The collection consists of studio portraits of Jamaican musicians. It includes two photographs by A. Duperly & Sons studio depicting members of the West Indian Regiment band in the Zouave uniform, as well as one photograph of a Jamaican man holding a violin.
Biographical/Historical note:
Adolphe Duperly (d. 1865) was an engraver, lithographer, and photographic pioneer. He opened a daguerreotype studio in Kingston, Jamaica, in 1840. He was joined by his sons Henri Louis and Oscar and the studio became the first Kodak dealer in the region. A. Duperly & Sons, which lasted until the early 20th century, specialized in postcards and photo books made from portraits and landscape views.
Local Call Number(s):
NAA Photo Lot 87-33
Location of Other Archival Materials:
Additional A. Duperly & Sons photographs can be found in the National Anthropological Archives in Photo Lot 8 and Photo Lot 97.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Studio portraits
Cartes-de-visite
Cabinet photographs
Citation:
Photo Lot 87-33, Photographs of Jamaican musicians, National Anthropological Archives, Smithsonian Institution
Photographs collected by Inez Ulery McGuire during her time as a missionary in Burma. They include images of missionaries, Burmese peoples (including the royal family), buildings, monuments, temples, and boats, with one scenic view of Assam. Many of the photographs are commercial cabinet cards with printed Christmas greetings and inscriptions on their versos.
Biographical/Historical note:
Inez Ulery McGuire, originally from Goshen, Indiana, graduated from Franklin college and went to Burma as a Baptist missionary (circa 1888). While in Burma, she married John McGuire, also from Goshen; they had two children, Judson Ulery McGuire and Alice McGuire.
Local Call Number(s):
NAA Photo Lot 74-50
Location of Other Archival Materials:
Additional missionary photographs of Burma can be found in the National Anthropological Archives in Photo Lot 74-50.
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Mounted prints
Cabinet photographs
Cartes-de-visite
Photographs
Studio portraits
Date:
circa 1879-1902
Scope and Contents note:
Photographs depicting students in the Carlisle Indian Industrial School in Pennsylvania, many with handwritten notation identifying pictured individuals. Included are individual and group portraits showing Crow, Gros Ventre, Iowa, Omaha, Pawnee, Ponca, and San Felipe students. There are also some images of Carlisle School buildings, and one of a parade, made by Philadelphia photographer Charles Truscott.
Biographical/Historical note:
John N. Choate (1848-1902) was a commercial photographer in Carlisle, Pennsylvania. The United States opened its first non-reservation government-supported school there in 1879 under the supervision of Lt. Richard Henry Pratt. From the opening of the Carlisle Indian School, Choate began photographing almost every student upon arrival and during their school career, as well as school activities, staff, and visiting chiefs and families. Choate remained the primary photographer for the Carlisle Indian School until his death in 1902.
Local Call Number(s):
NAA Photo Lot 73-8, NAA MS 4778
Location of Other Archival Materials:
MS 4778, previously filed in Photo Lot 24, has been relocated and merged with Photo Lot 73-8. These photographs were also donated by Mrs. James Bradford Ritter and form part of this collection.
The National Anthropological Archives also holds the original John N. Choate Negatives (Photo Lot 81-12)
Additional Choate photographs from the Carlisle School can be found in the National Anthropological Archives in MS 4241, MS 4537, MS 4544, MS 4574, MS 4988, and Photo Lot 90-1.
See others in:
John N. Choate photographs of Carlisle School students, circa 1879-1902
1 Cabinet photograph (silver gelatin print, 14 x 6 cm. in a 23 x 13 cm. frame)
Type:
Archival materials
Cabinet photographs
Photographic prints
Portraits
Photographs
Place:
Tokyo (Japan)
Japan
Scope and Contents:
A photograph received by Alice Roosevelt from Nagasaki Shōgo (1850-1937), Councilor of the Imperial Court. The portrait is signed, "Hon. Taft with sincere regards from his friend Michinori S. Nagasaki." The back of the card bears the imprint of the Maruki Studio in Tokyo.
