Collection of the Smithsonian National Museum of African American History and Culture, Gift of Eddie Faye Gates, Tulsa OK, author, historian, community activist
This collection consists of the records of the Society for American Archaeology (SAA) and documents the activities of the officers of SAA and the editors of the journal American Antiquity. Materials include minutes, correspondence, reports, newsletters, financial records, memorandums, contracts and journals.
Scope and Contents:
This collection consists of the records of the Society for American Archaeology (SAA) and documents the activities of the officers of SAA and the editors of the journal American Antiquity. Materials include minutes, correspondence, reports, newsletters, financial records, memorandums, contracts and journals.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
Portions of this collection are unprocessed. Please contact the repository for further information.
Earlier accessions, containing records dating from 1935-1985, have been arranged in the following proposed series: (1) Records of the secretary-treasurer, 1935-1947; (2) treasurer's records, 1935-1950; (3) executive committee meeting minutes, 1961-1978; (4) records concerning annual meetings, 1935-1978; (5) records concerning nominations and elections, 1971-1978; (6) secretary's general correspondence, 1968-1978; (7) secretary's correspondence with SAA presidents, 1970-1978; (8) correspondence with affiliated organizations, 1968-1976; (9) secretary's subject files, undated; (10) records relating to committees, undated; (11) records relating to constitutional revision, undated; (12) copies of legislation; resolutions, undated; (13) antiquities actions, 1970-1976; (14) financial statements and treasurer's correspondence with the secretary, 1968-1977: (15) membership records, 1970-1977; (16) records concerning publications, 1970-1977; (17) field school lists, 1968-1979; (18) indexes and other compilations regarding executive committee and annual meeting actions; (19) executive committee meeting minutes, 1945-1976; (20) records concerning publications, 1970-1977; (21) field school lists, 1968-1979; (22) indexes and other compilations regarding executive committee and annual meeting actions; (23) executive committee meeting minutes, 1945-1978, 1980; (24) material relating to executive committee and annual meetings, including some reports, 1978-1983; (25) secretary's subject file, ca.1967-1983; (26) procedural materials; (27) material relating to proposals from and contract with management firm, 1983; (28) printed and processed material; (29) chairperson's records of the Committee on the Status of Women in Archaeology; (30) Fred Wendorf's files, 1972-1981; (31) records of the Committee on Public Archaeology, 1969-1981; (32) videocasettes and photographs, 1985; (33) editor's files; (34) Don D. Fowlers files; and (35) materials relating to American Antiquity.
Historical note:
The Society for American Archaeology (SAA) is an international organization with over 7,000 members. Founded in 1934, the SAA is "dedicated to the research, interpretation, and protection of the archaeological heritage of the Americas."
Restrictions:
Some material may be restricted. Contact the repository for further information.
Access to the Society for American Archaeology records requires an appointment.
Behind the Apron oral history project documents the experiences of Black oyster and clam workers in Southern Maryland. The audio interviews were conducted by Shelia Montague Parker in 1997. The interviewees include: Doris Harris, Conroy Butler, Mary Hawkins, Christine Gray, Blondell Mason, Mary Washington, Ruth Smith, and Wiliam Bourne. The interviews explore issues such as: the connection between land and water, between farming and the fishing industry; the communal spirit and camaraderie amongst oyster workers; the experience of women oyster workers; and the changes in the oyster packing industry resulting in a diminshed African American workforce.
Biographical / Historical:
African Americans have been an integral part of Southern's Maryland's proud commerical fishing industry. Nowhere has their contribution been more prominent than in the seaford houses along the Patuxent River. Until most recentely, in Calvert and other neighboring counties, the function of shucking oysters and clams was almost exlusively performed by African Americans. Black oyster and clam workers have brought dignity, skill, and a strong sense of community to a job that industry outsiders often consider "dirty work."
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.
Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Civilian Conservation Corps Collection, Archives Center, National Museum of American History
Scurlock, George H. (Hardison), 1919-2005 Search this
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Container:
Box 208
Type:
Archival materials
Date:
1971 March 2
Scope and Contents note:
Job Number: 8400
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Extent:
2 Negatives (silver gelatin)
Container:
Box 66
Type:
Archival materials
Negatives
Scope and Contents note:
Job Number: 46229
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Container:
Box 232
Type:
Archival materials
Date:
1974 March 18
Scope and Contents note:
Job Number: 12422
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Liz Larner don't put it back like it was exhibition curated by Mary Ceruti and Kyle Dancewicz ; essays by Connie Butler, Catherine Liu, and Ariana Reines ; photographs by Cathy Carver
Mary Butler and other artists plein air painting on the New England coast, ca. 1900. Mary Butler papers, 1853-1946. Archives of American Art, Smithsonian Institution.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
