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Bryson Burroughs papers, 1915-1922 and [undated]

Creator:
Burroughs, Bryson, 1869-1934  Search this
Subject:
Kuniyoshi, Yasuo  Search this
Berenson, Mary  Search this
Berenson, Bernard  Search this
Topic:
Art, American  Search this
Asian American artists  Search this
Record number:
(DSI-AAA_CollID)10581
(DSI-AAA_SIRISBib)214057
AAA_collcode_burrbryp
Theme:
Lives of American Artists
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214057

William Mills Ivins papers

Creator:
Ivins, William Mills, 1881-1961  Search this
Names:
Century Association (New York, N.Y.)  Search this
Grolier Club  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Pierpont Morgan Library  Search this
Ames, Winslow  Search this
Arensberg, Walter, 1878-1954  Search this
Arms, John Taylor, 1887-1953  Search this
Berenson, Bernard, 1865-1959  Search this
Boas, George, 1891-  Search this
Burroughs, Bryson, 1869-1934  Search this
Carrington, Fitz Roy, 1869-1954  Search this
Cockerell, Sydney Carlyle, Sir, 1867-1962  Search this
Constable, W. G. (William George), 1887-1976  Search this
Dodgson, Campbell, 1867-1948  Search this
Frankfurter, Felix, 1882-1965  Search this
Friedländer, Max J., 1867-1958  Search this
Greene, Belle da Costa, 1883-1950  Search this
Holmes, Margaret Ivins, 1882-1954  Search this
Ivins, Barbara  Search this
Ivins, Emma Yard, 1857-1940  Search this
Ivins, Florence Wyman, 1881-1948  Search this
Ivins, Katherine  Search this
Ivins, William Mills, 1851-1915  Search this
Lay, Charles Downing, 1877-1956  Search this
Rogers, Bruce, 1870-1957  Search this
Ruzicka, Rudolph, 1883-  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Sarton, George, 1884-1956  Search this
Simonson, Lee, 1888-  Search this
Sizer, Theodore, 1892-1967  Search this
Webster, Herman A. (Herman Armour), 1878-1970  Search this
Wind, Edgar, 1900-  Search this
Winter, Carl, 1906 Jan. 10-  Search this
Photographer:
Käsebier, Gertrude, 1852-1934  Search this
Extent:
20.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1878-1964
Summary:
The papers, 1878-1964 (20.5 linear feet) of museum curator, director, and art scholar William Mills Ivins (1881-1961) consist of correspondence, writings, notes, photographs, and Ivins family papers. Ivins was Curator of Prints, 1916-1946, Assistant Director, 1933-1938, and Acting Director, 1938-1940 at the Metropolitan Museum of Art. The collection contains professional and personal correspondence with art historians, art dealers, museum curators, print and book collectors, and artists concerning the history of print making, book design and illustration, print collectors and collecting, exhibitions, and museum administration. Also found are Ivins' published and unpublished writings and lectures, and notes. The collection contains some Ivins' family papers including family correspondence, genealogies, and photographs.
Scope and Content Note:
The papers, 1878-1964 (20.5 linear feet) of museum curator, director, and art scholar William Mills Ivins (1881-1961) consist of personal and professional correspondence, writings, notes, photographs, and Ivins family papers. Ivins was Curator of Prints, 1916-1946, Assistant Director, 1933-1938, and Acting Director, 1938-1940 at the Metropolitan Museum of Art. The collection contains professional and personal correspondence with art historians, art dealers, museum curators, print and book collectors, and artists concerning the history of print making, book design and illustration, print collectors and collecting, exhibitions, and museum administration. Correspondence files appear to be complete, and correspondence is of substantive content. Also found are Ivins' published and unpublished writings and lectures, and notes. Of particular interest are the letters from Bernard Berenson, Paul J. Sachs, and Theodore Sizer, each of whom corresponded with Ivins freqently over extended periods about both personal and professional and matters.

Ivins' family papers include family correspondence, genealogies, and photographs. The papers of Ivin's wife, illustrator Florence Wyman Ivins (1881-1948), and the correspondence of several other relatives, can be found here augmented by family photographs.
Arrangement:
The collection has been arranged into 7 series. The contents and organization are noted in the individual series descriptions.

Series 1: Professional and Personal Papers, circa 1908-1961 (Boxes 1-8; 6.5 linear ft.)

Series 2: Writings, circa 1910-1960 (Boxes 8-12; 4.9 linear ft.)

Series 3: Publications, 1896-1958 (Boxes 13-14; 2.0 linear ft.)

Series 4: Miscellaneous, 1915, undated (Box 15; 1.0 linear ft.)

Series 5: Ivins Family Papers, 1878-1964, undated (Boxes 16-20; 4.5 linear ft.)

Series 6: Photographs, circa 1890-1940 (Boxes 20-21; 1.5 linear ft.)

Series 7: Oversized Material, 1897-1950 (1 OV folder)
Biographical Note:
William Mills Ivins, Jr. (1881-1961), a lawyer, first became interested in collecting prints and illustrated books while an undergraduate at Harvard. He studied the history of printmaking through self-directed reading, by looking at prints in the major European libraries and museums, and tried his hand at many of the printmaking processes. While practicing law, he wrote articles and organized some small exhibitions of prints as early as 1908. In 1916, the Metropolitan Museum of Art appointed its first Curator of Prints to organize a Department of Prints and Drawings and to develop its small existing collection. Upon the recommendation of Paul J. Sachs who was unable to accept the position, Ivins was selected. He held the post until his retirement some thirty years later.

During his tenure as Curator of Prints, Ivins became one of the most highly-respected individuals in the profession. Under Ivins the collection grew in scope, size, and quality; he acquired materials by cultivating potential donors, and through systematic purchase of pieces not likely to come into the collection by bequest. The department's active exhibition schedule included some especially noteworthy shows, such as The Arts of the Book in 1924.

Ivins was knowledgeable and shared information by writing several books on prints and the history of printmaking, and by writing large numbers of articles for the educated layman. His articles often highlighted items in the permanent collection, and frequently appeared in the museum's Bulletin. He was interested in perspective, psychology of perception, aesthetics, mathematics and modern philosophy, and wrote on these topics, as well.

He was an accomplished speaker and was in much demand as a lecturer. Of particular note were his series on Illustrated Books of the Renaissance at the Morgan Library in 1936, and the 1950 Lowell Lectures (subsequently published under the title Prints and Visual Communication).

In addition to his curatorial duties, Ivins served as Assistant Director of the Metropolitan Museum of Art between 1933 and 1938, and was its Acting Director from 1938 until 1940. Francis Henry Taylor was appointed Director in 1940, and Ivins was named to the newly created post of Counselor; failure to attain the directorship was a bitter disappointment, which many attributed to his lack of tact and generally difficult disposition.

Ivins retired in 1946, and continued to write and publish until the mid-1950's. During this period he was awarded an honorary doctorate by Yale University (1946), made an honorary fellow of the Metropolitan Museum of Art (1946), named a fellow of the American Academy of Arts and Sciences (1950), and invited to deliver the annual lectures at the Lowell Institute (1950). He died at the age of eighty in 1961, after several years of declining health.

Ivins' private collection of prints and illustrated books, which he had continued to amass through the 1930's, was partially dispersed during his lifetime through gifts to the Metropolitan Museum and to a number of university and special libraries. The portion remaining in his estate was sold at auction by Parke Bernet between 1962 and 1964.

1881 -- born to William Mills Ivins and Emma Yard Ivins, Flatbush, N.Y.

1890-1893 -- attended King's School, Stamford, Conn.

1896 -- trip to South America with father

1897 -- graduation from St. Paul's School, Concord, N.H.

