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Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
10.22 Cubic feet (consisting of 20 boxes, 2 folders, 9 oversize folders, 3 map case folders, 3 flat boxes (2 full, 1 partial.))
Type:
Collection descriptions
Archival materials
Menus
Bills
Ships' passenger lists
Patents
Legislative documents
Photographs
Advertisements
Advertising mail
Advertising
Illustrations
Contracts
Trademarks
Inspections
Programs
Advertising cards
Advertising fliers
Print advertising
Legal documents
Travelogs
Souvenir programs
Business cards
Concert programs
Publications
Commercial correspondence
Correspondence
Receipts
Theater programs
Business records
Legal records
Business ephemera
Invoices
Bills of sale
Ships' logs
Technical reports
Reports
Letterheads
Ephemera
Design patents
Travel brochures
Legislation (legal concepts)
Business letters
Timetables
Travel diaries
Printed ephemera
Place:
New York (N.Y.) -- Transportation
Hudson River
Date:
1777-1965
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Minimally covers the terminus of the wind-powered (sail) era and more fully documents the peak of the engine (steam) era of commercial cargo and passenger vesselsk, including freight and dockage services, maintenance and provisioning, ferry service, navigation (tug and tow) assistance, plus leisure cruising and touring. There is not a significant amount of material on battle or war ships. Includes both short distance routes such as lakes, rivers, and islets, and longer trans-oceanic crossings.

Documents within the collection consist of handbills, broadsides, leaflets, books, business cards, advertisements, insurance forms, wreck reports, passenger lists, baggage tags, freight manifests, rate cards, correspondence on letterhead stationery, booklets, newspaper clippings, postcards, menus, periodicals, manuals, photographs, engravings, woodcuts, sketches, bills of lading, receipts, catalogues, ledgers, journals, purchase orders, broadsides, brochures, custom forms, schedules, shipping and receiving documents, early steam guides, timetables, lithographs, announcements, etc. There are no navigational nautical maps. There is very little in the way of international import/export records. However, domestic and North American freight services are well-covered through invoices, bills of lading, manifests, and receipts for goods and services.

Some materials cover the history and development of steamships, particularly in the latter half of the nineteenth century with the iron screw replacing the wooden paddle steamer in the 1850s. The late 1860s brought the compound engine, which led to the steamship, previously used for the conveyance of mails and passengers, to compete with the sailing vessel in the carriage of cargo for long voyages. The 1870s brought improvements in accommodation for the passenger, with the midship saloon, conveniences in state-rooms, and covered access to smoke rooms and ladies cabins.

Ownership of specific lines and vessels was very fluid throughout shipping history, including the renaming of vessels. Mergers, dissolution, and absorption of fleets were frequent. Thus, researchers should independently seek out a more detailed history for any entity of particular interest.

The general maritime business series focuses on good and services related to maritime operations such as repair, shipbuilding, parts, ticket agents, chandlers, groceries, coal supply, dockage, wharfs/marinas, etc.

Operation records of named vessels contains primarily bills of lading and similar receipts for the movement of material goods or in-water services such as tow and tug assistance.

The largest series covering shipping lines and conglomerates offers a wide assortment of miscellaneous, nonexhaustive operation records for cargo and passenger lines and corporations, typically those with multiple holdings. These documents may include receipts, bills of lading, correspondence, and financial ledgers, plus promotional material for services and routes offered. Passenger sailings and luxury cruise documentation may contain menus, passenger lists, itineraries, shore excursion information, souveniers such as luggage tags, ticket stubs, and postcards. See also the subject category Menus, for additional examples of passenger and cruise ship menus.

When not associated with any of the above, general examples of materials related to the industry have been by arranged by their material type such as images, reports, and serial publications. More formal documentation, especially legal and reports, can be found here.

Narrative type materials related to lore, history, and building and design specifications have been sorted by subject. A scarce amount of material covers ships used for military service. Likewise, there are a few examples of maritime related material from the art world, mostly in the form of catalogues for exhibits or auction of paintings and scale models.

A note on vessel names: those used as contract carriers of mail and when in service, were entitled to unique prefix designations such as Royal Mail Ship (RMS.), otherwise, the ship name may be preceded by the more generic S.S. for single-screw steamer or steamship, SV for sailing vessel, PS for paddle steamer, RV for research vessel or similar type prefix. USS is the standard for the United States Navy commissioned ships while in commission, with HMS used for His/Her Majesty's Ship of the British Royal Navy.

Some of the major lines/companies represented in the collection include: American Line, American Steamship Company, Anchor Line, Compagnie Générale Transatlantique, Cunard-Anchor Line, Cunard Line, Cunard Steam Ship Company, Limited, Cunard White Star Line, Eastern Steamship Lines, Furness, Withy & Company, Hamburg American Line (HAPAG) / Hamburg Amerika Linie, Holland America Line (N.A.S.M. / HAL), Inman Line, International Mercantile Marine Company (IMM), International Navigation Company, North German Lloyd (Norddeutscher Lloyd Bremen), Panama Pacific Line, Peninsular and Oriental, Red Star Line, Royal Mail Steam Packet, U.S. Mail Steamship Company, United States Lines, White Star Line.
Arrangement:
Ships, Boats, and Vessels is arranged in three subseries.

