Search Results

Collection Creator:

Ukeles, Mierle  Search this

Container:

Box 56, Folder 12

Type:

Archival materials

Date:

2007

Collection Restrictions:

This collection is temporarily closed for processing. Contact References Services for more information.

See more items in:

Mierle Laderman Ukeles papers

Mierle Laderman Ukeles papers / Unrealized Projects / Bat Yam

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94ec39b60-5435-4886-8b44-ce23f6e309d6

EDAN-URL:

ead_component:sova-aaa-ukelmier-ref1145

Creator:

American Public Works Association.  Search this

Stine, Jeffrey K.  Search this

Former owner:

National Museum of American History (U.S.). Division of Mechanical and Civil Engineering  Search this

National Museum of American History (U.S.). Division of Work and Industry  Search this

Extent:

1 Cubic foot (3 boxes)

Type:

Collection descriptions

Archival materials

Articles

Photographs

Brochures

Questionnaires

Videocassettes

Date:

1999-2000

Scope and Contents note:

Nominations for awards in the "Top Ten Public Works Projects of the Twentieth Century, 1900-2000" competition. The nominations included such things as project brochures, photographs, video cassettes, articles, written histories, and other miscellaneous items submitted to support the individual cases.

Arrangement:

1 series.

Biographical/Historical note:

In 1999 the American Public Works Association and its Public Works Historical Society developed a program to honor the ten most outstanding public works projects of the 20th Century. Nominations were invited for public works projects completed within Canada, the United States or its territories, sponsored by a public agency, and made available to the public during the 20th century.

Provenance:

Originally collected for the Division of Mechanical and Civil Engineering's reference collection, by curator Jeffrey Stine. Stine donated the collection to the Archives Center in 2007.

Restrictions:

Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Public works  Search this

Genre/Form:

Articles

Photographs -- 20th century

Brochures

Questionnaires

Videocassettes

Citation:

American Public Works Association "Top Ten Public Works Projects of the Century - 1900-2000" Nominations, 1999-2000, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0983

See more items in:

American Public Works Association "Top Ten Public Works Projects of the Century -- 1900-2000" Nominations

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83e26ba24-204a-4fcc-850e-5c1a06bba80f

EDAN-URL:

ead_collection:sova-nmah-ac-0983

Extent:

17.6 Cubic feet (50 containers)

Type:

Collection descriptions

Archival materials

Technical reports

Photographic prints

Newspaper clippings

Correspondence

Date:

1961-2008

bulk 1980s-2000s

Summary:

This collection consists of 17 cubic feet of papers relating to the life and career of astronaut Pamela A. Melroy.

Scope and Contents:

The Pamela A. Melroy Papers (acc. no. 2018-0034) reflect Melroy's extensive experience as a pilot, space explorer, Space Shuttle Columbia accident investigator and leader within various governmental/military roles. Her great contributions as an air force officer, astronaut and Space Shuttle commander are quite evident in this collection.

This collection encompasses Melroy's years spent as an officer with the United States Air Force (USAF), test pilot, Gulf War veteran, National Aeronautics and Space Administration (NASA) astronaut and one of the first female Space Shuttle commanders. The material contained in the collection ranges from the 1970s into the 2010s. It is a mixture of the following materials: correspondence, memoranda, notes, reports and briefings, technical manuals (mainly NASA/Space Shuttle-related), notebooks, photographs, presentations and speeches, books, booklets and guidebooks, brochures, pamphlets, journals, magazines, articles, newspaper clippings and miscellaneous materials. Additionally, there are newspapers, photograph albums and scrapbooks.

The processing archivist did discern some original order to these materials. This collection was already in a rough chronological order. The processing archivist did rehouse these materials utilizing archival-friendly file folders and legal-size document cases.

This collection is arranged into three series. The first series is composed of personal materials that include correspondence, photographs, postcards, business cards and transcripts. Each type of archival material is organized chronologically and then alphabetically. The second series consists of professional materials and is by far and away the largest segment of the Pamela A. Melroy Papers. This series is arranged as follows: Melroy's correspondence, memoranda, notes, reports, manuals (mainly Space Shuttle program-related), notes and notebooks, presentations and speeches, books, guidebooks and booklets, brochures, pamphlets and catalogs, newsletters, magazines and journals, articles, newspaper clippings and miscellaneous materials. All the above material is also arranged chronologically and then alphabetically. The third series is composed of oversize materials. This material consists of newspapers (mainly focused on the Space Shuttle Columbia accident of 2003), as well as Melroy's three Space Shuttle flights, (STS-92, STS-112 and STS-120), photograph albums and scrapbooks.

Arrangement:

This collection is arranged into three series. The first series is composed of personal materials that include correspondence, photographs, postcards, business cards and transcripts. Each type of archival material is organized chronologically and then alphabetically. The second series consists of professional materials and is by far and away the largest segment of the Pamela A. Melroy Papers. This series is arranged as follows: Melroy's correspondence, memoranda, notes, reports, manuals (mainly Space Shuttle program-related), notes and notebooks, presentations and speeches, books, guidebooks and booklets, brochures, pamphlets and catalogs, newsletters, magazines and journals, articles, newspaper clippings and miscellaneous materials. All the above material is also arranged chronologically and then alphabetically. The third series is composed of oversize materials. This material consists of newspapers (mainly focused on the Space Shuttle Columbia accident of 2003), as well as Melroy's three Space Shuttle flights, (STS-92, STS-112 and STS-120), photograph albums and scrapbooks.

