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Zolnay, George Julian, 1862 or 1863-1949 Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Place:
Museum directors -- Washington (D.C.)
Date:
1879-1955
Summary:
The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.
Scope and Contents:
The artists' files of William Henry Holmes, curator and director of the Smithsonian's National Collection of Fine Arts (now the Smithsonian American Art Museum) in Washington, D.C., measure 0.2 linear feet and date from 1879 to 1955. The artists' files consist mostly of correspondence, but also include a few photographs, artwork in the form of sketches, and printed material. There is also one file relating to Holmes' affiliation with the Washington Water Color Club.
Notable artists represented in the files include R.N. Brooke, William B. P. Closson, James Earle Fraser, Vinnie Ream Hoxie, Reuben Le Grand Johnston, John LaFarge, Gari Melchers, Thomas Moran, Henry Moser, Hobart Nichols, Violet Oakley, Joseph Pennell, Joseph Henry Sharp, Mary Vaux Walcott, Carl F. Weller, Max Weyl, Irving R. Wiles and George Julian Zolnay.
Arrangement:
This collection is arranged as 1 series.
Missing Title
Series 1: Artists' Files, 1879-1955 (0.2 linear feet; Box 1)
Biographical / Historical:
William Henry Holmes (1846-1933) was a curator, museum director, artist, scientific illustrator, archaeologist, geologist, and anthropologist. He served in various positions in the Smithsonian Institution, and finally as director of the Smithsonian's National Gallery of Art (now the Smithsonian American Art Museum) from 1920-1932.
Holmes was born in Harrison County, Ohio in 1846. In 1870, he graduated from McNeely Normal School in Ohio and, after a short time of teaching at that school, moved to Washington, D.C. in 1871 to study art under Theodore Kaufmann. Thanks to his artistic skills, he was soon hired by Smithsonian paleontologist Francis B. Meek to do scientific drawings. In 1872, Holmes joined the geological survey of Ferdinand Vandeveer Hayden, as an artist and topographer of the survey of Yellowstone National Park and surrounding area, and other regions in the west. In 1879, Holmes went to work for the newly founded U.S. Geological Survey. There he worked as a geologist and chief of scientific illustration. In addition to art and geology, his interests and expertise expanded into archaeology and anthropology.
Holmes worked as chief curator at the Field Columbian Museum (now the Field Museum of Natural History) in Chicago before returning to the Smithsonian in 1897, where he served as curator of anthropology and chief of the Bureau of American Ethnology. In 1910, he became chairman of the Division of Anthropology. In 1920, Holmes became director of the Smithsonian Institution's National Gallery of Art (now the Smithsonian American Art Museum), a position he held until 1932. William Henry Holmes died one year later.
Related Materials:
Collections about William Henry Holmes are also located at other Smithsonian Institution archival units, including the National Anthropological Archives and Smithsonian Institution Archives.
Provenance:
These files were transferred from the Smithsonian Institution's National Museum of American Art Library (now the Smithsonian American Art Museum) to the Archives of American Art in two installments in 1981 and 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Record of work : serving to some extent as a history of my professional life and as a means of tracing pictures and studies painted and disposed of, especially since my departure for Paris in 1878
Record of work [microform] : serving to some extent as a history of my professional life and as a means of tracing pictures and studies painted and disposed of, especially since my departure for Paris in 1878