長崎省吾
Biographical / Historical:
Alice Roosevelt visited Tokyo from late June 1905 as a member of the William H. Taft Mission to Asia. Nagasaki Shōgo (1850-1937) was born in Kagoshima, but studied in America and England. He returned to Japan around 1880, after which he was attached to the Imperial Court where he was often charged with the reception of foreign visitors.
Local Numbers:
FSA A2009.02 07
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Large collection of photographs, picture postcards, printed ephemera, and music related to the brass band movement in the United States: includes 8 ambrotypes, 36 tintypes, 59 stereographs, 66 cabinet prints, 90 cartes-de-visite, 150 large photoprints, and 874 picture postcards; also posters, concert programs, instrument manufacturers' advertisemements and ephemera, periodicals, sheet music, etc.
Arrangement:
3 series: (1) photographs; (2) ephemera; and (3) resources in American band history. Series 1 has 7 sub-series: (1) ambrotypes; (2) tintypes; (3) stereographs; (4) cabinet prints; (5) cartes-de-visite; (6) large mounted photoprints; and (7) postcards. Series 2 has 7 sub-series: (1) company ephemera; (2) band ephemera; (3) music; (4) periodicals; (5) oversized paper ephemera; (6) artifacts (3-dimensional); and (7) folio-size broadsides. Geographical arrangement within postcard and stereograph sub-series.
Biographical/Historical note:
Dr. and Mrs. Robert M. Hazen formed this collection in conjunction with their research on the American brass band movement.
Provenance:
Collection purchased from Dr. Robert Hazen, May 23, 1985 (1988.3028).
Restrictions:
Unrestricted research use on site. Researchers must handle unprotected photographs with gloves.
Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Shows eight persons with a variety of instruments. Personnel list printed on verso of card.
General:
In Box 3 (Series 1, Subseries 4).
See related photograph, 1.4.36, Removal Form #08593, originally selected for American Family show.
Exhibitions Note:
Shown in NMAH exhibition, "American Families and Their Photographs," 1996-1997.
Restrictions:
Must be handled with cotton gloves unless protected by sleeve.
Collection Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographed by Burrell, Providence, Rhode Island.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Krainik Ballooning Collection, Acc. 1990-0009, National Air and Space Museum, Smithsonian Institution.
Photographed by T. Wright, Bedford House, United Kingdom. See also Krainik number 125.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Krainik Ballooning Collection, Acc. 1990-0009, National Air and Space Museum, Smithsonian Institution.
Photographed by T. Wright, Bedford House, United Kingdom. See also Krainik number 124.
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Krainik Ballooning Collection, Acc. 1990-0009, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Krainik Ballooning Collection, Acc. 1990-0009, National Air and Space Museum, Smithsonian Institution.
Collection documents the business activities of the Sandford Card Company and include the papers of Mary Elizabeth Sandford, founder of the company, and her immediate family.
Scope and Contents:
The collection documents the business activities of the Sandford Card Company primarily in the early part of the century. It includes product designs and samples; advertising and marketing materials, as well as, correspondence and financial papers. In addition, there are the papers of Mary Elizabeth Sandford, founder of the company, and her immediate family. These materials consist primarily of diaries, photographs, correspondence, family histories and genealogies. The collection is arranged into four series. Series one documents the business activities of the Sandford Card Company. Series two contains the personal papers of Mary Elizabeth Sandford, her husband Frank Sherman Sandford and their children. Series three is the personal papers of Mary Elizabeth Sandford's parents and siblings. Series four is the personal papers of extended family members mostly by marriage.
Arrangement:
The collection is arranged into four series.