Biographical / Historical:

Pamela Ann Melroy was born on September 17, 1961, in Palo Alto, California. As a member of a military family, she spent her childhood living in many towns but considers Rochester, New York her hometown. Melroy graduated from Bishop Kearney High School in Rochester in 1979. Four years later, she earned a Bachelor of Arts degree in Physics and Astronomy from Wellesley College and subsequently, a Master of Science degree in Earth and Planetary Sciences from the Massachusetts Institute of Technology (MIT) in 1984.

Melroy was commissioned through the U.S. Air Force (USAF) Reserve Officers' Training Corps (ROTC) program while still attending graduate school. Upon completion of her Master's degree program at MIT, she attended undergraduate pilot training at Reese Air Force Base in Texas. After graduating from this program in 1985, Melroy was sent to Barksdale Air Force Base in Louisiana. While stationed there from 1985 to 1991, she flew the Boeing KC-10 aircraft as a co-pilot, aircraft commander and instructor pilot. Also, she flew combat missions in Iraq during 1990-91 (Operation Desert Shield/Desert Storm). In time, she also graduated from the USAF's exclusive test-pilot school. All told during her 24-year career with the USAF, Melroy logged more than 6,000 hours of flight time in more than 50 different types of aircraft. She reached the rank of Colonel upon her retirement from the service in 2007.

Melroy started her career as an astronaut in late 1994 when she was selected as an astronaut candidate (ASCAN) by the National Aeronautics and Space Administration (NASA). She was initially assigned to various astronaut support roles such as tasks involving Space Shuttle launch and landings. She also performed Capsule Communicator (CAPCOM) duties in Mission Control. In 2003, Melroy served on the ill-fated Space Shuttle Columbia accident reconstruction team as the lead for the crew compartment module and operated as deputy project manager for the Columbia Crew Survival Investigation Team.

Melroy was one of only two women to be in command of a Space Shuttle flight. She was the pilot of two Shuttle missions, STS-92 in 2000 and STS-112 in 2002. She served as mission commander on STS-120 in 2007. All three of her spaceflights involved assembling components on orbit for the International Space Station (ISS). Melroy logged a total of 924 hours in space.

Upon her more than 20 years of service to the USAF and NASA, Melroy assumed leadership roles with several public and private sector entities. This included organizations such as the Federal Aviation Administration (FAA), the Defense Advanced Research Projects Agency (DARPA), Lockheed Martin and Australia's Nova Systems, Ltd. She also worked as an advisor to the Australian Space Agency and as an independent consultant to the National Space Council's Users Advisory Group. In 2021, Melroy was selected as NASA's deputy administrator. In her current role, she assists the administrator in making final agency policies and decisions. Also, she acts for the NASA administrator in his absence by performing all necessary functions to govern agency operations.

Provenance:

Pam Melroy, Gift, 2018, NASM.2018.0034

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Topic:

Astronautics  Search this

United States Air Force  Search this

Astronauts  Search this

Space Shuttle Program (U.S.)  Search this

Technical manuals  Search this

McDonnell Douglas KC-10  Search this

International Space Station (ISS)  Search this

Genre/Form:

Technical reports

Photographic prints

Newspaper clippings

Correspondence -- 21st century

Citation:

Pamela A. Melroy Papers, NASM.2018.0034, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.2018.0034

See more items in:

Pamela A. Melroy Papers

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2a22e1f52-ea7e-48df-9823-34270840f9ea

EDAN-URL:

ead_collection:sova-nasm-2018-0034

Creator:

Garden Club of America  Search this

Names:

New York Flower Show  Search this

Extent:

37000 Slides (photographs) (35mm slides)

33 Linear feet ((garden files))

3,000 Lantern slides

Type:

Collection descriptions

Archival materials

Slides (photographs)

Lantern slides

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Date:

circa 1920-present

Summary:

This collection contains over 37,000 35mm slides, 3,000 glass lantern slides and garden files that may include descriptive information, photocopied articles (from journals, newspapers, or books), planting lists, correspondence, brochures, landscape plans and drawings. Garden files were compiled by Garden Club of America (GCA) members for most of the gardens included in the collection. Some gardens have been photographed over the course of several decades; others only have images from a single point in time. In addition to images of American gardens, there are glass lantern slides of the New York Flower Show (1941-1951) and trips that GCA members took to other countries, including Mexico (1937), Italy, Spain, Japan (1935), France (1936), England (1929), and Scotland.

A number of the slides are copies of historic images from outside repositories including horticultural and historical societies or from horticultural books and publications. The GCA made a concerted effort in the mid-1980s to acquire these images in order to increase its documentation of American garden history. Because of copyright considerations, use of these particular images may be restricted.

Biographical/Historical note:

The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. The GCA was incorporated in Delaware in 1923, with its headquarters established in New York City. Today, local clubs are organized under twelve regional zones. The GCA continues its tradition of hosting flower shows and publishing material related to gardening in the United States.

The GCA's glass lantern slides were used by The GCA for presentations and lectures about notable gardens throughout the United States dating back to colonial times. An effort was made in the late 1980s, in preparation of the 75th anniversary of the Garden Club of America's founding, to collect the disbursed slides. These slides were to eventually form the Slide Library of Notable American Parks and Gardens. The informational value of this collection is extensive since a number of images of the more than 4,500 gardens represented show garden designs that have changed over time or no longer exist. While the majority of images document a range of designed upper and upper-middle class gardens throughout the U.S., the scope of the collection is expanding as volunteers photograph and document contemporary gardens including community and vernacular gardens.

