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Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
World War, 1939-1945 -- Art and the war  Search this
Art dealers -- France -- Paris  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Art galleries, Commercial -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
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A.R. Van Tassell Photograph Albums

Source:
Work and Industry, Division of, NMAH, SI  Search this
Engineering and Industry, Division of, NMAH, SI.  Search this
Creator:
Van Tassell, A.R.  Search this
Jackson, Paul  Search this
Former owner:
Engineering and Industry, Division of, NMAH, SI.  Search this
Work and Industry, Division of, NMAH, SI  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Photograph albums
Photographs
Place:
Mexico
Hawaii
Havana (Cuba)
Hawaii -- Oahu -- Honolulu
Cuba -- Havana
Cuba
Kilauea Volcano (Hawaii.)
Honolulu (Hawaii)
Hilo (Hawaii)
Panama Canal (Panama)
Panama
Date:
1900-1956.
Summary:
Photograph album documenting the work and life of A.R. Van Tassell, an engineer who worked on structures in Hawaii as well as the Panama Canal.
Scope and Contents note:
The collection consists of two photograph albums documenting A.R. Van Tassell's engineering career and family life. The first album includes photographs that begin in 1900 and include images of buildings, structures, ships, harbors, a sugar factory, the Kilauea Volcano, mills, and the "Rainbow Bridge" near Hilo, which Van Tassell was involved in building. Other images feature Van Tassell's friends and family, as well as his wedding trip to Laredo, Texas. The album also contains photographs from Mexico City, Havana, and various travels in the United States. Van Tassell has included tickets from bull fights and musical programs in Mexico City. The photographs are captioned and dated. Three loose postcards found in this album have been placed in a folder. The second, smaller album consists of photographs taken of the Panama Canal.
Arrangement:
This collection is arranged in one series.

Series 1, Photograph Albums, 1900-1956
Biographical/Historical note:
In 1900, A.R. Van Tassell took his first engineering job in Honolulu, Hawaii at the age of seventeen. In 1902, he went to Mexico City to help build the Central Post Office. He also worked on the Panama Canal and was employed as an engineer during the San Francisco earthquake of 1906. He was married at least twice and had one daughter, Janet.
Related Materials:
Materials in the Archives Center

W. P. Stine Panama Canal Papers (NMAH.AC.1039)

John Frances Little Panama Canal Scrapbook Photograph Albums (NMAH.AC.0708)

Katherine Kingsford Panama Canal Photograph Album (NMAH.AC.1040)
Provenance:
This collection was donated to the National Museum of American History's Division of Engineering and Industry by Paul Jackson, 1987.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Hawaii -- Hawaii -- Hilo  Search this
Engineers  Search this
Harbors -- Hawaii  Search this
Harbors -- Cuba  Search this
Bullfights -- Mexico  Search this
Canals -- Panama  Search this
Castles -- Cuba  Search this
Bridges -- Hawaii  Search this
Sugar -- Hawaii  Search this
Sugar -- Cuba  Search this
Pyramids -- Mexico  Search this
Genre/Form:
Photograph albums -- 20th century
Photographs -- Black-and-white photoprints -- Silver gelatin -- 20th century
Citation:
A.R. Van Tassell Photograph Album, 1900-1956, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1015
See more items in:
A.R. Van Tassell Photograph Albums
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1015
Online Media:

Goya, The Bullfight

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 203, Folder 6
Type:
Archival materials
Date:
1951-1956
undated
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The records of Jacques Seligmann & Co. are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 2: Collectors Files / 2.1: Collectors / Sachs, Arthur
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref13828

Qero/Kero with bullfight scenes

Culture/People:
probably Inka (Inca): Colonial Inka (archaeological) (attributed)  Search this
Previous owner:
Mauro Pando (Mauro Enrique Pando y Pomar), Non-Indian, 1896-ca. 1960  Search this
Seller:
Mauro Pando (Mauro Enrique Pando y Pomar), Non-Indian, 1896-ca. 1960  Search this
Presenter/funding source:
James Bishop Ford (James B. Ford), Non-Indian, 1844-1928  Search this
Object Name:
Qero/Kero with bullfight scenes
Media/Materials:
Wood, paint, tree pitch/gum
Techniques:
Carved, painted
Dimensions:
19 x 16.8 cm
Object Type:
Food/Beverage Serving
Native Term:
qero
Place:
Highlands; Peru (inferred)
Date created:
circa 1700
Catalog Number:
10/5635
Barcode:
105635.000
See related items:
Inka (Inca): Colonial Inka (archaeological)
Food/Beverage Serving
On View:
National Museum of the American Indian, Washington, DC
Data Source:
National Museum of the American Indian
GUID:
http://n2t.net/ark:/65665/ws6bf0635cf-08e0-4ea9-9edd-352a1b551fcc
EDAN-URL:
edanmdm:NMAI_113967
Online Media:

