Search Results

Creator:

National Museum of African Art  Search this

Type:

YouTube Videos

Uploaded:

2019-04-05T16:30:20.000Z

YouTube Category:

Education  Search this

Topic:

Art, African  Search this

See more by:

SmithsonianAfricanAr

Data Source:

National Museum of African Art

YouTube Channel:

SmithsonianAfricanAr

EDAN-URL:

edanmdm:yt_Hd4k6lb3O4E

Author:

Fiéloux, Michèle  Search this

Lombard, Jacques 1926-  Search this

Kambou-Ferrand, Jeanne-Marie  Search this

Physical description:

567 p. : ill., maps ; 25 cm

Type:

Congresses

Date:

1993

C1993

Topic:

Lobi (African people)  Search this

Dagaaba (African people)  Search this

Birifor (African people)  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_463820

Author:

Centre culturel français Georges Méliès de Ouagadougou  Search this

Association "Découvertes du Burkina."  Search this

Physical description:

v. <t. 1, 237 p., t. 2, 240 p.> : ill., maps ; 25 cm

Type:

Books

Congresses

Place:

Burkina Faso

Date:

1993

1993-

Topic:

Civilization  Search this

History  Search this

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_461767

Names:

Andrade-Watkins, Claire  Search this

Bambara, Toni Cade  Search this

Dash, Julie  Search this

Gerima, Haile  Search this

Gunn, Bill, 1934-1989  Search this

Jafa, Arthur  Search this

Jones, Robert Earl, 1904-2006  Search this

Massiah, Louis  Search this

Micheaux, Oscar, 1884-1951  Search this

Moses, Ethel  Search this

Robeson, Paul, 1898-1976  Search this

Sanchez, Sonia, 1934- (poet, reader)  Search this

Snead, James A., 1953-1989  Search this

Spence, Louise, 1945-  Search this

Tucker, Lorenzo  Search this

Donor:

Bowser, Pearl, 1931-  Search this

Extent:

approximately 100 Motion picture films

213 Sound cassettes (7 boxes)

Type:

Collection descriptions

Archival materials

Motion picture films

Sound cassettes

Sound cassette

Oral histories (document genres)

16mm motion picture film

Vhs (videotape format)

Place:

England

Harlem (New York, N.Y.)

Roanoke (Va.)

Memphis (Tenn.)

Date:

bulk 1920-2001

Biographical / Historical:

Pearl Bowser is a filmmaker, producer, author, lecturer, and highly acclaimed scholar of African American film who is recognized as an authority on the works of Oscar Micheaux, a noted writer, director, and producer of race films from 1919 to 1948.

Born Pearl Johnson on June 25, 1931, in Sugar Hill, Harlem, New York, she was named after her mother (also Pearl Johnson), a domestic worker who had been raised in a Catholic nunnery. On occasional Saturdays, the younger Pearl would accompany her mother to work in apartments in lower Manhattan, where she would assist her by folding handkerchiefs for a small allowance. After moving to a lower part of Harlem when she was about four years old, she met Harlem entrepreneur "Bumpy" Johnson, for whom she and other children in the neighborhood did odd jobs such as counting coins or attending to his ice-cream stand. Johnson, who would sometimes give the children joy rides in his Cadillac, occasionally allowed Pearl and the other children to borrow books from his extensive library, provided that they read them and submitted to a quiz.

As a child, Bowser had several racist encounters. For example, one of her white kindergarten teachers at her elementary school wore gloves in the classroom as to not touch Black pupils. She was also occasionally teased for having a gap between her teeth but felt insulated from sustained bullying because she had several older brothers who sometimes protected her. On a separate occasion, when she was about nine years old, her mother sent her on a trip from New York to the South to visit relatives. Although her mother had purchased tickets for her to be in a Pullman car, when she changed trains in Washington, DC., she was forced to ride in the car behind the engine, which left her covered in soot.

An avid reader, Pearl excelled in elementary and high school and received a scholarship to attend Brooklyn College, where she majored in biology. She supplemented her income by recording the numbers in one of Bumpy Johnson's shops. Disappointed with the quality of the education she was receiving, Bowser withdrew from Brooklyn College, eventually landing a job at CBS where she worked on a team that analyzed Nielsen ratings.

In 1955, Pearl married fellow New Yorker LeRoy Bowser. By the mid-1960s, although Pearl and LeRoy Bowser had separate interests, they both were working simultaneously in the civil rights movement. While LeRoy was active in Brooklyn CORE (Congress of Racial Equality) and went to the South in the summer to teach for what was the beginning of HeadStart, Pearl, along with other production activists, took to the streets documenting African American culture and issues—working to bring these films to schools. Additionally, Bowser wanted to write a cookbook to earn funds for Brooklyn's CORE organization. She was approached by David Davis, the editor of Tuesday Magazine. Tuesday had distribution in the Herald Tribune across the country as a Sunday supplement. As the urban-world magazine exploded in Black communities, "Joan" Bowser's two-page pictorials on Southern cooking with a set of recipes became very popular in the five years she wrote them. Bowser retained copyrights to the articles, and easily completed her cookbook a short time later.

Bowser's colleague at ABC, Charles Hobson, found a used book written by Peter Noble about Black films and Oscar Micheaux. The volume was slim and contained what little information contained in the Museum of Modern Art (MoMA) files. Hobson and his colleagues wanted to write a book about the topic, and they assigned Bowser to begin the research. As part of the project, Bowser went to California to interview actors who may have been in early Black films or may have worked with Micheaux. What she learned began her intensive scholarship into Micheaux and his fellow filmmakers.

In 1971, she organized her first film festival, the Black Film History Series. In 1979, she organized the nation's first American women's film festival in New York City. She also presented a major retrospective, Independent Black American Cinema 1920-1980, which toured the country during 1981 and 1982. She also directed the Journey Across Three Continents film and lecture series, which toured the country from 1983-1985. Bowser also served as president of the prestigious Flaherty Film Seminar in 1987. In 1989, she, alongside Grant Munro, programmed the 35th Flaherty Film Seminar, which featured films such as Finzan, Zajota and the Boogie Spirit, Daughters of the Dust, and many more. She has also been a judge at the world-renown Pan-African Film and Television Festival of Ouagadougou (FESCPACO) in Burkina Faso (formerly known as Upper Volta).

In the 1980s Bowser was awarded an independent artists grant by the Ford Foundation to travel west and collect oral histories from individuals in Oscar Micheaux's orbit, loosely following the route he would have travelled decades earlier. Stopping in cities such as Roanoke, Virginia; Memphis, Tennessee; and Jackson, Mississippi, she collected dozens of oral histories from actors, actresses etc. that knew Oscar Micheaux. Through this research she became an eminent figure in the Black independent film industry. Working as a programmer, she travelled around the United States and the world showing films by domestic and Black filmmakers within the Diaspora.