1901 -- graduation from Harvard (A.B.)

1901-1902 -- travelled in Europe with Paul Haviland, and studied economics at University of Munich

1902-1904 -- employed by The World's Work, writing articles on economic and artistic subjects

1907 -- graduation from Columbia School of Law

1907-1916 -- practiced law in New York City: Ivins, Wolff and Houget for New York Public Service Commission, 1907-1908; Strong and Cadwallader, 1908-1909; Cravath, Henderson, and der Gersdorff, 1909-1916

1908 -- arranged first exhibition of prints, Keppel & Co,

1910 -- marriage to Florence Wyman, an illustrator

1916 -- appointed first Curator of Prints, Metropolitan Museum of Art

c. 1927-1935 -- served on editorial board of Metropolitan Museum Studies

1933-1938 -- Assistant Director, Metropolitan Museum of Art

1937 -- Morgan Library Lectures

1938 -- Honorary Curator of Prints and Drawings, Morgan Library

1938-1940 -- Acting Director, Metropolitan Museum of Art (Note: Mr. Ivins continued to act as Curator of Prints during periods when he was assigned other major administrative responsibilities at the museum)

1940 -- Counselor, Metropolitan Museum of Art

1946 -- Honorary Fellow, Metropolitan Museum of Art; retirement from Metropolitan Museum of Art; Honorary Doctorate, Yale University

1950 -- Fellow, American Academy of Arts and Sciences; Lowell Lectures (published in 1953 under the title Prints and Visual Communication)

1961 -- death

1962-1964 -- Ivins Collection of Prints and Illustrated Books sold at auction by Parke Bernet

1977-1983 -- William M. Ivins, Jr. Papers donated to the Archives of American Art by his daughter, Barbara Ivins
Provenance:
The William Mills Ivins, Jr., papers were donated to the Archives of American Art by his daughter, Barbara Ivins, in several installments between 1977 and 1983.
Restrictions:
Use of unmicrofilmed material in the holdings of the Archives of American Art requires an appointment and is limited to the Washington, D.C., facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians  Search this
Topic:
Illustrators  Search this
Aesthetics  Search this
Art museums  Search this
Book collectors and collecting  Search this
Museum directors  Search this
Perspective  Search this
Designers  Search this
Museums -- Acquisitions  Search this
Prints -- History  Search this
Etching -- History  Search this
Engraving -- History  Search this
Medicine and art -- History  Search this
Illustrated books -- History  Search this
Museum curators  Search this
Citation:
William Mills Ivins papers, 1878-1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ivinwill
See more items in:
William Mills Ivins papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ivinwill
Online Media:

Bryson Burroughs papers

Creator:
Burroughs, Bryson, 1869-1934  Search this
Names:
Berenson, Bernard, 1865-1959  Search this
Berenson, Mary, 1864-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Extent:
3 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1915-1922 and [undated]
Scope and Contents:
A letter to Burroughs from Mary and Bernhard Berenson, 1915 Apr. 17; an undated letter to "Pop" Burroughs from Yasuo Kuniyoshi; and William Murrell's book YASUO KUNIYOSHI (1922) inscribed "to my dear and respectable Pop Burroughs, Yasuo Kuniyoshi." [Microfilm title: Yasuo Kuniyoshi papers]
Biographical / Historical:
Museum curator, painter; New York, N.Y. Curator of Paintings at the Metropolitan Museum of Art, 1909-1934.
Other Title:
Yasuo Kuniyoshi papers (microfilm title)
Provenance:
Donated 1975 by Mrs. Thomas F. Woodhouse (Betty Bryson Woodhouse), daughter of Bryson Burroughs.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Museum curators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Asian American artists  Search this
Identifier:
AAA.burrbryp
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-burrbryp

Oral history interview with Katherine Schmidt

Interviewee:
Schmidt, Katherine, 1898-1978  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Bacon, Peggy, 1895-1987  Search this
Bellows, George, 1882-1925  Search this
Burroughs, Bryson, 1869-1934  Search this
Goodrich, Lloyd, 1897-1987  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lachaise, Gaston, 1882-1935  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Pascin, Jules, 1885-1930  Search this
Sloan, John, 1871-1951  Search this
Extent:
60 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1969 December 8-15
Scope and Contents:
An interview of Katherine Schmidt conducted 1969 December 8 and December 15, by Paul Cummings, for the Archives of American Art, at the artist's home, in New York, N.Y.
Biographical / Historical:
Katherine Schmidt (1898-1978) was a still life painter from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 13 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Women painters -- New York (State) -- New York -- Interviews  Search this
Still-life painters -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.schmid69
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schmid69

John Pickard papers

Creator:
Pickard, John, 1858-1937  Search this
Names:
Blashfield, Edwin Howland, 1848-1936  Search this
Brush, George de Forest, 1855-1941  Search this
Burroughs, Bryson, 1869-1934  Search this
Eakins, Thomas, 1844-1916  Search this
Hassam, Childe, 1859-1935  Search this
Henri, Robert, 1865-1929  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Tryon, Dwight William, 1849-1925  Search this
Extent:
10 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1907-1916
Scope and Contents:
A letter from Pickard to many American artists requesting information from them for an art history course he was teaching at the University of Missouri in 1907 and replies from George de Forest Brush, Bryson Burroughs, Thomas Eakins, Childe Hassam, Robert Henri, Albert Pinkham Ryder, and Dwight W. Tryon. Also included is a letter from Edwin H. Blashfield, 1916, and an article on Ryder.
Biographical / Historical:
Art historian and educator; Columbia, Missouri.
Provenance:
The donor, Allen S. Weller, is the director of the Krannert Art Museum at the University of Illinois. He originally lent the collection for microfilming in 1973, and subsequently donated it to AAA in 1980.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Educators  Search this
Painters  Search this
Topic:
Painting, American  Search this
Citation:
John Pickard papers, 1907-1916. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pickjohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pickjohn

Walter Pach papers

Creator:
Pach, Walter, 1883-1958  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Association of American Painters and Sculptors (New York, N.Y.)  Search this
Brummer Gallery (New York, N.Y.)  Search this
Laurel Gallery (New York, N.Y.)  Search this
New York School of Art  Search this
Avery, Milton, 1885-1965  Search this
Barye, Antoine-Louis, 1796-1875  Search this
Brooks, Van Wyck, 1886-1963  Search this
Burroughs, Bryson, 1869-1934  Search this
Charlot, Jean, 1898-1979  Search this
Chase, William Merritt, 1849-1916  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Duchamp, Marcel, 1887-1968  Search this
Duchamp-Villon, Raymond, 1876-1918  Search this
Faure, Elie, 1873-1937  Search this
Henri, Robert, 1865-1929  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marsh, Reginald, 1898-1954  Search this
Matisse, Henri, 1869-1954  Search this
Miró, Joan, 1893-  Search this
Monet, Claude, 1840-1926  Search this
Of, George F. (George Ferdinand), b. 1876  Search this
Ogihara, Moriye  Search this
Orozco, José Clemente, 1883-1949  Search this
Pach, Magda, 1884-1950  Search this
Pach, Nikifora  Search this
Pach, Raymond  Search this
Picasso, Pablo, 1881-1973  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Renoir, Auguste, 1841-1919  Search this
Rivera, Diego, 1886-1957  Search this
Schamberg, Morton L., 1881-1918  Search this
Sloan, John, 1871-1951  Search this
Villon, Jacques, 1875-1963  Search this
Extent:
20.7 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Scrapbooks
Prints
Drawings
Diaries
Travel diaries
Photographs
Date:
1857-1980
Summary:
The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.
Scope and Contents note:
The papers of New York artist, critic, historian, writer, art consultant and curator Walter Pach, measure 20.7 linear feet and date from 1857-1980. The collection documents Pach's promotion of modernism through his role in the landmark 1913 Armory Show, his relationships with artists and art-world figures and his extensive writings on art. Records include biographical material, correspondence with family, friends and colleagues including noted artists, handwritten and edited versions of manuscripts by Pach, diaries and journals, business records, printed material, scrapbooks, sketchbooks and artwork by Pach and others, and photographs of Pach and his family, friends, and colleagues. The collection also includes 12 linear feet of selections from Walter Pach's library.