Max Bohm letter to Emilie Bohm

Creator:
Bohm, Max, 1868-1923  Search this
Bohm, Emilie  Search this
Type:
Correspondence
Date:
1899 Sept. 14
Topic:
Illustrated letters  Search this
Record number:
(DSI-AAA)3195
See more items in:
Max Bohm papers, 1873-1970, bulk 1880-1959
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_3195
Online Media:

Three-sheet film poster for The Bull Dogger

Distributed by:
Norman Studios, American, 1920 - 1928  Search this
Subject of:
Richard Edward Norman, American, 1891 - 1960  Search this
Bill Pickett, American, 1870 - 1932  Search this
Anita Bush, American, 1883 - 1974  Search this
Bennie Turpin  Search this
Printed by:
Ritchey Litho Company, American, 1915 - 1928  Search this
Dimensions:
H x W (image): 74 9/16 × 37 7/8 in. (189.4 × 96.2 cm)
H x W (sheet): 76 13/16 × 41 1/4 in. (195.1 × 104.8 cm)
Type:
three-sheet posters
Place depicted:
Boley, Okfuskee County, Oklahoma, United States, North and Central America
Place printed:
New York City, New York, United States, North and Central America
Date:
1922
Topic:
African American  Search this
American West  Search this
Film  Search this
Men  Search this
Race films  Search this
Western films  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Gay Young and Daniel Schindler
Object number:
2013.193
Restrictions & Rights:
Pubic domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera-Advertisements
Exhibition:
Now Showing: Posters from African American Movies
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Second Floor, 2 050
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd535700659-bf2f-4c77-90be-521fc76c8a2b
EDAN-URL:
edanmdm:nmaahc_2013.193
Online Media:

[Four well-dressed Gypsy men next to a house with two girls and dog in the background, b&w photoprint.]

Photographer:
Wendler-Funaro, Carlos de, 1898-1985 (language teacher, also known as Carl Funaro)  Search this
Collection Collector:
Community Life, Div. of, NMAH, SI  Search this
Collection Photographer:
Alland, Alexander, Sr. (Alexander Landschaft), 1902-1989  Search this
Collection Author:
Kaslov, Steve, ca. 1888-1949 (King of the Red Bandanna Romany Gypsies )  Search this
Extent:
1 Item (Silver gelatin on paper., 6.3" x 7.0")
Container:
Box 6, Folder 4
Culture:
Gypsies  Search this
Type:
Archival materials
Photographs
Place:
Long Island (N.Y.)
Maspeth (Queens, Long Island, N.Y.) -- 1930-1950
Date:
Circa 1937
Scope and Contents:
Typed caption attached to the bottom of the photograph: "152. A scene in the Gypsy village on Long Island. Roumanian [sic] Gypsies / are like all others, sporty and graceful, and reminding one of / Spanish bullfighters in their bearing and manner."
Local Numbers:
AC0161-0000008 (AC Scan No.)
Restrictions:
Unrestricted research use on site, by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Photographs by de Wendler-Funaro are available for reproduction. Fees for commercial use. Permission to reproduce photographs by Alexander Alland must be granted by the photographer's estate; other photographs may have copyright restrictions.
Topic:
Dogs  Search this
Gypsies -- 1920-1980 -- United States  Search this
Genre/Form:
Photographs -- 1930-1940 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Carlos de Wendler-Funaro Gypsy Research Collection, Archives Center, National Museum of American History.
See more items in:
Carlos de Wendler-Funaro Gypsy Research Collection
Carlos de Wendler-Funaro Gypsy Research Collection / Series 7: Photographs by de Wendler Funaro: Gypsies in the United States / 7.2: Ludar / Maspeth, c. 1937. #36
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0161-ref917

