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Festival Recordings: Sacred Music Stage: Brothers Inc 4 Da Lord

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Butler, Liz (recorder)  Search this
Gilbert, Dan (recorder)  Search this
Performer:
Brothers Inc. 4 Da Lord (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
African American  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New York
Bronx (New York, N.Y.)
Date:
1997 June 27
1997
Local Numbers:
FP-1997-CT-0312-7
Publication, Distribution, Etc. (Imprint):
United States 1997
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Religious  Search this
Rap (Music)  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0312
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5eb6d640b-101f-4068-838c-5a10bfba65dd
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1085

Festival Recordings: Sacred Music Stage: Shiru Shir; Brothers Inc 4 Da Lord

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Nyhof, Harma (recorder)  Search this
Golden, Justin (recorder)  Search this
Performer:
Shiru Shir (Musical group)  Search this
Brothers Inc. 4 Da Lord (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Israelis  Search this
Americans  Search this
Jews  Search this
African American  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Jerusalem
New York
Bronx (New York, N.Y.)
Date:
1997 June 25
1997
Track Information:
101 Jewish Traditions from Jerusalem / Shiru Shir (Musical group). Drum,Oud.

102 Hip Hop / Brothers Inc. 4 Da Lord (Musical group).
Local Numbers:
FP-1997-CT-0303-7
Publication, Distribution, Etc. (Imprint):
United States 1997
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Religious  Search this
World music  Search this
Rap (Music)  Search this
Drum  Search this
Oud  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0303
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5200276f3-ee95-4037-93c0-19ca2d48f541
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1076

Festival Recordings: Sacred Music Stage: Jerusalemite Religion Chant; Hawai'i Gagaku Kenkyukai; Brothers Inc 4 Da Lord

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Stewart, Polly, 1943- (recorder)  Search this
Taylor, Derek (recorder)  Search this
Performer:
Jerusalemite Chant Group  Search this
Hawai'i Gagaku Kenkyuakai  Search this
Brothers Inc. 4 Da Lord (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Israelis  Search this
Americans  Search this
Muslims  Search this
Shinto  Search this
African American  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Jerusalem
Hawaii
Honolulu (Hawaii)
Japan
New York
Bronx (New York, N.Y.)
Date:
1997 June 26
Track Information:
101 Muslim Praise Song / Jerusalemite Chant Group. Percussion instruments.

102 Japanese Ritual Music / Hawai'i Gagaku Kenkyuakai. Percussion instruments,Flute.

103 Hip Hop / Brothers Inc. 4 Da Lord (Musical group).
Local Numbers:
FP-1997-CT-0305-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Religious  Search this
World music  Search this
Rap (Music)  Search this
Percussion instruments  Search this
Flute  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0305
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5c521613a-1d89-4330-b8ba-1d4fd89a9b9a
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1078

Festival Recordings: Sacred Music Stage: Bros. Inc 4 Da Lord; Shiru Shir; International Christian Church

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Stewart, Polly, 1943- (recorder)  Search this
Taylor, Derek (recorder)  Search this
Performer:
Brothers Inc. 4 Da Lord (Musical group)  Search this
Shiru Shir (Musical group)  Search this
International Christian Church (South Africa)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Israelis  Search this
South Africans  Search this
African American  Search this
Jews  Search this
Christians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New York
Bronx (New York, N.Y.)
Jerusalem
South Africa
Seshego (South Africa)
Date:
1997 June 26
1997
Track Information:
101 Hip Hop / Brothers Inc. 4 Da Lord (Musical group).

102 Jewish Traditions from Jerusalem / Shiru Shir (Musical group). Drum,Oud.

103 South African Dance Worship / International Christian Church (South Africa). Percussion instruments.
Local Numbers:
FP-1997-CT-0306-7
Publication, Distribution, Etc. (Imprint):
United States 1997
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Religious  Search this
Rap (Music)  Search this
World music  Search this
Drum  Search this
Oud  Search this
Percussion instruments  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0306
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk536fb81f2-c493-4de9-b7db-1e5c7604e222
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1079

Festival Recordings: Sacred Music Stage: Brothers Inc 4 Da Lord; Hawai'i Gagaku Kenkyukai

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Faut, Nathan (recorder)  Search this
Howard, Timothea, 1953-2017 (recorder)  Search this
Performer:
Brothers Inc. 4 Da Lord (Musical group)  Search this
Hawai'i Gagaku Kenkyuakai  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
African American  Search this
Shinto  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New York
Bronx (New York, N.Y.)
Hawaii
Honolulu (Hawaii)
Japan
Date:
1997 June 28
Track Information:
101 Hip Hop / Brothers Inc. 4 Da Lord (Musical group).

