrangement.

Series 1: Life in Vietnam, 1953-1981

Series 2: Stay in Malaysia, 1981

Series 3: United States, 1981-2006

Series 4: Oral History Interviews, 2002, 2006

Series 5: Photographs, 1955-2005
Biographical / Historical:
Catherine Hann was born in Saigon, State of Vietnam, on November 14, 1953 as Huynh bach Thuy. (She changed her name to Catherine Hann when she became a naturalized American citizen on June 19, 1987.) Hann, her parents and younger siblings lived in Saigon where her father worked as an instructor at Truong Quan Y, a South Vietnamese Army medical school. In 1968 Hann's family moved further south to Rach-Gia in Kien Giang province to care for Hann's recently-widowed paternal grandmother. Hann, the eldest of twelve children, stayed behind in Saigon, living with a great-uncle, so that she could continue attending Gia Long High School, one of the most prestigious and academically challenging public schools for girls in the country.

After graduation from Gia Long in 1973, Hann attended the University of Science in Saigon where she studied to become a biologist. In 1975, Hann's father, who had worked in a South Vietnamese military hospital in Rach-Gia since his arrival there in 1968, was sent to a "re-education camp." Hann returned to Rach-Gia to be with her mother and to help support the family. She then began attending a teacher training program in Rach-Gia where she trained as a biology teacher. At the training program, Hann met Han Huu Vinh who became her husband in 1976. After graduation, Hann taught biology in a high school in Rach-Gia while her husband taught mathematics in the same school. Their son, Kinh, was born in 1977.

In addition to supplementing the family income with her teacher salary, she also purchased unprocessed rice or "rough rice," had it milled, and sold the resulting white rice. To make a little more money for the family, the hulls and other residue from the milling process were sold as hog food. The future looked bleak, and Hann and her husband decided to take their young son and flee the country.

After two failed attempts to escape by boat, the Hanns were luckier the third time. A family friend obtained permission to build a fishing boat, a small wooden craft only 11.5 meters by 2.1 meters. Hann's family, one of the initiators and organizers of the scheme to use the fishing boat as a means of escape, hired a man who had served in the South Vietnamese Navy to navigate. At 2:05 a.m. on the morning of February 14, 1981, ninety-two people left Rach-Gia on the overloaded boat and headed southwest. Three days later the fishing vessel, towing another boat found stranded after being attacked by pirates, docked at Pulau Bidong, an island off the coast of Malaysia. After five months in the United Nations refugee camp on Pulau Bidong, Hann, husband, son, brother, and husband's nephew were taken to Kuala Lumpur for processing in preparation for immigration to the United States.

Hann's husband's sister, a naturalized American living in Rockville, Maryland, was their sponsor, and on September 11, 1981, the five-member family group arrived in the United States. The five continued to live together for about four years before Hann's brother and her husband's nephew went out on their own. After being on welfare and receiving intensive English-language training, Hann and her husband gradually became self-sufficient. Hann's first job was working in the cafeteria at Montgomery College in Rockville which she left to work at Denro Labs doing electronic assembly. Hann's husband's first job was at Solarex testing solar panels.

After almost ten years in the electronic assembly field, a Vietnamese friend encouraged Hann to train as a manicurist, and in 1992 Hann graduated from the Aesthetics Institute of Cosmetology in Gaithersburg, Maryland. At first she only manicured her own nails, but a year or so later Hann began working on Saturdays at a busy nail salon while continuing to work full-time in the electronics industry. When she learned that doing facials and waxing was faster and more profitable than doing manicures, Hann obtained training and a license to become an esthetician. After her week-day employer, Orbital Science Corp., moved to Sterling, Virginia, in 2000, a long commute for Hann, she started working full-time as an esthetician and manicurist at Totally Polished in Potomac, Maryland.