1976 Mallorca, Spain Part 1

Creator:
Human Studies Film Archives  Search this
Type:
Youtube videos
Uploaded:
2016-12-09T16:17:31Z
Topic:
Anthropology  Search this
Youtube Category:
Education  Search this
See more by:
HSFAFilmClips
YouTube Channel:
HSFAFilmClips
Data Source:
Human Studies Film Archives
EDAN-URL:
edanmdm:yt_W7Zfbh-hLsc

1976 Madrid, Spain. Part 3

Creator:
Human Studies Film Archives  Search this
Type:
Youtube videos
Uploaded:
2016-10-14T18:02:43Z
Topic:
Anthropology  Search this
Youtube Category:
Education  Search this
See more by:
HSFAFilmClips
YouTube Channel:
HSFAFilmClips
Data Source:
Human Studies Film Archives
EDAN-URL:
edanmdm:yt_rXB5IT5dDTI

Bullfight: view of a bullfight.

Colorist:
Van Altena, Edward  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 lantern slide (col., 3.25 x 4 in.)
Type:
Archival materials
Lantern slides
Place:
Mexico -- Mexico City
Mexico -- Mexico City -- Mexico City
Date:
1937 Jan.
General:
Mount reads: "Edward Van Altena, 71-79 W. 45th St., N.Y.C."
Historic plate number: "50."
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Bullfights  Search this
People  Search this
Genre/Form:
Lantern slides
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item MX012001
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 2: International Garden Images / Mexico / MX012: Mexico City -- Bullfight
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref4370

W.A. Fishbaugh Panama Canal Photograph Album

Creator:
Hunt, Mary Alice Minear  Search this
Hunt, George Laird  Search this
Fishbaugh, William Arthur  Search this
Minear, A. Bruce  Search this
Source:
Engineering and Industry, Division of, NMAH, SI.  Search this
Former owner:
Engineering and Industry, Division of, NMAH, SI.  Search this
Extent:
0.15 Cubic feet (1 box)
Container:
Box 1
Type:
Collection descriptions
Archival materials
Photographs
Photograph albums
Place:
Panama Canal (Panama)
Panama -- 1900-1910
Date:
1905-1908.
Summary:
Photograph album of commercially-produced photographs of Panama Canal construction.
Scope and Contents note:
This collection consists of a photograph album of 100 commercially produced views of Panama Canal construction. Also included are some views of life in the Canal Zone, including hospitals, villages, street scenes, jungles, cemeteries, animal life, and bullfights. The album was assembled by A. Bruce Minear, who was sent to Panama by President Theodore Roosevelt to develop the YMCA for the men working on the canal. Most photographs are captioned.
Arrangement:
This collection is arranged in one series.

Series 1, Photograph Album, 1905-1907
Historical:
On November 18, 1903, the United States and Panama negotiated the Hay-Bunau-Varilla Treaty, which granted the U.S. permission to construct a canal that would join the Atlantic and Pacific Oceans. Construction for the Panama Canal began on May 4, 1904. The large workforce (at its highest population in 1913 it numbered 44,733 men, not including those sick, on leave, or otherwise absent) had a great impact on Panama. As there were not enough amenities to accommodate them when they arrived, they built entire communities, paved streets, improved communication systems, and installed water and sewage systems. Likewise, the railroad was improved for more efficient transportation of supplies, labor, food, and equipment. Much to the credit of Chief Sanitary Officer Dr. William Crawford Gorgas, yellow fever was completely eradicated on the Isthmus and malaria cases greatly reduced. Native villages and towns along the planned construction route were required to relocate.