Despite her wealth of experience working as a programmer, it wasn't until the 1990s that Bowser made her directorial debut with the documentary film Midnight Ramble. Funded by American Experience, the film looks at African Americans and Hollywood movies from 1910 through the 1950s. In 2000, she, along with Louise Spence, co-authored Writing Himself into History: Oscar Micheaux, His Silent Films and His Audiences, a book about the pioneering filmmaker. Additionally, she is founder and director of Chamba Educational Film Services, a film distribution company that specialized in distributing films by African American filmmakers. In the early 1980s, she renamed her company/collection as African Diaspora Images, a collection of historical and contemporary films documenting Black film history. She subsequently joined Third World Newsreel, where she was director of their theater department.

In 2012, Pearl Bowser donated her extensive collection of books, sound cassettes, films, film memorabilia, and papers to the Smithsonian National Museum of African American History and Culture.

Sources:

1940 United States Federal Census; New York, New York, New York, population schedule, p. 61B, house number 1486, family 195, Pearl Bowser; Ancestry.com. 1940 United States Federal Census [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2012 accessed: 10 Sept 2022); citing National Archives and Records Administration microfilm: m-t0627-02665

Bowser, Pearl. Pearl Bowser Oral History. Interview by Tuliza Fleming and Jennifer Lyon, July 21, 2011.

Provenance:

Acquired as a donation from Pearl Bowser in 2012.

Restrictions:

Collection is open for research. Access to collection materials requires an appointment.

Occupation:

Filmmakers  Search this

Actors -- Interviews  Search this

Topic:

Documentary films  Search this

Film festivals  Search this

African American actors  Search this

African American actresses  Search this

African diaspora  Search this

Race films  Search this

African American motion picture producers and directors  Search this

African American women authors  Search this

Meetings  Search this

Conferences  Search this

Lectures and lecturing  Search this

Amateur films  Search this

Motion picture soundtracks  Search this

Oral history  Search this

Radio broadcasts  Search this

Genre/Form:

Sound cassette

Oral histories (document genres)

16mm motion picture film

VHS (videotape format)

Citation:

Pearl Bowser Collection, National Museum of African American History and Culture

Identifier:

NMAAHC.A2012.79.AV

See more items in:

Pearl Bowser Audiovisual Collection

Archival Repository:

National Museum of African American History and Culture

GUID:

https://n2t.net/ark:/65665/io3209e9c6d-3045-4a0a-941e-6519385b18d5

EDAN-URL:

ead_collection:sova-nmaahc-a2012-79-av

Collection Creator:

Davies, R. E. G. (Ronald Edward George)  Search this

Container:

Box 74, Folder 3

Type:

Archival materials

Date:

1936-2009

Scope and Contents:

Air Afrique, Air Afrique 1960, Benin, Burkina Faso, Cameroon, Central African Republic, Chad, Congo (Brazzaville), Gabon, Guinea, Ivory Coast, Mauritania, Mali, Niger, Senegal

Collection Restrictions:

No restrictions on access.

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Collection Citation:

R. E. G. (Ron) Davies Air Transport Collection, Acc. NASM.XXXX.0604, National Air and Space Museum, Smithsonian Institution.

See more items in:

R. E. G. (Ron) Davies Air Transport Collection

R. E. G. (Ron) Davies Air Transport Collection / Series 1: Dossiers / Airlines - Africa

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg256817fab-8865-46ee-92a6-16a962be15af

EDAN-URL:

ead_component:sova-nasm-xxxx-0604-ref961

Photographer:

Elisofon, Eliot  Search this

Extent:

14000 Negatives (photographic) (b&w, 35mm)

30000 Slides (photographs) (color)

80,000 Photographic prints (b&w, 25 x 20 cm. or smaller.)

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Slides (photographs)

Photographic prints

Negatives

Color slides

Black-and-white negatives

Black-and-white photographs

Place:

Africa

Congo (Democratic Republic)

Mali

Ghana

Côte d'Ivoire

Benin

Burkina Faso

Egypt

Kenya

Liberia

Niger

Nigeria

Rwanda

Senegal

South Africa

Sudan

Tanzania

Togo

Uganda

Zambia

Zimbabwe

Central African Republic

Date:

circa 1935-1978

Summary:

This collection is comprised of photographic and manuscript materials, primarily created by Eliot Elisofon to document his travels and work. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

Scope and Contents:

This collection is comprised of circa 14,000 negatives, 30, 0000 slides, 8,000 photographic prints, and 14 boxes of manuscript materials that date from circa 1945-1978.

The photographs document Eliot Elisofon's travels and work in Africa. The images portray many aspects of African life and culture including agriculture, wildlife, archaeology, architecture, art and artisans, children, cityscapes and landscapes, leaders, markets, medicine, recreation, ritual and celebration, and transportation. Artisans shown include an Asante weaver making kente cloth in Ghana; a Dogon carver in Mali making a kanaga mask; an Ebrie goldsmith in Cote d'Ivoire; Hausa dyers in Kano, Nigeria; and Nupe beadmakers in Nigeria; as well as artists at the Ecole des Beaux Arts in Kinshasa, Congo. Portraits of leaders include the Asante court at Kumase in Ghana; Ebrie chiefs and notables in Cote d'Ivoire; the timi (king) of Ede, a Yourba town, Nigeria; the emir of Katsina, Nigeria; and the Kuba king and his court in the Congo. There are informal portraits showing children of the Kuba royal court dancing, Fulbe women with gold earrings in Mali, Mangbetu women in the Congo, and Maasai elders in Kenya. Masked dances documented include a Dogon dama festival celebration in Mali, an Igbo festival in Nigeria, and Kuba and Pende masked dancers in the Congo. There are also images of Yoruba gelede (men's association) masks in Nigeria. Non-masked dancers shown include Dan professional acrobatic dancers in Cote d'Ivoire, Irigwe dancers in Nigeria, Mangbetu dancers in the Congo, Mbuti dancers in the Democratic Republic of the Congo, and Wodaabe men dancing in Nigeria. Events shown include Hausa riders in chain mail during the Independence Day celebration in Katsina, Nigeria. Images of art in situ include ancestral altars in the King of Benin's palace in Nigeria; Dogon rock paintings in Mali; and Yoruba Shango shrine sculptures in the palace courtyard of timi (king) of Ede in Nigeria. Landscapes include views of mount Kilimanjaro, Tanzania. Animals shown include birds, buffalos, elephants and giraffes. Traditional architecture shown includes Asante shrine houses with raised wall decorations in Ghana, Dogon villages in Mali and mosques in Mopti.

