Chris Burden : a twenty-year survey / organized by the Newport Harbor Art Museum, Newport Beach, California ; curators, Anne Ayres, associate curator, Paul Schimmel, chief curator ; essayists, Donald Kuspit ... [et al.]
Entropie : über das Verschwinden des Werkes = Entropia : il dissolvimento dell'opera = Entropy : on the vanishing work : Bas Jan Ader, Fiona Banner, Marcel Broodthaers, Chris Burden, Sam Easterson, Dora Garcia, Felix Gonzalez-Torres, Job Koelewijn, Jonathan Monk, Ilona Ruegg, Joëlle Tuerlinckx / [curator, Moritz Küng ; text, Franz Xaver Baier, Moritz Küng]
Chris Burden and Mary Swift. Interview with Chris Burden and Interview with Judy Miller, 1982 March 27-April 19. Mary Swift papers, 1973-2004. Archives of American Art, Smithsonian Institution.
The Los Angeles Museum of Art / Roger Wong Gallery records measure 4 linear feet and date from 1966 to 1988. Owned by Roger Wong, the gallery was located in Los Angeles, California and primarily exhibited avant-garde art. Biographical materials, correspondence, artists' files, administration records, financial and legal records, printed materials, and photographs document the gallery's operations.
Scope and Contents:
The Los Angeles Museum of Art / Roger Wong Gallery records measure 4 linear feet and date from 1966 to 1988. Owned by Roger Wong, the gallery was located in Los Angeles, California and primarily exhibited avant-garde art. Biographical materials, correspondence, artists' files, administration records, financial and legal records, printed materials, and photographs document the gallery's operations.
Biographical materials include a few miscellaneous documents such as a passport and estate papers.
Correspondence is with family, gallery owners, art collectors, friends, and artists such as Chris Burden, Pat Patterson, and Gary Wood regarding personal and professional matters.
Administration records consist of mailing lists, membership information, publicity materials, and assorted forms.
Artists' files include resumes, correspondence, photographs, price lists, announcements, and other material. Notable artists are Julie Bozzi, Bill Gale, Joyce Lightbody, Marilyn Neher, Volker Stoecks, Annie-Mie Van Kerkhoven, and others.
Financial and legal records consist of agreements and contracts with artists as well as documents related to the business of running the gallery such as leases, invoices, expenses, receipts, and utility bills.
Printed materials include reviews and clippings about the gallery and some miscellaneous newsletters and articles.
Photographs is a small series with images of Roger Wong, the entrance of the gallery, an unidentified art performance, and other subjects.
Arrangement:
The collection is arranged as 7 series.
Missing Title
Series 1: Biographical Materials, 1966-1985 (0.1 linear feet; Box 1)
Series 2: Correspondence, 1969-1988 (0.6 linear feet; Box 1)
Series 3: Administrative Records, 1975-1982 (0.2 linear feet; Box 1)
Series 4: Artists' Files, 1974-1982 (1.1 linear feet; Boxes 1-2)
Series 5: Financial and Legal Records, 1973-1986 (1.7 linear feet; Boxes 3-4)
Series 6: Printed Materials, 1977-1988 (0.2 linear feet; Box 4)
Series 7: Photographs, 1974-1984 (0.1 linear feet; Box 4)
Biographical / Historical:
The Los Angles Museum of Art / Roger Wong Gallery specialized in avant-garde art and operated from the mid-1970s to the early 1980s.
Roger Wong (1945-1994) opened his eponymous gallery at 3808 Beverly Boulevard in Los Angeles, California around 1974. The Roger Wong Gallery often featured local artists and art installations. The gallery name was changed to the Los Angeles Museum of Art around 1978 and closed in 1982-1983.
Provenance:
The Los Angeles Museum of Art / Roger Wong Gallery records were donated in 1994 by John Chase, an art collector who was the recipient of all Roger Wong's art work.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art galleries, Commercial -- Economic aspects Search this