102 Japanese Ritual Music / Hawai'i Gagaku Kenkyuakai. Percussion instruments,Flute.
Local Numbers:
FP-1997-CT-0313-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 28, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Religious  Search this
Rap (Music)  Search this
World music  Search this
Percussion instruments  Search this
Flute  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0313
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk57a737925-ed46-4527-8abe-c11bd7add010
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1086

Festival Recordings: Sacred Music Stage: Jerusalemite Religious Chant Group; Brothers Inc 4 Da Lord

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Recorder:
Golkin, Peter (recorder)  Search this
Sutch, John  Search this
Performer:
Jerusalemite Chant Group  Search this
Brothers Inc. 4 Da Lord (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Israelis  Search this
Americans  Search this
Muslims  Search this
African American  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Jerusalem
New York
Bronx (New York, N.Y.)
Date:
1997 June 29
1997
Track Information:
101 Muslim Praise Song / Jerusalemite Chant Group. Percussion instruments.

102 Hip Hop / Brothers Inc. 4 Da Lord (Musical group).
Local Numbers:
FP-1997-CT-0321-7
Publication, Distribution, Etc. (Imprint):
United States 1997
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Religious  Search this
World music  Search this
Rap (Music)  Search this
Percussion instruments  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0321
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5f10ef3b0-42ec-490f-bb08-faaa2907107c
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1094

Festival Recordings: Sacred Narrative Stage: Jerusalemite Religion. Chant Group; Natal '77; Shiru Shir; Bros. Inc 4 Da Lord

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Stewart, Polly, 1943- (recorder)  Search this
Luttwak, Joe (recorder)  Search this
Performer:
Jerusalemite Chant Group  Search this
Natal '77 (Musical group)  Search this
Shiru Shir (Musical group)  Search this
Brothers Inc. 4 Da Lord (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Israelis  Search this
South Africans  Search this
Americans  Search this
Muslims  Search this
Zulu (African people)  Search this
Jews  Search this
African American  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Jerusalem
South Africa
Durban (South Africa)
New York
Bronx (New York, N.Y.)
Date:
1997 June 25
1997
Track Information:
101 Muslim Voices / Jerusalemite Chant Group. Percussion instruments.

102 Sacred and Social Identities in South Africa / Natal '77 (Musical group).

103 Jewish Traditions: Secular and Sacred / Shiru Shir (Musical group). Drum,Oud.

104 Hip Hop and Christian Ministry / Brothers Inc. 4 Da Lord (Musical group).
Local Numbers:
FP-1997-CT-0347-7
Publication, Distribution, Etc. (Imprint):
United States 1997
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Religious  Search this
World music  Search this
Isicathamiya  Search this
Rap (Music)  Search this
Percussion instruments  Search this
Drum  Search this
Oud  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0347
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk52f8230f0-0eaf-42b0-9c73-645ec3a6193c
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1120

Festival Recordings: Sacred Narrative Stage: Bros. Inc 4 Da Lord; Old Regular Baptists; Natal '77

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Stewart, Polly, 1943- (recorder)  Search this
Luttwak, Joe (recorder)  Search this
Performer:
Brothers Inc. 4 Da Lord (Musical group)  Search this
Indian Bottom Association  Search this
Natal '77 (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
South Africans  Search this
African American  Search this
Zulu (African people)  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New York
Bronx (New York, N.Y.)
Kentucky
South Africa
Durban (South Africa)
Date:
1997 June 25
1997
Track Information:
101 Hip Hop and Christian Ministry / Brothers Inc. 4 Da Lord (Musical group).