The manuscript materials include correspondence, essays, clippings, puobligations, notes, research, and itineraries.

Biographical/Historical note:

A photographer best known for his work in Life magazine. Elisofon worked as a free-lance magazine photographer from 1933 to 1937, as a staff photographer for Life from 1933 to 1937 and on photographic assignments for various magazines, including the Smithsonian magazine, from 1942 to 1945. Elisofon traveled extensively in Africa, Asia, Europe and South America documenting the peoples of these lands as well as their arts and environments. A founding member and curatorial associate of the private Museum of African Art, which in 1981 became the National Museum of African Art (NMAfA), Elisofon bequeathed his collection of African photographs to the museum when he died in 1973. To honor Elisofon's contribution to the understanding of African art and culture, NMAfA named its archives after him.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Body arts  Search this

Genre/Form:

Negatives

Photographic prints

Color slides

Black-and-white negatives

Black-and-white photographs

Citation:

Eliot Elisofon Field Collection, EEPA 1973-001, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution

Identifier:

EEPA.1973-001

See more items in:

Eliot Elisofon Field collection

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo763575c19-5f10-470a-af8b-75ebd1c82664

EDAN-URL:

ead_collection:sova-eepa-1973-001

Photographer:

Shamir, Marli  Search this

Extent:

33 Negatives (photographic) (color, 35mm)

1790 Negatives (photographic) (black and white, 120mm)

1,519 Color slides (35mm)

Culture:

San (African people)  Search this

Dogon (African people)  Search this

Fulani  Search this

Type:

Collection descriptions

Archival materials

Negatives (photographic)

Color slides

Photographic print

Place:

Djenné (Mali)

Mali

Ivory Coast

Burkina Faso

Timbuktu (Mali)

Mali, -- Bamako

Niger

Mopti (Mali)

Israel

Date:

1966-1976

Summary:

Collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Locations include Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, and textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.

Scope and Contents:

This collection dates from 1966 to 1976 and includes 1,817 black and white negatives, 1,519 35mm color slides, several hundred prints, and manuscript materials. Images were taken in Burkina Faso, Cote d'Ivoire, Gabon, Israel, Mali, and Niger and depict agriculture, architecture, especially mosques, landscapes, marketplaces, masquerade and musical performances, sculptures, textiles. Peoples depicted include the Bambara, Bella, Bozo, Dogon, Fulani, Gao, Mandingo, San, Songhai, and Tuarag peoples.

Arrangement:

Arranged in four series, according to format.

Series 1: Negatives

Series 2: Slides

Series 3: Photographic Prints

Series 4: Manuscript Materials

Biographical / Historical:

Marli Shamir (1919-2016) was an Israeli photographer known for her extensive work in Mali, the Ivory Coast and Burkina Faso from 1966-1973. Born and raised in Berlin, Shamir started studying photography during her teenage years and took photography classes at the Contempora Lehrateliers für neue Werkkunst (1934-1937).

In 1938, she was forced to immigrate to Israel where she initially lived in a kibbutz. From 1941-1943, she worked at the mineralogy department of the Weizmann Institute in Rehovot, and then opened her own studio in Jerusalem in 1945. In 1953, she married Meir Shamir, a former Israeli Diplomat-Ambassador, and from 1966-1973 she lived successively in Mali, Gabon and Cote d'Ivoire. She held a particular fascination with architecture, monuments, mosques, arts and habitants.

During her stay in Mali, she met Pascal James Imperato with whom she wrote the article "Bokolanfini Mud Cloth of the Bamana of Mali" (African Arts, 1970). In 1976, she produced the exhibition Sahel at the Israeli museum in Jerusalem, which focused on the rural and urban architecture and people of the Sahel. The exhibition toured in Europe later that year. From 1977-1981, she lived in Strasbourg, where she focused on documenting the new style of architecture in Mali. Her work on this project is stored at the Center of Documentation in Strasbourg.

In 2005, a book devoted to her photographs from Mali was published by the Grandvaux French Edition House. The National Poet of Mali, Albakaye Ousmane Kounta, collaborated with Shamir on a book of poetry, Djenney-Ferey –La terre habitee (published by Grandaux, 2007), which is illustrated with Shamir's photographs. Shamir passed away in 2016 at the age of 93.

Related Materials:

The Eliot Elisofon Photographic Archives also holds another collection of Shamir's photographs, EEPA 1995-025.

Provenance:

Purchased, 2013

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Slides (Photography)  Search this

Genre/Form:

Negatives (photographic)

Photographic print

Citation:

Marli Shamir collection, EEPA 2013-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Identifier:

EEPA.2013-009

See more items in:

Marli Shamir collection

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7c5155d06-bf33-40ad-a358-bc1731c83cfe

EDAN-URL:

ead_collection:sova-eepa-2013-009

Collector:

National Museum of African Art (U.S.)  Search this

Extent:

61 Volumes

Type:

Collection descriptions

Archival materials

Volumes

Postcards

Place:

Algeria

Angola

Benin

Burkina Faso

Burundi

Cameroon

Cape Verde

Central African Republic

Chad

Congo (Democratic Republic)

Côte d'Ivoire

Mozambique

Morocco

Mali

Namibia

Rwanda

Niger

Nigeria

Somalia

South Africa

Sierra Leone

Sudan

Tanzania

Togo

Tunisia

Zimbabwe

Zambia

Uganda

Senegal

Kenya

Liberia

Ghana

Guinea

Mauritania

Madagascar

Malawi

Djibouti

Ethiopia

Gabon

Egypt

Eritrea

Africa

Date:

1898-[ongoing]

Summary:

This collection includes postcards from 45 African countries. Subjects include agriculture; animals; artists; body arts; cityscapes; cultural landscapes; dance; education; expeditions; flora; industry; leaders; marketplaces; medicine; military; missionaries; music; portraits; recreation; rites and ceremonies; and transportation, among many other topics.

