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[Trade catalogs from California Redwood Assn.]

Variant company name:
"Modern American Home"  Search this
Company Name:
California Redwood Assn.  Search this
Includes:
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
San Francisco, California, United States
Date:
1900s
Topic (Romaine term):
Architectural designs and building materials  Search this
Topic:
"Decoration and ornament, Architectural"  Search this
Architectural design  Search this
Building materials  Search this
Record ID:
SILNMAHTL_10157
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10157

[Trade catalogs from Kawneer Co.]

Variant company name:
"Modern American home"  Search this
Company Name:
Kawneer Co.  Search this
Includes:
Trade catalog and photographs
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Niles, Michigan, United States
Date:
1900s
Topic (Romaine term):
Architectural designs and building materials  Search this
Topic:
"Decoration and ornament, Architectural"  Search this
Architectural design  Search this
Building materials  Search this
Record ID:
SILNMAHTL_10451
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10451

[Trade catalogs from Libbey, Owens, Ford Glass Co.]

Variant company name:
Jane's office, Modern American home  Search this
Company Name:
Libbey, Owens, Ford Glass Co.  Search this
Notes content:
windows, furnishings, in dining rooms, kitches, bathrooms, bedrooms, breakfast rooms, solar housing, thermopane, plate glass, window conditioning, mirrors
Includes:
Trade catalog and photographs
Black and white images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Toledo, Ohio, United States
Date:
1900s
Topic (Romaine term):
Architectural designs and building materials  Search this
Topic:
"Decoration and ornament, Architectural"  Search this
Architectural design  Search this
Building materials  Search this
Record ID:
SILNMAHTL_10471
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10471

[Trade catalogs from Johns-Manville Corp.]

Variant company name:
Jane's office, "Modern American home"  Search this
Company Name:
Johns-Manville Corp.  Search this
Related companies:
Canadian Johns-Manville Co., Ltd.  Search this
Notes content:
touting the benefits of asbestos products, flexboard, insulating board, tiles, permanent walls, siding, shingles, and some home designs
Includes:
Trade catalog and photographs
Black and white images
Color images
Physical description:
5 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
New York City, New York, United States
Date:
1900s
Topic (Romaine term):
Architectural designs and building materials  Search this
Topic:
"Decoration and ornament, Architectural"  Search this
Architectural design  Search this
Building materials  Search this
Record ID:
SILNMAHTL_10450
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10450

Preparatory Drawing for "American Airlines to New York" Poster

Designer:
Edward McKnight Kauffer, American, active England, 1890–1954  Search this
Client:
American Airlines, Fort Worth, Texas, USA  Search this
Type:
graphic design
Drawing
Object Name:
Drawing
Made in:
USA
Place depicted:
New York City, New York
Date:
ca. 1948
Credit Line:
Gift of Mrs. E. McKnight Kauffer
Accession Number:
1963-39-161
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1963-39-161

[Trade catalogs from Gordon-Van Tine Co.]

Variant company name:
Modern American Home  Search this
Company Name:
Gordon-Van Tine Co.  Search this
Notes content:
for homebuilders, high quality millwork, lumber, roofing, paint and hardware
Includes:
Trade catalog and price lists
Black and white images
Color images
Physical description:
1 piece; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Davenport, Iowa, United States
Date:
1900s
Topic (Romaine term):
Furniture and furnishings  Search this
Paint; varnishes; adhesives; coatings; etc.  Search this
Architectural designs and building materials  Search this
Topic:
"Decoration and ornament, Architectural"  Search this
Adhesives  Search this
Architectural design  Search this
Building materials  Search this
Furniture industry and trade  Search this
House furnishings  Search this
Interior decoration  Search this
Paint industry and trade  Search this
Record ID:
SILNMAHTL_10231
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_10231