Biographical material includes a copy of Pach's birth certificate and two passports for Walter and Magda Pach, in addition to address books, association membership cards and certificates.

Correspondence is both personal and professional. Family correspondence includes letters from Pach's son, Raymond, his first wife Magdalene (Magda), and his second wife Nikifora, whom he married in 1951 following the 1950 death of Magda. General correspondence includes letters from artists including Jean Charlot, Arthur B. Davies, Marcel Duchamp, Raymond Duchamp-Villon, Jacques Lipchitz, Henri Matisse, Claude Monet, Maurice Prendergast, Diego Rivera, Morton Livingston Schamberg, John Sloan, and Jacques Villon; and other art-world figures including writers Van Wyck Brooks and Elie Faure, and Bryson Burroughs, curator of painting at the Metropolitan Museum of Art.

The Writings series represents an extensive collection of hand-written manuscripts, typescripts, annotated drafts and notes for published and unpublished writings by Pach, including lectures, monographs such as Queer Thing, Painting and Ananias, or The False Artist, and journal and newspaper articles such as "Pierre-Auguste Renoir" (1912).

Diaries and journals include one of particular note recording Pach's trip to Europe circa 1903-1904, with William Merritt Chase's class.

Business records include 2 notebooks recording sales at the Armory Show in New York, Boston and Chicago, a record book with handwritten lists of paintings owned and sold by Pach in the early 1930s, and two books, one maintained by Nikifora Pach, recording pictures sold, lectures and publications by Pach from the early 1900s to the early 1960s.

Printed material documents Pach's career through exhibition catalogs of Pach's solo and group exhibitions, news clippings about Pach, including reviews of his writings on art, and an almost comprehensive collection of copies of Pach's published journal and newspaper articles.

Scrapbooks include a book of reviews and original letters pertaining to Pach's book Ananias or the False Artist, and a scrapbook documenting Pach's activities during the 1920s which included his first one-man show at the Brummer Gallery in New York and the publication of his books Masters of Modern Art and Raymond Duchamp-Villon.

Artwork inlcudes a small group of drawings and three sketchbooks by Pach. Also of note are two print portfolios published in 1947 by the Laurel Gallery which include an essay and an etching by Pach, in addition to hand-pulled prints by artists such as Milton Avery, Reginald Marsh and Joan Miro.

Photographs are of Pach from childhood through to the 1950s, in addition to Magda and Raymond Pach and other family members, artists, colleagues and friends. Included are photographs of William Merritt Chase's class and Robert Henri's class at the New York School of Art, circa 1904, and photos of artists including Robert Henri, Moriye Ogihara, and Pablo Picasso. Photographs of artwork by Pach and other artists can also be found here including Mexican mural projects by José Clemente Orozco and Diego Rivera, and works by Antoine-Louise Barye and George Of.

Selections from Pach's library include works written by or translated by Pach, and items central to Pach's interests and work.
Arrangement note:
The Walter Pach papers are arranged as ten series.

Series 1: Biographical Material, 1884-circa 1950s (Box 1, 9; 9 folders)

Series 2: Correspondence, 1883-1980 (Box 1-3, FC 23; 2.1 linear feet)

Series 3: Writings, 1899-circa 1950s (Box 3-5; 2.5 linear feet)

Series 4: Diaries and Journals, 1903-circa 1950s (Box 5; 5 folders)

Series 5: Business Records, circa 1913-circa 1960s (Box 5-6; 0.3 linear feet)

Series 6: Printed Material, circa 1900-1977 (Box 6-7, 9; 1.3 linear feet)

Series 7: Scrapbooks, circa 1890-circa 1940s (Box 7, 9; 0.4 linear feet)

Series 8: Artwork, circa 1860-circa 1950s (Box 7, 10; 0.4 linear feet)

Series 9: Photographs, 1857-1959 (Box 7-8, 10; 1.4 linear feet)

Series 10: Selections from Walter Pach's Library, 1880-1963 (Box 11-22; 12 linear feet)
Biographical/Historical note:
New York artist, critic, writer, art consultant, and curator, Walter Pach (1883-1958) was an influential promoter of modern art and was instrumental in organizing the landmark Armory Show in 1913.

Walter Pach was born in New York City, July 11, 1883. His father, Gotthelf Pach, was a prominent commercial photographer who, along with his family, ran the New York firm of Pach Brothers. The company did the bulk of the photographic work for the Metropolitan Museum of Art, and the young Pach often accompanied his father on museum assignments. In 1903, Pach graduated from the City College of New York with a degree in art. He also studied with Robert Henri at the New York School of Art and went abroad to paint with William Merritt Chase in the summers of 1903 and 1904.

In 1906 Pach presented his first art history lecture at the Westfield State Normal School in Westfield, Massachusetts.

In 1907, Pach went to France and as an artist and critic moved among the Parisian avant-garde and became part of the Gertrude and Leo Stein circle. Gertrude Stein's "Portrait of Walter Pach was painted in 1908. Pach wrote extensively about modern art and through his numerous books, articles, and translations of European art texts, brought an emerging modernist viewpoint to the American public. In 1908 he wrote the first article published in America on Cézanne, and also wrote on such established artists as Claude Monet, whom he interviewed in 1908 for Scribner's Magazine..

Pach organized exhibitions of contemporary art for important New York City galleries of the period, as well as the landmark exhibition of 1913, "The International Exhibition of Modern Art," commonly known as the Armory Show. Along with painters Arthur B. Davies and Walt Kuhn, he brought together leading contemporary European and American artists. Pach served with Kuhn as administrator, publicist and gallery lecturer for the Armory Show Chicago for the run of the exhibition.

Pach helped to form major collections for John Quinn and Walter Arensberg. He was also instrumental in securing individual works of art for museums, such as a portrait for the Louvre Museum by American master Thomas Eakins, and Jacques-Louis David's Death of Socrates for the Metropolitan Museum of Art.

Pach married artist Magdalene Frohberg in February 1914, and their son Raymond was born at the end of that year. The Pachs lived primarily in New York, but spent time abroad from 1928 to 1932. Intermittently, they lived on the West Coast, where Pach taught at the University of California at Berkeley. In the 1920s he taught at the University of Mexico on a Shilling Fund grant, lecturing and writing on Native American art and developing a strong interest in Pre-Columbian art. He took an active interest in organizing exhibitions and raising money for a museum to be dedicated to the indigenous art of the Americas. In addition, he was a friend of José Clemente Orozco and Diego Rivera and helped organize the Mexican chapter of the Society of Independent Artists, the New York-based organization he founded in 1917 with Walter Arensberg and Marcel Duchamp.