Arrangement note:

Arranged by country and topic

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Genre/Form:

Postcards

Citation:

African Postcard collection, EEPA 1985-014, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Identifier:

EEPA.1985-014

See more items in:

African Postcard Collection

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7db935b22-d87f-4afd-95bb-b2f1180fcf9d

EDAN-URL:

ead_collection:sova-eepa-1985-014

Creator:

Reining, Priscilla  Search this

Extent:

2 Flat boxes

60.25 Linear feet (145 boxes)

23 Computer storage devices (floppy discs, zip discs, data tapes, and magnetic tape)

6 Sound recordings

2 Map drawers

Culture:

Anishinaabe (Chippewa/Ojibwa)  Search this

Kikuyu (African people)  Search this

Indians of North America -- Northeast  Search this

Minnesota Chippewa [Red Lake, Minnesota]  Search this

Haya (African people)  Search this

Type:

Collection descriptions

Archival materials

Computer storage devices

Sound recordings

Map drawers

Correspondence

Photographs

Electronic records

Place:

Tanganyika

Tanzania

Kenya

Uganda

Niger

Burkina Faso

Bukoba District (Tanzania)

Date:

1916-2007

bulk 1934-2007

Summary:

The Priscilla Reining papers, 1916-2007, primarily document the professional life of Reining, a social anthropologist and Africanist who worked for the American Association for the Advancement of Science (AAAS) from 1974 to 1989. Her area of specialty was sub-Saharan Africa, specializing in desertification, land tenure, land use, kinship, population, fertility, and HIV/AIDS. During the 1970s, she pioneered the use of satellite imagery in conjunction with ethnographic data. She is also known for her ground-breaking research in the late 1980s that showed that uncircumcised men were more susceptible to contracting HIV/AIDS than circumcised men.

The collection contains correspondence, field research, research files, writings, day planners, teaching files, student files, photographs, maps, sound recordings, and electronic records. Reining's research files, particularly on the Red Lake Ojibwa, the Haya, HIV/AIDS, and satellite imagery, form a significant portion of the collection.

Scope and Contents:

These papers primarily document the professional life of Priscilla Reining. The collection contains correspondence, field research, research files, writings, day planners, teaching files, student files, photographs, maps, sound recordings, and electronic records.

Reining's research files, particularly on the Red Lake Ojibwa, the Haya, HIV/AIDS, and satellite imagery, form a significant portion of the collection. Her consultancy work is also well-represented, as well as her involvement in a large number of professional organizations. The collection also contains a great deal of material relating to her work on different programs and projects at AAAS, including the Committee on Arid Lands, Ethnography of Reproduction Project, and Cultural Factors in Population Programs. Also present in the collection are materials from her time as Urgent Anthropology Program Coordinator at the Smithsonian Institution, her files as an instructor and professor, and her files as a student at University of Chicago. Materials from her personal life can also be found in the collection, such as correspondence and childhood mementos.

Arrangement:

The Priscilla Reining papers are organized in 13 series: 1. Correspondence, 1944-2007; 2. Research, 1955-1970; 3. AAAS, 1971-1990; 4. Professional Activities, 5. 1957-2007; Daily Planners and Notebooks, 1960-2002; 6. Writings, 1952-1996; 7. Smithsonian Institution, 1964-1971; 8. University, 1958-1994; 9. Student, 1937-1975; 10. Biographical and Personal Files, 1934-2004; 11. Maps, 1916-1989, undated; 12. Photographs, circa 1950-1987, undated; 13. Electronic records.

Biographical / Historical:

Priscilla Copeland Reining was a social anthropologist and Africanist who worked for the American Association for the Advancement of Science (AAAS) from 1974 to 1989. Her area of specialty was sub-Saharan Africa, specializing in desertification, land tenure, land use, kinship, population, fertility, and HIV/AIDS. During the 1970s, she pioneered the use of satellite imagery in conjunction with ethnographic data. She is also known for her ground-breaking research in the late 1980s that showed that uncircumcised men were more susceptible to contracting HIV/AIDS than circumcised men.

Reining was born on March 11, 1923 in Chicago, Illinois. She studied anthropology at University of Chicago, where she earned both her A.B. (1945) and Ph.D. (1967) in anthropology. During her graduate studies, she studied peer group relations among the Ojibwa of the Red Lake Indian Reservation in Minnesota (1947, 1950-51). Her husband, Conrad Reining, accompanied her to the field, an experience that inspired him to also become an anthropologist.

In 1951-53 and 1954-55, Reining conducted fieldwork among the Haya of Bukoba District, Tanganyika (now known as Tanzania) as a Fellow of the East African Institute of Social Research. While research for her dissertation focused on the agrarian system of the Haya, Reining also conducted fertility surveys for the East African Medical Survey, studying the relationship between STDs and fertility in Buhaya and Buganda. During the 1980s, Reining became interested in AIDS when she observed that the Haya were dying from the disease at a much higher rate than neighboring groups. When she learned of a possible link between circumcision and the spread of HIV, she drew a map of circumcision practice among the ethnic groups of Africa and found that uncircumcised men were 86% more likely to contract HIV than circumcised men. These results were published in "The Relationship Between Male Circumcision and HIV Infection in African Populations" (1989), which she coauthored with John Bongaarts, Peter Way, and Francis Conant.

Beginning in the 1970s, Reining began exploring the use of satellite imagery in ethnographic research. In 1973, she used Landsat data to identify individual Mali villages, the first use of satellite data in anthropology (Morán 1990). That same year, as a consultant for USAID, she also used ERTS-1 imagery to estimate carrying capacity in Niger and Upper Volta (now known as Burkino Faso). She continued to apply satellite data in her research throughout her career, including in 1993, when she returned to Tanzania to study the environmental consequence of population growth and HIV/AIDS among the Haya.

In 1974, Reining joined the Office of International Science of AAAS as a research associate. She stayed on to become Project Director for the Cultural Factors in Population Programs and to direct a number of projects under the Committee on Arid Lands. She also served as Project Director of the Ethnography of Reproduction project, for which she conducted fieldwork in Kenya in 1976. In 1990, she left AAAS for an appointment as Courtesy Professor of African Studies at University of Florida.

Prior to working for AAAS, Reining worked at the Smithsonian Institution (1966, 1968-70), during which she was the coordinator for the Urgent Anthropology Program in the now defunct Center for the Study of Man. She also taught at University of Minnesota (1956-59), American University (1959-60), and Howard University (1960-64). In addition, she worked as a consultant for various organizations, including Department of Justice, Peace Corps, International Bank for Reconstruction & Development (IBRD), Food and Agriculture Organization, and Carrying Capacity Network.

Reining was also actively involved in various organizations. She served as Secretary of the AAAS Section H (Anthropology) and was a founding member of the American Anthropological Association (AAA) Task Force on AIDS. She was also a fellow of the African Studies Association, AAA, AAAS, East African Academy, Society for Applied Anthropology, and Washington Academy of Science. In 1990, she was honored with a Distinguished Service Award from AAA.

Reining died of lung cancer at the age of 84 on July 19, 2007.