The gardens illustrate the design work of dozens of landscape architects including Marian Coffin, Beatrix Farrand, Lawrence Halprin, Hare & Hare, Umberto Innocenti, Gertrude Jekyll, Jens Jensen, Warren Manning, the Olmsted Brothers, Charles Platt, Ellen Biddle Shipman, and Fletcher Steele. Because of their proximity to the gardens, works of notable architects and sculptors may also be featured in the images.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- France  Search this

Gardens -- Italy  Search this

Gardens -- Japan  Search this

Gardens -- Mexico  Search this

Flower shows  Search this

Gardening -- United States -- societies, etc  Search this

Gardens -- England  Search this

Landscape architecture  Search this

Gardens -- United States  Search this

Gardens -- Spain  Search this

Gardens -- Scotland  Search this

Genre/Form:

Plans (drawings)

Brochures

Articles

Correspondence

Clippings

Lantern slides

Slides (photographs)

Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA

See more items in:

The Garden Club of America collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb617385372-1028-4cb7-b07d-04fea2e51c47

EDAN-URL:

ead_collection:sova-aag-gca

Creator:

Swezey, Kenneth M., 1905-1972 (journalist)  Search this

Sarony, Napoleon, 1821-1896  Search this

Tesla, Nikola, 1856-1943  Search this

Extent:

8.6 Cubic feet (26 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Cabinet photographs

Patents

Date:

1891 - 1988

Summary:

The collection consists of correspondence (both of Nicola Tesla and Kenneth Swezey), copies of patents, articles, pamphlets, brochures, stamps, newsletters, and manuscripts, from 1890-1972 collected and assembled by Swezey.

Scope and Contents:

The Swezey papers are divided into four series: Series 1: Correspondence and Subject Files, Series 2: Tesla Photographs, Series 3: Publications and Series 4: Research Notes. Series 4: Research Notes is housed in a small metal box and contains Swezey's research notes presumably for his incomplete biography of Tesla. Series 1: Correspondence and Subjects Files is arranged alphabetically and is composed of correspondence, copies of patents, articles, pamphlets, brochures, stamps, newsletters and manuscripts. The folders within this series are titled and include a diverse combination of correspondence between Swezey and Tesla, and between Swezey and his colleagues, companies, government officials, museum curators, and Tesla's admirers. Box 19 contains photographs of Tesla, his inventions, his laboratories and personal photographs. Boxes 20-26 include bibliographies, biographies and articles. The collection is strong in articles from magazines such as Electrical Experimentor, newspaper clippings, articles regarding electricity, power, radio, pamphlets, and brochures. The collection generally follows Swezey's arrangement and is somewhat inconsistent in terms of organization. However, the folder titles are fairly specific and should give the researcher direction. The materials within the folders are arranged chronologically. While some photo prints have been placed together in Series 2, there are also a large number of photo prints throughout the collection, according to Swezey's original arrangement. The collection provides an overview of Tesla's unusual personality and Swezey's intense preoccupation with Tesla. The collection also provides insight into Tesla's way of life, philosophies, personality and a general overview of his inventions and how society reacted to this prolific and unusual inventor.

Arrangement:

The collection is divided into four series.

Series 1: Correspondence and Subject Files, 1891-1988

Series 2: Tesla Photographs, 1983; 1943

Series 3: Publications, 1959-1970

Series 4: Research Notes, undated

Biographical / Historical:

Nikola Tesla (1856-1943) was born in Smiljan, Lika, now Yugoslavia and emigrated to America in 1884. He worked at the Edison Machine Works as a dynamo designer where he was promised a salary of $18.00 a week, with a completion bonus of $50,000. He realized at the end of the year the bonus had been a practical joke and he resigned. By 1887, he accumulated enough money to build a laboratory and start working on models of motors. Shortly thereafter, he developed his famous polyphase, alternating current motor, using an alternating current instead of the direct current used up until this point. Tesla's motor kept "exact step with the rotations of the field, regardless of load; this was the first polyphase synchronous motor." (Science, Swezey, vol. 127 p.1149) The induction motor which he later invented developed a high torque in starting, built up speed, and could maintain speed with varying loads. In 1888, Tesla received his first patents from the U.S. Patent Office. George Westinghouse quickly recognized Tesla's lucrative ideas, and hired him. Westinghouse was awarded the important Niagara Falls Power contract using Tesla's patents for his turbine engine utilizing the polyphase system. After a year, despite his very high salary with Westinghouse, Tesla decided to go back to working in his private lab in New York. He experimented with high frequency currents which led to many discoveries, including the famous Tesla coil the forerunner of fluorescent and neon lighting. At the same time he started delving in the new field of science, telautomatics, now called automation. He built and demonstrated model boats controlled by wireless radio impulses and the first radio controlled torpedo (the forerunner of the guided missile) One of Tesla's dreams was to transmit electric signals all over the world without using wires . In 1899, he began building a demonstration plant for wireless transmission at his Shoreham, Long Island laboratory. Despite never completing the plant due to lack of funds, his vision earned him the name "father of radio". In Tesla's latter years he worked on inventions and ideas which he could not afford to develop and became more eccentric and withdrawn from society. He died January 7, 1943 at the age of 87. Although Tesla was well regarded in his time, he was never revered in this country as he was in Yugoslavia. Most of Tesla's original documents and correspondence are in Belgrade, Yugoslavia at the Nikola Tesla Museum. The Library of Congress Manuscript Division holds 7 reels of microfilm of these materials.

