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Oral history interview with Herman Maril

Interviewee:
Maril, Herman  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Cummington School of the Arts -- Faculty  Search this
King-Smith Playhouse and School of Theatre Arts (Washington, D.C.) -- Faculty  Search this
Maryland Institute, College of Art -- Students  Search this
Philadelphia Museum of Art -- Faculty  Search this
Washington Workshop Center for the Arts -- Faculty  Search this
Argento, Mino, 1927-  Search this
Cheney, Sheldon, 1886-  Search this
Cézanne, Paul, 1839-1906  Search this
De Kooning, Willem, 1904-1997  Search this
Dows, Olin, 1904-1981  Search this
Giotto, 1266?-1337  Search this
Gross, Chaim, 1904-1991  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kline, Franz, 1910-1962  Search this
Matisse, Henri, 1869-1954  Search this
O'Hara, Eliot, 1890-1969  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Extent:
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 September 5
Scope and Contents:
An interview of Herman Maril conducted 1965 September 5, by Dorothy Seckler, for the Archives of American Art.
Maril speaks of growing up in Baltimore, Maryland.; attending the Maryland Institute of Fine Arts; visiting museums in the Washington, D.C. area; exhibiting his paintings in Washington, D.C. galleries and New York City galleries; working for the Treasury Art Project; surviving the Great Depression; teaching at the Cummington School of Art in Cummington, Massachusetts; serving in the Army Air Corps during WWII; painting murals with the Public Buildings Administration; teaching at the King-Smith School, the Washington Workshop of the Arts, the Philadelphia Museum of Art, and the University of Maryland; living in Provincetown; painting and his influences; being interviewed for books and a short film. Maril also recalls Roger Frye, Paul Cézanne, Henry Roben, Charles Walther, Franklin Delano Roosevelt, Edward Rowan, Eleanor Roosevelt, Chaim Gross, Henri Matisse, Piero della Francesca, Mino Argento, Olin Dows, Giotto di Bondone, Georges Henri Rouault, Wassily Kandinksy, Charles Walthrop, Franz Kline, Willem de Kooning, Eliot O'Hara, Sheldon Cheney, Florence Watson, Jacques Lipchitz, Mason F. Lord, and others.
Biographical / Historical:
Herman Maril (1908-1986) was a painter and printmaker from Baltimore, Maryland.
General:
Originally recorded on 1 sound tape. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Maryland -- Baltimore  Search this
Printmakers -- Maryland -- Baltimore  Search this
Topic:
Depressions -- 1929  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.maril65
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9647c5ac2-0507-4014-9bb0-163cd7730a2a
EDAN-URL:
ead_collection:sova-aaa-maril65
Online Media:

Oral history interview with Robert Colescott

Interviewee:
Colescott, Robert, 1925-2009  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
San Francisco State University -- Students  Search this
University of California, Berkeley -- Students  Search this
University of California, San Francisco. School of Fine Arts  Search this
Cézanne, Paul, 1839-1906  Search this
Loran, Erle, 1905-1999  Search this
Ryder, Worth, 1884-1960  Search this
Saar, Betye  Search this
Extent:
23 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 April 14
Scope and Contents:
An interview of Robert Colescott conducted 1999 April 14, by Paul Karlstrom, for the Archives of American Art, at his studio, in Tucson, Arizona.
Colescott discusses his early years growing up in Oakland; his education; military service; his experiences as a student at San Francisco State University and University of California, Berkeley; the influences at University of California, Berkeley, and of Paul Cézanne on the teaching by professors Erle Loran and Worth Ryder; working at the California School of Fine Arts; issues of race in art; views on the African-American community's desire to control visual statements by black artists, and why his work is viewed as stereotyping; political views; the work of artist Betye Saar; and his work, "George Washington Carver Crossing the Delaware."
Biographical / Historical:
Robert Colescott (1925-2009) was a painter from San Francisco, California and Tuscon, Arizona. Colescott was raised in Oakland, California. He attended San Francisco State University and University of California at Berkeley (B.A. 1949; M.A., 1952). After receiving his bachelor's degree, he studied in Paris with abstract painter Fernand Léger. From 1976-1985 he taught at the California School of Fine Arts, and was named Professor Emeritus at the University of Arizona, Tucson in 1985.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview is provided by Richard Baker Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- Arizona -- Tucson  Search this
Painters -- California -- San Francisco  Search this
Topic:
African American artists  Search this
African American military personnel  Search this
African American painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.colesc99
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw934fa61ee-ec44-4adc-8e66-d4a4bc32a4dc
EDAN-URL:
ead_collection:sova-aaa-colesc99
Online Media:

Cezanne, Paul, 1839-1906

Collection Creator:
Rosenblum, Walter, 1919-2006  Search this
Extent:
12 Photographs
Container:
Binder 9
Type:
Archival materials
Photographs
Photographs
Collection Restrictions:
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
See more items in:
Walter Rosenblum photographs
Walter Rosenblum photographs / Series 1: Photographs of artists' works
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
GUID:
https://n2t.net/ark:/65665/ih751472ecb-a5a8-495a-95b1-f7fd6d6f6b1b
EDAN-URL:
ead_component:sova-saam-photo-ros-ref117