Sources Consulted

PR Vita. Series 10. Biographical and Personal Files. Priscilla Reining Papers. National Anthropological Archives, Smithsonian Institution

Morán, Emilio F. 2000. The Ecosystem Approach in Anthropology: From Concept to Practice. Ann Arbor: University of Michigan. Page 359

Schudel, Matt. 2007. Anthropologist Broke Ground on AIDS, Satellite Mapping. Washington Post, July 29. http://www.washingtonpost.com/wp-dyn/content/article/2007/07/28/AR2007072801190.html (accessed December 8, 2011).

1923 -- Born March 11 in Chicago, Illinois

1944 -- Marries Conrad C. Reining

1945 -- Earns A.B. from University of Chicago

1947, 1950-51 -- Conducts field research on the Ojibwa of Red Lake Indian Reservation in Minnesota.

1949 -- Earns A.M. from University of Chicago

1951-1953, 1954-1955 -- Field research on Haya of Tanzania

1967 -- Earns Ph.D. from University of Chicago

1972 -- Returns to Tanzania for IBRD consultancy work

1974 -- Begins working at AAAS as a research associate in the Office of International Science

1975 -- Project Director, AAAS

1976 -- Field research on Kikuyu of Kenya for Ethnography of Reproduction

1986-89 -- Program Director, AAAS

1990 -- Courtesy Professor of African Studies at University of Florida Receives Distinguished Service Award from AAA

1993 -- Field research in Tanzania studying environmental consequences of population growth and HIV/AIDS among the Haya

2007 -- Dies of lung cancer at the age of 84 on July 19

Related Materials:

Additional materials at the NAA relating to Priscilla Reining can be found in the papers of Gordon Gibson and John Murra, as well as in the records of the Center for the Study of Man and the records of the Department of Anthropology. Photo Lot 97 contains two Haya photos taken by Reining that are not duplicated in this collection. The papers of her husband, Conrad Reining, are also at the NAA.

The archives of the American Association for the Advancement of Science also holds Reining's papers relating to her work for the organization.

Provenance:

These papers were donated to the National Anthropological Archives by Priscilla Reining's sons, Robert Reining and Conrad Reining, in 2009.

Restrictions:

The Priscilla Reining papers are open for research.

Some materials from the East African Medical Survey and Ethnography of Reproduction project contain personal medical history and are thus restricted. Grant applications sent to Reining to review are also restricted as well as her students' grades, and recommendation letters Reining wrote for her students. Electronic records are also restricted.

A small portion of the materials relating to Reining's Haya research, Ethnography of Reproduction project, and IBRD ujamaa research suffered severe mold damage. These materials have been cleaned and may be accessed. The legibility of some of the documents, however, is limited due to water and mold stains. Mold odor is also still present.

Rights:

Contact the repository for terms of use.

Topic:

AIDS (Disease)  Search this

Human ecology  Search this

Fertility, Human  Search this

Kinship  Search this

population  Search this

Landsat satellites  Search this

Remote sensing  Search this

Desertification  Search this

Genre/Form:

Correspondence

Sound recordings

Photographs

Electronic records

Citation:

Priscilla Reining Papers, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.2009-25

See more items in:

Priscilla Reining papers

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw34d98c2cd-c075-443f-b007-9dd7cea86fe2

EDAN-URL:

ead_collection:sova-naa-2009-25

Photographer:

Schildkrout, Enid  Search this

Van Couvering, John A.  Search this

Extent:

5320 Slides (photographs) (35 mm)

120 Slides (photographs) (120 mm)

1407 Negatives (photographic) (35 mm)

91 Negatives (photographic) (120 mm)

3 Negatives (photographic) (5 x 7 inches)

10 Negatives (photographic) (4 x 5 inches)

2 Negatives (photographic) (8 x 10 inches)

136 Photographic prints (8 x 10 inches or smaller)

4 Contact sheets

1 USB flash drive (64 GB)

Culture:

Asante (African people)  Search this

Fulani  Search this

Lobi (African people)  Search this

Mossi (African people)  Search this

Senufo (African people)  Search this

Wolof (African people)  Search this

Type:

Collection descriptions

Archival materials

Slides (photographs)

Negatives (photographic)

Photographic prints

Contact sheets

Usb flash drive

Place:

Ivory Coast

Namibia

Central African Republic

Mali

Nigeria

Senegal

Date:

1964-2010

Summary:

This collection documents the Asante, Baka, Baule, Berber, Dogomba, Dogon, Fulani, Gurunsi, Gonja, Hausa, Lobi, Mamprusi, Mossi, Senufo, Serer, Tsonga, Tuareg, Wolof, and Yoruba peoples; architecture, animals, artwork, celebrations, ceremonies, landscapes, masquerades, markets, mosques, portraits, shrines, and street scenes in Ghana, the Ivory Coast, Mali, Nigeria, Morocco, Republic of Benin, Central African Republic, Namibia, and Senegal.

Scope and Contents:

This collection was created during field work by Enid Schildkrout and John A. Van Couvering in several countries, including Ghana, the Ivory Coast, Mali, Nigeria, Morocco, Republic of Benin, Central African Republic, Namibia, and Senegal. Peoples depicted include the Asante, Baka, Baule, Berber, Dogomba, Dogon, Fulani, Gurunsi, Gonja, Hausa, Lobi, Mamprusi, Mossi, Senufo, Serer, Tsonga, Tuareg, Wolof, and Yoruba peoples. Many of the images depict architecture, animals, artwork, celebrations, ceremonies, landscapes, masquerades, markets, mosques, portraits, shrines, and street scenes.

Biographical / Historical:

Enid Schildkrout is an American anthropologist, professor, and Curator Emerita of African Ethnology, Division of Anthropology, at the American Museum of Natural History. She earned her BA from Sarah Lawrence College (1963), and a B.A., M.A. and Ph.D. from Cambridge University (1965, 1967, 1970). Schildkrout performed field research in numerous countries including Ghana and Burkina Faso (1960s); Kano, Nigeria (late 1970s and early 1980s); and in Mali, Senegal, Côte d'Ivoire and Namibia. She has worked extensively with museum collections and conducted an in-depth study of the history of the art of the Mangbetu people (Democratic Republic of Congo). Among the exhibitions that Schildkrout has curated are: African Reflections: Art from Northeastern Zaire; Body Art: Marks of Identity; Dynasty and Divinity: Ife Art in Ancient Nigeria; and Grass Roots: African Origins of an American Art. She has lectured and taught classes at Columbia University, Yale University, McGill University, and the University of Illinois, among others. She has published articles in African Arts and authored numerous books.