Kenneth M. Swezey (1905-1972) wrote for the New York Sun in his late teens and early twenties. At this time he met and became friends with Nikola Tesla. Swezey regarded him as an unsung electrical genius and collected Tesla materials from 1921-1972. In his capacity as writer for various publications he frequently wrote about Tesla and his scientific advancements. Privately he spent a large part of his time memorializing him, eg. he started the Tesla Society. He also organized anniversary celebrations commemorating Tesla, etc. Swezey also wrote science books, among them: Formulas, Methods, Tips and Data for Home and Workshop, 1969; Science Shows You How, 1964 and After Dinner Science. When Mr. Swezey died in 1972, the Smithsonian Institution acquired his collection. Kenneth Swezey felt that the United States should honor Tesla and spent most of his life trying to memorialize him. He was instrumental in organizing a celebration of Tesla's 75th anniversary with the American Institute of Electrical Engineers, soliciting admiring statements from both individuals and corporations, for the unpublished pamphlet, "Tribute to Nikola Tesla." Some of Mr. Swezey's other Tesla related activities included: forming the Tesla Society, organizing and designing the 100th anniversary celebration, successfully lobbying for the naming of ships, schools, and a unit of measurement after Tesla, and the striking of a stamp commemorating Tesla.

Provenance:

The collection was donated by Robert MacCrate, Attorney, Sullivan and Cromwell in 1972.

Restrictions:

Collection is open for research.

Series 1: Leland Anderson correspondence, box 2 is restricted by the donor until 2030.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Radio -- History  Search this

Electrical engineering  Search this

Electrical engineers  Search this

Genre/Form:

Photographs -- 20th century

Cabinet photographs

Patents

Citation:

Kenneth M. Swezey Papers, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0047

See more items in:

Kenneth M. Swezey Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep82f8acf59-7398-45d6-973e-9391f2fde87a

EDAN-URL:

ead_collection:sova-nmah-ac-0047

Collection Creator:

Glenn L. Martin Company  Search this

Container:

Box 28, Folder 42

Type:

Archival materials

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

See more items in:

Martin Aircraft Company Photograph Collection

Martin Aircraft Company Photograph Collection / Series 2: Photographic Prints / 3: Martin Matador/Mace Program

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2e638d6b3-9023-47d2-93fa-eaf28d6e8c37

EDAN-URL:

ead_component:sova-nasm-1989-0141-ref1076

Collection Creator:

Glenn L. Martin Company  Search this

Container:

Box 13, Folder 9

Type:

Archival materials

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

See more items in:

Martin Aircraft Company Photograph Collection

Martin Aircraft Company Photograph Collection / Series 2: Photographic Prints / 1: Personalities and General Plant Activities

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg256c55df3-42d5-44ed-b056-aa9c728e4397

EDAN-URL:

ead_component:sova-nasm-1989-0141-ref621

Collection Creator:

Glenn L. Martin Company  Search this

Container:

Box 13, Folder 14

Type:

Archival materials

Collection Restrictions:

No restrictions on access

Collection Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

See more items in:

Martin Aircraft Company Photograph Collection

Martin Aircraft Company Photograph Collection / Series 2: Photographic Prints / 1: Personalities and General Plant Activities

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2c474decc-2b24-4a5b-bb80-2c6ef80fedce

EDAN-URL:

ead_component:sova-nasm-1989-0141-ref626

Collection Creator:

Hobbs, Morris Henry, 1892-1967  Search this

Extent:

0.6 Linear feet (Box 3)

Type:

Archival materials

Date:

1929-2014

Scope and Contents:

Printed material documents Hobbs' career through news clippings, one scrapbook containing new clippings, exhibition catalogs, and brochures listing prints for sale. Also found are published reproductions of Hobbs' etchings found in advertisements, event programs, a deck of cards, and on the cover of several issues of the Bromeliad Society Bulletin.

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Morris Henry Hobbs papers, circa 1901-2014. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.hobbmorr, Series 5

See more items in:

Morris Henry Hobbs papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw95b75795e-2667-43f1-8c96-47cb14ee16bb

EDAN-URL:

ead_component:sova-aaa-hobbmorr-ref67

Collection Creator:

Hobbs, Morris Henry, 1892-1967  Search this

Container:

Box 3, Folder 15-16

Type:

Archival materials

Date:

1930s-1986

Collection Restrictions:

Use of original papers requires an appointment.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Morris Henry Hobbs papers, circa 1901-2014. Archives of American Art, Smithsonian Institution.