While not well known today as a painter, Walter Pach devoted much of his creative effort to painting. He considered himself both an artist and a writer, even though friends like art historian Bernard Berenson urged him to devote all his time to writing. Among his writings are monographs on a wide range of subjects, social commentary on the art world, and a book on museum structures. Among his first publications were a series of brochures produced for the 1913 Armory Show, including Odilon Redon and, in the same year, A Sculptor's Architecture, a book about the work of Raymond Duchamp-Villon, a close friend whom he admired greatly. In 1923, Pach wrote Georges Seurat, a book later cited by art historian John Rewald as an important early text on the artist. Masters of Modern Art and the monograph Raymond Duchamp-Villon were published the following year, and in 1928 Pach's well-known indictment of opportunistic artists and corruption in the art world, Ananias, or The False Artist, created a stir in art circles. Pach considered Vincent Van Gogh to be a seminal figure in the development of modern art and was the first historian to lecture on him in America. In 1936, he published his well-received monograph, Vincent Van Gogh. His recollections of a life spent in art, Queer Thing, Painting appeared in 1938. Ingres was published in 1939, as well as Masterpieces of Art, written for the 1939 New York World's Fair, for which Pach was exhibition director. His Art Museum in America, published in 1948, called into question the relevance, responsibility, and future direction of the American art museum. He long championed the artists of Mexico and published an essay on Diego Rivera in 1951 for the National Museum of Fine Arts, Mexico, for its 50-year retrospective exhibition on the artist. The Classical Tradition in Modern Art, Pach's last book, was published posthumously in 1959.

Pach's fluency in French, German, and Spanish allowed him to understand and interpret new avant-garde ideas developing in Europe and to translate them for an English-speaking audience. His language skills also allowed him to communicate personally with many noted artists in Europe and Mexico and to mediate between gallery dealers and museum curators on their behalf. His correspondence with major figures in 20th-century art are a fascinating and important source of information, not only about the artists themselves but about the art world in general during the first half of this century.

Chronology of Exhibitions and Writings

1908 -- "Cézanne," by Walter Pach, the first American article on the subject, published in December issue of Scribner's.

1911 -- "Albert P. Ryder," by Walter Pach, published in January issue of Scribner's.

1912 -- Met with Arthur B. Davies and Walt Kuhn to begin preparations for the Armory Show. Was responsible for the exhibition's European operations. Completed Portrait of Gigi Cavigli (exhibited at the Armory Show the following year). "Pierre-Auguste Renoir," by Walter Pach, published in May issue of Scribner's.

1913 -- Exhibited 5 paintings and 5 etchings in "The International Exhibition of Modern Art" (Armory Show), which opened in New York City on February 13. Served as administrator, publicist, and gallery lecturer for the Armory Show Chicago with Kuhn for the run of the exhibition. At the close of the show, Matisse, Brancusi, and Pach were hanged in effigy by the students of the School of the Art Institute of Chicago.

1915 -- Publication of The John Quinn Collection, catalog of a collection Pach was instrumental in assembling.

1916 -- Founded Society of Independent Artists in collaboration with Marcel Duchamp, Walter Arensberg, and others. Adviser to collector Walter Arensberg.

1917 -- Designed sets for Wallace Stevens's play, Bowl, Cat and Broomstick, produced at the Neighborhood Playhouse, New York City. Arranged a Gino Severini exhibition at Stieglitz's 219 gallery, New York City.

1918 -- "Universality in Art," by Walter Pach, published in February issue of Modern School. "Jean Le Roy," by Walter Pach, published in October issue of Modern School

1919 -- "The Schamberg Exhibition," by Walter Pach, published in May 17 issue of the Dial. Wrote introduction for Odilon Redon, the catalog for a graphics show at Albert Roulliers Gallery, Chicago.

1920 -- "The Art of the American Indian," by Walter Pach, published in January 20 issue of the Dial. His paintings abandoned the cubist-futurist mode and returned to a more naturalistic style.

1921 -- Publication of History of Art: Ancient Art, volume 1, by Elie Faure, translated by Walter Pach.

1922 -- Lecturer, University of Mexico, where he developed a strong interest in Pre-Columbian art. Lectured at Société Anonyme. Publication of History of Art: Mediaeval Art, volume 2, by Elie Faure, translated by Walter Pach. Contributed a chapter, "Art," to Civilization in the United States: An Inquiry by Thirty Americans, edited by Harold E. Stearns.

1923 -- Publication of Georges Seurat by Walter Pach. Publication of The Art of Cineplastics and History of Art: Renaissance Art, volume 3, by Elie Faure, translated by Walter Pach. "Georges Seurat," by Walter Pach, published in March issue of the Arts.

1924 -- Publication of Masters of Modern Art, by Walter Pach. Publication of Raymond Duchamp-Villon, by Walter Pach. Publication of History of Art: Modern Art, volume 4, by Elie Faure, translated by Walter Pach. "The Greatest American Artist," by Walter Pach, published in January issue of Harper's Magazine.

1926 -- "Graveur Américain," by Léon Rosenthal, an article about Pach's graphics (illustrated with an original etching, New York), published in September issue of Byblis, Miroir des Arts du Livre et de L'Estampe. "Brancusi," by Walter Pach, published in December 1 issue of the Nation. Instructor, New York University. First solo exhibition at Brummer Gallery, New York, New York.

1927 -- "What Passes for Art," by Walter Pach, published in June issue of Harper's Magazine

1928 -- Publication of Ananias, or The False Artist, by Walter Pach. Pach family relocated to Europe.

1929 -- "The Evolution of Diego Rivera," by Walter Pach, published in January issue of Creative Art. "John Ruskin and Walter Pach: Defenders of the Faith," by W.H. Downes, published in August issue of American Museum Art.

1930 -- Publication of An Hour of Art, by Walter Pach. Publication of History of Art: The Spirit of the Forms, volume 5, by Elie Faure, translated by Walter Pach. "Notes sur le classicisme de Delacroix," by Walter Pach, published in June issue of L'Amour de L'Art.

1931 -- Solo exhibition at Kraushaar Gallery, New York City, with review published in March 21 issue of Art News. "Raymond Duchamp-Villon," by Walter Pach, published in May issue of Formes XV.

1932 -- "Le Classicisme de Barye," by Walter Pach, published in November issue of L'Amour de L'Art . Returned to the United States.

1933 -- "Address at the Worcester Opening of International, 1933," by Walter Pach, and "Georges Rouault," by Walter Pach, both published in January issue of Parnassus. "American Art in the Louvre," by Walter Pach, published in May issue of Fine Arts 20. "On Owning Pictures," by Walter Pach, published in August issue of Fine Arts 20. "Rockefeller, Rivera and Art," by Walter Pach, published in September issue of Harper's Magazine.

1934 -- Organized Maurice Prendergast retrospective for Whitney Museum of American Art.

1935 -- Exhibition at Knoedler Gallery, New York City included Walter Pach's Respice, Adspice, and Prospice, a fresco commissioned for the City College of New York by the Class of 1903.

1936 -- Exhibition of watercolors at Kleemann Galleries, New York City. Publication of Vincent Van Gogh, by Walter Pach." The Raphael from Russia," by Walter Pach, published in January issue of Virginia Quarterly Review. "First Portfolio of American Art," by Walter Pach, published in October 3 issue of Art News. Wrote foreword to First Exhibition in America of Géricault, catalog of exhibition at Marie Sterner Gallery, New York City. "The Outlook for Modern Art," by Walter Pach, published in April issue of Parnassus. Article about Pach's City College mural published in February issue of City College Alumnus Magazine.

1937 -- Publication of The Journal of Eugène Delacroix, translated by Walter Pach. Publication of Thomas Eakins, by Walter Pach, catalog of exhibition at Kleemann Gallery, New York City.

1938 -- Publication of Queer Thing, Painting: Forty Years in the World of Art, by Walter Pach. "Delacroix Today," by Walter Pach, published in January issue of Magazine of Art.

1939 -- Publication of Ingres, by Walter Pach. Appointed general director, "Masterpieces of Art" exhibition, New York World's Fair.