Albert Duveen art reference files

Creator:
Duveen, Albert  Search this
Names:
Centurion (Firm)  Search this
Holland House Corporation of the Netherlands  Search this
Alexander, Francis, 1800-1880  Search this
Allston, Washington, 1779-1843  Search this
Bartlett, W. H. (William Henry), 1809-1854  Search this
Ben-Zion  Search this
Birch, Thomas, 1779-1851  Search this
Blackburn, Joseph, fl. 1753-1763  Search this
Blakelock, Ralph Albert, 1847-1919  Search this
Blauvelt, Charles F., 1824-1900  Search this
Blume, Peter, 1906-1992  Search this
Branchard, Emile Pierre, 1881-1938  Search this
Browere, A. D. O. (Alburtis Dell Orient), 1814-1887  Search this
Brown, John George, 1831-1913  Search this
Buddington, Jonathan  Search this
Buttersworth, James Edward, 1817-1894  Search this
Carter, Dennis Malone, 1827-1881  Search this
Cassatt, Mary, 1844-1926  Search this
Catlin, George, 1796-1872  Search this
Chabor, Moura  Search this
Chagall, Marc, 1887-1985  Search this
Chambers, Thomas, b. 1807 or 8  Search this
Charlot, Jean, 1898-1979  Search this
Cole, Thomas, 1801-1848  Search this
Constable, John, 1776-1837  Search this
Cope, George, 1855-1929  Search this
Copley, John Singleton, 1738-1815  Search this
Crawford, Ralston, 1906-1978  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
Cézanne, Paul, 1839-1906  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Despiau, Charles, 1874-1946  Search this
Detre, Roland, 1903-  Search this
Dibble, Thomas R. (Thomas Reilly), 1898-  Search this
Donati, Enrico, 1909-2008  Search this
Doriani, William, 1891-  Search this
Doughty, Thomas, 1793-1856  Search this
Drew-Bear, Jessie, 1877?-1962  Search this
Duncanson, Robert S., 1821-1872  Search this
Durand, Asher Brown, 1796-1886  Search this
Durrie, George Henry, 1820-1863  Search this
Duveneck, Frank, 1848-1919  Search this
Duyckinck, Evert A. (Evert Augustus), 1816-1878  Search this
Eakins, Thomas, 1844-1916  Search this
Eichholtz, Jacob, 1776-1842  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Elliott, Charles Loring, 1812-1868  Search this
Field, Robert, 1769?-1819  Search this
Ganso, Emil, 1895-1941  Search this
Gargallo, Pablo, 1881-1934  Search this
Gelb, Jan, 1906-1978  Search this
Gillman, Paul  Search this
Gullager, Christian  Search this
Hall, George Henry, 1825-1913  Search this
Harding, Chester, 1792-1866  Search this
Harnett, William Michael, 1848-1892  Search this
Harvey, George W., 1855-  Search this
Hays, William Jacob, 1830-1875  Search this
Healy, G. P. A. (George Peter Alexander), 1813-1894  Search this
Henry, Edward Lamson, 1841-1919  Search this
Hesselius, John, 1728-1778  Search this
Hicks, Edward, 1780-1849  Search this
Hicks, Thomas, 1823-1890  Search this
Homer, Winslow, 1836-1910  Search this
Hudson, Samuel Adams, 1813-1894  Search this
Huntington, Daniel, 1816-1906  Search this
Inman, Henry, 1801-1846  Search this
Inness, George, 1825-1894  Search this
Jarvis, John Wesley, 1780-1840  Search this
Johnson, Eastman, 1824-1906  Search this
Johnston, Henrietta  Search this
Johnston, John Bernard, 1847-1886  Search this
Kayn, Hilde B., 1903-1950  Search this
Kelekian, Dikran, 1868-1951  Search this
Lane, Fitz Hugh, 1804-1865  Search this
Lawson, Ernest, 1873-1939  Search this
Lefferts, M. F.  Search this
Leigh, William Robinson, 1866-1955  Search this
Lincoln, Abraham, 1809-1865  Search this
Luks, George Benjamin, 1867-1933  Search this
Malbone, Edward Greene, 1777-1807  Search this
Maurer, Alfred Henry, 1868-1932  Search this
Maurer, Louis, 1832-1932  Search this
Miller, Alfred Jacob, 1810-1874  Search this
Moeller, Louis, 1855-1930  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Neagle, John, 1796-1865  Search this
Organ, Donald  Search this
Otis, Bass, 1784-1861  Search this
Pach, Walter, 1883-1958  Search this
Peale, Charles Willson, 1741-1827  Search this
Peale, James, 1749-1831  Search this
Peale, Rembrandt, 1778-1860  Search this
Penn, William, 1644-1718  Search this
Perry, E. W. (Enoch Wood), 1831-1915  Search this
Philippoteaux, Fʹelix Emmanuel Henri, 1815-1884  Search this
Polk, Charles Peale, 1767-1822  Search this
Pope, T. B. (Thomas Benjamin), d. 1891  Search this
Porter, Rufus, 1792-1884  Search this
Prior, William Matthew, 1806-1873  Search this
Quirt, Walter, 1902-  Search this
Ranney, William Tylee, 1813-1857  Search this
Remington, Frederic, 1861-1909  Search this
Robins, Louisa Winslow, 1898-1962  Search this
Roesen, Severin, ca. 1815-ca. 1872  Search this
Rosenthal, Albert, 1863-1939  Search this
Rossiter, Thomas Prichard, 1818-1871  Search this
Rothermel, Peter Frederick, 1812-1895  Search this
Russell, Charles M. (Charles Marion), 1864-1926  Search this
Saint-Mémin, Charles Balthazar Julien Fevret de, 1770-1852  Search this
Savage, Edward, 1761-1817  Search this
Sawitzky, William, 1880-1947  Search this
Schattenstein, Nikol, 1877-1954  Search this
Schussele, Christian, 1826?-1879  Search this
Serres, D.  Search this
Sharples, James, ca. 1751-1811  Search this
Shulman, Morris  Search this
Smibert, John, 1688-1751  Search this
Soudeikine, Serge  Search this
Soutine, Chaim, 1893-1943  Search this
Spencer, Frederick R., 1806-1875  Search this
Stewart, Albert T., 1900-1965  Search this
Street, Robert, 1796-1865  Search this
Strong, William J.  Search this
Stuart, Gilbert, 1755-1828  Search this
Sullivan, Charles, 1794-1867  Search this
Sully, Thomas, 1783-1872  Search this
Tait, Arthur Fitzwilliam, 1819-1905  Search this
Tirrell, G.  Search this
Trumbull, John, 1756-1843  Search this
Vanderlyn, John, 1775-1852  Search this
Vanderlyn, Pieter, ca. 1687-1778  Search this
Von Schlegell, William, 1877-1950  Search this
Waldo, Samuel, 1783-1861  Search this
Walkowitz, Abraham, 1880-1965  Search this
Washington, George, 1732-1799  Search this
Weinberg, Elbert, 1928-  Search this
Weir, Julian Alden, 1852-1919  Search this
Welch, Thomas B., 1814-1874  Search this
Wertmüller, Adolph Ulric, 1751-1811  Search this
West, Benjamin, 1738-1820  Search this
Whitney, Anne, 1821-1915  Search this
Wiltz, Arnold, 1889-1937  Search this
Winner, W. E. (William E), -1883  Search this
Wood, S.  Search this
Wood, Thomas Waterman, 1823-1903  Search this
Extent:
5 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
[ca. 1831-1950]
Scope and Contents:
Files on ca. 150 American artists and art subjects, selected from Duveen's art reference files. Included are photographs of paintings in other collections, auction and exhibition catalogs, miscellaneous publications.
Files include: Francis Alexander, Washington Allston, William H. Bartlett, Ben-Zion, Thomas Birch, Joseph Blackburn, Ralph A. Blakelock, Charles F. Blauvelt, Peter Blume, Emile Branchard, Albertis D. O. Browere, John G. Brown, Jonathan Buddington, James E. Buttersworth, Carra, Dennis M. Carter, Mary Cassatt, George Catlin, Centurion, Paul Cezanne, Moura Chabor, Marc Chagall, T. Chambers, Jean Charlot, Thomas Cole, John Constable, George Cope, John S. Copley, Ralston Crawford, Jasper F. Cropsey, Arthur B. Davies, Charles Despiau, Roland Detre, Thomas R. Dibble, Enrico Donati, William Doriani, Thomas Doughty, Jessie Drew-Bear, Robert S. Duncanson, Dunlap, Asher B. Durand, George H. Durrie, Frank Duveneck, Evert Duyckinck, Thomas Eakins, Jacob Eichholtz, Louis M. Eilshemius, Charles L. Elliott, Robert Field, Emil Ganso, Pablo Gargallo, Jan Gelb, Paul Gillman, Christian Gullager, George H. Hall, Chester Harding, William M. Harnett, George Harvey, William J. Hays, George P. A. Healy, Edward L. Henry, John Hesselius, Edward Hicks, Thomas Hicks, Holland House, Charles Fevret de Saint-Memin, Winslow Homer, S. A. Hudson, Daniel Huntington, Henry Inman, George Inness, John W, Jarvis, Eastman Johnson, Henrietta Johnston, John Johnston, Hilde B. Kayn, Dikran K. Kelekian, Fitz Hugh Lane, Ernest Lawson, M. F. Lefferts, William R. Leigh, Abraham Lincoln, George B. Luks, Edward G. Malbone, Alfred H. Maurer, Louis Maurer, McKay, Alfred J. Miller, Louis C. Moeller, Samuel F. B. Morse, John Neagle, Donald Organ, Bass Otis, Walter Pach, Charles W. Peale, James Peale, Rembrandt Peale, William Penn, Enoch W. Perry, F. E. H. Philippoteaux, Charles P. Polk, T. B. Pope, Rufus Porter, William M. Prior, Walter Quirt, William T. Ranney, Reinhardt, Frederic Remington, Louisa Robins, Severin Roesen, Thomas P. Rossiter, Peter F. Rothermel, Charles M. Russell, Edward Savage, William Sawitzky, Nikol Schattenstein, Christian Schussele, D. Serres, James Sharples, Morris Shulman, John Smibert, Sergei Soudeikin, Haim Soutine, Frederick R. Spencer, Albert Stewart, Robert Street, William J. Strong, Gilbert Stuart, C. (Charles ?) Sullivan, Thomas Sully, Arthur F. Tait, G. Tirrell, John Trumbull, John Vanderlyn, Pieter Vanderlyn, William Von Schlegell, Samuel L. Waldo, Abraham Walkowitz, George Washington, Elbert Weinberg, Julian A. Weir, Thomas B. Welch, Adolph U. Wertmuller, Benjamin West, Anne Whitney, Arnold Wiltz, William E. Winner, S. Wood, and Thomas W. Wood.
The Saint-Memin, Stuart, B. West and Wertmuller files contain material from Albert Rosenthal relating to the above artists.
Arrangement:
Files are arranged alphabetically by artist and subject, rolls NDU1-NDU3; publications and other miscellany were filmed on rolls NDU4-NDU5.
Biographical / Historical:
Albert Duveen was an art dealer and collector with offices in New York, N.Y., specializing in early American art. He was a cousin to Joseph Duveen (1869-1939), 1st Baron Duveen, president of Duveen Brothers art dealers.
Provenance:
Lent for microfilming 1958 by Duveen.
Restrictions:
The Archives does not own the original papers. Microfilmed materials must be consulted on microfilm.
Topic:
Art, American  Search this
Identifier:
AAA.duvealbe2
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98968d056-cbe2-4e51-b974-7ee4067bcbae
EDAN-URL:
ead_collection:sova-aaa-duvealbe2