See more items in:

Morris Henry Hobbs papers

Morris Henry Hobbs papers / Series 5: Printed Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b5b5e6a4-1b55-466a-9cbc-a6ccd1ae98c4

EDAN-URL:

ead_component:sova-aaa-hobbmorr-ref71

Creator:

Artists' Gallery (New York, N.Y)  Search this

Names:

Albers, Josef  Search this

Altoon, John, 1925-  Search this

Baizerman, Eugenie, 1899-1949  Search this

Baizerman, Saul, 1889-1957  Search this

Barrer-Russell, Gertrude  Search this

Beer-Monti, Federica, b. 1876  Search this

Bowden, Harry, 1907-1965  Search this

Chafetz, Sidney  Search this

Feldman, Walter, 1925-2017  Search this

Fromboluti, Sideo, 1921-  Search this

Giobbi, Edward  Search this

Golub, Leon, 1922-2004  Search this

Grillo, John, 1917-  Search this

Johnson, Lester, 1919-2010  Search this

Kaldis, Aristodimos, 1899-1979  Search this

Kruger, Louise, 1924-  Search this

Leepa, Allen, 1919-2009  Search this

Loberg, Robert Warren, 1927-1999  Search this

Margo, Boris, 1902-1995  Search this

Margules, De Hirsh, 1899-1965  Search this

Meert, Joseph, 1905-1989  Search this

Smithson, Robert  Search this

Stix, Hugh  Search this

Tofel, Jennings, 1891-1959  Search this

Weissauer, Rudolf, 1924-  Search this

Extent:

6.8 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1929-1967

Summary:

The Artists' Gallery records measure 6.6 linear feet and date from 1929 to 1967. The collection sheds light on the gallery's operations through adminstrative records, artist files, exhibition files, and printed material.

Scope and Contents:

The Artists' Gallery records measure 6.6 linear feet and date from 1929 to 1967. The collection sheds light on the gallery's operations through adminstrative records, artist files, exhibition files, and printed material.

Administrative records include correspondence, gallery daybooks, inventories, meeting minutes of the gallery's board of directors, and two essay drafts; financial records consist of accounting books, sales records, receipts, invoices, payments, and a ledger; and museum and gallery files include papers and correspondence related to exhibitions, loans of artwork, and shipments of artwork. Several photographs of staff, artists, and the gallery interior are found here as well.

Artist files include biographical information and correspondence between artists, Federica Beer-Monti, and Hugh Stix concerning exhibitions, artwork shipments, prices, and some personal matters. Some files also include photographs, exhibition catalogs and announcements, newspaper clippings, artist books, and price lists.

Exhibition files include price lists, correspondence, drafts of publicity material, visitor guestbooks, and lists of exhibitions and exhibiting artists. Printed material includes Artists' Gallery's brochures, flyers, and other mailings, exhibition announcements and catalogs, as well as gallery scrapbooks comprised of exhibition ephemera, newspaper clippings, and some photographs; an essay published by gallery founder Hugh Stix; exhibition material, newsletters, and miscellaneous publications from other museums and galleries; and books on artists Henri Gaudier and Beauford Delaney.

Arrangement:

The collection is arranged as four series.

Series 1: Administrative Records, 1936-1965 (Box 1-2, 7; 1.6 linear feet)

Series 2: Artist Files, 1929-1967, bulk 1936-1962 (Box 2-4, 7-8; 1.8 linear feet)

Series 3: Exhibition Files, 1936-1962 (Box 4, 7, OV 9; 1.1 linear feet)

Series 4: Printed Material, 1931-1967 (Box 5-7; 2.1 linear feet)

Biographical / Historical:

The Artists' Gallery was established by Hugh Stix in 1936 in New York City. The goal of this non-profit gallery was to provide unknown or little-known artists a space to exhibit their work to gain public notoriety or be taken up by a commercial gallery. Stix hired Federica Beer-Monti, an Austrian socialite who was friends and acquaintances with many European artists, as director of the gallery. The painters and sculptors exhibited by the Artists' Gallery were voted on and selected by a rotating committee. Exhibitions were given without charge to the artist, and artists received the entire sale price of their work if sold. Some notable artists who exhibited at the Artists' Gallery included Josef Albers, Saul and Eugenie Baizerman, Byron Browne, Louis Eilshemius, Ben-Zion, Aristodemos Kaldis, De Hirsh Margules, and Hans Boehler. The gallery discontinued operations in the summer of 1962.

Separated Materials:

The Archives of American Art also holds microfilm of material lent for microfilming on reel N737. Included are six letters, 1938-1939, from artist Louis M. Eilshemius to gallery director Federica Beer-Monti. Loaned materials were returned to the donor and are not described in the collection container inventory.

Provenance:

The Artists' Gallery records were donated and lent for microfilming in several installments from 1967 to 1998. Material on reels D313 and 79 were donated from 1967 to 1968 by Federica Beer-Monti; and she lent the Louis M. Eilshemius letters on reel N737 in 1968. The unmicrofilmed portion was donated in 1974 by Beer-Monti's niece, Greta Shapiro, who also lent the logbooks on reel 1042 for microfilming in 1976. In 1998, Shapiro's widower, Aaron, donated the material lent on reel 1042.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Artists -- United States  Search this

Gallery directors  Search this

Topic:

Art -- United States -- Exhibitions  Search this

Function:

Art galleries -- New York (State) -- New York

Citation:

Artists' Gallery Records, 1929-1967. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.artigall

See more items in:

Artists' Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw950d5668a-2076-4aaa-9769-3b5e9bbb7093

EDAN-URL:

ead_collection:sova-aaa-artigall

Collection Creator:

Owen Gallery  Search this

Extent:

0.4 Linear feet (Box 8-9)

Type:

Archival materials

Date:

1994-2008

Scope and Contents:

Printed material dates from 1994-2008 and includes Owen Gallery exhibition catalogs and promotional material such as brochures and postcards.