Recueil des plans, élévations et coupes tant géométrales qu'en perspective des châteaux, jardins et dépendances que le roy de Pologne occupe en Lorraine, y compris les bâtimens qu'il a fait élever, ainsi que les changemens considérables, les décorations et autres enrichissemens, qu'il a fait faire à ceux qui étoient déjà construits (Album of Plans, Elevations and Sections Both Geometral and In Perspective of the Chateaux, Gardens and Outbuildings That the King of Poland Uses in Lorraine, Including the Buildings That He Built, and the Considerable Modifications, Decorations and Other Enrichments That He Made for Those That Were Already Built)

Designer:
Emmanuel Héré de Corny, 1705 - 1763  Search this
Publisher:
Jean-Charles François, 1717 - 1769  Search this
Type:
albums (bound) & books
Album
Object Name:
Album
Made in:
France
Date:
1753
Credit Line:
Purchased for the Museum by the Advisory Council
Accession Number:
1921-6-209
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1921-6-209

Ca d'Oro, Venice

Artist:
Whitney Warren Jr., American, 1864–1943  Search this
Medium:
Brush and watercolor, graphite on cream paperboard tipped into binding with fabric
Type:
architecture
Album page
Object Name:
Album page
Place depicted:
Venice, Italy
Made in:
Venice, Italy
Date:
October 21, 1887
Credit Line:
Gift of Mrs. William Greenough
Accession Number:
1943-51-37
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1943-51-37

Sketches of Windmills, Zaandam

Artist:
Whitney Warren Jr., American, 1864–1943  Search this
Medium:
Brush and watercolor, graphite on cream paperboard tipped into binding with fabric
Type:
landscapes
Album page
Object Name:
Album page
Made in:
Zaandam, Netherlands
Date:
August 25, 1887
Credit Line:
Gift of Mrs. William Greenough
Accession Number:
1943-51-19
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1943-51-19

Oral history interview with Margarita Cano

Interviewee:
Cano, Margarita, 1932-  Search this
Interviewer:
Martínez, Juan A.  Search this
Names:
Cuban Museum of Arts and Culture (Miami, Fla.)  Search this
Miami-Dade Public Library  Search this
Cano, Pablo  Search this
Extent:
45 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1998 April 22
Scope and Contents:
An interview of Margarita Cano conducted 1998 April 22, by Juan A. Martínez, in Cano's home, Miami, Florida, for the Archives of American Art.
Cano recounts her interest in art, which developed after graduating as a science major at the University of Havana; arriving in Miami around 1962, where she found work at the main Public Library of Dade County, instituting an arts program focusing on the work of African American and Cuban American artists, which included building a permanent collection of local artists' work and arranging exhibitions; her work on the board of the Cuban Museum of Arts and Culture, including organizing the pivotal exhibition "The Miami Generation: Nine Cuban American Artists" in 1983; her own art, mostly painting on wood using a miniature style and reflecting mostly Cuban scenes; her son Pablo Cano, a successful artist; and her views on her Cuban background and her North American cultural identity.
Biographical / Historical:
Margarita Cano (1932-) is a painter, librarian, and curator in Miami, Florida. Born in Havana, Cuba.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Artists -- Cuba  Search this
Topic:
Artists -- Florida -- Miami -- Interviews  Search this
Curators -- Florida -- Miami -- Interviews  Search this
Expatriate artists -- Florida -- Miami  Search this
Cuban American artists  Search this
Cuban American art  Search this
Art, Modern -- 20th century -- Florida -- Miami  Search this
Women artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cano98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cano98