The first self-propelled, ocean-bound vessel traveled on the canal on January 7, 1914, and the canal was formally opened in August of that year. The Panama Canal construction project was the most expensive construction project in U.S. history to that date, costing $375,000,000.
Related Materials:
Materials in the Archives Center

W. P. Stine Panama Canal Papers (NMAH.AC.1039)

John Frances Little Panama Canal Scrapbook Photograph Albums (NMAH.AC.0708)

Katherine Kingsford Panama Canal Photograph Album (NMAH.AC.1040)

A.R. Van Tassell Photograph Albums (NMAH.AC.1015)
Provenance:
This collection was donated to the National Museum of American History's Division of the History of Science and Technology, Engineering and Industry Collections by Mary Alice Minear Hunt and George Laird Hunt, 1987.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Villages -- Panama  Search this
Streets -- Panama  Search this
Hospitals -- Panama  Search this
Jungles -- Panama  Search this
Animals -- Panama  Search this
Bullfights  Search this
Canals -- Panama  Search this
Cemeteries -- Panama  Search this
Genre/Form:
Photographs -- 1900-1910
Photograph albums -- 20th century
Citation:
W.A. Fishbaugh Panama Canal Photograph Album, 1905-1908, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1021
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1021
Online Media:

Anna Walinska papers

Creator:
Walinska, Anna  Search this
Names:
Guild Art Gallery  Search this
Avery, Milton, 1885-1965  Search this
Beata, Welsing  Search this
Hacohen, Bracha  Search this
Littlefield, William Horace, 1902-1969  Search this
Nevelson, Louise, 1899-1988  Search this
Walinsky, Louis Joseph, 1908-2001  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Place:
Europe -- description and travel
Israel -- Description and Travel
Date:
1927-2002
bulk 1935-1980
Summary:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.
Scope and Contents:
The papers of New York-based painter, teacher and art director Anna Walinska measure 2.1 linear feet and date from 1927 to 2002, with the bulk of material from 1935 to 1980. The papers include biographical material, correspondence, writings, travel diaries, printed material, scrapbooks, artwork, sketchbooks, and photographs.

Biographical material consists of awards, certificates, curriculum vitae, biographical outlines, exhibition lists, passports and other material. There is a partial transcript from a radio interview of Anna Walinska. Also included are limited financial records.

Correspondence includes Anna Walinska's letters to her family from her 1954-1955 trip abroad to multiple countries in Asia, the Middle East, and Europe. There is personal and professional correspondence with friends, artists and art institutions. Notable correspondents include Milton Avery, Louise Nevelson, Beata Welsing, Bracha Hacohen, William Littlefield, and Walinska's brother Louis Walinsky.

Writings consist of Walinska's notes, notebooks, lectures, essays, and a handwritten prospectus for Guild Art Gallery. There is one folder of writings by others about Walinska at the end of the series. There are four travel diaries that describe Walinska's trip around the world from 1954-1955, during which she traveled to many countries, and later trips to locations such as Israel and Trinidad.

Printed Material include clippings about Anna Walinska, group and solo exhibition catalogs, announcements, event invitations, and course catalogs for the Master Institute of United Art in New York City, where Walinska taught painting and drawing classes.

There are three scrapbooks: one scrapbook is about Guild Art Gallery, the second scrapbook is about the Holocaust exhibition, the third oversized scrapbook documents Walinska's career and activities overall.

Artwork consists of two bound sketchbooks as well as drawings and sketches in a variety of mediums from pencil and ink to watercolors and oils.

Photographs are of Walinska, friends, family, artists, artwork, exhibition installations, and other subjects. One album includes photos of Anna Walinska and her travels, along with images of friends and colleagues. The second album includes photographs of Walinska's solo exhibition at Sunken Meadow Gallery (1959). There is also one folder of photocopies of photos of assorted artwork by Walinska.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1927-2002 (Box 1; 11 folders)

Series 2: Correspondence, 1949-1995 (Box 1; 0.4 linear feet)

Series 3: Writings, circa 1935-circa 1983 (Box 1; 8 folders)

Series 4: Travel Diaries, 1954-1973 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1942-2002 (Boxes 1-2; 0.4 linear feet)

Series 6: Scrapbooks, circa 1929-1980 (Boxes 2, 4; 0.5 linear feet)

Series 7: Artwork, circa 1929-1963 (Box 3; 5 folders)

Series 8: Photographs, circa 1932-1980 (Box 3; 0.3 linear feet)
Biographical / Historical:
Anna Walinska (1906-1997) was a New York artist, teacher and gallery director who traveled widely and is most well known for her paintings related to the subject of the Holocaust.

Anna Walinska was born in London, England in 1906 to labor organization leader Ossip Walinsky and poet Rosa Newman Walinska. She had two siblings, Emily and Louis. The family immigrated to New York City in 1914, and Anna Walinska began studying at the Art Students League in 1918. In 1926, she travelled to Paris and studied art at the Academie de Grande Chaumier with Andre L'Hote. France was her primary residence until 1930.