John A. Van Couvering is a professor, editor and geologist. He earned his Ph.D. in Geology from the University of Cambridge (1973) and specializes in the principles and practices in stratigraphic geology; age and environments of Cenozoic mammal faunas of Africa and southern Eurasia; and the Neogene time scale and chronostratigraphic boundaries. He spent five years doing fieldwork with Louis Leakey in East Africa and served as Micropaleontology Press's editor-in-chief from 1978 to its dissolution in 2004. He currently serves on international and national working groups concerned with the stratigraphic code, and participates in regional studies of such problems as the Messinian desiccation event and the beginning of the Pleistocene. He has published in the Journal of Human Evolution and the Journal of Geological Society and co-authored and edited numerous books.

Provenance:

Donated by Enid Schildkrout and John A. Van Couvering, 2018.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Ghana  Search this

Republic of Benin -- Photographs  Search this

Morocco  Search this

Hausa (African people)  Search this

Tuaregs  Search this

Yoruba (African people)  Search this

Citation:

Enid Schildkrout and John A. Van Couvering Collection, EEPA 2018-005, Eliot Elisofon Photographic Archives, National Museum of African, Smithsonian Institution.

Identifier:

EEPA.2018-005

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo75002f916-05a9-447d-8770-756cef7bd8b0

EDAN-URL:

ead_collection:sova-eepa-2018-005

Photographer:

Shamir, Marli  Search this

Collector:

National Museum of African Art (U.S.)  Search this

Extent:

229 Gelatin silver prints (black and white, 8 x 10 in. or smaller)

89 Photographic prints ((1 v.), black and white, 23 x 18 cm. or smaller)

Container:

Volume 4

Culture:

Dogon (African people)  Search this

Type:

Collection descriptions

Archival materials

Gelatin silver prints

Photographic prints

Black-and-white photographs

Place:

Djenné (Mali)

Mali

Africa

Timbuktu (Mali)

San (Mali)

Gao (Mali)

Date:

1971

Summary:

Photographs taken by Marli Shamir in Mali, in 1971. The majority of the images show architecture in Djenne, Mali. Other images depict architecture of the Dogon in Timbuktu, Gao and San.

Photographs from this collection were featured by Labelle Prussin's thesis entitled, "The Architecture of Djenne; African Synthesis and Transformation," (Yale University, 1974) and in her book entitled, "Hatumere: Islamic Design in West Africa," (Berkeley: University of California Press, 1986). The images have also been displayed in an exhibition entitled, "Marli Shamir Photographs from the Sahel," held in the Israel Museum in Jerusalem, in 1976.

Arrangement note:

Images indexed by negative number.

Biographical / Historical:

Marli Shamir (1919-2016) was an Israeli photographer known for her extensive work in Mali, the Ivory Coast and Burkina Faso from 1966-1973. Born and raised in Berlin, Shamir started studying photography during her teenage years and took photography classes at the Contempora Lehrateliers für neue Werkkunst (1934-1937). In 1938, she was forced to immigrate to Israel where she initially lived in a kibbutz. From 1941-1943, she worked at the mineralogy department of the Weizmann Institute in Rehovot, and then opened her own studio in Jerusalem in 1945. In 1953, she married Meir Shamir, a former Israeli Diplomat-Ambassador, and from 1966-1973 she lived successively in Mali, Gabon and Cote d'Ivoire. She held a particular fascination with architecture, monuments, mosques, arts and habitants. During her stay in Mali, she met Pascal James Imperato with whom she wrote the article Bokolanfini Mud Cloth of the Bamana of Mali, (African Arts, 1970). In 1976, she produced the exhibition Sahel at the Israeli museum in Jerusalem, which focused on the rural and urban architecture and people of the Sahel. The exhibition toured in Europe later that year. From 1977-1981, she lived in Strasbourg, where she focused on documenting the new style of architecture in Mali. Her work on this project is stored at the Center of Documentation in Strasbourg. In 2005, a book devoted to her photographs from Mali was published by the Grandvaux French Edition House. The National Poet of Mali, Albakaye Ousmane Kounta, collaborated with Shamir on the book of poetry Djenney-Ferey –La terre habitee (published by Grandaux, 2007), which is illustrated with Shamir's photographs. Shamir passed away in 2016 at the age of 93.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Earth Architecture  Search this

Genre/Form:

Photographic prints

Black-and-white photographs

Identifier:

EEPA.1995-025

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo70c376be1-6246-4dcc-af65-9969cc0a67e1

EDAN-URL:

ead_collection:sova-eepa-1995-025

Extent:

22 Photographic prints ((1 box), black & white, 15.5 x 24.5 cm.)

Container:

Box 1

Type:

Collection descriptions

Archival materials

Photographic prints

Black-and-white photographs

Place:

Mauritania

Burkina Faso

Togo

Sudan

Côte d'Ivoire

Dakar (Senegal)

Africa

Niger

Guinea

Date:

1934

Summary:

Twenty-two of thirty photographs published in the picture book entitled, L'Afrique Occidentale Française, by Librairie de l'enseignement, Paris, 1934. The book was the twenty-first book in a series of thirty-six picture books. The images are numbered 601 through 530. Missing image numbers are 604, 606, 607, 608, 609, 612, 613 and 625.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Genre/Form:

Black-and-white photographs

Photographic prints

Identifier:

EEPA.2002-003

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo74a180408-9146-4f33-aaf7-ed5215eb98d5

EDAN-URL:

ead_collection:sova-eepa-2002-003

Photographer:

Purcell, Carl M.  Search this

Extent:

70 Slides (photographs) (color, 35 mm.)

Container:

Binder Small collections binder 1

Volume 1

Type:

Collection descriptions

Archival materials

Slides

Slides (photographs)

Photographs

Place:

Senegal

Ghana

Chad

Africa

Mauritania

Burkina Faso

Ethiopia

Gabon

Tanzania

Date:

circa 1970

Summary:

Photographs taken by Carl M. Purcell during his travels through East Africa and West Africa to include Ethiopia, Senegal, Chad, Burkina Faso, Mauritania, Tanzania, Gabon and Ghana. Images are mostly portraits of individuals, circa 1970.

