Unrestricted research use on site. Researchers must handle unprotected photographs with gloves.
Collection Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Hazen Collection of Band Photographs and Ephemera, ca. 1818-1931, Archives Center, National Museum of American History.
Unrestricted research use on site. Researchers must handle unprotected photographs with gloves.
Collection Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Hazen Collection of Band Photographs and Ephemera, ca. 1818-1931, Archives Center, National Museum of American History.
Margaret Brown Gallery (Boston, Mass.) Search this
Extent:
0.7 Linear feet (Box 8)
Type:
Archival materials
Date:
1921-circa 1950
Scope and Contents:
Series consists of photographs, and a few transparencies, primarily of works of art. Also found are photographs of the artist Kurt Pantz, and personal photographs of unidentified people who are probably friends of Margaret Brown or Brown family members. The files containing works of art may also include photographs of artists.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Margaret Brown Gallery records, 1921-1958. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Women's Committee.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Citation:
William J. and Jane Brown papers, circa 1940-2014. Archives of American Art, Smithsonian Institution.
This collection documents the lives and activities of the Davenport family and dates from circa 1963-1995. Materials include clippings, programs, correspondence, photographs, photograph albums and other memorabilia. Some of these items document members of the Faulkner-Brown family as well.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Some items are in fragile condition. Please seek assistance with the following items of correspondence:
Byrd, Charlene Hodges: General Correspondence, 1946 May 15; 1946 July.
Cummings, Grace E. Shimm: Cummings, Charles Gilmor, 1907 May 13; 1907 May 20; John W, 1890 July 28.
Shimm, Sarah A: General Correspondence, 1881 May 6.
Other Correspondence: William P. Ryder, 1877.
Collection Rights:
This collection is subject to all copyright laws.
Collection Citation:
Charlene Hodges Byrd collection, circa 1750-2009. National Museum of African American History and Culture, Smithsonian Institution.
Sponsor:
This project received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Letters are primarily from family members, artists, museum staff concerned with work in Egypt, and art patrons involved with Smith's charitable pageants. Correspondents include Cecilia Beaux, Frank Benson, George DeForest Brush, Isabella Stewart Gardner, and Denman Ross. There are scattered letters from Lawrence Alma-Tadema, Henry James, Charles G. Loring, Paul Manship, General John J. Pershing, John Singer Sargent, and Abbott Handerson Thayer.
See Appendix for a list of correspondents in Series 2
Appendix: Correspondents in Series 2:
Abbas, Abdul Baba, 1912
Abbott, Holker, 1917
Abdullah, Mohamed, 1938
Abingdon, The Countess of, 1940, 1941
Aldrich, Eleanor, 1940
Aldrich, J.B., 1896
Aldrich, William T., 1931
Alexander, L.G., 1894
Alma Tadema, Sir Lawrence, 1894
American Express Company, 1934
American Federation of Arts, 1940, 1941, 1942
American Red Cross, 1917, 1945, 1946
Baldwin, Florence, 1898
Baltimore Museum of Art, 1941, 1943
Bartlett, Frederic Clay, 1910
Bass, R.P. and Edith, 1932, 1932
Beaulieu, Elizabeth, 1943
Beaux, Cecilia, undated, 1899
Bennett, Esther, 1895, 1899
Bennett, Sophie, 1897, 1899, 1903
Benson, Eugene, undated
Benson, Frank Weston, 1899, 1943, 1945
Berenson, Bernard, 1897
Bey, Sahfik Ghorbal, 1948, 1949
Bey, A. Heikal, 1948, 1949
Bigelow, W. Sturgis, undated, 1893, 1901
Bittinger, Charles, 1950
Bliss, Robert Woods and Mildred, 1916, 1940
Boston Breeze, 1931
Bradley, Kate A., 1919
Breasted, Charles, 1931
Breckingham, Eugenia B., 1893, 1943
Brejant, Grace M., 1895
Brewster, Frederick and Margaret, 1936
Bridges, Styles, 1939, 1940
British War Relief Society, 1941
Brooklyn Museum, 1933, 1943
Brown family, undated, 1894, 1895, 1986, 1899
Brown, Frederick and Ida, 1894, 1895, 1896, 1897, 1900
Brown University, 1929
Brummer Gallery, Inc., 1937
Brush, George de Forest, 1894, 1895, 1896, 1897, 1898, 1935
Buck, Matilda S., 1897
Buffalo Fine Arts Academy, 1912, 1917
Burbank, Mr., 1943
Cabot, Arthur J. and Sally, 1896
Calhoun, Lucy, 1910
Cambridge: Superintendent of Schools, 1942, 1943
Carey, Arthur Astor, 1902
Carnegie Corporation of New York, 1931
Carnegie Institution of Washington, 1940, 1941, 1942
Carter, Mary Duncan, 1937
Cartland, Joseph, 1898
Chace, Lucretia G., 1909
Chandler, J.E., 1894
Chicago: Art Institute of Chicago, 1911
Chinese Republic, 1944
Churchill, Winston, 1901, 1945
Clements, Cyril, 1946
Coca Cola Company, 1943
Constable, William George and Olivia, undated, 1942, 1943, 1949
Taylor, William and Rebecca Smith, 1932, 1933, 1935, 1936, 1937, 1938
Teachman, Jessie, 1897, 1905
Thayer, Abbott Handerson, undated