In 1935, Walinska and artist Margaret Lefranc co-founded the Guild Art Gallery at West 57th Street in New York and gave Arshile Gorky his first solo exhibition in the city. The gallery closed its doors in 1937. In 1939, Walinska was the Assistant Creative Director of the Contemporary Art Pavilion at the New York World's Fair. During this time, Walinska also pursued her own art and exhibited work in numerous group shows.

From 1954 to 1955, Walinska traveled around the world, visiting the capitals and major cities of many countries in Asia, the Middle East and Europe. Places she went included Japan, Burma (now known as Myanmar), Pakistan, Greece, Italy, France and Spain. During her four month stay in Burma, she painted a portrait of Prime Minister U Nu and she later became a highly respected portrait artist who painted numerous illustrious subjects such as First Lady Eleanor Roosevelt, artists Louise Nevelson and Mark Rothko, and many others.

In 1957, Walinska became the artist-in-residence at the Riverside Museum where she also taught and exhibited with other artists. That same year, she had her first retrospective at the Jewish Museum in New York City.

Walinska exhibited widely and often. Holocaust: Paintings and Drawings, 1953-1978, which opened at the Museum of Religious Art at the Cathedral of St. John the Divine in New York City, is probably the most well-known of her exhibitions and it traveled across the country to several other sites such as the War Memorial Building in Baltimore and Mercy College of Detroit. Works from this exhibition were acquired by multiple museums to become part of their permanent collections.

Walinkska died on December 19, 1997 at the age of 91 in New York City. In 1999, there was a retrospective of her work titled Echoes of the Holocaust: Paintings, Drawings, and Collage, 1940-1989 held at Clark University's Center for Holocaust Studies. The Onisaburo Gallery at New York's Interfaith Center also held a solo exhibition titled Portraits of Faith (2000). Her art is part of the collections at the Denver Art Museum, National Portrait Gallery, National Museum of Women in the Arts, the Rose Art Museum, and other museums.
Related Materials:
The Archives of American Art also has the Guild Art Gallery records, which consists of material related to the gallery that was co-founded by Anna Walinska.
Provenance:
The papers were donated by Anna Walinska in two installations in 1976 and 1981. Rosina Rubin, Anna Walinska's niece, made a third donation of material in 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., research center.
Topic:
Art dealers -- New York (State) -- New York  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Drawing--Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Holocaust, Jewish (1939-1945), in art  Search this
Women painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Painting -- New York (State) -- New York  Search this
Asia--Description and travel  Search this
Middle East--Description and travel  Search this
Trinidad and Tobago--Description and travel  Search this
Genre/Form:
Drawings
Interviews
Photographs
Scrapbooks
Sketchbooks
Sketches
Transcripts
Travel diaries
Citation:
Anna Walinska papers, 1927-2002, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.walianna
See more items in:
Anna Walinska papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-walianna
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Online Media:

Andre De La Varre Collection

Creator:
Varre, Gretl de la, Mrs.  Search this
Holmes, E. Burton, 1870-1958  Search this
Varre, Andre de la, 1904-  Search this
Extent:
3.5 Cubic feet (4 boxes, 2 loose photographs)
Type:
Collection descriptions
Archival materials
Clippings
Correspondence
Lecture notes
Posters
Press releases
Place:
Angkor Wat (Cambodia)
Spain
Date:
circa 1920-1930
Scope and Contents note:
Papers relating to the travel writer, photographer and lecturer Burton Holmes, and to De La Varre's own activities as a travel photographer. Includes letters, photographs, printed material, and a set of travel books written by Holmes.
Series 2, Photograph subjects include: Miami; Spain (incl. bullfights) and Catalonia; Hawaii, Angkor Wat; Abyssinia; Hawaii; Washington, D.C.; and family photographs. Includes glass negatives and photograph albums.
Arrangement:
Divided into 5 series.
Provenance:
Collection donated by Mrs. Gretl de la Varre, 2001/06/30.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Bullfights  Search this
Lecturers  Search this
Photographers  Search this
Travel photography -- 1900-1950  Search this
Genre/Form:
Clippings
Correspondence -- 20th century
Lecture notes
Posters
Press releases
Citation:
Andre De La Varre Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0782
See more items in:
Andre De La Varre Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0782