1940 -- Publication of Masterpieces of Art, New York World's Fair, 1940, Official Illustrated Catalogue, by Walter Pach.

1941 -- Solo exhibition at Schneider-Gabriel Gallery, New York City.

1942 -- "Newly Discovered Ingres: The Lovers," by Walter Pach, published in October issue of Art in America Exhibition at Whitney Museum of American Art, "Between the Wars: Prints by American Artists, 1914-1941," included Walter Pach's etching Saint-Germain-des-Pres (1911). Lecturer, University of Mexico, Shilling Fund grant.

1943 -- "A Newly Found American Painter: Hermenegildo Bustos," by Walter Pach, published in January issue of Art in America. "Unknown Aspects of Mexican Painting," by Walter Pach, published in October issue of Gazette des Beaux-Arts. Marriage of son, Raymond.

1944 -- "The Eight, Then and Now," by Walter Pach, published in January issue of Art News. "Problemas del arte americano," by Walter Pach, published in December issue of Origenes.

1946 -- "La Barricade in America," by Walter Pach, published in July issue of Art News. "On Art Criticism," by Eugène Delacroix (first published in Revue de Paris, May 1829), translated by Walter Pach for catalog of exhibition at Curt Valentin, New York City.

1947 -- Publication of Picasso, by Juan Larrea, edited by Walter Pach. Publication of "Museums Can Be Living Things," by Walter Pach, in Laurels Number One, Laurel Gallery. Etching, Scopasian Head, by Walter Pach, included in Laurels Number Two, Laurel Gallery.

1948 -- Publication of The Art Museum in America, by Walter Pach. "The Past Lives On," by Walter Pach, parts 1 and 2, published in October and November issues of American Artist.

1949 -- "Thus Is Cubism Cultivated," by Walter Pach, published in May issue of Art News.

1950 -- Contributed a chapter, "The State of the Arts in the Democratic Way of Life: A Postscript," to Perspectives on a Troubled Decade: Science, Philosophy and Religion, 1939-1949, edited by Lyman Bryson, Louis Finkelstein, and R. M. MacIver. Death of wife, Magdalene.

1951 -- "Reaciones entre la cultura nordeamericana y la ombre de Diego Rivera," a major essay by Walter Pach published in Diego Rivera, 50 años de su labor artistica, exposition de normenaje nacional, Museo nacional de artes plasticas, Mexico City. Married Nikifora.

1953 -- "A Modernist Visits Greece," by Walter Pach, reprinted in autumn issue of Archaeology.

1954 -- "John Sloan," by Walter Pach, published in August issue of Atlantic Monthly.

1956 -- "Introducing the Paintings of George Of (1876-1954)," by Walter Pach, published in October issue of Art News.

1958 -- Professor, City College of New York. Died, New York City, following an operation for stomach ulcers.

1959 -- Publication of The Classical Tradition in Modern Art, by Walter Pach.

1986 -- Exhibition, "Walter Pach, A Retrospective," at Asheville Art Museum, Asheville, North Carolina.

1988 -- Exhibition, "The Art of Walter and Magda Pach," at Butler Institute of American Art, Youngstown, Ohio.

1990 -- Exhibition, "Discovering Modernism: Selections from the Walter Pach Papers," at the Archives of American Art, New York City.

1991 -- Exhibition, "The Paintings of Walter Pach," at Forum Gallery, New York City.
Related Materials:
Papers of Walter Pach, 1885-1956, are also located at the Helen Farr Sloan Library & Archives.
Separated Materials note:
When the Archives of American Art acquired the Walter Pach Papers, some portion of his library was also received. The bulk of the library was transferred to the Smithsonian's American Art/Portrait Gallery Library where the items could be properly cataloged, cared for, and used.
Provenance:
The Walter Pach papers were acquired in several installments. After Pach's death his widow, Nikifora Pach, sold Pach's papers to Salander-O'Reilly Galleries. They were purchased by the Archives of American Art in 1988 with a grant from the Brown Foundation, Inc.

Eight family photographs, donated by Raymond Pach, son of Walter Pach, were received in 1990.

In 2012 Francis M. Naumann donated an additional 5.7 linear feet of material to the Archives of American Art.
Restrictions:
Use of original papers requires an appointment.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Art historians  Search this
Artists  Search this
Topic:
Art schools -- Photographs  Search this
Authors -- New York (State) -- New York  Search this
Art criticism  Search this
Art -- Study and teaching  Search this
Art -- Expertising  Search this
Mural painting and decoration, Mexican  Search this
Curators -- New York (State) -- New York  Search this
Modernism (Art)  Search this
Genre/Form:
Sketchbooks
Scrapbooks
Prints
Drawings
Diaries
Travel diaries
Photographs
Citation:
Walter Pach papers, 1857-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pachwalt2
See more items in:
Walter Pach papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pachwalt2
Online Media:

Charles Daniel papers

Creator:
Daniel, Charles, 1878-1971  Search this
Names:
Burroughs, Bryson, 1869-1934  Search this
Demuth, Charles, 1883-1935  Search this
Kent, Rockwell, 1882-1971  Search this
Schary, Saul, 1904-1978  Search this
Walker, Dorothy C.  Search this
Extent:
85 Pages ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Pages
Date:
1950-1967
Scope and Contents:
Manuscripts, typescripts, and revisions of the tape-recorded reminiscences of Charles Daniel. The typescripts and editing were done by Dorothy C. Walker. In addition there are 5 letters from Daniel to Walker, 1950-1955, in which he discusses Charles Demuth, Bryson Burroughs, Saul Schary and Rockwell Kent; a letter to Walker's brother, Robert, 1964, an illustrated letter to Daniel from Saul Schary, 1966, written from Tehran, and a copy of a letter to Daniel from Joseph De Martini on Daniel's 89th birthday.
Biographical / Historical:
Art dealer; New York, N.Y. Opened Daniel Gallery Dec. 1913 at 2 W. 47th St.
Provenance:
Donated 1972 by Dorothy C. Walker.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Identifier:
AAA.danichar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-danichar

Oral history interview with Betty Burroughs Woodhouse

Interviewee:
Woodhouse, Betty Burroughs, 1899-1988  Search this
Interviewer:
McCoy, Garnett  Search this
Names:
Berenson, Bernard, 1865-1959  Search this
Burroughs, Bryson, 1869-1934  Search this
Marsh, Reginald, 1898-1954  Search this
Extent:
1 Sound cassette
16 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1977 May 24
Scope and Contents:
An interview with Betty Burroughs Woodhouse conducted 1977 May 24, by Garnett McCoy, for the Archives of American Art.
Woodhouse reminisces about her father, painter and Metropolitan Museum of Art curator, Bryson Burroughs, Bernard Berenson, Reginald Marsh and other figures in the American art scene of the early 20th century.
Biographical / Historical:
Betty Burroughs Woodhouse (1899-1988) was the daughter of Bryson Burroughs and lived in Little Compton, R.I.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 39 min.
At Woodhouse's request, the tape recorder was periodically turned off during the interview, hence, only portions are available.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Interviews  Search this
Topic:
Art, American  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.woodho79
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woodho79