102 Faith and Song / Indian Bottom Association.

103 Sacred and Social Identities in South Africa / Natal '77 (Musical group).
Local Numbers:
FP-1997-CT-0348-7
Publication, Distribution, Etc. (Imprint):
United States 1997
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Religious  Search this
Rap (Music)  Search this
Gospel music  Search this
Isicathamiya  Search this
World music  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0348
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5abb4cdae-ee9e-4ecf-b2cb-db50761b6150
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1121

Festival Recordings: Sacred Narrative Stage: Hawai'i Gagaku Kenkyukai; Brothers Inc 4 Da Lord; Natal '77

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Arkush, David (recorder)  Search this
Rust, William (recorder)  Search this
Artist:
Hawai'i Gagaku Kenkyuakai  Search this
Brothers Inc. 4 Da Lord (Musical group)  Search this
Natal '77 (Musical group)  Search this
Performer:
Hawai'i Gagaku Kenkyuakai  Search this
Brothers Inc. 4 Da Lord (Musical group)  Search this
Natal '77 (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
South Africans  Search this
Shinto  Search this
African American  Search this
Zulu (African people)  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Hawaii
Honolulu (Hawaii)
Japan
New York
Bronx (New York, N.Y.)
South Africa
Durban (South Africa)
Date:
1997 June 26
Track Information:
101 Sacred Sounds of the Shinto Faith / Hawai'i Gagaku Kenkyuakai. Percussion instruments,Flute.

102 Hip Hop and Christian Ministry / Brothers Inc. 4 Da Lord (Musical group).

103 Sacred and Social Identities in South Africa / Natal '77 (Musical group).
Local Numbers:
FP-1997-CT-0350-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Religious  Search this
World music  Search this
Rap (Music)  Search this
Isicathamiya  Search this
Percussion instruments  Search this
Flute  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0350
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk52beb183f-16d8-40be-8c98-f4843d694bd9
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1123

Festival Recordings: Sacred Narrative Stage: Brothers Inc 4 Da Lord; Hawai'i Gagaku Kenkyukai

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Recorder:
Sutch, John  Search this
Taylor, Derek (recorder)  Search this
Performer:
Brothers Inc. 4 Da Lord (Musical group)  Search this
Hawai'i Gagaku Kenkyuakai  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
African American  Search this
Shinto  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New York
Bronx (New York, N.Y.)
Hawaii
Honolulu (Hawaii)
Japan
Date:
1997 June 27
Track Information:
101 Hip Hop and Christian Ministry / Brothers Inc. 4 Da Lord (Musical group).

102 Sacred Sounds of the Shinto Faith / Hawai'i Gagaku Kenkyuakai. Percussion instruments,Flute.
Local Numbers:
FP-1997-CT-0356-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Religious  Search this
Rap (Music)  Search this
World music  Search this
Percussion instruments  Search this
Flute  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0356
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5072e9059-fd21-4121-bd27-e9d09b17e6ba
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1129

Festival Recordings: Sacred Narrative Stage: Natal '77; Brothers Inc 4 Da Lord; Nancy Richardson

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Swerda, Frank (recorder)  Search this
Townes, Eugene, 1933-2018 (recorder)  Search this
Performer:
Richardson, Nancy  Search this
Natal '77 (Musical group)  Search this
Brothers Inc. 4 Da Lord (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
South Africans  Search this
Americans  Search this
Indians of North America  Search this
Zulu (African people)  Search this
African American  Search this
Karok Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
South Africa
Durban (South Africa)
New York
Bronx (New York, N.Y.)
California
McKinleyville (Calif.)
Date:
1997 June 28
Track Information:
101 Sacred and Social Identities in South Africa / Natal '77 (Musical group).

102 Hip Hop and Christian Ministry / Brothers Inc. 4 Da Lord (Musical group).

103 Music and Native American Beliefs (Karuk) / Nancy Richardson. Drum.
Local Numbers:
FP-1997-CT-0358-7
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 28, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Isicathamiya  Search this
Religious  Search this
World music  Search this
Rap (Music)  Search this
American Indian  Search this
Drum  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0358
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5f6b732bd-2f1f-461e-98b1-b2e268c9fc50
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1131

Festival Recordings: Sacred Narrative Stage: Brothers Inc 4 Da Lord; International Christian Church

Creator:
Smithsonian Institution. Festival of American Folklife. Sacred Sounds Program 1997 Washington, D.C.  Search this
Pinskey, Lin (recorder)  Search this
Miller, Mark K., 1953- (recorder)  Search this
Performer:
Brothers Inc. 4 Da Lord (Musical group)  Search this
International Christian Church (South Africa)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
South Africans  Search this
African American  Search this
Christians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New York
Bronx (New York, N.Y.)
South Africa
Seshego (South Africa)
Date:
1997 June 29
1997
Track Information:
101 Hip Hop and Christian Ministry / Brothers Inc. 4 Da Lord (Musical group).