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Owen Gallery records, 1929-2010, bulk 1980-2010. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.owengall, Series 3

See more items in:

Owen Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9f6bf149c-b33f-44d7-afdd-94b8c4e87618

EDAN-URL:

ead_component:sova-aaa-owengall-ref13

Collection Creator:

Rosa Esman Gallery  Search this

Container:

Box 12, Folder 8-9

Type:

Archival materials

Date:

1978-1991

Collection Restrictions:

Two folders comprised of Rosa Esman Gallery legal files, 1989-1991, in Box 15 are access restricted. Contact Reference Services for more information. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Rosa Esman Gallery and Tanglewood Press Inc records, circa 1922-2014. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Rosa Esman Gallery and Tanglewood Press Inc. records

Rosa Esman Gallery and Tanglewood Press Inc. records / Series 6: Printed Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d66504e9-5de5-47f0-8990-3da42d6f577a

EDAN-URL:

ead_component:sova-aaa-rosaesmg-ref174

Landscape architect:

Zumwalt, A. Rex  Search this

Provenance:

Tacoma Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Chase Garden (Orting, Washington)

United States of America -- Washington -- Pierce County -- Orting

Scope and Contents:

The folder includes worksheets, a garden plan, copies of articles and brochures about the garden, and other information.

General:

This 4.5 acre garden is on a seven-acre site developed and maintained over the years by the property's owners. The site was purchased in 1943, but moved there in 1959. The area immediately around the house was designed by A. Rex Zumwalt in 1962 and evokes the spirit of a Japanese garden, while the adjacent second-growth woodland of fir, western red cedar, and hemlock hosts a variety of native plants. Other features include a meadow, mixed shrub beds, an allée of Lewisia cotyledon, cultivated pines and firs, and a magnificent view of Mount Rainier. The property is affiliated with The Garden Conservancy.

Persons associated with the garden include: A. Rex Zumwalt (landscape architect, 1962).

Related Materials:

Chase Garden related holdings consist of 1 folder (7 35 mm. slides)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Orting  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA034

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb69feb0872-85f9-490c-9a65-b43b62e0fd78

EDAN-URL:

ead_component:sova-aag-gca-ref11413

Owner:

Colonial Williamsburg Foundation  Search this

Creator:

Colonial Williamsburg Foundation  Search this

Designer:

Spotswood, Alexander, 1676-1740  Search this

Landscape architect:

Shurcliff, Arthur A. (Arthur Asahel), 1870-1957  Search this

Hopkins, Alden  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Governor's Palace (Williamsburg, Virginia)

United States of America -- Virginia -- Williamsburg

Scope and Contents:

Folders include work sheets, brochures, garden map, and copies of articles.

General:

The first Governor's Palace and gardens were designed by Alexander Spotswood and built between 1708 and 1720. It served as the Governor's home until the Revolutionary War, when it became a military hospital. In 1781, the mansion was destroyed by fire. During the 1930's, the Palace was reconstructed. Arthur Shurcliff (Shurtleff) designed the gardens based on Spotswood's designs of the early 1700s. He based the gardens on English design with a combination of French and Dutch influences, using both "exotics" and native Virginia plants. The gardens, which include a ballroom garden, holly maze, and kitchen garden, are open to the public.

Persons associated with the property include: Lieutenant Governor Alexander Spotswood (designer, 1708-1720); Perry, Shaw and Hepburn (designers, 1931-1934); Arthur Shurtleff (landscape architect, 1930's); Alden Hopkins (landscape architect); and Colonial Williamsburg Foundation (owner).

Related Materials:

Governor's Palace related holdings consist of 3 folders (38 35 mm. slides, 6 photoprints and 12 glass lantern slides)

See others in:

J. Horace McFarland Collection, 1900-1961

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Virginia -- Williamsburg  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File VA021

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Virginia

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6b1749855-50f0-42e7-834c-5d0887457077

EDAN-URL:

ead_component:sova-aag-gca-ref18926

Landscape architect:

Church, Thomas Dolliver  Search this

Architect:

Platt, William, 1897-1984  Search this

Platt, Geoffrey  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Washington -- Pierce County -- Tacoma

Lakewold (Tacoma, Washington)

Scope and Contents:

13 4 X 6in. photographic prints, 11 postcards, approximately 88 35mm slides (originals and reproductions), and 2 folders. Folder 1 includes extensive information about the garden (newspaper clippings, annual meeting brochures, etc.), correspondence between Mrs. Corydon Wagner, a copy of a 1930 booklet created by the Tacoma Garden Club for the 1930 Garden Club of America annual meeting, and Eleanor Weller and research on findings for the Olmsted Brothers.

Biographical / Historical:

Eulalie Merrill (1904-1991) was born on October 16, 1904 in Seattle to Dwight and Eula Lee Merrill. She was an avid golf player who held The Pacific Northwest Ladies title for three straight years. She and Corydon Wagner acquired the Lakewold property in 1938 and gardening became more important than golf. She received the Garden Club of America Medal of Merit in 1968, the Montague Award in 1978, the Creative Leadership award in 1984, and the Zone Horticultural Achievement Award also in 1984. Mrs. Wagner gave the gardens to The Friends of Lakewold, an organization with the specific purpose of assuming responsibility for its care.

Varying Form:

Inglewood, formerly known as.