Isabella Stewart Gardner papers

Creator:
Gardner, Isabella Stewart, 1840-1924  Search this
Names:
Duveen Brothers  Search this
Isabella Stewart Gardner Museum  Search this
Museum of Fine Arts, Boston  Search this
Wildenstein Galleries  Search this
Abbott, Lyman, 1835-1922  Search this
Adams, Brooks  Search this
Agassiz, Alexander, 1835-1910  Search this
Agassiz, Elizabeth Cabot Cary, 1822-1907  Search this
Agassiz, Louis, 1807-1873  Search this
Agostini, Luigi  Search this
Aldrich, Thomas Bailey, 1836-1907  Search this
Andrew, A. Piatt (Abram Piatt), 1873-1936  Search this
Anisfeld, Boris Israelevich, 1879-1973  Search this
Arliss, George, 1868-1946  Search this
Aïdé, Hamilton, 1826-1906  Search this
Balch, Anne L.  Search this
Barnard, George Grey, 1863-1938  Search this
Barnes, Grace Edith  Search this
Beaux, Cecilia, 1855-1942  Search this
Berenson, Bernard, 1865-1959  Search this
Berenson, Mary, 1864-  Search this
Bigelow, William Sturgis, 1850-1926  Search this
Blake, William P. (William Phipps), 1826-1910  Search this
Blashfield, Edwin Howland, 1848-1936  Search this
Bode, Wilhelm von, 1845-1929  Search this
Brimmer, Martin, 1829-1896  Search this
Brown, J. Appleton, 1844-  Search this
Bunker, Dennis Miller, 1861-1890  Search this
Burroughs, Bryson, 1869-1934  Search this
Byard, Theodore  Search this
Carter, Morris, 1877-  Search this
Chalfin, Paul, 1874-  Search this
Chapman, Conrad Wise, 1842-1910  Search this
Chapman, John Jay, 1862-1933  Search this
Collins, Alfred Quinton, d. 1903  Search this
Cook, Walter W. S. (Walter William Spencer), 1888-1962  Search this
Coolidge, Archibald Cary, 1866-1928  Search this
Coolidge, Thomas Jefferson, 1831-1920  Search this
Copeland, Charles Townsend, 1860-1952  Search this
Cox, Kenyon, 1856-1919  Search this
Cram, Ralph Adams, 1863-1942  Search this
Crawford, F. Marion (Francis Marion), 1854-1909  Search this
Crosby, Raymond Moreau, 1876-1945  Search this
Cross, Sally  Search this
Curtis, Ralph W. (Ralph Wormeley), 1854-1922  Search this
Cushing, Howard Gardiner, 1869-1916  Search this
Cushman, Charlotte, 1816-1876  Search this
Damrosch, Walter, 1862-1950  Search this
Davis, Richard Harding, 1864-1916  Search this
De Wolfe, Elsie, 1865-1950  Search this
Dexter, Mary  Search this
Dole, Nathan Haskell, 1852-1935  Search this
Donoghue, John, 1853-1903  Search this
Draper, Ruth, 1884-1956  Search this
Dwight, J. S.  Search this
Dwight, Theodore F.  Search this
Dyer, Louis, 1851-1908  Search this
Eliot, Charles William, 1834-1926  Search this
Faulkner, Barry, 1881-1966  Search this
Faure, Gabriel, b. 1877  Search this
Fiske, Minnie Maddern, 1865-1932  Search this
French, Daniel Chester, 1850-1931  Search this
Frick, Helen Clay, 1888-1984  Search this
Fry, Roger Eliot, 1866-1934  Search this
Gabrilowitsch, Ossip, 1878-1936  Search this
Gardner, John Lowell  Search this
Gardner, William Amory  Search this
Gaugengigl, I. M. (Ignaz Marcel), 1855-1932  Search this
Gilder, Richard Watson, 1844-1909  Search this
Gimpel, René  Search this
Godkin, Edwin Lawrence, 1831-1902  Search this
Gordon, Leon, 1884-1960  Search this
Gregory, Lady, 1852-1932  Search this
Guiney, Louise Imogen, 1861-1920  Search this
Hale, Edward Everett, 1822-1909  Search this
Hale, Mary  Search this
Hale, Philip Leslie, 1865-1931  Search this
Hale, Philip Leslie, Mrs  Search this
Hammond, Richard P., 1896-  Search this
Hampden, Walter, 1879-1955  Search this
Hazelton, George C.  Search this
Helleu, Paul, 1859-1927  Search this
Higginson, Henry Lee, 1834-1919  Search this
Higginson, Thomas Wentworth, 1823-1911  Search this
Hinckley, Robert C., 1853-1941  Search this
Hoffman, Malvina, 1887-1966  Search this
Hooper, Edward W.  Search this
Hosmer, Harriet Goodhue, 1830-1908  Search this
Howe, Julia Ward, 1819-1910  Search this
Huntington, Archer M., 1870-1955  Search this
Indy, Vincent d', 1851-1931  Search this
Irving, Henry, Sir, 1838-1905  Search this
Jaccaci, Augusto Floriano, 1857-1930  Search this
Kittredge, William  Search this
Kronberg, Louis, 1872-1965  Search this
Kropotkin, Petr Alekseevich, kni︠a︡zʹ, 1842-1921  Search this
La Farge, John, 1835-1910  Search this
Ladd, Anna Coleman, 1878-1939 (sculptor)  Search this
Lamb, Charles R. (Charles Rollinson), 1860-1942  Search this
Lanman, Charles, 1819-1895  Search this
Loring, Charles Greely, 1828-1902  Search this
Lowell, James Russell, 1819-1891  Search this
MacKnight, Dodge, 1860-1950  Search this
Macomber, Mary L. (Mary Lizzie), 1861-1916  Search this
Mansfield, Richard, 1857-1907  Search this
Manship, Paul, 1885-1966  Search this
Mather, Frank Jewett, 1868-1953  Search this
McComas, Francis John, 1874-1938  Search this
Melba, Nellie, Dame, 1861-1931  Search this
Millet, Francis Davis, 1846-1912  Search this
Mitchell, S. Weir (Silas Weir), 1829-1914  Search this
Modjeska, Helena, 1840-1909  Search this
Monteux, Pierre, 1875-1964  Search this
Mosby, John Singleton, 1833-1916  Search this
Murray, Gilbert  Search this
Norton, Andrews, 1786-1853  Search this
Norton, Lily  Search this
Norton, Richard  Search this
O'Connell, William, 1859-1944  Search this
Okakura, Kakuzō, 1862-1913  Search this
Okakura, Kakuzō, 1862-1913  Search this
Oliver, Jean Nutting, d. 1946  Search this
Partridge, William Ordway, 1861-1930  Search this
Pater, Walter, 1839-1894  Search this
Pavlova, Anna, 1881-1931  Search this
Peirce, Waldo, 1884-1970  Search this
Pennell, Joseph, 1857-1926  Search this
Pennington, Harper, 1854 or 5-1920  Search this
Perry, Lilla Cabot  Search this
Pickering, Edward C. (Edward Charles), 1846-1919  Search this
Pitman, Sophia L., 1855-1943  Search this
Prichard, Matthew Stewart  Search this
Quinn, John, 1870-1924  Search this
Reid, Robert, 1862-1929  Search this
Rives, Amélie, 1863-1945  Search this
Roberts, Elizabeth Wentworth, 1871-1927  Search this
Rodin, Auguste, 1840-1917  Search this
Ross, Denman Waldo, 1853-1935  Search this
Rothenstein, Will  Search this
Russell, Lillian, 1861-1922  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sanborn, F. B. (Franklin Benjamin), 1831-1917  Search this
Sargent, Charles Sprague, 1841-1927  Search this
Sargent, John Singer, 1856-1925  Search this
Sears, Sarah C., 1858-1935  Search this
Slade, C. Arnold (Caleb Arnold), 1882-1961  Search this
Slade, Irene  Search this
Sleeper, Henry Davis, 1878-1934  Search this
Smith, Francis Hopkinson, 1838-1915  Search this
Smith, George Warren  Search this
Smith, Joseph Lindon, 1863-1950  Search this
Spaulding, Albert  Search this
St. Denis, Ruth, 1880-1968  Search this
Sterne, Maurice, 1878-1957  Search this
Stillman, William James, 1828-1901  Search this