102 South African Traditions and Christianity / International Christian Church (South Africa). Percussion instruments.
Local Numbers:
FP-1997-CT-0363-7
Publication, Distribution, Etc. (Imprint):
United States 1997
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Religious  Search this
Rap (Music)  Search this
World music  Search this
Percussion instruments  Search this
Religion  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0363
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5d7f0003b-f5ce-4c08-9179-7c3f07858042
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1136

Festival Recordings: Dance Party: Mahal & Chris Ntaka; Bros. 4 da Lord: Hip Hop; Hassan Gure: Somali Oud; Natal '77

Performer:
Natal '77 (Musical group)  Search this
Ntaka, Chris  Search this
Gure, Hassan  Search this
Mahala (Musical group)  Search this
Brothers Inc. 4 Da Lord (Musical group)  Search this
Recorder:
Boone, Aisha  Search this
Tyczenski, Debbie I., 1961-  Search this
Dukes, Ben  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
1 Sound recording (compact audio cassette)
1 Sound cassette (analog.)
Culture:
Americans  Search this
South Africans  Search this
African American  Search this
Type:
Archival materials
Sound recordings
Sound cassettes
Place:
United States
Washington (D.C.)
Maryland
South Africa
Bethesda (Md.)
New York
Bronx (New York, N.Y.)
Somalia
Silver Spring (Md.)
Durban (South Africa)
Date:
1997 June 25
1997
Track Information:
101 South African Township Music / Mahala (Musical group), Chris Ntaka. Keyboards (Music),Guitar,Percussion instruments.

102 Hip Hop / Brothers Inc. 4 Da Lord (Musical group).

103 Somali Oud / Hassan Gure. Oud.

104 South African A Cappella / Natal '77 (Musical group).
Local Numbers:
FP-1997-CT-0390-7

FLP.123242
Publication, Distribution, Etc. (Imprint):
United States 1997
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1997.
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
World music  Search this
Juju music  Search this
Highlife (Music)  Search this
Gospel music  Search this
Rap (Music)  Search this
Acappella Vocal Band  Search this
Keyboards (Music)  Search this
Guitar  Search this
Percussion instruments  Search this
Oud  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1997, Item FP-1997-CT-0390
See more items in:
Smithsonian Folklife Festival records: 1997 Festival of American Folklife
Smithsonian Folklife Festival records: 1997 Festival of American Folklife / Series 4: Sacred Sounds: Belief & Society / 4.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk502b9e19e-3240-4f01-ab27-daa1bfdadfef
EDAN-URL:
ead_component:sova-cfch-sff-1997-ref1163

Songs of the Synagogue: Cantor Herman Malamood

Performer:
Malamood, Herman  Search this
Recorder:
Asch, Moses  Search this
Producer:
Rubenstein, Sholom  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Sound recording (sound-tape reel, analog, 10 in.)
Culture:
Americans  Search this
Jews  Search this
Type:
Archival materials
Sound recordings
Place:
New York
United States
New York (N.Y.)
Bronx (New York, N.Y.)
Contents:
Opening remarks--Winston ad--Ritsey b'muchaseynu--Rozhinkes mit mandlen--ad--Bechu rachum--Utsa essa--Ad--V'chas kohanim--conclusion
Local Numbers:
FW-ASCH-10RR-0001
Date/Time and Place of an Event Note:
Recorded in: New York (N.Y.), United States, New York, March 5, 1961.
General:
CDR copy Tapes FW-ASCH-0001 through FW-ASCH-10RR-0019 are (primarily) from a weekly radio show series entitled Songs of the Synagogue, aired every Sunday afternoon at 2:00 over WEVD in New York City. The tapes are all from 1960 and 1961. Each week, a different cantor is featured along with a choir, singing synagogue music, and also, usually a Yiddish or Israeli song. The series is a Joseph Jacobs production, directed by Sholom Rubinstein, with music arranged and conducted by Abe Ellstein. The show is hosted by Zvee Scooler, and is sponsored primarily by Winston cigarettes. An ad for Conn Electronic Organs sometimes concludes the show. Shows begin with a steady tone for which, usually, "zero level at 400 CY" is indicated. Henry Sapoznik, Yiddish radio and klezmer music authority, provided some of the above information. It is not known how or why Folkways obtained these tapes,but in 1960, Sholom Rubenstein also wrote and directed a Folkways record album concerning Theordore Herzl. The tapes in our possession represent a small fraction of the programs originally broadcast. FW-10RR-ASCH-0001 features Cantor Herman Malamood of the Educational Jewish Center of the Bronx, NY., for broadcast on March 5, 1961. Cantor Malamood also was an opera singer with both the New York City Opera and the Metropolitan Opera.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Religious  Search this
Jewish  Search this
Cantoral  Search this
Religion  Search this
Judaism  Search this
Religious services  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-10RR-0001
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / RR
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk594102475-9521-45d9-85b3-27c3002c28de
EDAN-URL:
ead_component:sova-cfch-asch-ref18516