Oral history interview with Elsa Flores

Interviewee:
Flores, Elsa  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Almaraz, Carlos  Search this
Extent:
11 Sound cassettes (Sound recording (60 mins. each), analog)
209 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1997 Feb. 18-Apr. 30
Scope and Contents:
An interview of Elsa Flores conducted 1997 Feb. 18-Apr. 30, by Jeffrey Rangel, for the Archives of American Art.
The interviews took place in Flores' studio, in South Pasadena, Calif., over four sessions. Flores discusses her parents' diverse backgrounds and her difficult childhood and adolescence; the development of her political consciousness; her involvement with Chicanismo; her interests in art, photography, and music, including being a member of California State University, Los Angeles mariachi band; her art, which she considers more biographical and mystical than ethnic; her use, initially, of a dark palette to distinguish her work from that of her husband, Carlos Almaraz, and changing to a brighter, more optimistic palette after Almaraz's was diagnosed with AIDS. She recalls Almaraz's energy and genius; his struggles with AIDS and his search for alternative healing methods; finding solace in Kauai; and his request to have his ashes strewn around Kauai at his favorite places. Flores comments on the difficult period after Almaraz's death; her devotion to their daughter; keeping Almaraz's work at the forefront of public awareness; and her own art career.
Biographical / Historical:
Elsa Flores was born in Las Vegas, Nevada. Her mother was born in Sinaloa, Mexico, and her father was of Arab descent, born in Chile after his paretns fled the Middle East. Elsa studied at the Art Center College, California State University, and the Idyllwild School of Music and the Arts. Almaraz and Flores married in 1981 and their daughter Maya was born in 1983. They collaborated on California Dreamscape, a mural commissioned by the California Arts Council and is located in the Reagan State Building in Los Angeles.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Women painters -- California -- Los Angeles  Search this
Chicano art movement  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.flores97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-flores97

Torpedo Factory Art Center records

Creator:
Torpedo Factory Art Center  Search this
Names:
Torpedo Factory Art Center. Friends  Search this
Torpedo Factory Artists' Association  Search this
Extent:
4.7 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1974-1996
Summary:
The records of the Torpedo Factory Art Center measure 4.7 linear feet and date from 1974-1996. The collection documents the history, operations, and activities of one of the largest and longest-running artist collaboratives in the United States and includes organizational records, correspondence, business and financial records, lists and directories, reports, event files, printed material, and photographs.
Scope and Contents note:
The Torpedo Factory Art Center records span the years 1974 to 1996, and measure 4.7 linear feet. They consist of organizational records, correspondence, an organization file for Friends of the Torpedo Factory Art Center, business and financial records, lists and directories, reports, event files, printed material, and photographs which document the history, operations, and activities of one of the largest and longest-running artist collaboratives in the United States.

The Organizational Records Series describes the origins and operation policy of the Art Center through brief histories and copies of the constitution and by-laws. It includes minutes of meetings and ballots from elections of area representatives.

The Correspondence Series includes both external and internal memoranda and letters. These communications primarily discuss gallery business and operations of the Art Center and its interaction with the community. Additional correspondence is found in the Organization File for the Friends of the Torpedo Factory Art Center Series and the Event Files Series.

The Organization File for the Friends of the Torpedo Factory Art Center Series contains by-laws, correspondence, and newsletters which illustrate this entity's important role in fund-raising and out-reach teaching programs.

The Business and Financial Records Series contains leasing policy statements, tax records, insurance records, general budget information, payroll ledgers, rent records, dues assessments, information desk accounts, publicity receipts, and miscellaneous receipts which document the varied legal and fiscal procedures required in the operation of a large artist collaborative.

The Notes Series contains lists of artists' names, artist directories, minutes of meetings, ballots from elections of area representatives, responses to various questionnaires and surveys, and miscellaneous notes which support other series with more detailed information.

The Reports Series contains reports which describe the Art Center's interaction with the surrounding community.

The Event Files Series contains correspondence, receipts, notes, and printed material concerning the planning and execution of a wide range of special events from the large annual fund-raising Mardi Gras Costume Ball to the "Art in the Vineyards" competition held between the Art Center's artists.

The Printed Material Series contains clippings, newsletters from both the Art Center and other arts organizations, exhibition announcements and brochures.