Story, Julian, 1857-1919  Search this
Story, Waldo, 1855-1915  Search this
Swift, Henry & Mary Coffin  Search this
Symonds, John Addington, 1840-1893  Search this
Terry, Ellen, Dame, 1847-1928  Search this
Thaxter, Celia, 1835-1894  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Thayer, William Roscoe, 1859-1923  Search this
Tiffany, Mary A. (Mary Adeline)  Search this
Van Rensselaer, Schuyler, Mrs., 1851-1934  Search this
Wadsworth, Adelaide E., 1844-1928  Search this
Walker, Francis Amasa, 1840-1897  Search this
Ward, Humphry, Mrs., 1851-1920  Search this
Warren, Fiske, Mrs  Search this
Wheelwright, Edmund March, 1854-1912  Search this
Whistler, James McNeill, 1834-1903  Search this
White, Margaret  Search this
Whitman, Sarah  Search this
Wister, Owen, 1860-1938  Search this
Woodbury, Charles H. (Charles Herbert), 1864-1940  Search this
Zogbaum, Rufus Fairchild, 1849-1925  Search this
Zorn, Anders, 1860-1920  Search this
Zorn, Anders, Mrs  Search this
Extent:
40 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1760-1956
Scope and Contents:
Letters, business records, diary, and photographs.
REEL 380-413: Primarily correspondence, mostly Gardner's own, but including family correspondence and Gardner Museum correspondence. Also included are misc. items and printed material. Correspondents include: Edwin Austin Abbey, Lyman Abbott, Brooks Adams, Alexander Agassiz, Elizabeth C. Agassiz, Louis Agassiz, Luigi Agostini, Hamilton Aide, Thomas B. Aldrich, Abram P. Andrew, Boris Anisfeld, George Arliss, Anne L. Balch, George G. Barnard, Grace Edith Barnes, Cecilia Beaux, Martin Birnbaum, William Sturgis Bigelow, William Phipps Blake, Edwin Howland Blashfield, Wilhelm von Bode, Martin Brimmer, J. Appleton Brown, Dennis Miller Bunker, Bryson Burroughs, Theodore Byard, Morris Carter, Paul Chalfin, Conrad Chapman, John Jay Chapman, Alfred Q. Collins,
Frederick Shepard Converse, Walter William Spencer Cook, Archibald Cary Coolidge, Thomas Jefferson Coolidge, Charles Townsend Copeland, Kenyon Cox, Ralph Adams Cram, Francis Marion Crawford, Raymond Crosby, Sally Cross, Ralph W. Curtis, Howard G. Cushing, Charlotte Cushman, Walter Damrosch, Richard Harding Davis, Elsie De Wolfe, Mary Dexter, Nathan H. Dole, John Donoghue, Ruth Draper, Duveen Brothers, J. S. Dwight, Theodore F. Dwight, Louis Dyer, Charles W. Eliot, Barry Faulkner, Gabriel Faure, Minnie Maddern Fiske, Daniel Chester French, Helen C. Frick, Roger E. Fry, Ossip Gabrilowitsch, John Lowell Gardner, William Amory Gardner, I. M. Gaugengigl, Richard Watson Gilder, Rene Gimpel, Edwin L. Godkin, Leon Gordon, Lady Augusta Gregory, Louise I. Guiney, Edward E. Hale,
Mary (Mrs. Richard Walden) Hale, Philip Leslie Hale, Mrs. Philip Hale, Richard Hammond, Walter Hampden, George C. Hazelton, Paul Helleu, Henry Lee Higginson, Thomas W. Higginson, Robert Hinckley, Malvina Hoffman, Edward W. Hooper, Harriet Hosmer, Julia W. Howe, Archer M. Huntington, Vincent d'Indy, Henry Irving, August F. Jaccaci, Clarence King, William Kittredge, Louis Kronberg, Petr A. Kropotkin, Anna C. Ladd, John La Farge, Charles Rollinson Lamb, Charles Lanman, Charles G. Loring, James R. Lowell, Dodge Macknight, Mary L. Macomber, Richard Mansfield, Paul Manship, Frank J. Mather, Francis John McComas, Nellie Melba, Francis Davis Millet, S. Weir Mitchell, Helena Modjeska, Pierre Monteux, John S. Mosby, Gilbert Murray,
Museum of Fine Arts, Boston, Andrews Norton, Lily Norton, Richard Norton, William O'Connell, Kazuzo Okakura, Jean N. Oliver, William O. Partridge, Walter Pater, Anna Pavlova, Waldo Peirce, Joseph Pennell, Harper Pennington, Lilla Cabot Perry, Edward C. Pickering, Sophia L. Pitman, Matthew Stewart Prichard, John Quinn, Robert Reid, Amelie Rives, Elizabeth W. Roberts, Auguste Rodin, Denman Ross, Will Rothenstein, Lillian Russell, Paul J. Sachs, Augustus Saint-Gaudens, Ruth St. Denis, Franklin B. Sanborn, Charles Sprague Sargent, John Singer Sargent, J.M. Sears, C. Arnold Slade, Irene Slade, Henry Davis Sleeper, F. Hopkinson Smith, George Warren Smith, Joseph L. Smith, Albert Spaulding, Maurice Sterne, William James Stillman, Julian Story, Thomas W. Story, Henry Swift,
John Addington Symonds, Ellen Terry, Celia Thaxter, Abbott H. Thayer, William R. Thayer, Mary A. Tiffany, Mrs. Schuyler Van Rensselaer, Adelaide E. Wadsworth, Francis Amasa Walker, Mrs. Humphry Ward, Mrs. Fiske Warren, Edmund March Wheelwright, James McNeill Whistler, Margaret White, Sara de Prix Wyman Whitman, Wildenstein Galleries, Owen Wister, Charles H. Woodbury, Rufus F. Zogbaum, Anders Zorn, Mrs. Anders Zorn, and others.
REELS 631-632: Personal papers of Gardner and some records of the Isabella Stewart Gardner Museum including dealers' files containing invoices, notes, cancelled checks, and letters; a record book, "Prices Paid for Paintings," 1917; a record book, "Prices Paid for Works of Art"; 118 installation photographs of the museum as arranged by Gardner, 1924; a diary kept in Egypt, 1874, with sketches; a diary kept in Shanghai and India, 1883-1884; "Directions for my funeral," 1912; and "Suggestions for Running a Museum," 1913.
REELS 696-698: Letters from Bernard Berenson to Gardner, 1887-1924. Letters contain references to literary topics, Berenson's impressions of Europe, various paintings and artists, advice to Gardner on the purchase of paintings and information on their sale.
REEL 846: Checklist of Gardner's letters to Bernard and Mary Berenson, 1894-1924; typescripts of personal and official correspondence (originals found on AAA microfilm reels 696-698), 1887-1924.
Biographical / Historical:
Art patron, collector, and museum founder; Boston, Mass. Immediately after graduation from Harvard, Bernard Berenson was hired by Gardner to travel throughout Italy collecting Italian Renaissance art for her recreated Venetian palazzo in Boston. She established her palazzo as a museum of fine European art with stipulations that after her death none of the exhibited works was to be moved or rearranged, but left as she had designed during her lifetime.
Provenance:
Microfilm lent by Isabella Stewart Gardner Museum for duplicating, 1972-1975.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art patrons -- Massachusetts -- Boston  Search this
Topic:
Art -- Collectors and collecting -- Massachusetts -- Boston  Search this
Art, Renaissance -- Massachusetts -- Boston  Search this
Art, Italian -- Italy -- Venice  Search this
Painting, Renaissance  Search this
Sculpture, Renaissance  Search this
Function:
Art museums -- Massachusetts -- Boston
Identifier:
AAA.gardisab
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gardisab