Correspondence

Collection Creator:
Studenski, Paul, 1887-1961  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Text
Date:
1915
Collection Restrictions:
No restrictions on access
Collection Rights:
Permissions Requests
Collection Citation:
Paul Studenski Collection, Acc. 1989-0012, National Air and Space Museum, Smithsonian Institution.
See more items in:
Paul Studenski Collection
Paul Studenski Collection / Series 1: Correspondence
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg254748ba1-cb7c-426b-9628-28bb1d4269a9
EDAN-URL:
ead_component:sova-nasm-1989-0012-ref21
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  • View Correspondence digital asset number 1

Alan Harwood Papers

Correspondent:
Conklin, Harold C., 1926-2016  Search this
Greenberg, Joseph H. (Joseph Harold), 1915-2001  Search this
Creator:
Harwood, Alan  Search this
Extent:
27 Linear feet (60 boxes, 2 manuscript folders), 8 sound recordings, 35 computer disks, 1 oversize box, 1 oversize folder, 1 map drawer)
Culture:
African American  Search this
Chinese Americans  Search this
Irish Americans  Search this
Jamaican Americans  Search this
Puerto Ricans  Search this
Safwa (African people)  Search this
Type:
Collection descriptions
Archival materials
Microfilms
Sound recordings
Photographic prints
Field notes
Place:
Bronx (New York, N.Y.)
Boston (Mass.)
Mbeya Region (Tanzania)
Date:
circa 1940s-2001
bulk 1953-2001
Summary:
Alan Harwood is a Professor Emeritus at University of Massachusetts, Boston in the Anthropology Department. Trained in social anthropology he has studied illness and healing in Tanzania and communities in New York City and Boston. Harwood was the founding editor of Medical Anthropology Quarterly (new series, 1986-1991) and series editor of Cambridge Studies in Medical Anthropology (1999-2004) The bulk of this collection is composed of Alan Harwood's 1962-1964 ethnographic research among the Safwa in Tanzania (then known as Tanganyika); his research on health beliefs and medical practices of residents in a low-income area of the Bronx, New York (1967-1970); and his research in Boston, Massachusetts on different ethnic groups' conceptions of health (1994-1995). Also among his papers are materials from his involvement in the Centers for Disease Control and American Anthropological Association (AAA) Workgroup on "The Use of Race & Ethnicity as Scientific Categories" at the 1994 AAA meeting.
Scope and Contents:
The bulk of the collection is composed of Alan Harwood's ethnographic research among the Safwa in Tanzania (then known as Tanganyika); his research on health beliefs and medical practices of residents in a low-income area of the Bronx, New York; and his research in Boston, Massachusetts on different ethnic groups' conceptions of health. The few photographs in the collection are aerial views of Isyesye, where he conducted his Safwa research, and images from Utengule taken by White Fathers and dating from the 1940s. The collection also contains Harwood's linguistic recordings of Kimalila and of Kisafwa and Kinyiha spoken in various dialects. In addition, the collection contains sound recordings of Safwa ceremonies and an audio letter from Harold Conklin, Mario Bick, Georgeda Buchbinder Bick, and Michiko Takaki. Also among his papers are his correspondence as the editor of Medical Anthropology Quarterly and of Ethnicity and Medical Care; materials from his involvement in the Centers for Disease Control and American Anthropological Association (AAA) Workgroup on "The Use of Race & Ethnicity as Scientific Categories" at the 1994 AAA meeting; and letters of recommendation (restricted until 2056) that Harwood wrote for students and colleagues. In addition, the collection contains Harwood's course notes as an undergraduate student at Harvard and as a graduate student at University of Michigan and Columbia University. The collection also contains Harwood's research notes on North Luzon as Conklin's student research assistant at Columbia University. Harwood's correspondence is spread throughout the collection and filed by project. Among his notable correspondents are Harold Conklin and Joseph Greenberg. Their letters can be found with the Safwa materials.
Arrangement:
Arranged into 8 series: (1) Safwa Research, 1961-1970; (2) Bronx Research, 1957-1986; (3) Boston Research, 1993-1996; (4) Professional Activities, 1975-2001; (5) Student Files, 1953-1962; (6) Microfilm; (7) Photographs, circa 1940s & 1963; (8) Sound Recordings, 1962-1964
Biographical/Historical note:
Alan Harwood was born on March 20, 1935 in Tarrytown, New York. He earned his undergraduate degree, magna cum laude, in Social Relations from Harvard University in 1957 and attended the London School of Economics on a one year fellowship the following year. When he returned to the United States, he began his graduate studies in anthropology at the University of Michigan, earning his M.A. in 1960. He went on to Columbia University for his doctorate, which he was awarded in 1967.