Hann works six days a week at Totally Polished, and on her day off she spends the morning doing manicures and waxing for private clients in their homes. This hard work has enabled Hann and her husband to pay off the mortgage on their single-family house in Gaithersburg and purchase a rental house in Florida. Their only child, Kinh, also has done well, earning a Master's Degree from the University of Maryland and now (2006) working on his PhD in biomedical engineering. Kinh is employed by Digene Corporation; he bought a house three years ago; and, as his mother proudly states, he drives a brand new BMW. Hann's stated reason for fleeing her country was "for my son's future;" the family's hard work and sacrifices seem to have made her hopes come true.
Separated Materials:
In 2005, the Division of Work and Industry collected manicure tools and soldering test equipment from Hann; in 2006 the division collected facial and waxing-related objects from Hann. Clothing worn on the boat fleeing Vietnam was donated in 2006 to the Division of Home and Community Life, along with tweezers Hann purchased in Saigon and carried throughout her immigration experience. The wedding of Kinh Hann to Leila Poursedehi in 2008 is documented in the Archives Center Weddings Documentation Collection, collection number 1131. The Vietnamese wedding dress that Leila Poursedehi wore at their wedding dinner was donated to the costume collection in the Division of Home and Community Life in 2008.
Provenance:
The collection was donated by Catherine Hann, March 18, 2006.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Manicuring  Search this
Naturalization  Search this
Emigration and immigration  Search this
Refugees  Search this
Beauty culture  Search this
Vietnamese Conflict, 1961-1975  Search this
Vietnamese Americans -- Biography  Search this
Small business  Search this
Genre/Form:
Photographs -- 2000-2010
Interviews
Oral histories (document genres)
Correspondence
Identity cards
Photographs -- 1950-2000
Diaries -- 20th century
Audiotapes
Checkbooks
Citation:
Catherine Hann Papers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0921
See more items in:
Catherine Hann Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0921
Online Media:

Correspondence to and from Brumbaugh, Thomas B

Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Gibbs, Wolcott, 1902-1958  Search this
Faulkner, Barry, 1881-1966  Search this
Hardin, Louis  Search this
Lassaw, Ibram, 1913-2003  Search this
Rosin, Harry  Search this
Soyer, Isaac, 1902-1981  Search this
Names:
Barnes Foundation  Search this
Greenough, Horatio, 1805-1852  Search this
Rox, Henry  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
White, Nelson C.  Search this
Collection Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Extent:
10 Items (Letters, written in ink, ball point, graphite, typewritter)
Type:
Archival materials
Correspondence
Date:
1941-1970
Scope and Contents:
This collection is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in this folder are letters between the collector, Thomas Brumbaugh, and various artists, including American playwright and writer Oliver Wolcott Gibbs, mural artist Barry Faulkner, and Louis Hardin.
Arrangement:
Organized chronologically.
Biographical / Historical:
Beginning in his youth Thomas Brumbaugh collected autographed correspondence. Mr. Brumbaugh's collecting instincts resulted in a unique collaborative collection providing a glimpse into the lives of a variety of 19th and 20th century American artists, such as Abbott Thayer. Brumbaugh was a professor of fine arts at Vanderbilt University in Nashville, and author of many articles on American art and artists.
Oliver Wolcott Gibbs was an American playwright and writer who lived in New York City. He wrote for The New Yorker and worked as a humorist and theatre critic. Gibbs was a direct descendent of President Martin Van Buren.
Barry Faulkner was an American artist who studied with Abbott H. Thayer, George de Forest Brush, and Augustus Saint-Gaudens. Along with sculptor Sherry Edmundson Fry, Faulkner organized artists to train as camouflage specialists. Faulkner was born in New Hampshire, traveled to Europe as he studied art, and then returned to New York, where he began work as a mural artist. He completed "The Constitution" and "The Declaration" in 1936 for the Rotunda for the Charters of Freedom at the National Archives.
Isaac Soyer was a social realist painter from New York City who used working-class and unemployed people as the subjects in his paintings. He also painted portraits for friends, and used his friends and family as models for his work.
Louis Hardin, commonly known as "Moondog," was a blind American composer and poet who lived on the streets of New York for a large portion of his life. He wore clothes inspired by the Norse god Thor, giving him the epithet, "The Viking of 6th Avenue." Moondog was influenced by ambient noises in his environment, and Native American music.
Henry Rox was a German artist who studied in Berlin and Paris before settling in the United States in 1938, where he taught at many universities, including Mount Holyoke College. He is known for fruit and vegetable photo-sculptures.
Ibram Lassaw was an American sculptor in the 20th century. Born in Egypt to Russian parents, Lassaw grew up in Brooklyn, New York. He was influenced by Alexander Calder and Wassily Kandinsky. Lassaw created open-space sculptural abstractions with metal, and helped abstract art grow in the United States.
Harry Rosin was an American sculptor born in Philadelphia, Pennsylvania. After working around the area following his studies at the Pennsylvania Academy of Fine Arts, he traveled to Tahiti, where he married his wife. He is known for his iron sculptures.
Local Numbers:
FSA A2009.06 3
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American  Search this
Busts  Search this
Runes  Search this
Genre/Form:
Correspondence -- 19th century
Correspondence -- 20th century
Identifier:
FSA.A2009.06, Series FSA A2009.06 3
See more items in:
The Brumbaugh Collection of Artist Letters
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a2009-06-ref1
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Correspondence to and from Brumbaugh, Thomas B digital asset number 1
  • View Correspondence to and from Brumbaugh, Thomas B digital asset number 2
Online Media:

H.U. [Howard University] Student Union bldg [building] shots, Feb[ruary] 1964 [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Eastman Kodak Company (film manufacturer)  Search this
Names:
Howard University -- 1960-1970  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5")
Container:
Box 110
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
New coccine (or crocein scarlet) dye
Retouching
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
February 1964
Scope and Contents:
Cafeteria with service counter and tables and chairs. There are men and women seated at tables and standing on either side of the counter. There is a mural of dancers on one wall. Several of the men are in military uniform. Above the service counter there is a menu with prices including, "Hot Dog 15", "Half Smoke 25", "Milk Shake 30" and "Cherry Smash 10-20". No ink on negative. Ink on envelope: caption and "1 - 5 x 7 ea. glossy". "KODAK - SAFETY -- FILM" edge imprint. Retouching on faces with New Coccine.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American college students -- 1960-1970.  Search this
Cafeterias  Search this
Food  Search this
Military uniforms  Search this
Genre/Form:
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
New Coccine (or Crocein Scarlet) dye
Retouching -- Dye
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref3609
Online Media:

Cafeteria and Restaurant Workers Union members in Pentagon, March 1964 [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Eastman Kodak Company (film manufacturer)  Search this
Names:
Cafeteria and Restaurant Workers Union  Search this
Knott's Penatgon Cafeterias  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5")
Container:
Box 112
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
March 1964
Scope and Contents:
Posed group of men in a corridor. The men wear various uniforms and many wear a badge with a number and the text "Knott's Pentagon Cafeterias". Ink on negative: "6". Ink on envelope: caption, "75 - 8 x 10 D.W." and "...5/7/64 #5 -1 #8 -3 #15 -1 #17 -3 #20 -3 #21 -2". "KODAK SAFETY FILM" and "10" edge imprint.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Trade-unions -- 1960-1970 -- Washington (D.C.)  Search this
Restaurants -- Washington (D.C.)  Search this
Cafeterias  Search this
African American men  Search this
Food service employees  Search this
Genre/Form:
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref3881
Online Media:

Cafeteria and Restaurant Workers Union members in Pentagon, March 1964 [cellulose acetate photonegative]

Photographer:
Scurlock Studio (Washington, D.C.)  Search this
Creator:
Eastman Kodak Company (film manufacturer)  Search this
Names:
Cafeteria and Restaurant Workers Union  Search this
Knott's Penatgon Cafeterias  Search this
Pentagon (Va.)  Search this
Subseries Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5")
Container:
Box 112
Culture:
African Americans -- Washington (D.C.)  Search this
Type:
Archival materials
Photographs
New coccine (or crocein scarlet) dye
Retouching
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
March 1964
Scope and Contents:
Posed group of men and women in white uniforms. Most are wearing a badge with a number and the text "Knott's". There is equipment hanging from a frame on the wall behind them. Ink on negative: "18" and "(10)". Ink on envelope: caption, "75 - 8 x 10 D.W." and "...5/7/64 #5 -1 #8 -3 #15 -1 #17 -3 #20 -3 #21 -2". "KODAK SAFETY FILM" and "2" edge imprint. Retouching on arms, hands and faces with New Coccine.
Subseries Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Trade-unions -- 1960-1970 -- Washington (D.C.)  Search this
Restaurants -- Washington (D.C.)  Search this
Cafeterias  Search this
African American men  Search this
African American women -- 1960-1970  Search this
Food service employees  Search this
Genre/Form:
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
New Coccine (or Crocein Scarlet) dye
Retouching -- Dye
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives / 4.1: Black-and-White Silver Gelatin negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s04-01-ref3883
Online Media:

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