General:

Located on ten acres, this garden is a collection of several gardens surrounding a Georgian home on Gravelly Lake in Lakewold, a suburb of Tacmoa. Mr. and Mrs. Cordydon Wagner purchased the estate in 1938. The perimeter fence, gate and brick walkway were part of the early design. However, the original designer is unknown. In the 1950s, landscape architect Thomas Church redesigned the gardens to include a quatrefoil-shaped swimming pool, a shade garden around a 200-year-old Douglas fir (considered a "wolf" tree), a lookout to the rock gardens, waterfalls and pools leading to the lake. Church discouraged the development of a rock garden since it would cause the neglect of the formal areas, but Mrs. Wagner insisted.

The property is dominated by giant Douglas Fir trees and features an extensive collection of rhododendron. It features a brick walkway leading to a vine-covered summer house. The walk is bordered by boxwood parterres, one shaped in a quatrefoil which repeats the design of the swimming pool. The pool is on an axis with a view of Mt. Rainier framed by trees across Gravelly Lake. The garden also features an Elizabethan knot garden planted with herbs, a rock garden, and an exotic tree collection. When the garden was redesigned in the 1950s by Thomas Church, 200 firs were felled to balance the woods with the openess of the site. Dressing rooms and a kitchen were added to the teahouse and gazebo, the port-cochere was removed from the house and a motor court was added to accomodate space for twenty cars, and a glassed-in room with a Plexiglass roof was added to the side of the house that faced the swimming pool.

Persons associated with the property include: Mr. and Mrs. H. F. Alexander (former owner, before 1924), Mrs. Evertt Griggs (former owner, 1924), Mr. and Mrs. Corydon Wagner, Jr. (former owner, 1938), The Friends of Lakewold Foundation (owner, circa 1989), Thomas Church (landscape architect, 1953)

There is no direct connection between Mr. and Mrs. Alexander and the Olmsted firm. A tenuous link may exist through E.C. Griggs (job number 3725). Mr. Everett Griggs wrote to the Olmsted firm, specifically to James Dawson, in January of 1911, sending them a topographical survey, which he had prepared for the property. He noted that he had been in touch with Alex MacDougall, superintendent of the Thorne estate who had worked on several Olmsted gardens in the area. The next letter in the file is from May 1923 from Alex MacDougall (working in the Highlands in Seattle) to James Dawson.

Related Materials:

Related materials are located with Mrs. Wagner's family, Tacoma Public Library, and Washington Historical Society.

Provenance:

Extensive garden documentation compiled by Eleanor Weller for the Slide Library of Notable American Parks and Gardens. Updates were made by Mrs. Joseph L. Carman, III of Tacoma, Washington.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Tacoma  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA017

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb641ebd512-80de-49f6-823d-e040b1fa3d28

EDAN-URL:

ead_component:sova-aag-gca-ref32630

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Washington -- Pierce County -- Tacoma

Scope and Contents:

26 35mm slides and 1 folder. The folder includes a brochure created by the Tacoma Garden Club, a copy of a sketch of a proposed totem pole for garden designed by Paul N. Luvera, Sr., and a small booklet titled, "Outline of Native Garden PT. Defiance Park" by Tacoma Garden Club.

Varying Form:

Point Defiance Park, part of

General:

Tacoma Garden Club developed the Northwest Native Garden as a civic and educational project in 1963. The garden was a finalist for the 1966 Founders Fund Award. Members of the Tacoma Garden Club have done planting and weeding and financed improvements to the garden. The garden was established with a variety of plant life in the Pacific Northwest featuring seven designated habitat areas: Meadow, Coastal Forest, High Apline and Scree, Sub-apline, Moisture and Bog, Eastern Cascade, and San Juan. The main feature of the garden is a cascading waterfall and pond designed by Ray Prentice.

Persons associated with the garden include: Tacoma Garden Club (1963), Metropolitan Park Department (owner), Ray Prentice (designer of waterfall and pond), E.H. Lohbrunner (landscape designer), Fischer? (landscape designer), Paul N. Luvera, Sr. (toem pole carver).

Related Materials:

Related materials located in a scrap book of the Tacoma Garden Club and possibly other scrapbook held by members.

Provenance:

Garden documentation prepared by Mrs. Joseph L. Carman, III of Tacoma, Washington.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Tacoma  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA018

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb64d17215f-94fd-4b06-be8b-0c8da58d479d

EDAN-URL:

ead_component:sova-aag-gca-ref32631

Landscape architect:

Hare & Hare  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Washington -- Pierce County -- Tacoma

Scope and Contents:

20 35mm slides and 1 folder. The folder includes a site appraisal, history, brochures, and newspaper articles.

General:

This 698 acre public park was established in 1888. It features a Japanese-styled garden with a Shinto Shrine and Torii Gate given to the city in 1961 from Sister City Kitakyushu, Japan and were relocated to the Japanese Garden on April 29, 1982. The Pagoda was designed by Luther Twitchwell and built in 1914. It is a replica of a 17th century Japanese lodge structure and not a true pagoda.

Persons associated with the property include Hare & Hare (landscape architect), Metropolitan Park District (owner), Luther Twitchwell (designer of the pagoda), 1914).