Under a pre-doctoral fellowship funded by the Social Science Research Council, Harwood conducted ethnographic research on the Safwa of the southwestern region of Tanganyika (now known as Tanzania). From September 1962 to 1964, Harwood carried out his research mainly in the village of Isyesye, near Mbeya, Southern Highlands Region. At the time, witchcraft accusations were common, and it thus became the subject of his dissertation, Witchcraft, Sorcery, and Social Categories among the Safwa, later published in 1970.

In 1967, Harwood was hired by the Dr. Martin Luther King, Jr. Health Center (formerly called the Neighborhood Medical Care Demonstration) in Bronx, New York. From 1967 to 1970, he directed a study on the health, illness, and medical beliefs and practices of residents in a low-income area of the south Bronx. One of the articles produced from this research was Harwood's "The Hot-Cold Theory of Disease: Implications for Treatment of Puerto Rican Patients" (1971). Harwood also looked at spiritism among the Puerto Rican community, which led to his publication, Rx: Spiritist as Needed: A Study of a Puerto Rican Community Mental Health Resource (1977).

From 1994 to 1995, Harwood was the co-principal investigator of a study conducted under the Tufts New England Medical Center on conceptions of health and well-being among 4 ethnic groups in Boston: African Americans, Mandarin-speaking Chinese Americans, Irish Americans, and Puerto Ricans. Harwood led the group studying Irish Americans.

In addition to his research, Harwood was the founding editor of Medical Anthropology Quarterly (new series, 1986-1991) and series editor of Cambridge Studies in Medical Anthropology (1999-2004) and of Studies in Medical Anthropology (2004-2006). He also edited Ethnicity and Medical Care (1981), a book geared towards health professionals.

In 1971, Harwood spent a year in New Zealand as a visiting senior lecturer at the University of Auckland. From 1972 to 2002, he was a professor of Anthropology at the University of Massachusetts, Boston. During his tenure, he also served as adjunct professor in the Department of Psychology (1993-2002) and as associate dean for Undergraduate Education, College of Arts and Sciences (1998-2001). In addition, he was a lecturer in the Department of Social Medicine at Harvard Medical School (1992-present).