The Photographs Series consists of photographs of the Torpedo Factory Art Center, miscellaneous artists, events, and art works.
Arrangement note:
The Torpedo Factory Art Center records are arranged as nine series, based on type of document. Each series has been arranged chronologically.

Series 1: Organizational Records, 1974-1995 (box 1, 0.9 linear ft.)

Series 2: Correspondence, 1974-1995 (boxes 1-2, 1.4 linear feet)

Series 3: Organization File for Friends of the Torpedo Factory Art Center, 1980-1992 (box 3, 8 folders)

Series 4: Business and Financial Records, 1974-1995 (boxes 3-4, 1.3 linear ft.)

Series 5: Lists and Directories, 1975-1996 (box 4, 8 folders)

Series 6: Reports, 1986-1994 (box 4, 5 folders)

Series 7: Event Files, 1979-1995 (box 4, 0.3 linear feet)

Series 8: Printed Material, 1975-1995 (box 5, 24 folders)

Series 9: Photographs, 1983-1989 (box 5, 10 folders)
Biographical/Historical note:
Construction of the original U.S. Naval Torpedo Station on the Potomac River, in Alexandria, Virginia, began on November 12, 1918. This station was responsible for the manufacture and maintenance of torpedoes for the next five years, when work stopped and the building served as a munitions storage facility until World War II. At this time, round-the-clock production of both submarine-borne and airborne torpedoes resumed, and ten buildings were added to the complex to accommodate the increased activity.

Torpedo production halted in 1945, and eventually the buildings were used for storage by various federal agencies, including Congress and the Smithsonian Institution. In 1969, the City of Alexandria bought the complex of buildings, but an acceptable plan for their use was not found for several years.

Marian Van Landingham, a delegate for the State of Virginia, President of the Alexandria-based Art League, and Projects and Programs Director of the Alexandria Bicentennial Commission, proposed a project to renovate two of the buildings into working studio spaces for artists. Her proposal was endorsed by the Commission in December 1973, and renovations began in May 1974. Artists worked to remove 40 truckloads of debris from the buildings and, after City crews constructed partial studio walls, they painted the interior. The Torpedo Factory Art Center opened to the public in September, 1974. The new complex of artists' studios was filled from a list of juried artists, and Marian Van Landingham became the first Director of the Art Center.

By 1983, the building needed major repairs and improvements. As part of a federal program sale/lease-back agreement, the building was sold to Alexandria Art Center Associates (AACA), leased back from AACA by the City, and subleased to the Torpedo Factory Artists' Association. As part of the sale agreement, the City had a one time repurchase option to be exercised in 1998. On September 1, 1998 the Artists' Association took over all management of the building, and the City now acts as landlord.

In 1998, the Torpedo Factory Art Center boasted of more than eight hundred thousand visitors annually, with eighty-three studios, five cooperative galleries, an art school, and an archaeology laboratory and museum. The artists form the Torpedo Factory Artists Association. The center is also supported by the Friends of the Torpedo Factory.
Provenance:
The collection was donated to the Archives of American Art in 1998 by Penelope C. Barringer for the Torpedo Factory Artists' Association.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- Virginia  Search this
Artists -- Virginia  Search this
Function:
Art centers -- Virginia
Citation:
Torpedo Factory Art Center records, 1974-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.torpfaca
See more items in:
Torpedo Factory Art Center records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-torpfaca

Photographs of miscellaneous events and buildings

Collection Creator:
Torpedo Factory Art Center  Search this
Container:
Box 5, Folder 26
Type:
Archival materials
Date:
[1983-1989]
Collection Restrictions:
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Torpedo Factory Art Center records, 1974-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Torpedo Factory Art Center records
Torpedo Factory Art Center records / Series 9: Photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-torpfaca-ref112