Arrangement note:

Images indexed by negative number.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Genre/Form:

Photographs

Identifier:

EEPA.1976-002

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7d175e7b3-3f14-4dbd-9e93-e2a9c3ed5e60

EDAN-URL:

ead_collection:sova-eepa-1976-002

Names:

Peace Corps (U.S.)  Search this

Ballendorf, Dirk  Search this

Riesenberg, Saul H.  Search this

Viola, Herman J. (1938-)  Search this

Extent:

25 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Manuscripts

Letters

Photographs

Printed material

Processed materials

Audiotapes

Administrative records

Place:

Costa Rica

Oman

Dahomey

Swaziland

Tanzania

Dominican Republic

Ecuador

Togo

Upper Volta

El Salvador

Turkey

Ethiopia

Tunisia

Gabon

Ghana

Guatemala

Guinea

Thailand

Honduras

Burkina Faso

Kenya

Jamaica

Iran

Indonesia

Korea

Malaysia

Malawi

Liberia

Marshall Islands

Ceylon

Ivory Coast

Morocco

Cameroon

Central African Republic

Nepal

Niger

Brazil

Botswana

Bolivia

Nigeria

Afghanistan

Micronesia

Antigua

Pakistan

Philippines

Peru

Panama

China

Somalia

Sierra Leone

Senegal

Colombia

India

Chad

Chile

Date:

1920-1984

Scope and Contents:

The collection includes contributions from 101 former volunteers or administrators who served in such countries and regions as Afghanistan, Antigua, Bolivia, Botswana, Brazil, Burkina Faso, Cameroon, Central African Republic, Ceylon, Chad, Chile, China, Colombia, Costa Rica, Dahomey, Dominican Republic, Ecuador, El Salvador, Ethiopia, Gabon, Ghana, Guatemala, Guinea, Honduras, India, Indonesia, Iran, Ivory Coast, Jamaica, Kenya, Korea, Liberia, Malawi, Malaysia, Marshall Islands, Micronesia, Morocco, Nepal, Niger, Nigeria, Oman, Pakistan, Panama, Peru, Philippines, Senegal, Sierra Leone, Somalia, Swaziland,Tanzania, Thailand, Togo, Tunisia, Turkey and Upper Volta.

The volunteers were involved in diverse assignments such as education, community development, agriculture, health work, and service through such special skills as art, surveying, mechanics, and photography. Two additional collections are including materials of missionaries that were offered to the archives as the result of the program to collect Peace Corps materials. Included are diaries, correspondence, writings, printed and processed material, sound recordings, and administrative materials. There are also photographic materials that show such subjects as traditional and modern agriculture, architecture, body scarification, ceremonies, dance, dress, fishing, food preparation and other domestic activities, industry, medicine, and transportation.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.

Arrangement:

Arranged numerically, with indexes based upon creator names and subject of materials.

Historical note:

In 1975, Herman Joseph Viola, the director of the National Anthropological Archives; Saul Herbert Riesenberg, the curator for Oceania Ethnology in the Smithsonianʹs Department of Anthropology; and Dirk Ballendorf, assistant chief of programs and training for Peace Corps operations in North Africa, the Near East, Asia, and the Pacific, worked out a program whereby the archives would collect materials of former Peace Corps volunteers. In addition to photographic and other materials of potential use to many researchers, the collection was intended to document the impact of the volunteers on host countries and the experiences of the volunteers in working in foreign cultures.

Rights:

Contact the repository for terms of use. In some cases, copyright or literary property rights have been retained by the donor.

Topic:

Cookery  Search this

Agriculture  Search this

Dance  Search this

Fishing  Search this

Rites and ceremonies  Search this

Industry  Search this

Transportation  Search this

Body scarification  Search this

Dress  Search this

Architecture  Search this

Medicine  Search this

Genre/Form:

Diaries

Manuscripts

Letters

Photographs

Printed material

Processed materials

Audiotapes

Administrative records

Citation:

Peace Corps Volunteers collection, National Anthropological Archives, Smithsonian Institution

Identifier:

NAA.1975-43

Archival Repository:

National Anthropological Archives

GUID:

https://n2t.net/ark:/65665/nw36b879838-37b2-42bc-be41-d91ace56fcd9

EDAN-URL:

ead_collection:sova-naa-1975-43

Extent:

178 Slides (photographs) (color)

Container:

Item 178

Type:

Collection descriptions

Archival materials

Slides (photographs)

Color slides

Place:

Nigeria

Cameroon

Africa

Liberia

Ghana

Burkina Faso

Date:

between 1958-1972

Summary:

Photographs taken by Allan L. Pitcher, a Foreign Service officer working and traveling in Nigeria, Cameroon, Liberia, Ghana and Upper Volta. Images include individual and group portraits of men, women and children, leaders and village elders. There are numerous images of markets to include close-ups of market stalls and street views. Also included are images of rites, ceremonies and various dance performances in Liberia, among the boys about to enter the initiation camp, women of Sande society and dances performed in conjunction with government ceremonies. Another focus of the photography are industry and economic activities. Slides show rubber production in Firestone Rubber plantation (Liberia), mining and dam construction. Among the most important images are architectural shots, which include African residences as well as official buildings. Pitcher also photographed the Esso station with the screens by Adebisi Akanji and a shrine in Oshogbo.

Arrangement note:

postcards:organized in one volume

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Genre/Form:

Color slides

Identifier:

EEPA.2003-003

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7386bd876-b878-47a3-bbae-e77066c4cfd8

EDAN-URL:

ead_collection:sova-eepa-2003-003

Photographer:

Lee, James  Search this

Extent:

323 Slides (photographs) (1 volume, color, 35 mm.)

Container:

Volume 1

Type:

Collection descriptions

Archival materials

Slides (photographs)

Photographs

Place:

Kenya

Côte d'Ivoire

Cameroon

Ghana

Africa

Zimbabwe

Tanzania

Burkina Faso

Mali

Nigeria

Date:

1963-1970

Summary:

Photographs taken by James Lee in Cameroon, Ghana, Cote d'Ivoire, Kenya, Mali, Nigeria, Burkina Faso, and Zimbabwe between 1963 and 1970. The images reflect a variety of themes.

Scope and Contents:

Photographs taken by James Lee in Cameroon, Ghana, Cote d'Ivoire, Kenya, Mali, Nigeria, Burkina Faso, and Zimbabwe between 1963 and 1970. The photographs document cultures, landscapes, and peoples of the African countries of Burkina Faso, Cameroon, Ghana, the Ivory Coast, Kenya, Mali, Nigeria, and Zambia. Nigerian cities and villages illustrated include Asaba, Calabar, Enugu, Funtua, Ibadan, Kano, Katsina, Lagos, Okigwi, Onitsha, Opobo, Oshogbo, Uyo, Wudil, and Zaria. People portrayed include the emir of Katsina, leopard society members at Uyo, and a weaver, Activities documented include a Bobo masquerade in Burkina Faso; a celebration at the court of the emir of Kano; a contest of traditional dance groups in Enugu stadium, Nigeria; and a Mossi dance in Burkina Faso. Architectural images show government colleges and schools, a house under construction outside Uyo, a mosque in Kano, a painted house in Wudil, ruins of a wall at Zaria, and a shrine to a river god in Oshogbo. Art works reproduced include funerary sculpture and sculptures made of concrete in southeastern Nigeria, mostly at Oshogbo. Images of the natural environment show cattle, egrets, the Niger river crossing in the town of Jebba, the riverside at Opobo, and Victoria Falls.

