A woman in a white smock stands behnd the machine, apparently operating it. The machine is shown outside the bakery window. Signage in the window indicates that the scene might be in Brooklyn, N.Y. Photographer unidentified.
Local Numbers:
AC0439-0000004.tif (AC Scan)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
An interview of Robert Cottingham conducted 1998 July 27, by Robert F. Brown, for the Archives of American Art, in Cottingham's studio, Newtown, Connecticut.
Cottingham speaks of being raised in Brooklyn; drawing from an early age; the New York World's Fair, 1939-1940, and the tremendous impact it had on him, as did buildings, signs, and great bustle of Times Square; lasting impact of Edward Hopper's "Sunday Morning," which he saw at the Whitney Museum; his love of using a T-square and triangle in industrial design courses at Brooklyn Technical High School and the influence on his work; working in a Manhattan advertising agency for 2 1/2 years; army service in Orleans, France as a mapmaker; working as an art director at Young and Rubicam advertising agency in Manhattan (1959-1964) which exposed him to great variety of print and graphic media; work in Young and Rubicam's Los Angeles office; first painting in NYC in 1963; painting steadily in L.A. which led to first shows (1968-1970) at Molly Barnes Gallery; use of photographs and sketches to produce paintings; avoidance of narrative, just suggestions of places, and incorporation of advertising signs beginning in the mid-1960s; living entirely on his paintings by 1970; breakthrough in 1969 to greater use of color, bolder design, and 3-D illusion; adoption of square format and depiction of fragmentary glimpses of things which led to leap of quality; and sticking with this mode ever since. Cottingham also recalls John Rawlings, Emerson Woelffer, Robert Irwin, Chuck and Leslie Close, and others.
Biographical / Historical:
Robert Cottingham (1935- ) is a painter and printmaker from Newtown, Connecticut.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 2 hr., 8 min.
Tape 2 (Side A) also contains last part of 4/7/98 interview with Harold Tovish.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
The collection, which dates from approximately 1900-1969 and measures 3.42 linear feet, documents the lives and activities of the Ford-Deas family. The collection is comprised of black-and-white photographs, color photographs, photograph albums, clippings, correspondence, postcards, bankbooks, blankbooks, diplomas, sheet music, scrapbook, poems, sketches and drawings.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Includes interviews conducted by Rico Washington with former and current residents of public housing in New York City. The series consist of audio digital files and transcripts which are arranged alphabetically by interviewee.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Ephraim Benton is an actor who grew up in Thompkins Houses in Brookyln, New York City. He recalls his time in the neighborhood, both the good and bad experiences and how it could have possibly been better with help from community activies. He talks about acting and how his artwork got him noticed. Benton explains his intentions to help out the community that he came from with various programs he has helped establish.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Gail Paupaw Brown is a resident of Brooklyn, New York. She discusses her uprbringing in the city. Brown talks about the communities relationship with the police. As well as the benefits of having an art organizations that she could send her son to, which helped him become a succesful artist later in life.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
George Lorenzana is a rapper who goes by the name "Yung Punch" who lives in Thompkins Houses in Brooklyn. He argues that Housing Projects can be positive areas full of opportunities.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
God Born is a Brooklyn native and college student looking to improve his community. He talks about how someone like Sonia Sotomayor could go from the housing projects to the Supreme court. He talks about the pitfalls of the ghetto, both the residents aiming to be bad influences and police officers harassing innocent civilians. God Born further explains the good parts of live in the ghetto.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Jamel Shabazz is an artist who mostly works in photography from Brooklyn, New York. Shabazz talks about growing up in the Red Hook projects and how that shaped him as an individual. He goes into why he uses photography and what he aims to achieve with his artwork.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Jayro explain what life was like growing up in Queensbridge, a housing project in Brooklyn, New York. He explains the differences between Brazalian Favelas and New York City housing. Jayro further explains how he discovered his love for graffiti and why he does graffiti .
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Alicia Taylor is a teacher who lives in Marcus Garvey village, a New York City housing project. She speaks on how to improve the lives of the youth by implementing after school programs, which had been successful, before time and budget constraints ended them. Taylor also explains that giving seniors activies or building safer parks could also improve the community.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Jesse Hillard is a resident of the Marcus Garvey homes in Brooklyn, New York. She has lived there for over thirty years and witnessed all the changes it has undergone in that time. She talks about what is wrong with the community and what she thinks can fix it. Hillard also talks the failures of the New York City Housing Assocation and how they are failing tenants.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Johnnie Monroe is an author and resident of Queensbridge; a Brooklyn, New York City neighborhood. He talks about the lack of programs from the community center due to lack of city involvement. He discusses his own work as an author and time spent with the Rap group, Mobb Deep.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Leon Simmons is a resident of the Atlantic Terminal houses in Brooklyn, New York. Simmons discusses how he became apart of the Five Percenters and how the group is perceived by those outside of it. He also explains why he opened up a center to teach children martial arts and what they gain from learning martial arts.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Oral histories (document genres)
Interviews -- 21st century
Collection Citation:
We the People Project Records, Anacostia Community Museum Archives, Smithsonian Institution, gift of Rico Washington and Shino Yanagawa.
Leroy Bush is a resident of Red Hook housing in Brooklyn, New York. He owns a barbershop, which prompts him to talk about the difficulties and positives that come with owning a small business. Bush explains the effects of gentrification that he has seen as well as the diversification of his neighborhood, which he sees as a positive.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Lisa Edwards lives in the Glenmore housing projects in Brooklyn, New York. She explains why her housing projects has devoled into being much worse off than when she first moved in. Also she offers solutions to the problems plaguing Glenmore housing. Edwards delves into the ways the police deal with African-Americans in Brooklyn. Edwards also details how she was able to lose 100 of pounds and become more physically fit.
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