Pride at Work

Series Collector:
National Museum of American History (U.S.). Archives Center  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Type:
Archival materials
Date:
1990-2015
Scope and Contents:
Pride at Work was formally founded in June 1994, in New York City, New York during the 25th anniversary of the Stonewall riots. The Gay and Lesbian Labor Activists Network (GALLAN) had been dissatisfied with the labor movment's non-involvement during the debate over the Defense of Marraige Act (DOMA) and looked to form an organization concerned with the interests of LGBT workers. The name for the new organization was taken from a 1990 booklet titled Pride at Work: Organizing for Lesbian and Gay Rights in Unions. Pride at Work affiliated with the AFL-CIO in 1997. Pride at Work seeks to build support and acceptance of LGBT workers in the workplace and labor unions. Pride at Work educates LGBT persons about their rights as workers, organized labor, and trade union solidarity. They encourage and assist LGBT workers in organizing and becoming full participants in the trade union movement. Pride at Work opposes discrimination of any type on the job and in unions.
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146, Series 20
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1570

Brown, Adele "Del" and Herizon Social Club

Series Collector:
National Museum of American History (U.S.). Archives Center  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Type:
Archival materials
Date:
1975-2017, undated
Scope and Contents:
This material was donated by Adele (Del) Brown. This material is memorabilia, newsletters, and ephemera from Changing Herizons, Incorporated, a 501(c)3 that was known as Herizon, a membership only "women's social club" in Binghamton, New York, a, "lesiban community center, dance club, and safe lesbian and woman-centered social space" that was open from 1975-1991. Brown supplied this biographical note, "Producer of 1980's lesbian-feminist culture (including women's music concerts, Herizon homemovies, photography, and collage) and, in 1981, one of the first women to work on Capitol Hill as a broadcast news 'cameraman' (field producer/videographer.) She was also a radio producer, sound engineer, university instructor, media tech specialist, editor, queer media collector, writer, and advocate for social justice. As an active Herizon member (1982-1991) Del Brown worked to build, and document, this andmark 501c membership-only "women's social club." Herizon served as a lesbian community center, dance club, and safe lesbian and woman-centered social space, from 1975-1991 in Binghamton, NY." This series contains material from the 1987 and 1993 marches on Washington for Gay and Lesbian civil rights. This series also contains correspondence and photographs from Brown's friend Steven F. Sleap. Sleap was a puppeteer. This series is arranged chronologically with the Sleap material at the end.
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146, Series 23
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1926

Correspondence and envelopes of Philip St. George

Collector:
Archives Center, National Museum of American History  Search this
Series Collector:
National Museum of American History (U.S.). Archives Center  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Extent:
176 Items
Type:
Archival materials
Letters
Date:
1945 to 1953
Scope and Contents:
These letters are clues to a secret life. This is a series of letters and addressed envelopes sent to Philip St. George (?-1997) of New York City who, from all indications, identified as being a closeted gay man. George's correspondents, who may have also have been gay or bisexual, tell of their experiences in the armed forces after World War II and their life after the war, 1945-1953.
Arrangement:
In Box 84, Folders 1 - 10.
Local Numbers:
AC1146-0000117-01 to AC1146-0000273 (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
LGBT  Search this
Homosexuality  Search this
Genre/Form:
Letters
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 13: St. George, Philip / 13.1: Correspondence and envelopes
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2773
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The Store at the Women's Building (Los Angeles, California), poster

Series Collector:
National Museum of American History (U.S.). Archives Center  Search this
Series Donor:
Gay Officers Action League. GOAL  Search this
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Container:
Box 26, Folder 1
Type:
Archival materials
Date:
undated
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 5: Biren, Joan E. (JEB) / 5.2: Posters and Oversize Advertisements
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref743