Oral history interview with Peter Agostini

Interviewee:
Agostini, Peter  Search this
Interviewer:
Roberts, Colette, 1910-  Search this
Names:
Columbia University -- Faculty  Search this
United States. Works Progress Administration  Search this
Bontecou, Lee, 1931-  Search this
Chamberlain, John, 1927-2011  Search this
Chryssa, 1933-2013  Search this
Cornell, Joseph  Search this
Cézanne, Paul, 1839-1906  Search this
De Chirico, Giorgio, 1888-  Search this
De Kooning, Willem, 1904-1997  Search this
Demuth, Charles, 1883-1935  Search this
Di Suvero, Mark, 1933-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Dubuffet, Jean, 1901-1985  Search this
Duchamp, Marcel, 1887-1968  Search this
Ferber, Herbert, 1906-1991  Search this
Flannagan, John Bernard, 1895?-1942  Search this
Giacometti, Alberto, 1901-1966  Search this
Greenberg, Clement, 1909-1994  Search this
Hague, Raoul, 1905-1993  Search this
Hare, David, 1917-1992  Search this
Hartley, Marsden, 1877-1943  Search this
Hopper, Edward, 1882-1967  Search this
Judd, Donald, 1928-1994  Search this
Kaprow, Allan  Search this
Kienholz, Edward, 1927-  Search this
Kline, Franz, 1910-1962  Search this
Kohn, Gabriel, 1910-1975  Search this
Kolbe, Georg, 1877-1947  Search this
La Tour, Onya, 1896-1976  Search this
Lachaise, Gaston, 1882-1935  Search this
Lassaw, Ibram, 1913-2003  Search this
Lippold, Richard, 1915-2002  Search this
Lipton, Seymour, 1903-1986  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Maillol, Aristide, 1861-1944  Search this
Manship, Paul, 1885-1966  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Marin, John, 1870-1953  Search this
Marisol, 1930-2016  Search this
Matisse, Henri, 1869-1954  Search this
Melville, Herman, 1819-1891  Search this
Mondrian, Piet, 1872-1944  Search this
Morris, Robert, 1931-2018  Search this
Nakian, Reuben, 1897-1986  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oldenburg, Claes, 1929-  Search this
Poe, Edgar Allan, 1809-1849  Search this
Pollock, Jackson, 1912-1956  Search this
Pompon, François, 1855-1933  Search this
Reinhardt, Ad, 1913-1967  Search this
Rivera, Diego, 1886-1957  Search this
Roszak, Theodore, 1907-1981  Search this
Rothko, Mark, 1903-1970  Search this
Samaras, Lucas, 1936-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Segal, George, 1924-2000  Search this
Sheeler, Charles, 1883-1965  Search this
Smith, David, 1906-1965  Search this
Smith, Tony, 1912-1980  Search this
Spaventa, George, 1918-  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tobey, Mark  Search this
Whitman, Walt, 1819-1892  Search this
Zorach, William, 1887-1966  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1968
Scope and Contents:
An interview of Peter Agostini conducted in 1968, by Colette Roberts, for the Archives of American Art at 151 Avenue B, New York, New York.
Mr. Agostini speaks of his childhood spent living throughout the five boroughs of New York; his interactions with clients of his father's acting employment agency; his early education in Catholic school and the creative freedom allotted by the nuns; his first feelings of isolation as an artist at the age of seven; the development of a sense of communication as the result of the loss of his mother at the age of three and time spent at a school for orphans; his early realization and vision of artistic destiny; his religious interests which lead to mysticism in his earlier work; his time spent working freely in the DaVinci Studio with Spaventa; the discovery by Hess of his works in Gallerie Grimaud; his attainment of the Longview Grant; his working experience throughout the Depression as part of the WPA casting plaster mannequins while working indirectly with Pollack as well as Marca Relli; his subsequent move to designing department store windows (use of Mondrian-like forms and lines); his feelings of his position as an observer; the importance of communication through art (communication without words); his rejection of the Abstract Expressionist group and choice of independence; the influence of the sculpture of Kolbe and Bache in the thirties; Clement Greenberg's distaste for his work; his feelings about the relative failure to sell his work due its unusual edginess and mystery; his role in the introduction of the work of contemporary European artists (Chausserian, Gauthier, Modrian) to the American group; his description of his own work as "traditionless"; his feelings of self-importance as one of the most original sculptors in the art world; his influence on the younger generation, particularly Marisol; the enslavement to originality that the younger generation faces; his attitudes towards American Art forms and their lack of rebellious spirit; the virtues of the American writers, such as Poe, Whitman, and Melville as American "knapsack" writers; his personal technique which places an emphasis on the "skin" or volume of something; his attempt to create quiet art, or art that merely indicates features; his frustration with teaching and the problems of regurgitated knowledge; the role of Meyer Shapiro in his teaching career at Columbia; the formation of the Club and its similarity to the Cubist's café scene; his opinions on the relationship of sex and sensuality in American art; his personal struggles, including the loss of his second wife and two of his brothers, in addition to the estrangement of his only daughter by his first wife; his feelings on the role of psycho analysis and personal history in a work of art; his present works which feature the "swell." For the majority of the second half of the interview Ms. Roberts asks Mr. Agostini to express his opinions on the work of: Kline; DeKooning; Duchamp; Oldenburg; La Tour; DeChirico; Maillol; Pompon; Rothko; Chardin; Cezanne; Giacometti; Reinhardt; Chryssa; Tony Smith; Segal; Lachaise; Zorach; Manship; Flannagan; Kelly; Lassaw; David Smith; Hare; Lipton; Ferber; Lippold; Roszak; Nakian; Noguchi; Hague; Kohn; di Suvero; Chamberlain; Kaprow; Sugarman; Stankiewicz; Bontecou; Scarpitta; Cornell; Keinholz; Rivera; Judd; Robert Morris; O'Keeffe; Samaras; Mark Tobey; Marin; Pollock; Hartley; Dove; Macdonald-Wright; Demuth; Sheeler; Hopper; Mirot; Matisse; DuBuffet.
Biographical / Historical:
Peter Agostini (1913-1993) was a sculptor from New York, New York.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 28 digital wav files. Duration is 10 hrs., 37 min.
Transferred from 4 3" reels.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.agosti68
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94f33a1ab-e475-4a6f-8b0b-f9822b288239
EDAN-URL:
ead_collection:sova-aaa-agosti68
Online Media:

Matthew Baigell papers

Creator:
Baigell, Matthew  Search this
Names:
Benton, Thomas Hart, 1889-1975  Search this
Cézanne, Paul, 1839-1906  Search this
Davis, Stuart, 1892-1964  Search this
Gottlieb, Harry, 1895-  Search this
Gropper, William, 1897-1977  Search this
Lichtenstein, Roy, 1923-1997  Search this
Lozowick, Louis, 1892-1973  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Marsh, Reginald, 1898-1954  Search this
Sherman, Hoyt Leon, 1903-  Search this
Weichsel, John, 1870-1946  Search this
Extent:
0.2 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
[ca. 1965-1985]
Scope and Contents:
Correspondence, writings and research material concerning Thomas Hart Benton and Baigell's other writings. Also included is a ca. 1965 interview with Hoyt Sherman conducted by Baigell.
REEL 2086: Letters, notes, and writings, some illustrated, ca. 1967-1972, from Thomas Hart Benton to Baigell for Baigell's writings and biography of Benton. Benton writes about synchronism, cubism, regionalism, social realism, John Weichsel, Stuart Davis, Stanton Macdonald-Wright, Reginald Marsh, and others, and his life. Inluded is a copy of Benton's 53-page handwritten manuscript, "The Thirties," describing his mural commissions and the controversies with the social realists over his regionalist style of painting. Also included are 2 letters from Louis Lozowick, and one each from William Gropper and Harry Gottlieb in response to Baigell's questions of social realism, regionalism, and art in the 1930's.
ADDITION: Letters, research notes, and writings on Thomas Hart Benton, as well as correspondence with Dorothy Dehner, Doris Lee, Louis Lozowick, Raphael Soyer and Ben Shahn, among others, relating to Baigell's book, "The American Scene: American Painting of the 1930s," (1974). Also included is an interview with colleague Hoyt Sherman conducted by Baigell, ca. 1965, in which Sherman discusses perception, Cézanne, and Sherman's most famous pupil, Roy Lichtenstein, who always testified that he was profoundly influenced by Sherman's methods and philosophy. Sherman analyzes Lichtenstein's work and recalls the artist during his student days at Ohio State University, and discusses his possible impact on Lichtenstein.
Biographical / Historical:
Art historian; New York, N.Y. b. 1933. Baigell is associate professor of art, Rutgers University, New Brunswick, New Jersey.
Provenance:
Donated 1980, 2002 and 2004 by Matthew Baigell.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Cubism  Search this
Regionalism  Search this
Social realism  Search this
Muralists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.baigmatt
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94d4cf4fb-79e9-4295-aa94-38cab9c55b0f
EDAN-URL:
ead_collection:sova-aaa-baigmatt

John Quinn ledgers

Creator:
Quinn, John, 1870-1924  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
Durand-Ruel Galleries (New York, N.Y.)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Montross Gallery  Search this
Penguin Club (New York, N.Y.)  Search this
Photo-Secession Galleries (New York, N.Y.)  Search this
Tiffany Studios  Search this
Cézanne, Paul, 1839-1906  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Derain, André, 1880-1954  Search this
Duchamp-Villon, Raymond, 1876-1918  Search this
Epstein, Jacob, Sir, 1880-1959  Search this
Hartley, Marsden, 1877-1943  Search this
Kuhn, Walt, 1877-1949  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Marin, John, 1870-1953  Search this
Pascin, Jules, 1885-1930  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Redon, Odilon, 1840-1916  Search this
Renoir, Auguste, 1841-1919  Search this
Schamberg, Morton L., 1881-1918  Search this
Severini, Gino, 1883-1966  Search this
Sheeler, Charles, 1883-1965  Search this
Stieglitz, Alfred, 1864-1946  Search this
Villon, Jacques, 1875-1963  Search this
Vollard, Ambroise, 1867-1939  Search this
Weber, Max, 1881-1961  Search this
Extent:
2 Volumes ((ca. 390 p. on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Date:
1909-1924
Scope and Contents:
Ledgers detailing the art purchases of John Quinn. Entries include the Association of American Painters and Sculptors listing purchases from the Armory Show, February to June 1913, of works by Cezanne, Renoir, Raymond Villon-Duchamp, Andre Derain, Jules Pascin, Odilon Redon, Walt Kuhn, Jacques Villon and others. Also entered are purchases from Alfred Stieglitz's Photo-Secession Gallery for paintings by Marsden Hartley, John Marin, Severini and Stanton Macdonald-Wright. Purchases from art dealers include M. Knoedler & Co. (for works by Morton Schamberg), Montross Gallery (for works by Arthur B. Davies, Maurice Pendergast, Walt Kuhn, Charles Sheeler, Max Weber), William Macbeth Gallery, Durand Ruel & Sons, and Ambroise Vollard.
Other entries of note include those for Jacob Epstein, one for Tiffany Studios detailing extensive refurbishing and refinishing of numerous items of furniture, and one for the Penguin Club enumerating the cost incurred for the installation of the VORTICIST EXHIBITION.
Biographical / Historical:
Art patron and lawyer; New York, N.Y.
Provenance:
Lent for microfilming 1986 by Thomas F. Conroy, Quinn's nephew by marriage. Mr. Conroy intends to donate these papers to the New York Public Library where the John Quinn Memorial Collection is housed.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art patrons  Search this
Topic:
Art -- Collectors and collecting  Search this
Art patronage  Search this
Identifier:
AAA.quinjohl
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw901f74557-f482-4334-a13b-27551e632d6e
EDAN-URL:
ead_collection:sova-aaa-quinjohl

Oral history interview with Adolph Gottlieb

Interviewee:
Gottlieb, Adolph, 1903-1974  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
United States. Works Progress Administration  Search this
Cézanne, Paul, 1839-1906  Search this
Rothko, Mark, 1903-1970  Search this
Sloan, John, 1871-1951  Search this
Extent:
2 Sound cassettes (Sound recordings (90 min.))
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1967 Oct. 25
Scope and Contents:
An interview of Adolph Gottlieb conducted 1967 Oct. 25, in New York, by Dorothy Seckler, for the Archives of American Art.
Gottlieb speaks of his childhood in New York; his decision to pursue art and its connection to a generational rebellion against traditional middle class values; his interest in art by the age of fifteen; the cultural influence of pop culture and comic strips (Mutt and Jeff); his interrupted high school career at Stuyvesant; his eighteen month stay in Europe (1921) studying in museums and various art schools; his subsequent exposure to Matisse, Picasso, and Leger; his experiences with German Expressionism in Vienna, Munich, Dresden, and Berlin; his return to the states; his attraction to Italian and French Renaissance painting as well as Ingres Courbet, and Delacroix; his time spent attending Saturday classes at the Arts Student League under John Sloan; the influence of John Sloan's cubist side; his foresight of the transient nature of the Ashcan school; his belief in painting from the imagination and memory; Cezanne's influence insofar as the notion of how to approach the forms of nature in terms of their volume; his instinct to maintain the surface and to keep it flat; his use of muddy, gray, brown, subdued colors, applied in a rich juicy impasto style; his first exhibition with the Art Alliance; his relationship with Rothko and Avery and specifically the heavy influence of Avery on his subject matter after his marriage;his short time working for the WPA in 1936; his self-discovery in Arizona; his literary influences, Pound, Joyce, Proust, 19th century writers, and Russian writers; his return to New York City and his further abstraction and reduction of means; his use of a horizon as the result of a shift in forms; his budding interest in primitive art (particularly African Art); the formation of his pictographs and the influence of the Surrealists and the philosophy of Jung and the collective unconscious; his belief in surface techniques to achieve freshness, much like the automism; the elimination of compartmentalization in his work in the 50's; his interest in certain opposing images; art as a matter of subjective rather than objective; his more refined work, more colorful, and more subtle work of the mid 50's; his distaste for academic devises; his recent Burst paintings; and his impulse to work on a larger scale.
Biographical / Historical:
Adolph Gottlieb (1903-1974) was a painter from New York, N.Y.
General:
Transferred from original acetate tape reels.
Sound quality is poor.
The recording ends before the conclusion of the interview.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Ashcan school of art  Search this
Surrealism  Search this
Abstract expressionism  Search this
Art, Abstract -- New York (State) -- New York  Search this
Expressionism (Art)  Search this
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gottli67
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97b338531-8b28-486d-ab31-96ff3cb82d6f
EDAN-URL:
ead_collection:sova-aaa-gottli67
Online Media:

Oral history interview with Herbert Palmer

Interviewee:
Palmer, Herbert Bearl, 1915-2006  Search this
Interviewer:
Ehrlich, Susan, 1942-  Search this
Names:
Ankrum Gallery  Search this
David Stuart Galleries  Search this
Feigen Palmer Gallery  Search this
Felix Landau Gallery  Search this
Irving Blum Gallery (Los Angeles, Calif.)  Search this
New York University -- Students  Search this
Ankrum, Joan  Search this
Bloch, Lucienne, 1909-1999  Search this
Bluhm, Norman, 1921-1999  Search this
Callahan, Harry M.  Search this
Cézanne, Paul, 1839-1906  Search this
Feigen, Richard L., 1930-  Search this
Garabedian, Charles  Search this
Grooms, Red  Search this
Maillol, Aristide, 1861-1944  Search this
Mullican, Lee, 1919-1998  Search this
Offner, Richard, 1889-1965  Search this
Onslow-Ford, Gordon  Search this
Paalen, Wolfgang, 1907-  Search this
Reiss, Henrietta  Search this
Reiss, Winold, 1886-1953  Search this
Riley, Bridget, 1931-  Search this
Shapiro, Meyer  Search this
Stevenson, Harold, 1929-2018  Search this
Tudor, David, 1926-1996  Search this
Vasa  Search this
Wölfflin, Heinrich, 1864-1945  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 Dec. 6-22
Scope and Contents:
An interview of Herbert Palmer conducted 2004 Dec. 6 and 22, by Susan Ehrlich, for the Archives of American Art, in West Hollywood, Calif.
Palmer discusses his family background and childhood in New York City; early exposure to art exhibitions; music appreciation; attending New York University; taking classes with Winhold Reiss, Meyer Shapiro, Richard Offner, and Heinrich Wolfflin; his master's thesis on Paul Cezanne's paintings of Mount Saint Victoire; moving to California; learning to fly; meeting Lillian, his wife; founding Feigen-Palmer Gallery with Richard Feigen; other galleries in the area, including Irving Blum, David Stuart, Felix Landau, Charles Garabedian, and Joan Ankrum; Monday Night Art Walks; John Cage and David Tudor performance pieces; the many artists he's exhibited; Andy Warhol's "The Kiss"; 1968 split with Richard Feigen to become the Herbert Palmer Gallery; the theft of a Picasso sculpture in Dec. 1981 and the ensuing legal case, which involved numerous galleries and collectors; his longstanding friendships with Gordon Onslow Ford, Lee Mullican, and Wolfgang Paalen; membership to the Art Dealers Association of California; and his enjoyment of discovering art, old and new. Palmer also recalls Henriette Riess, Harold Stevenson, Lucienne Bloch, Bridget Riley, Vasa Mihich, Maillol, Red Grooms, Norman Bluhm, and others.
Biographical / Historical:
Herbert Palmer (1915-2006) owned the Herbert Palmer Gallery of West Hollywood, Calif. Interviewer Susan Ehrlich is an art historian from Beverly Hills, Calif.
General:
Originally recorded on 4 mini discs. Reformatted in 2010 as 15 digital wav files. Duration is 3 hr., 35 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Use requires an appointment.
Occupation:
Gallery owners -- California  Search this
Topic:
Art thefts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.palmer04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9865dac29-395b-4aba-932d-dc84613acfdc
EDAN-URL:
ead_collection:sova-aaa-palmer04
Online Media:

Oral history interview with Abraham Walkowitz

Interviewee:
Walkowitz, Abraham, 1880-1965  Search this
Interviewer:
Cowdrey, Mary Bartlett, 1910-1974  Search this
Lerner, Abram  Search this
Names:
"291" (Gallery)  Search this
Armory Show (1913: New York, N.Y.)  Search this
Society of Independent Artists (New York, N.Y.)  Search this
Bliss, Lizzie P. (Lizzie Plummer), 1864-1931  Search this
Boswell, Peyton, 1904-  Search this
Chase, William Merritt, 1849-1916  Search this
Cox, Kenyon, 1856-1919  Search this
Cézanne, Paul, 1839-1906  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Duncan, Isadora, 1877-1927  Search this
Epstein, Jacob, Sir, 1880-1959  Search this
Hassam, Childe, 1859-1935  Search this
Kuhn, Walt, 1877-1949  Search this
Monet, Claude, 1840-1926  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pach, Walter, 1883-1958  Search this
Weber, Max, 1881-1961  Search this
Extent:
66 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1958 December 8-22
Scope and Contents:
An interview of Abraham Walkowitz conducted by Abram Lerner and Mary Bartlett Cowdrey for the Archives of American Art.
Walkowitz discusses his childhood and schooling; travelling abroad; influence of Claude Monet exhibit; his book, "Artists of Walkowitz: 100 Portraits"; Paul Cezanne's death; meeting artists in Europe; his 1908 exhibition of modern art at the Julius Haas Gallery, New York; getting Max Weber a show at the Haas Gallery; Steiglitz and his "291" Gallery; the Armory Show, especially the roles of Arthur B. Davies, Walt Kuhn, and Walter Pach; reactions to Nude Descending a Staircase; the Society of Independent Artists; thoughts on criticism of his work; his relationship with the critic Peyton Boswell; the importance in his work of dancer Isadora Duncan; opinions on American art, modern art, art schools, students and patrons; good art versus bad art; and the role of critics. Among others he recalls are Lizzie Bliss, William Merritt Chase, Kenyon Cox, The Eight, Jacob Epstein, Childe Hassam, and Georgia O'Keeffe.
Biographical / Historical:
Abraham Walkowitz (1880-1965) was a painter in New York, New York.
General:
Sound has been lost on tape reels; reels discarded.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art critics  Search this
Topic:
Art, American  Search this
Art, Modern -- 20th century  Search this
Eight (Group of American artists)  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.walkow58
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986f86904-6674-4d01-85b2-1e29fcc0b3a4
EDAN-URL:
ead_collection:sova-aaa-walkow58
Online Media:

Oral history interview with Erle Loran

Interviewee:
Loran, Erle, 1905-1999  Search this
Interviewer:
Chipp, Herschel Browning  Search this
Names:
Minneapolis School of Art  Search this
Booth, Cameron, 1892-1980  Search this
Cézanne, Paul, 1839-1906  Search this
Hartley, Marsden, 1877-1943  Search this
Hofmann, Hans, 1880-1966  Search this
Extent:
119 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 June 18
Scope and Contents:
An interview of Erle Loran conducted 1981 June 18, by Herschel Chipp, for the Archives of American Art.
Loran speaks of his education, his studies with Cameron Booth and Hans Hofmann, life in Europe on a grant, his study of Cezanne, including his book, "Cezanne's Composition," and his return to New York. He discusses teaching at the Minneapolis School of Art, the WPA Art School, in Minneapolis, and the University of California, at Berkeley. He comments on meeting Marsden Hartley, American midwestern painters, ghost towns as subject matter for paintings, American politics in the 1930s, and surrealism in America.
Biographical / Historical:
Erle Loran (1905-1999) was a painter and art historian of Minneapolis, Minn. and Berkeley, Calif.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 5 hrs., 14 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Art historians -- California -- Interviews  Search this
Topic:
Surrealism  Search this
Art, American -- Minnesota  Search this
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.loran81
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93c3620a5-9f59-4dbd-ad07-1f6e9538dcc3
EDAN-URL:
ead_collection:sova-aaa-loran81
Online Media:

Oral history interview with Roland C. Petersen

Interviewee:
Petersen, Roland, 1926-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Cézanne, Paul, 1839-1906  Search this
Gogh, Vincent van, 1853-1890  Search this
Hayter, Stanley William, 1901-1988  Search this
Hofmann, Hans, 1880-1966  Search this
Miró, Joan, 1893-  Search this
Obata, Chiura  Search this
White, Minor  Search this
Extent:
12 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 Sept. 17
Scope and Contents:
An interview of Roland C. Petersen conducted 2002 Sept. 17, by Paul Karlstrom, for the Archives of American Art, in Petersen's home, in Pacifica, Calif.
Petersen discusses his background, education, and his influences including Stanley William Hayter, Joan Miro, and Minor White, as well as his attraction to Asian brush painting which he learned from Chiuro Obata at Berkeley, Abstract Expressionism and the University of California, Davis. Also discussed are Cezanne's and Van Gogh's techniques.
Biographical / Historical:
Roland Petersen (1926- ) is a painter from Pacifica, Calif.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.peters02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw956ca99ef-0d8b-43f4-987f-8e6e2eaea50b
EDAN-URL:
ead_collection:sova-aaa-peters02
Online Media:

Oral history interview with Raquel Rabinovich

Interviewee:
Rabinovich, Raquel, 1929-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Hispanic American Arts Center (New York, N.Y.)  Search this
Station Hill Press  Search this
Beethoven, Ludwig van, 1770-1827  Search this
Borges, Jorge Luis, 1899-1986  Search this
Braque, Georges, 1882-1963  Search this
Cézanne, Paul, 1839-1906  Search this
Del Giocondo, Lisa, 1479-  Search this
Denes, Agnes  Search this
Farina, Ernesto, 1912-  Search this
Herzberg, Julia P.  Search this
Johns, Jasper, 1930-  Search this
Kelly, Robert, 1956-  Search this
Lenin, Vladimir Ilʹich, 1870-1924  Search this
Lhote, André, 1885-1962  Search this
Maggi, Marco, 1957-  Search this
Martin, Agnes, 1912-2004  Search this
Mondolfo, Rodolfo, 1877-1976  Search this
Mondrian, Piet, 1872-1944  Search this
Pavia, Philip, 1915-2005  Search this
Perón, Juan Domingo, 1895-1974  Search this
Picasso, Pablo, 1881-1973  Search this
Quasha, George  Search this
Rockburne, Dorothea  Search this
Schwabsky, Barry  Search this
Stein, Charles, 1944-  Search this
Strauss, David Levi  Search this
Velázquez, Diego, 1599-1660  Search this
Weintraub, Linda  Search this
Zimmer, William, 1946-2007  Search this
Extent:
4 Items (Sound recording: 4 sound files (3 hr., 6 min.), digital, wav)
64 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Argentina -- Description and Travel
Denmark -- Copenhagen -- Description and Travel
Egypt -- description and travel
France -- Paris -- Description and Travel
India -- description and travel
Machu Picchu Site (Peru)
Nepal -- Description and Travel
New York (N.Y.) -- Description and Travel
Thailand -- description and travel
Date:
2012 September 25 and October 9
Scope and Contents:
An interview of Raquel Rabinovich conducted 2012 September 25 and October 9, by James McElhinney, for the Archives of American Art, at Rabinovich's home, in Rhinebeck, New York.
Rabinovich speaks of growing up in Argentina; becoming aware of art; reproductions and books; European art; her Jewish heritage; her parents moving to Argentina before World War I; Jewish persecution; her parents' background; living in Cordoba; speaking Spanish and Yiddish growing up; quiet reflections; church; art exposure; traveling and moving to Paris; the influence of Ernesto Farina; Peron's dictatorship and rebellion; attending medical school and the call of art; political activities and spending time in jail; meeting Jose and moving to Scotland; Paris and exposure to artwork; teachings of Andre Lhote; her early works; abstraction; painting; the Mona Lisa; darkness and light; "The Dark is Light Enough"; exposure to literature and poetry; living in Copenhagen; meeting Jorge Luis Borges; the Book of Sand; her siblings; her children and her relationship to them; staying up to date with current events; libraries and a lack of books growing up; meditation; texture and the monochromatic works; interest in Jasper Johns' work; meeting Jasper Johns; living in New York; trip to Machu Picchu and spending the night outdoors; "Cloister, Crossing, Passageway 1.32"; glassworks and transparency; exhibiting artwork; her divorce; Rodolfo Mondolfo; environment and exposure; quiet contemplation; spending time with artwork; commissioned work near High Falls; "River Library"; libraries as places of knowledge; minimalism; the 1980s; her daughter's wedding and her relationship with Jose; stones; traveling to Nepal, Thailand, India, and Egypt; temples; Buddhism; "Chhodrtens"; garbhagrihas; NEA fellowship and residency in Paris; "Thrones for the Gods"; INTAR Gallery; "Gateless Gates"; artifacts; Pabhavikas sculpture; Charles Stein; Linda Weintraub; George Quasha; Station Hill Press; "Enfolded Darkness" and "Light Unworn". Rabinovich also recalls Baron Hughes, Beethoven, Lenin, Diego Velazquez, Andre Lhote, Mondrian, Picasso, Braque, David Levi Straus, Robert Kelly, Cezanne, Philip Pavia, Agnes Martin, Dorothea Rockburne, Barry Schwabsky, Bill Zimmer, Agnes Denes, Louisa Valenzuela, Julia Herzberg, and Marco Maggi.
Biographical / Historical:
Raquel Rabinovich (1929- ) is a painter and sculptor in Rhinebeck, New York. James McElhinney (1952- ) is a painter and educator from New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Political activists  Search this
Topic:
Buddhism  Search this
Minimal art  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.rabino12
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9103ced7f-d453-4d0e-bbe4-9a51f4389c0e
EDAN-URL:
ead_collection:sova-aaa-rabino12
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Market  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Letters on Cézanne / Rainer Maria Rilke ; edited by Clara Rilke ; translated by Joel Agee