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Washington (State) -- Tacoma  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File WA019

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Washington

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6678a43ca-81e9-4315-bde7-9d87008fe3b8

EDAN-URL:

ead_component:sova-aag-gca-ref32632

Creator:

Wright-Patterson Air Force Base (Ohio)  Search this

Names:

McCook Field, Ohio  Search this

United States. Air Force  Search this

United States. Air Force Materiel Division  Search this

United States. Air Materiel Command  Search this

Wright Field, Ohio  Search this

Wright-Patterson Air Force Base (Ohio)  Search this

Extent:

733.77 Cubic feet (1508 document boxes)

Type:

Collection descriptions

Archival materials

Correspondence

Publications

Reports

Photographs

Date:

1915-1955

Summary:

Throughout its history the Engineering Division/Materiel Division at Wright Field in Dayton, Ohio, maintained a catalogued library of technical documents, which was turned over to the Air Force Museum and later donated to the National Air and Space Museum. The collection consists of reports and other documents on a variety of aviation-related topics, including general science (aeronautics, physics, chemistry, etc); military air service personnel, organization, and equipment for both US and foreign air forces; as well as operations, and so on. Currently, the finding aid only covers documents from the D52.1 subject code (Airplanes, arranged alphabetically) and only those that are physically located in the Wright Field Technical Documents Library.

Scope and Contents:

The collection consists of reports and other documents on a variety of aviation-related topics, including general science (aeronautics, physics, chemistry, etc); military air service personnel, organization, and equipment for both US and foreign air forces; as well as operations, and so on. Information on foreign services and equipment is usually from military intelligence reports, although some foreign documents or translations are included. The material also includes a large section of test reports from the Material Division itself.

Arrangement:

Every document in the collection has been assigned a multi-part Wright Field Number. This number is adapted from the Air Force central decimal correspondence filing system. Wright Field Numbers are written in the format:

[Subject Code] [Category Suffix] / [Sequence Number] [Sequence Modifier]

Subject Code: This number begins with an alpha-numeric subject code. For example, D52.1 (Airplanes, arranged alphabetically).

Category Suffix: A more specific textual subject reference. For example, in the D52.1 subjects, the suffix is usually a manufacturer name, aircraft name, or a general type of aircraft. (Original Wright Field cataloguers could be inconsistent in how they classified an airplane. For example, a document on a Japanese Mitsubishi A6M could be filed alphabetically under A6M, Mitsubishi, Zeke, Zero, or Misc. Japanese.) It is possible to not have a category suffix.

Sequence Number: The individual number assigned to the document within its subject code and category. If a document was formerly classified as "Security Information," the sequence number starts with "S," for example "S-1." These are usually filed at the beginning of a range of documents. Sometimes technical manuals are filed using the technical order (TO) number. For example, 01-20EE-3 is the sequence number used for a Boeing B-17 Handbook of Overhaul Instructions, TO-01-20EE-3.

Sequence Modifier: If there is a revision or multiple parts of a document, this is reflected in a sequence modifier. Ex. Dates, revision numbers, etc.

The documents are arranged alpha-numerically by Wright Field Number in the order of:

Subject Code, Category Suffix, Sequence Number, Sequence Modifier

Example of arrangement by Wright Field Number:

D52.1 / 42

D52.1 Aeronca / 2

D52.1 Boeing / S-1

D52.1 Boeing / 422

D52.1 Boeing / 511 Dec 1, 1941

D52.1 Boeing / 511 vol. 2 March 1, 1943

D52.1 Misc. Japanese / 46

Each record contains the title and source from the index cards. Information from the subject field on the cards appears as a scope and content note.

Currently, the finding aid only covers documents from the D52.1 subject code and only those that are physically located in the Wright Field Technical Documents Library. Please contact the NASM Archives regarding additional documents. Some may be located in the Technical Reference Files, cataloguing information may be only on the index cards, or the document has been catalogued as missing from the collection.

Biographical / Historical:

In 1917, the United States Army Air Service established an aviation engineering section at McCook Field in Dayton, Ohio. In 1927, the Engineering Division, as it was then known, moved to nearby Wilbur Wright Field and remained there as the Air Force Materiel Division (AFMD) and Air Materiel Command (AMC) until Wright Field combined with Patterson Field to become Wright-Patterson Air Force Base in 1948. The Engineering Division was responsible for Army Air Services research and development and served as a clearinghouse for information on aviation development worldwide. Throughout its history the Engineering Division/Materiel Division maintained a catalogued library of documents, which was turned over to the National Museum of the United States Air Force at Wright-Patterson and was later donated to the National Air and Space Museum.

Provenance:

United States Air Force Museum, Transfer, 1962, NASM.XXXX.0428.

Restrictions:

No restrictions on access

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests

Topic:

Military intelligence  Search this

Airplanes, Military -- Flight testing  Search this

Aeronautics, Military  Search this

Aeronautics  Search this

Aeronautics, Military -- Research  Search this

Genre/Form:

Correspondence

Publications

Reports

Photographs

Identifier:

NASM.XXXX.0428

See more items in:

Wright Field Technical Documents Library

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg2124245c3-eb7c-495a-a446-e87ba26d8251

EDAN-URL:

ead_collection:sova-nasm-xxxx-0428

Collection Creator:

Archives Center, National Museum of American History  Search this

Ravnitzky, Michael  Search this

Container:

Box 29, Folder 14

Type:

Archival materials

Collection Restrictions:

Collection is open for research.

Collection Rights:

Possible copyright and/or trademark restrictions on material in collection. Consult repository.

Collection Citation:

Archives Center Business Americana Collection, Archives Center, National Museum of American History

See more items in:

Archives Center Business Americana Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a8838c40-a5b9-4a81-8d26-9c628291848b

EDAN-URL:

ead_component:sova-nmah-ac-0404-ref457