Arrangement note:

Images indexed by negative number.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Genre/Form:

Photographs

Identifier:

EEPA.1985-006

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo71aaf23ee-7e45-4368-8922-05fbfc27e699

EDAN-URL:

ead_collection:sova-eepa-1985-006

Extent:

358 Slides (photographs) (+22 postcards, color)

10 Photographic prints ((dupe prints), color, 8 x 10 in. or smaller)

Container:

Volume 1

Culture:

Dogon (African people)  Search this

Vai (African people)  Search this

Grebo (African people)  Search this

Bassa (Liberian and Sierra Leone people)  Search this

Type:

Collection descriptions

Archival materials

Slides (photographs)

Photographic prints

Color slides

Postcards

Place:

Liberia

Mali

Guinea

Côte d'Ivoire

Cameroon

Burkina Faso

Africa

Date:

1957-1973

bulk 1970-1973

Summary:

Photographs taken and postcards gathered by Philip M. Abrams during his travels through Liberia, Mali, Guinea, Cote d'Ivoire, Cameroon and Burkina Faso, 1970-1973. Activities documented in the images include a Bundu sande women's society performance with Sowei (female guardian spirit) masks in Liberia; a Dogon dama (festival) masquerade staged for tourists in Sangha, Mali; a Grebo war dance in Krutown, Monrovia, Liberia; young Vai boys during initiation into the poro male secret society; and masked Vai dancers performing on Providence Island, Monrovia.

Arrangement note:

Slides:organized in one volume;.arranged numerically by image number.

Dupe prints:organized in one volume;arranged numerically by image number.

Biographical/Historical note:

U.S. Foreign Service Official.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Genre/Form:

Color slides

Photographic prints

Postcards

Identifier:

EEPA.1986-002

See more items in:

Philip M. Abram photographs

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7ca0ad1dc-01ae-4f89-8a53-e2b53cf0403c

EDAN-URL:

ead_collection:sova-eepa-1986-002

Photographer:

Pringle, Robert, 1936-  Search this

Names:

Roy, Christopher D.  Search this

Extent:

2136 Slides (photographs) (color , 35mm.)

829 Negatives (photographic) (color , 35mm.)

Culture:

Maasai (African people)  Search this

Fula (African people)  Search this

Lobi (African people)  Search this

Bobo (African people)  Search this

Dogon (African people)  Search this

Mossi (African people)  Search this

Tuaregs  Search this

Type:

Collection descriptions

Archival materials

Slides (photographs)

Negatives (photographic)

Negatives

Portraits

Color slides

Place:

Africa

Burkina Faso

Kenya

Mali

Date:

circa 1980-1989

Summary:

The collection contains 2136 color 35mm slides and 829 color 35mm negatives taken by Robert Pringle, former Ambassador to Mali, between 1980-1989. The images were taken in Mali, Burkina Faso and Kenya, and depict masquerades, vernacular architecture (including Dogon doors and granaries), mosques, marketplace scenes, pottery, masks (including plank and leaf masks), weaving, art in situ, animals and landscapes. Culture groups represented in the collection include the Tuareg, Lobi, Maasai, Mossi, Dogon, Fula and Bobo (Bwa) peoples. Ambassador Pringle traveled with photographer Christopher Roy and some of Pringle's images depict Roy at work with his own camera.

Arrangement note:

Arranged geographically by country and chronologically therein. Arrangement reflects the original order established by the photographer.

Biographical/Historical note:

Robert Pringle is a retired U.S. Foreign Service Officer and historian specializing in interethnic relations, economic development, and the role of culture. He served as U.S. Ambassador to Mali from 1987 to 1990. His other official postings included Indonesia, the Philippines, Burkina Faso, Papua New Guinea, and South Africa. He has written three books on Southeast Asian history and politics, of which the most recent is A Short History of Bali: Indonesia's Hindu Realm (2004).

General note:

Title provided by EEPA staff.

Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Topic:

Pottery  Search this

Fairs  Search this

Masks  Search this

Masks, African  Search this

Markets  Search this

Art in situ -- Photographs  Search this

Animals  Search this

Masquerades  Search this

Mosques  Search this

Natural landscapes  Search this

Vernacular architecture  Search this

Weaving  Search this

Cultural landscapes  Search this

Genre/Form:

Negatives

Portraits

Color slides

Citation:

Robert and Barbara Pringle photographs, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Identifier:

EEPA.2006-006

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo74eb0656d-6ccb-4359-b980-87543747ac55

EDAN-URL:

ead_collection:sova-eepa-2006-006

Photographer:

Shamir, Marli  Search this

Collection Photographer:

Shamir, Marli  Search this

Extent:

1 Negatives (photographic) (black and white, 120 mm)

Type:

Archival materials

Negatives (photographic)

Place:

Burkina Faso

Bobo-Dioulasso (Burkina Faso)

Date:

1969

General:

Shamir's original descriptions and negative numbers: Burkina Faso, Bobo-Dioulasso (Haute Volta) today Mosque; 734-1

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Collection Citation:

Marli Shamir collection, EEPA 2013-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Identifier:

EEPA.2013-009, Item EEPA 2013-009-1302

See more items in:

Marli Shamir collection

Marli Shamir collection / Series 1: Negatives / 1.1: Burkina Faso / Bobo-Dioulasso

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo77982aa18-b767-496c-b2cc-73850ff275a1

EDAN-URL:

ead_component:sova-eepa-2013-009-ref2015

Photographer:

Shamir, Marli  Search this

Collection Photographer:

Shamir, Marli  Search this

Extent:

1 Negatives (photographic) (black and white, 120 mm)

Type:

Archival materials

Negatives (photographic)

Place:

Bobo-Dioulasso (Burkina Faso)

Burkina Faso

Date:

1969

General:

Shamir's original descriptions and negative numbers: Burkina Faso, Bobo-Dioulasso (Haute Volta) today Mosque; 734-2

Collection Restrictions:

Use of original records requires an appointment. Contact Archives staff for more details.

Collection Rights:

Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.

Collection Citation:

Marli Shamir collection, EEPA 2013-009, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.

Identifier:

EEPA.2013-009, Item EEPA 2013-009-1303

See more items in:

Marli Shamir collection

Marli Shamir collection / Series 1: Negatives / 1.1: Burkina Faso / Bobo-Dioulasso

Archival Repository:

Eliot Elisofon Photographic Archives, National Museum of African Art

GUID:

https://n2t.net/ark:/65665/xo7e2dc3122-5653-4ac3-b3f6-02bb2f694d8b

EDAN-URL:

ead_component:sova-eepa-2013-009-ref2016