Author:
Rilke, Rainer Maria 1875-1926  Search this
Rilke, Clara  Search this
Subject:
Rilke, Rainer Maria 1875-1926 Correspondence  Search this
Rilke, Clara Correspondence  Search this
Rilke, Rainer Maria 1875-1926 Knowledge Art  Search this
Cézanne, Paul 1839-1906 Criticism and interpretation  Search this
Physical description:
xxvi, 98 p. ; 22 cm
Type:
Correspondence
Date:
1985
C1985
20th century
Topic:
Authors, German  Search this
Call number:
N40.1.C42 R47
N40.1.C42R47
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_293990

Oral history interview with Henry Varnum Poor

Creator:
Poor, Henry Varnum, 1887-1970  Search this
New Deal and the Arts Oral History Project  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Stanford University -- Faculty  Search this
Stanford University -- Students  Search this
Bruce, Edward, 1879-1943  Search this
Cézanne, Paul, 1839-1906  Search this
Sickert, Walter, 1860-1942  Search this
Extent:
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1964
Scope and Contents:
An interview of Henry Varnum Poor conducted in 1964, by Harlan Phillips, for the Archives of American Art
Poor speaks of his youth in Chapman, Kansas; the artistic influence of his mother; his education at Stanford University; studying under Walter Sickert; going to Paris and to London; the influence of Cézanne; teaching at Stanford; World War I's influence on him; his work in pottery; meeting Edward Bruce; his mural decoration for the Department of Justice; his work on a post office mural; and his feelings about government support for the arts.
Biographical / Historical:
Henry Varnum Poor (1887-1970) was a painter, mural painter, and educator in New York, New York.
General:
Sound has been lost on tape reel; reel discarded.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript: Patrons must use microfilm copy.
Topic:
Mural painting and decoration -- Washington (D.C.)  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Federal aid to the arts  Search this
Painters -- New York (State) -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
World War, 1914-1918  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.poor64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b2c3fe6f-685e-4bcd-ad4d-ae4dac49e418
EDAN-URL:
ead_collection:sova-aaa-poor64

Cezanne: a study in evaluation / by Clyfford E. Still

Creator:
Still, Clyfford, 1904-1980  Search this
Names:
Cézanne, Paul, 1839-1906  Search this
Extent:
35 Pages ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Pages
Date:
1935
Scope and Contents:
Thesis (M.A.) - State College of Washington, 1935.
General:
Archives' copy lacks p. 19
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Identifier:
AAA.stilclyf
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw953de5483-25b8-4a25-a6f7-93abc3f3ed08
EDAN-URL:
ead_collection:sova-aaa-stilclyf

Oral history interview with John Rewald

Interviewee:
Rewald, John, 1912-1994  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Cézanne, Paul, 1839-1906  Search this
Whitney, John Hay  Search this
Extent:
105 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 Nov. 16-1973 Feb. 8
Scope and Contents:
Interview of John Rewald conducted 1972 Nov. 16-1973 Feb. 8, by Paul Cummings, for the Archives of American Art. Rewald speaks of his youth in Germany; the development of his interest in art; his education; beginning his writing career; traveling through Europe; the beginnings of his interest in Cezanne; coming to the U.S.; meeting Alfred Barr; his association with the Museum of Modern Art; working as a consultant; philosophies of collecting; his books on impressionism and post-impressionism; researching his work on Cezanne; his teaching career; philosophies on the writing of art history; dealers and museums and his relationships with them. He recalls John Hay Whitney.
Biographical / Historical:
John Rewald (1912-1994) was an art historian, writer, and educator from New York, N.Y.
General:
Originally recorded on 4 sound tape reels. Reformatted in 2010 as 8 digital wav files. Duration is 7 hr., 18 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art teachers -- Interviews  Search this
Art historians -- New York (State) -- New York -- Interviews  Search this
Topic:
Art -- Collectors and collecting  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rewald72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9fb75505d-adf7-4547-a495-0f6ac97b8ce8
EDAN-URL:
ead_collection:sova-aaa-rewald72
Online Media:

Margaret Potter papers

Creator:
Potter, Margaret  Search this
Names:
Gallery of Modern Art Including the Huntington Hartford Collection  Search this
Braque, Georges, 1882-1963  Search this
Cooper, Douglas, 1911-  Search this
Cézanne, Paul, 1839-1906  Search this
Gris, Juan, 1887-1927  Search this
Extent:
7 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1954-1983
Scope and Contents:
Artists' files and research notes, arranged by artist and movement, notably files on Georges Braque and a Braque exhibition, 1954; notes on Braque and Paul Cezanne from a lecture by William Rubin; photographs of work by Juan Gris, and photographs of the Gallery of Modern Art Including the Huntington Hartford Collection; correspondence concerning Potter's job search, Huntington Hartford Gallery, and letters from Douglas Cooper, 1970-1983, with whom Potter worked on a catalogue raisonne of Juan Gris, and with a friend of Cooper after Cooper's death; and printed material including clippings relating to the Huntington Hartford Gallery, and an extensive postcard collection.
Biographical / Historical:
Art historian and curator at Museum of Modern Art and Huntington Hartford Gallery of Modern Art; New York, N.Y. Died 1992.
Related Materials:
Margaret Potter Papers, 1896-1974, are located at The Museum of Modern Art Archives.
Provenance:
Donated by Margaret Potter's sister, Barbara Troyer, 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Identifier:
AAA.pottmarg
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91e54e74a-11da-41ae-a68f-6394abd271ae
EDAN-URL:
ead_collection:sova-aaa-pottmarg

Chester Dale papers

Creator:
Dale, Chester, b. 1883  Search this
Names:
Allentown Art Museum  Search this
Amherst College  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Gallery of Art (U.S.)  Search this
Parrish Art Museum  Search this
Batigne, Claire  Search this
Batigne, Renee  Search this
Braque, Georges, 1882-1963  Search this
Burkhardt, Rudy  Search this
Cantor, Irving  Search this
Cassatt, Mary, 1844-1926  Search this
Cooper, Maria  Search this
Cooper, Veronica  Search this
Cézanne, Paul, 1839-1906  Search this
Dale, Mary Towar Bullard, 1892-1984  Search this
Dale, Maud, 1875-1953  Search this
Dallas Museum of Art  Search this
Dalí, Gala  Search this
Dalí, Salvador, 1904-  Search this
Dmitri, Ivan, 1900-1968  Search this
Dufy, Raoul, 1877-1953  Search this
Elizabeth, Queen of Great Britain, II, 1926-  Search this
Frost, Robert, 1874-1963  Search this
Hamilton, Edith, 1867-1963  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Kahlo, Frida  Search this
Kessel, Dmitri  Search this
MacNeil, Neil  Search this
Mayes, Herbert R., 1900-1987 (Herbert Raymond)  Search this
Mellon, Paul  Search this
Mellon, Timothy  Search this
Orozco, José Clemente, 1883-1949  Search this
Picasso, Pablo, 1881-1973  Search this
Rivera, Diego, 1886-1957  Search this
Salles, Georges  Search this
Wyeth, Andrew, 1917-2009  Search this
Wyeth, Jamie, 1946-  Search this
Wyeth, Nicholas  Search this
Extent:
8.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Sound recordings
Travel diaries
Place:
Europe -- description and travel
Date:
circa 1883-2003
bulk 1920-1970
Summary:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.
Scope and Contents:
The papers of New York art collector Chester Dale measure 8.4 linear feet and date from circa 1883-2003. Dale amassed one of the world's most complete collections of nineteenth and twentieth century French art, was a collector of eighteenth century American portraitists, and a patron and collector of twentieth American artists including George Bellows and Mary Cassatt. The bulk of the collection dates from 1920 to 1970 and documents Dale's activities through biographical material, correspondence, memoirs and other writings, purchase, sales and estate records, printed material, scrapbooks, and photographs.