In 1982, Harwood was honored with the Wellcome Medal of the Royal Anthropological Institute of Great Britain and Ireland for Research in Anthropology as Applied to Medical Problems. He is also a Fellow of the American Anthropological Association and of the Society for Applied Anthropology.
Restrictions:
Materials that identify the participants in Harwood's Bronx and Boston studies are restricted until 2056.
Rights:
Contact repository for terms of use.
Topic:
Language and languages -- Documentation  Search this
Medical anthropology  Search this
Genre/Form:
Microfilms
Sound recordings
Photographic prints
Field notes
Citation:
Alan Harwood Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2006-25
See more items in:
Alan Harwood Papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw39b5f5a44-d962-4a39-bef9-c0d96eca37af
EDAN-URL:
ead_collection:sova-naa-2006-25
Online Media:

Manuel Quiles Films

Donor:
Wood, Priscilla  Search this
Quilles, Mario  Search this
Creator:
Quiles, Manuel, 1908-1989  Search this
Extent:
0.3 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Motion pictures (visual works)
Home movies
Place:
Bronx (New York, N.Y.)
Date:
1944-1947
Summary:
Home movies documenting various events in a small, close-knit, South Bronx, New York community of Puerto Ricans who came to the mainland U.S. in the 1920s and 1930s. The films depict birthdays, weddings and Christmas celebrations.
Scope and Contents:
These films, created by Manuel Quiles, document a small community of Puerto Rican immigrants who arrived in the United States during the 1920s and 1930s. These Puerto Rican families were located mostly in the South Bronx, New York. The films contain footage of family gatherings and holiday celebrations, as well as family trips to the Bronx Zoo, the Macy's Thanksgiving Day Parade, the 1964-1965 New York World's Fair, and Mexico.
Arrangement:
The collection is organized into one series that contains all films and videos. The original order of each reel of film was retained. The reels are organized chronologically.
Biographical / Historical:
Manuel Ismael Quiles (June 17, 1908 - October 1989) grew up in Puerto Rico and the Dominican Republic, and moved with his family to the U.S. in the 1920s. Throughout his life, Quiles worked in a number of professions that allowed him to use his artistic talents. During the Depression he traveled to Chicago and joined the Civilian Conservation Corps, which sent him to Wyoming to work as a photographer for a newspaper. Later he returned to New York City and studied tool and die, machine, and patent model making at Gompers High School. After World War II, Quiles continued to pursue his artistic interests by working as a silk screen artist for a sign and showcase company. Later, he designed Spanish greeting cards and created labels for products sold in religious and botanical stores. Throughout his lifetime Quiles worked as a photographer, camera maker, silk screen artist, sculptor, locksmith, and wood carver. Eventually Manuel Quiles gained recognition as an artist through his relationship with Jay Johnson, the owner of America's Folk Heritage Gallery. Quiles began to sell and exhibit his work at Johnson's New York gallery. When working on his sculptures, Quiles relied on woodworking skills he learned as a child from his cousin, a cabinet maker in Puerto Rico. References to his art work can be found in both Jay Johnson's American Folk Art of the Twentieth Century and Carolyn Morrow Long's Spiritual Merchants: Religion, Magic, and Commerce.
Provenance:
Donated by Mario Quilles and Priscilla Q. Wood in 2001.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected films must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Weddings  Search this
Christmas  Search this
Birthday parties  Search this
Puerto Ricans -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Motion pictures (visual works)
Home movies
Citation:
Manuel Quiles Films, 1944-1947, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0765
See more items in:
Manuel Quiles Films
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82d173d0b-0965-4005-b83f-1cc34eca23f8
EDAN-URL:
ead_collection:sova-nmah-ac-0765

Doris Holmes Blake Papers

Extent:
18.5 cu. ft. (37 document boxes)
Type:
Collection descriptions
Archival materials
Diaries
Scientific illustrations
Manuscripts
Black-and-white photographs
Black-and-white negatives
Date:
1899-1985
Introduction:
This finding aid was digitized with funds generously provided by the Smithsonian Institution Women’s Committee.
Descriptive Entry:
The Doris Holmes Blake papers consist of correspondence, diaries, photographs and related materials documenting in great detail Blake's personal life and, to a lesser degree, her professional career.

The heavy correspondence she maintained with her mother and daughter, her essays and children's books, and the 70 years' worth of daily journals all attest to her infatuation with the written word and preoccupation with her inner life. Blake's diaries and family papers stunningly illuminate the contrasts in the daily lives of herself, her mother, and her daughter.

The papers relating to her professional life are less complete. Although she spent almost 60 years (1919-1978) in association with the entomological staffs of the U. S. Department of Agriculture and the Smithsonian Institution, published numerous professional papers, produced all of her own illustrations, and illustrated many of her husband's botanical works as well, this collection contains only a very limited amount of material documenting those activities. The papers do, however, include her extensive correspondence with fellow entomologists, both in the United States and abroad.