Series 1: Sandford Card Company Records, 1880-1967; undated
Series 4: Other Family Papers, 1840s-2004; undated
Subseries 4.1: Durkee Family, 1864-2004; undated
Subseries 4.2: Gilman Family, 1840s-1902
Subseries 4.3: Gilman Family, 1916-2004; undated
Subseries 4.4: McDowell Family, 1920; undated
Subseries 4.5: Pease Family, 1953-1984; undated
Biographical / Historical:
Mary Elizabeth Kennedy Sandford founded the Sandford Card Company in Dansville, New York in 1907. The Sandford Card Company was intended to provide consumers a means to send messages to family and friends. Such products contained more thought out verses and images than the typical postcards that were available during this time period. Initially, Mary Elizabeth created four verses with images and had five thousand of each printed by the F. A. Owen Publishing Company. The four samples were sent to two hundred bookstores and drugstores. Sales were later made with distributors and agents in various cities throughout the country. In addition, the company also sold cards to fraternal organizations using their symbols or mottos in the design. Eventually, fraternal organizations became a big part of the company's customer base expanding to more than fifty groups. The company grew as a mail order business. All card shipments were made directly from Dansville, New York to forty-eight states and countries including Canada, Alaska, Cuba, Japan, Guam, Philippines, Hawaii, Panama, and Netherlands, West Indies, England and Scotland. Although the Sandford Card Company started as a greeting card business it eventually offered place cards, calling cards, calendars, program folders, napkins, banquet supplies, gifts and souvenirs to its product line. All printing work was contracted out to lithographic businesses in New York, Boston and Cincinnati. With the death of Mary Elizabeth Sandford and her husband Frank Sherman Sandford the company continued to be operated under the guidance of their daughter Ruth Louise Sandford. In 1948, Ruth Sandford hired John G. Holden as business manager. In 1965, the company moved from Dansville to Baldwinsville, New York under the management of the third generation of the founding family. It continued to operate as a family business until it was sold to John G. Holden. The company was later purchased by Rodney Pease the grandson of Mary Elizabeth Sandford's sister Lillian Frances Pease. Pease eventually changed the name and direction of the company.
Related Materials:
Materials in the Archives Center
Lillian Pease Card Company Records (AC1251)
Provenance:
Donated to the Archives Center in 2011 by R. Thompson Gilman, Executor for the estate of Elizabeth G. Essley.
Restrictions:
Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
This series includes photographic portraits, snapshots, photographs of homes and other buildings, travel photographs, and photographs of works of art. Most portraits are mounted cabinet photographs or cartes-des-visites, but a small number of tintypes, daguerreotypes, and unmounted prints are also found. Portraits depict William Page, his family, descendants, and friends, as well as sitters for his painted portraits. Photographs after 1900 depict primarily the family of George S. Page, William Page's son, his wife and children, and their families.
Several of the portraits from the 19th century were taken in the Brady studios of Matthew Brady, and a few from the Sarony studio in New York are also found. There is a large portrait of Page taken by Charles H. Williamson. Pencil tracings on several enlarged photographs, grid marks on cabinet photographs and tintypes, and color notes handwritten on photographs seem to indicate that some of these photographs were used as studies for paintings. Drawings of some of the photographic subjects are also found in the Artwork series.
Most of the portraits and snapshots in this series are unidentified. Where subjects have been identified, their names appear in the folder list.
Many of the photographs of works of art relate to Page's study of Shakespeare, including a collection of Shakespeare portraits and photographs of the supposed death mask of Shakespeare then in Darmstadt, Germany. Other photographs of works of art include a series of heliotypes of classical busts in the Gray Collection of Harvard College.
Glass plate negatives are housed separately and closed to researchers.
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Page and Page Family papers, 1815-1947, bulk 1843-1892. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Found here are photographs of people, exhibitions and artwork, auctions, the American Art Galleries building, and sixty-two cabinet photographs of French artists whose work was auctioned and sold by the Association, including Francois Bonvin, William Adolphe Bouguereau, Alexander Cabanel, Pierre Purvis de Chavannes, Eugene Delacroix, Jean Leon Gerome, and Charles Emile Jacque, among others. Also included are four photograph albums of art auctions, three of which depict the interior of the Stanford White house on Gramercy Park North prepared by William H. Crocker for the 1907 auction.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
American Art Association Records, circa 1853-1929, bulk circa 1885-1922. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
American Art Association Records, circa 1853-1929, bulk circa 1885-1922. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
American Art Association Records, circa 1853-1929, bulk circa 1885-1922. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
American Art Association Records, circa 1853-1929, bulk circa 1885-1922. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
American Art Association Records, circa 1853-1929, bulk circa 1885-1922. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
American Art Association Records, circa 1853-1929, bulk circa 1885-1922. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
American Art Association Records, circa 1853-1929, bulk circa 1885-1922. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