Biographical material comprises brief genealogical and biographical notes on Dale's father's side of the family; four pieces of miscellaneous artwork; several certificates, membership cards, and programs; circa six unidentified dictaphone recordings; and a home movie of an unidentified social event.

Correspondence provides scattered documentation of Dale's activities as a collector and benefactor, including correspondence relating to gifts to various museums such as the Dallas Museum of Fine Arts and the Metropolitan Museum of Art, as well as posthumous gifts to the Allentown Art Museum and Amherst College. Also documented is Dale's election as president of the National Gallery of Art in 1955. There are several letters to and from Salvador and Gala Dali, copies of two letters from Diego Rivera, and letters from other friends and business associates, including historian Georges Salles. Over one third of the correspondence consists of condolence telegrams and letters sent to Mary Dale following Dale's death. Other correspondence documents Mary Dale's work as exhibition chairman for the Parrish Museum of Art, and includes letters from Andrew, Jamie, and Nicholas Wyeth.

Writings include typed drafts of Dale's memoirs which recall the beginning of his career in banking, and include stories of his early experiences in buying art. Dale credits the highly discerning and influential eye of his first wife, Maud Dale, for guiding him in his early selections, and his memoirs recall his unconventionally direct way of doing business with the Paris art dealers. Two travel diaries record a 1904 trip to Europe, and five trips to Europe and the Caribbean between 1949 and 1953. Writings by others include several essays on Dale by various authors, several essays on art by Maud Dale, and a typed draft of a manuscript on Dale's life by Neil MacNeil.

Extensive inventories, estate appraisals, and will disbursement records document the contents of the Chester Dale collection in Series 4. Also found here are receipts for specific purchases of works by Cezanne, Cassatt, Dali, Dufy, Picasso, and others.

Printed material includes catalogs for auction sales annotated with sales prices and other purchase information; catalogs of Dale's collection; and exhibition catalogs and announcements for the Parrish Museum of Art during Mary Dale's tenure as exhibition chairman. Some of the catalogs include essays by Maud Dale. News clippings and magazine articles document press coverage of Dale's activities at home and abroad.

Scrapbooks contain additional printed material, primarily news clippings, documenting press coverage of Chester Dale's life from the 1920s until his death. One of the scrapbooks includes multiple photographs of Dale and others, including a photo of Frida Kahlo and Jose Orozco. An additional scrapbook of photographs and clippings documents Mary Dale's life before and after her marriage to Dale.

Photographs are of Dale, Mary Dale, Maud Dale, family, friends, and colleagues. There are photographs of Dale and Mary Dale with artists including George Braques, Salvador and Gala Dali, Diego Rivera and Frida Kahlo, and Jamie and Nicholas Wyeth; and friends and associates Renee and Claire Batigne, Veronica "Rocky" Cooper and Maria Cooper, Robert Sturgis Ingersoll, Edith Hamilton with Robert Frost, Neil MacNeil, Herbert Mayes, and Paul and Timothy Mellon. There are individual photos and three photograph albums of Dale's various residences and his collection, including photographs taken shortly before his death at his Plaza Hotel apartment showing some of his favorite pictures. Photographers include Rudolph Burkhardt, Irving Cantor, Ivan Dmitri, and Dmitri Kessel. There are also many photographs of exhibition openings and museum events, especially events at the National Gallery of Art, including the presentation of Dale's gift of Dali's The Sacrament of the Last Supper to the museum in 1956, and the occasion of Queen Elizabeth II of England's visit to the museum in 1957. Photographs also include photographs of artwork in Dale's collection.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Material, circa 1897-circa 1960, 2003 (Boxes 1, 7-8; FC 20; 0.45 linear feet)

Series 2: Correspondence, 1911-1984 (Box 1; 0.9 linear feet)

Series 3: Writings, 1904-1963 (Boxes 2, 8; 0.55 linear feet)

Series 4: Chester Dale Collection, circa 1930-1968 (Boxes 2-3; 1 linear foot)

Series 5: Printed Material, 1925-circa 1972 (Boxes 3-4, 8, OV 9; 1.2 linear feet)

Series 6: Scrapbooks, circa 1920s-1963 (Box 4, BVs 10-14; 1.2 linear feet)

Series 7: Photographs, circa 1883-1972 (Boxes 4-6, 19, BVs 15-17, OV 18; 3.3 linear feet)
Biographical / Historical:
New York art patron and collector of French and American art Chester Dale (1883-1962), made his fortune as a banker who pioneered the sale of public utility securities. He began purchasing French paintings in the mid-1920s and retired from the investment security business in 1935 in order to focus full time on the acquisition of art.

Dale was encouraged to begin collecting art by his first wife, Maud Dale, who was an artist, a writer, and a former chairman of the Exhibition Committee of the Museum of French Art. With the benefit of his wife's knowledge, passion, and perception, Dale began to lay the foundation of his collection in 1926, and amassed circa seven hundred pictures within ten years. His collection is considered to be one of the most complete collections of nineteenth and twentieth century French art in the world, and includes some of the finest examples of works by Braque, Corot, Delacroix, Degas, Derain, Dufy, Leger, Matisse, and Renoir, as well as by artists representative of the French tradition in art including Modigliani, Picasso, Rivera, and Van Gogh.

Although primarily interested in French art, Dale also collected and encouraged American artists. He was a patron of George Bellows and Salvador Dali, and had his portrait painted by both artists. Dale presented the Metropolitan Museum of Art and the National Gallery of Art with their first Dali paintings, the latter being The Sacrament of the Last Supper. Dale also purchased works by Mary Cassatt, representative works by "the Eight," and examples of eighteenth century American portraitists John Smibert, Gilbert Stuart and Thomas Sully. In the early 1940s he visited Diego Rivera and Frida Kahlo in Mexico, and Rivera subsequently completed a portrait of Dale in 1945.

Dale served as a trustee to the Metropolitan Museum of Art, the Chicago Art Institute, and the Philadelphia Museum of Art. He made the first of a series of gifts to the National Gallery of Art when it opened in 1941. In 1955 he was elected president of the museum, by which time his collection occupied ten of its galleries. Dale bequeathed the bulk of his remaining collection to the National Gallery in his will. This final gift included eighty of his favorite pictures, which had been located in his Manhattan apartment at the Plaza Hotel up until his death.

A year after the death of Maud Dale in 1953, Dale married Mary Towar Bullard, whom he had employed as his secretary for twenty-five years. Mary Dale oversaw the disbursement of her husband's estate, following Dale's death from a heart attack in 1962.
Related Materials:
Holdings at the Archives of American Art also include the Chester Dale papers concerning George Bellows, 1919-1956, comprising correspondence, a photograph, and invoices relating to Chester Dale's relationship with George Bellows and Dale's interest in artwork by Bellows; and the Chester Dale eulogy, consisting of one 35 minute, 9 second sound tape reel of a eulogy delivered by an unidentified speaker.
Provenance:
The collection was donated in 1972 by Mary Dale, Chester Dale's second wife, and in 1985 by Mary Dale's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D. C., Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art dealers -- France -- Paris  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, French--19th century  Search this
Art, French--20th century  Search this
Art, Modern -- 20th century -- Collectors and collecting  Search this
Art, Modern--19th century--Collectors and collecting  Search this
Motion pictures (visual works)  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Travel diaries
Citation:
Chester Dale papers, circa 1883-2003, bulk 1920-1970. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.daleches
See more items in:
Chester Dale papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97b399200-a24e-48c3-83e9-5cfd2ec5892c
EDAN-URL:
ead_collection:sova-aaa-daleches
Online Media:

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