Christian Brinton papers relating to Ignacio Zuloaga, 1904-1922

Creator:
Brinton, Christian, 1870-1942  Search this
Subject:
Zuloaga, Ignacio  Search this
Record number:
(DSI-AAA_CollID)10767
(DSI-AAA_SIRISBib)214387
AAA_collcode_brinchiz
Theme:
Art Theory and Historiography
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214387

Alexander Liberman, on Baseball; Bullfights

Collection Creator:
Kazanjian, Dodie, 1952-  Search this
Tomkins, Calvin  Search this
Extent:
1 Sound cassette
Container:
Box 1, Item 9
Type:
Archival materials
Audio [31027000852513]
Sound cassettes
Date:
1988 December 7
Collection Restrictions:
This collection is access restricted; written permission is required. Contact Reference Services for more information. Access, with permission, to original papers and audiovisual material requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
Authorization to publish, quote, or reproduce requires written permission from Dodie Kazanjian and Calvin Tomkins.

The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman, circa 1927-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman
Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman / Series 1: Interviews and Transcripts / 1.1: Sound Recordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-kazadodi-ref11

Christian Brinton papers relating to Ignacio Zuloaga

Creator:
Brinton, Christian, 1870-1942  Search this
Names:
Zuloaga, Ignacio, 1870-1945  Search this
Extent:
1 Item (partial microfilm reel)
Type:
Collection descriptions
Archival materials
Date:
1904-1922
Scope and Contents:
Letters, 1904-1922, from Zuloaga to Brinton regarding paintings, exhibitions, thoughts on art and social activities; clippings; photographs of Zuloaga and art works; materials relating to Zuloaga including letters from various members of the Zuloaga family and memorabilia.
Biographical / Historical:
Brinton was an art critic, curator, and collector; West Chester, Penn. Born 1870. Died 1942. He organized Zuloaga exhibitions and wrote on Zuloaga's work. Zuloaga was a self-taught painter who specialized in portraits and Spanish subjects, such as bullfights.
Provenance:
Microfilmed in 1991 as part of AAA's Philadelphia Arts Documentation Project. The papers were donated to the Philadelphia Museum of Art along with much of Brinton's art collection.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce must be obtained from Philadelphia Museum of Art Archives.
Occupation:
Self-taught artists  Search this
Art critics -- Pennsylvania -- Philadelphia  Search this
Identifier:
AAA.brinchiz
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brinchiz

The Negro Matador, (painting)

Painter:
Hayden, Palmer 1890-1973  Search this
Medium:
Watercolor on paper
Culture:
African  Search this
Type:
Paintings
Topic:
Figure male  Search this
Ethnic  Search this
Occupation--Sport--Bullfighting  Search this
Control number:
IAP 8G030013
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475950

Program, "Louis Armstrong"

Collection Collector:
Whitehead, Henry P. (Prenton), 1917-2002  Search this
Container:
Box 103, Folder 34
Type:
Archival materials
Date:
undated
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
See more items in:
Henry P. Whitehead collection
Henry P. Whitehead collection / Series 2: Howard Theatre / 2.6: Printed Material
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_component:sova-acma-06-042-ref967
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Program,
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The Bullfight

Designer:
Pablo Picasso, (Spanish, 1881–1973)  Search this
Manufacturer:
Fuller Fabrics, founded 1933  Search this
Medium:
Medium: cotton Technique: roller printed
Type:
printed, dyed & painted textiles
Textile
Object Name:
Textile
Date:
1957–58
Credit Line:
Gift of Olga Berendsen
Accession Number:
1958-127-1
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Textiles Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq46507c0d0-0d16-40d6-b9d8-eaba171e1bd7
EDAN-URL:
edanmdm:chndm_1958-127-1
Online Media:

Bull Fight [graphic arts] / (photographed by Peter A. Juley & Son)

Artist:
Diederich, Wilhelm Hunt 1884-1953  Search this
Type:
Photograph
Topic:
Animal--Cattle  Search this
Figure male  Search this
Recreation--Sport & Play--Bullfight  Search this
Image number:
JUL J0000004
See more items in:
Photograph Archives
Data Source:
Archives and Special Collections, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_4

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