Thayer, Abbott Handerson Thayer Memorial, 1941
Tobey, Charles W., 1939, 1942
Tomita, Kojiro, 1936, 1937, 1943, 1947
Turner, C.Y., 1902
Turner, Ross, 1896
Union League Club, 1918
United China Relief, Inc., 1944
United Nations Relief Fund, 1942
University Museum, University of Pennsylvania, 1931, 1943
Vanderbilt, Mrs. George and Cornelia, 1923
Vanelli, Caesar, 1929, 1930
Vaughan, Henry Goodwin, 1936
Volpi, Elia, 1903, 1904, 1905, 1907
von Pustau, Helene, 1895, 1899
Walters, Thorstina Jackson, 1929
Wang, Lucy C., 1944
War Finance Committee (New Hampshire), 1944
Warren, H. Langford, 1907
Warren, Harold B., 1931
Webster, Laurence and Edith, 1941
Webster, Sue, 1916
Weems, Katharine Lane, 1965
Wendelstadt, Baron Wendelstadt, 1894, 1896, 1897
Wheeler, Roy R., 1932, 1946
White, Elise, 1931
Whitman, Paul, undated, 1893, 1899, 1901, 1902
Willard, Belle, 1931
Williams, Ben Ames, 1928
Yale University, 1915, 1934
Yamanaka and Company, 1930, 1931
Young, Hugh H., 1941, 1942
Zatelli, H., 1897
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Joseph Lindon Smith papers, 1647-1965, bulk 1873-1965. Archives of American Art, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
David M. Brown Papers, NASM.2006.0013, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
David M. Brown Papers, NASM.2006.0013, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
David M. Brown Papers, NASM.2006.0013, National Air and Space Museum, Smithsonian Institution.
By Ethel Freeman's instructions, the collection was restricted for ten years dating from the receipt and signing of the release forms on October 12, 1972. Literary property rights to the unpublished materials in the collection were donated to the National Anthropological Archives.
Access to the Ethel Cutler Freeman papers requires an appointment.
Seminole recordings cannot be accessed without the permission of the Seminole Tribe.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
Ethel Cutler Freeman papers, National Anthropological Archives, Smithsonian Institution.
Sponsor:
Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
National Museum of African American History and Culture (U.S.) Search this
Extent:
3 Video recordings
Type:
Archival materials
Video recordings
Home movies
Place:
Washington (D.C.)
Date:
circa 1990
Scope and Contents:
The Hattie Brown Family home videos feature family reunions and travel, an unidentified professional presentation, and a middle school commencement ceremony.
Collection Restrictions:
Collection is available online for open research.
Collection Rights:
The Great Migration Home Movie Study Collection is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution.
Copyright for all works are retained by the creators of the original analog materials.
The contents of the Great Migration Home Movie Project are made available to the public for the purposes of education and scholarly research. The home movies digitized through the project are not available for commercial licensing. Educational and scholarly use may be considered on an individual basis.
Collection of the Smithsonian National Museum of African American History and Culture, Earl W. and Amanda Stafford Center for African American Media Arts. Supported by the Center for the Digitization and Curation of African American History.
Sponsor:
This project receives support from the Earl W. and Amanda Stafford Center for African American Media Arts and from the Center for the Digitization and Curation of African American History at the National Museum of African American History and Culture Museum, Smithsonian Institution.
File consists of correspondence and deeds of gift. Correspondents include: Ralph Rinzler, Kate Rinzler, Claudia B. Kidwell, Cynthia Adams Hoover, Dave Ellington. Donated objects include: Dutch medwinterhorn from the 1976 Festival of American Folklife and pottery from Owens, Meaders, Brown families.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
This accession consists of digital copies of a scrapbook of Solomon Brown's family genealogy, as compiled by Ms. Clara Ellis Bailey Payne. The scrapbook includes copies
of poems written by Solomon G. Brown, photographs, lists of family trees, and copies of death certificates. The accession also includes a portrait of the Younger family, relatives
of Solomon G. Brown; and a poem written by Solomon G. Brown in memoriam of his niece, Mrs. Alevia A. Smith (nee Younger), following her death on January 13, 1888.
Historical Note:
Solomon G. Brown (1829?-1906) was the first African American employee at the Smithsonian Institution, serving for fifty-four years from 1852 to 1906. During his time
at the Smithsonian, he held many titles and performed many duties in service to the Institution. He served under the first three Smithsonian Secretaries, Joseph Henry, Spencer
Fullerton Baird, and Samuel P. Langley. He also served his community in Anacostia, a part of Washington, D.C,, and was a prominent advocate of African American progress.