In the course of transferring her husband's papers to the University of Texas, some of Blake's own papers were included as well. They are presently in the collection of the Humanities Research Center of the University of Texas at Austin and include letters to her parents, 1906-1950; school and college notebooks, papers, essays and drawings; and clippings, genealogical notes, and miscellaneous family letters and papers.
Historical Note:
Doris Holmes (1892-1978) was born in Stoughton, Massachusetts, to a middle-class grocer and his wife. Essentially an only child (two siblings died in early childhood and infancy), her natural intelligence, stubbornness, and extremely competitive nature were well fostered by her parents, who steadily encouraged and supported her determination to excel.

Holmes left Stoughton for Boston University's College of Liberal Arts and Sciences in 1909, where she pursued studies in business and the classics, earning her A.B. in 1913. Her business skills led to her association with the Boston Psychopathic Hospital in 1913, initially as a clerk, and later as aide to Dr. Herman Adler. Her interests in science and psychology led her to an A.M. from Radcliffe College in zoology and psychology in 1917.

After a short time as a researcher at Bedford Hills Reformatory for Women, Holmes married her childhood sweetheart, botanist Sidney Fay Blake. Early in 1919, Doris Blake found work as a clerk for the Department of Agriculture's Bureau of Entomology under Frank H. Chittenden, and began the entomological studies that would continue for the rest of her life.

Blake worked her way up to junior entomologist and, when Chittenden retired, continued her work under Eugene A. Schwarz at the United States National Museum. The birth in 1928 of daughter Doris Sidney (an infant son had died shortly after birth in 1927) was not a sign for her to slow down -- Blake hired a nurse to watch the baby while she continued to watch beetles. In 1933 her official employment came to an end with the institution of regulations prohibiting more than one member of a family from holding a government position (Sidney Blake was then working for the Department of Agriculture).

Although no longer on the payroll, Blake continued her taxonomic work on the family Chrysomelides for almost 45 more years, first as a collaborator and then as a research associate of the Smithsonian Institution. Shortly after her husband's death, Blake traveled to Europe in 1960 on a National Science Foundation grant to revise the genus Neobrotica Jacoby. She ultimately published 97 papers in various journals (see "Doris Holmes Blake," Froeschner, Froeschner and Cartwright, Proc. Entomol. Soc. Wash., 83(3), 1981, for a complete bibliography) and continued her active research until shortly before her death on December 3, 1978.
Topic:
Entomology  Search this
Genre/Form:
Diaries
Scientific illustrations
Manuscripts
Black-and-white photographs
Black-and-white negatives
Citation:
Smithsonian Institution Archives, Record Unit 7310, Doris Holmes Blake Papers
Identifier:
Record Unit 7310
See more items in:
Doris Holmes Blake Papers
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru7310
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  • View Doris Holmes Blake Papers digital asset number 1

Nueva luz : a photographic journal

Title:
Nueva luz : photographic journal
Author:
En Foco, Inc  Search this
Physical description:
v. : ill. ; 31-43 cm
Type:
Periodicals
Place:
United States
Date:
1985
C1985-
Topic:
Minority artists--Periodicals  Search this
Photography  Search this
Call number:
TR640 .N96
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_656418

Green Streets

Creator:
De Luca, Maria  Search this
Extent:
Film reels (color sound; 3,000 feet)
Video recordings (127 minutes, color sound, 1/2 inch VHS)
Type:
Collection descriptions
Archival materials
Film reels
Video recordings
Sound films
Place:
North America
Bronx (New York, N.Y.)
Date:
circa 1990
Scope and Contents:
Maria De Luca's film, Green Streets. Videos consist of an 87 minute version and 40 minute version.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or Anthropology Archives, but is available in its original form to facilitate research.
Provenance:
Received from Maria De Luca in 1997.
Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Rights:
Contact the repository for terms of use.
Topic:
Urban gardens  Search this
Genre/Form:
Sound films
Citation:
Green Streets, Human Studies Film Archives, Smithsonian Institution
Identifier:
HSFA.1997.11
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9c517dc9c-5412-4dc0-ae98-2539b28939bb
EDAN-URL:
ead_collection:sova-hsfa-1997-11

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