The Archers, (painting)

Painter:
Burroughs, Bryson 1869-1934  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1977.91
Date:
1917
Topic:
Landscape--Mountain  Search this
Figure group--Male  Search this
Recreation--Sport & Play--Archery  Search this
Control number:
IAP 08583266
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_394643

Bela L. Pratt papers

Creator:
Pratt, Bela Lyon, 1867-1917  Search this
Names:
Benson, Frank Weston, 1862-1951  Search this
Burroughs, Bryson, 1869-1934  Search this
Burroughs, Edith Woodman, 1871-1916  Search this
French, Daniel Chester, 1850-1931  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Extent:
5 Reels (ca. 450 items (on 5 microfilm reels))
Type:
Collection descriptions
Archival materials
Reels
Date:
1876-1986
Scope and Contents:
Biographical materials, letters and correspondence, photographs, diary, subject files, and printed ephemera.
REEL 2527: Biographical sketches; sculpture contracts; lists of Pratt's work compiled by his son, Dudley Pratt; a pencil sketch; photographs of Pratt at work in his studio; portraits of him; 172 photographs of his sculpture and a memorial exhibition installation; photographs of Frank Weston Benson and Alexander Phimister Proctor; clippings; and printed material.
REELS 3995-3998: An award from Yale School of Fine Arts; admission tickets; marriage certificate; identification card for his wife, Helen, from the Societe des Artistes Francais for the 1897 Salon; a 25-page diary of Helen, 1896-1898, describing the Pratts' wedding and their experiences in Italy and France; notices of Pratt's appointment to the Visiting Committee of Classical Art at the Museum of Fine Arts, Boston; biographical sketches; an anecdote by a nephew; and a letter of reminiscence by his son Dudley, 1941. Also included are letters from Pratt to his mother, Sarah Victoria Whittlesey Pratt, describing his activities, his contemporaries and his work; correspondence with friends, family, students, and associates and letters of condolence to Mrs. Pratt; subject files, arranged alphabetically by correspondent, containing letters, photographs and clippings from and about Pratt's friends and colleagues, including Frank Weston Benson, Bryson and Edith Woodman Burroughs, Daniel Chester French, and Augustus Saint-Gaudens, who gives Pratt advice and critiques two of his busts.
Biographical / Historical:
Sculptor, teacher; Boston, Mass.; b. 1867; d. 1917 Studied at Yale, Art Students League, and with Augustus Saint-Gaudens, Kenyon Cox, and William Merritt Chase, and others.
Provenance:
Material on reel 2527 lent for microfilming 1982 by Thomas Leavitt, a descendant of Pratt. Material on reels 3995-3998 lent 1987 by Cynthia Kennedy Sam, Pratt's granddaughter.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Sculptors -- Massachusetts -- Boston  Search this
Topic:
Sculpture, American -- Massachusetts -- Boston  Search this
Identifier:
AAA.pratbela
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pratbela

Bryson Burroughs photographs

Creator:
Burroughs, Bryson, 1869-1934  Search this
Names:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1935
circa 1983
Summary:
Bryson Burroughs photographs of artwork measure 0.6 linear feet and date from circa 1935 and circa 1983. The collection consists of glass plate negatives and copy prints of artwork, primarily paintings, by Burroughs.
Scope and Contents:
Bryson Burroughs photographs of artwork measure 0.6 linear feet and date from circa 1935 and circa 1983. The collection consists of glass plate negatives and copy prints of artwork, primarily paintings, by Burroughs. The glass plates were possibly made for the memorial exhibition for Burroughs held at The Metropolitan Museum of Art in 1935.
Arrangement:
The collection is arranged as one series.

Series 1: Bryson Burroughs Photographs, circa 1935, circa 1983 (0.43 linear feet; Box 1, MMs)
Biographical / Historical:
New York painter and museum curator Bryson Burroughs (1869-1934), studied at the Art Students League in New York and at the Académie Julian in Paris. Later, he became an associate, then a full member, of the National Academy of Design in New York. From 1909 to 1934 he was the Curator of Paintings at The Metropolitan Museum of Art in New York. A memorial exhibition for Burroughs was held at the museum in 1935.
Provenance:
The collection was donated to the Archives of America Art in 1983 by the Metropolitan Museum of Art via John K. Howat.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Art museum curators -- New York (State) -- New York  Search this
Citation:
Bryson Burroughs papers, circa 1935, circa 1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.burrbrys
See more items in:
Bryson Burroughs photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-burrbrys
Online Media:

Bryson Burroughs Photographs

Collection Creator:
Burroughs, Bryson, 1869-1934  Search this
Extent:
0.43 Linear feet (Box 1, MMs)
Type:
Archival materials
Date:
circa 1935
circa 1983
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bryson Burroughs papers, circa 1935, circa 1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.burrbrys, Series 1
See more items in:
Bryson Burroughs photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-burrbrys-ref1

Glass Plate Negatives of Artwork by Burroughs

Collection Creator:
Burroughs, Bryson, 1869-1934  Search this
Container:
Box 1
Type:
Archival materials
Negatives [31027000554051]
Date:
circa 1935
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bryson Burroughs papers, circa 1935, circa 1983. Archives of American Art, Smithsonian Institution.
See more items in:
Bryson Burroughs photographs
Bryson Burroughs photographs / Series 1: Bryson Burroughs Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-burrbrys-ref2

Copy Prints of Glass Plate Negatives

Collection Creator:
Burroughs, Bryson, 1869-1934  Search this
Container:
Folder 2
Type:
Archival materials
Date:
circa 1983
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Bryson Burroughs papers, circa 1935, circa 1983. Archives of American Art, Smithsonian Institution.
See more items in:
Bryson Burroughs photographs
Bryson Burroughs photographs / Series 1: Bryson Burroughs Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-burrbrys-ref3

Bryson Burroughs photographs, circa 1935

Creator:
Burroughs, Bryson, 1869-1934  Search this
Subject:
Metropolitan Museum of Art (New York, N.Y.)  Search this
Record number:
(DSI-AAA_CollID)9582
(DSI-AAA_SIRISBib)211783
AAA_collcode_burrbrys
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211783

Head of Herbert Winlock [sculpture] / (photographer unknown)

Artist:
Burroughs, Bryson 1869-1934  Search this
Subject:
Winlock, Herbert  Search this
Type:
Photograph
Topic:
Portrait male--Head  Search this
Image number:
SSC S0002711
See more items in:
Photograph Archives
Metropolitan Museum of Art Study Collection of American Sculpture Photographs
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_139560
Online Media:

Joseph Francis Burrell: artist file, [photographs]

Artist:
Burroughs, Bryson 1869-1934  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF000510
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_137450

The Hours, [photomechanical print]

Artist:
Burroughs, Bryson 1869-1934  Search this
Photographic firm:
Curtis & Cameron  Search this
Physical description:
1 photomechanical print : black and white
Type:
Photomechanical prints
Date:
1901. Copyright 1902
Topic:
Figure group--Female--Nude  Search this
Landscape--Tree  Search this
Image number:
LOC LC000404
See more items in:
Photograph Archives
Library of Congress Copyright Deposit Collection
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_137606

(No Title Given) [art work] / (photographed by Peter A. Juley & Son)

Artist:
Burroughs, Bryson 1869-1934  Search this
Type:
Photograph
Date:
1917
Image number:
JUL J0055312
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_55313

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