Memphis -- Black Garden

Creator:
Moody, J. Duke  Search this
Hollerith family  Search this
Memphis Garden Club  Search this
Collection Creator:
Hollerith family  Search this
Hollerith, Herman, 1860-1929  Search this
Garden Club of America  Search this
Georgetown Garden Club  Search this
Collection Photographer:
Hollerith, Lucia Beverly, 1891-1982  Search this
Hollerith, Nannie Talcott, 1898-1985  Search this
Hollerith, Virginia  Search this
Type:
Archival materials
Place:
Black Garden (Memphis, Tennessee)
United States of America -- Tennessee -- Shelby County -- Memphis
Scope and Contents:
The folder includes worksheets and an excerpt of the Garden Club of America 59th Annual Meeting pamphlet.
General:
The Black Garden designed by J. Duke Moody had a formal symmetrical structure with two brick terraces with outdoor furniture, fountains and brick-edged garden borders with easily maintained plantings. Sculptures were placed on plinths against brick backdrops and a wrought iron gazebo at the end of the principle terrace was planted with yellow trumpet vine. Although originally a mid-19th c. farmhouse the brick building was updated with French grille doors, a bay window overlooking the garden, and a garden room made from a screened porch.
This garden was originally documented as part of the Hollerith Family slide collection donated in 1993. An update of the garden documentation was provided in 2012.
Persons associated with the property include: J. Duke Moody (garden designer, 1967-1980).
Related Materials:
Black Garden related holdings consist of 1 folder (8 35 mm slides (photographs))
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Tennessee -- Memphis  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Hollerith Family Slide Collection.
Identifier:
AAG.HOL, File TN006
See more items in:
Hollerith Family slide collection
Hollerith Family slide collection / Gardens and Sites / Tennessee
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-hol-ref324
Online Media:

[Moore Garden]: rectangular fountain.

Landscape architect:
Moody, J. Duke  Search this
Provenance:
Hollerith, Nannie Talcott, 1898-1985  Search this
Hollerith, Virginia  Search this
Collection Creator:
Hollerith family  Search this
Hollerith, Herman, 1860-1929  Search this
Garden Club of America  Search this
Georgetown Garden Club  Search this
Collection Photographer:
Hollerith, Lucia Beverly, 1891-1982  Search this
Hollerith, Nannie Talcott, 1898-1985  Search this
Hollerith, Virginia  Search this
Extent:
1 Slide (col., 35mm.)
Type:
Archival materials
Slides
Place:
Moore Garden (Memphis, Tennessee)
United States of America -- Tennessee -- Shelby County -- Memphis
Date:
1972 Apr.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Obelisks  Search this
Tulips  Search this
Walls (building)  Search this
Azaleas  Search this
Gardens -- Tennessee -- Memphis  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Hollerith Family Slide Collection.
Identifier:
AAG.HOL, Item TN014003
See more items in:
Hollerith Family slide collection
Hollerith Family slide collection / Gardens and Sites / Tennessee / TN014: Memphis -- Moore Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-hol-ref349

[Williams Garden]: mermaid fountain.

Creator:
Hager, William P.  Search this
Edward B. Silverstein, and Associates  Search this
Collection Creator:
Hollerith family  Search this
Hollerith, Herman, 1860-1929  Search this
Garden Club of America  Search this
Georgetown Garden Club  Search this
Collection Photographer:
Hollerith, Lucia Beverly, 1891-1982  Search this
Hollerith, Nannie Talcott, 1898-1985  Search this
Hollerith, Virginia  Search this
Extent:
1 Slide (col., 35mm.)
Type:
Archival materials
Slides
Place:
Williams Garden (Memphis, Tennessee)
United States of America -- Tennessee -- Shelby County -- Memphis
Date:
1972 Apr.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Fountains  Search this
Outdoor furniture  Search this
Swimming pools  Search this
Walls (building)  Search this
Women  Search this
Gardens -- Tennessee -- Memphis  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Hollerith Family Slide Collection.
Identifier:
AAG.HOL, Item TN016002
See more items in:
Hollerith Family slide collection
Hollerith Family slide collection / Gardens and Sites / Tennessee / TN016: Memphis -- Williams Garden
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-hol-ref354

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