Business Records and Marketing Material

General Maritime Businesses



Operation Records of Named Vessels



Shipping Lines/Conglomerates

Miscellaneous Business Records and Marketing Material

Genre

Keepsakes

Images

Ledger

Legal

News Clippings

Regulatory

Reports

Serial Publications

Stamps/Cigarette Cards

Associations and Societies

Images, Artwork, Racing, Technical Literature

Subject

Battleships, Warships

Destination Guides

Employment and Licensing

Insurance

Maritime History

Maritime Models and Art

Revue Generale Des Sciences

Warshaw Administrative Records
Related Materials:
Several other Warshaw Subject Categories may have closely related material such as Submarines and Transportation. For casual and recreational boating see Boats and Boating Equipment and Yachts. Other subject categories that may have related materials include: Canals, Dredging, Engines, Menus, Railroads (point of common transportation transfer), and Tours. .
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Steamboats [Ships, Boats, and Vessels] is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Passenger ships  Search this
Marine machinery  Search this
Ships  Search this
Shipbuilding industry  Search this
Ferries  Search this
Transportation -- Japan  Search this
River boats  Search this
Marine engines  Search this
Boats  Search this
Transportation -- Far Eastern  Search this
Ships -- Equipment and supplies  Search this
Merchant Marine -- Manning of vessels -- United States  Search this
Docks  Search this
Health  Search this
Ocean liners  Search this
Merchant Marine -- United States  Search this
Ships -- Far Eastern  Search this
Rivers  Search this
Transportation -- river boat  Search this
World War, 1939-1945 -- Merchant Marine  Search this
Harbors  Search this
Trade associations  Search this
Transportation -- 1900-1910  Search this
Boats and boating  Search this
Water transport -- 18th century  Search this
Boats -- Southeast Asia  Search this
Cargo  Search this
Local transit -- New York (N.Y.)  Search this
Sailboats  Search this
Waterways  Search this
Sailing  Search this
Transportation -- New York (N.Y.)  Search this
Local transit  Search this
Scientific expeditions  Search this
Water transfer  Search this
Transportation -- History  Search this
Wharves  Search this
Steamboats  Search this
Boats -- New York (N.Y.)  Search this
Transportation  Search this
Public health  Search this
Marine engineers  Search this
Ocean travel  Search this
Seamen -- 1910-1920  Search this
Musical performances  Search this
Transportation -- Law and legislation -- United States  Search this
Merchant seamen  Search this
Marine engineering  Search this
Models and modelmaking  Search this
Navigation  Search this
Seamen -- 1940-1950  Search this
Travel  Search this
Importers  Search this
Shipping  Search this
Cruise ships  Search this
Ships -- New York (N.Y.)  Search this
Flags  Search this
Exports -- 19th century  Search this
Genre/Form:
Menus -- Ships -- 1940-1950
Menus
Bills
Ships' passenger lists
Patents
Legislative documents
Photographs
Advertisements
Advertising mail
Advertising
Illustrations
Contracts
Trademarks
Inspections
Programs
Advertising cards
Advertising fliers
Print advertising
Legal documents
Travelogs
Souvenir programs
Business cards
Concert programs
Publications
Commercial correspondence
Correspondence
Receipts
Theater programs
Publications -- Business
Business records
Legal records
Business ephemera
Invoices
Bills of sale
Ships' logs
Technical reports
Reports
Letterheads
Ephemera
Design patents
Travel brochures
Legislation (legal concepts)
Business letters
Timetables
Travel diaries
Printed ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Ships, Boats, and Vessels, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Steamboats
See more items in:
Warshaw Collection of Business Americana Subject Categories: Steamboats [Ships, Boats, and Vessels]
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8cc542278-2f59-4b3b-9008-a8b7679a46b5
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-steamboats
Online Media:

A Pro-Labor Law

Measurements:
overall: 11 1/2 in x 6 in; 29.21 cm x 15.24 cm
Object Name:
broadside
Date made:
1949
Credit Line:
The Ralph E Becker Collection of Political Americana
ID Number:
PL.227739.1949.F01
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng457868bde-b0d1-40c6-ad7e-64eed6ffb1b0
EDAN-URL:
edanmdm:nmah_2029519

Offer of "The Rauschenberg Autobiography" (print), Broadside Art, Inc., New York

Container:
Box 1 of 2
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 97-091, Joseph H. Hirshhorn Foundation, Records, with related papers of Joseph H. Hirshhorn
See more items in:
Records, with related papers of Joseph H. Hirshhorn
Records, with related papers of Joseph H. Hirshhorn / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa97-091-refidd1e396

Monongahela Bridge, broadside view

Collection Author:
Garrett, John W. (John Work), 1820-1884  Search this
Latrobe, Benj. H. (Benjamin Henry), 1807-1878  Search this
Collection Creator:
Baltimore and Ohio Railroad Company  Search this
Container:
Box 14, Item 142
Type:
Archival materials
Negatives
Date:
8/28/1913
Collection Restrictions:
The collection is open for research use. Researchers must handle unprotected photographs and glass plate negatives with gloves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Baltimore and Ohio Railroad Records, Archives Center, National Museum of American History
See more items in:
Baltimore and Ohio Railroad Records
Baltimore and Ohio Railroad Records / Series 9: Negatives / 9.2: Glass Plate Negatives (Numbered)
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8aa20cbc4-3de0-4c00-8b98-68167584a8f6
EDAN-URL:
ead_component:sova-nmah-ac-1086-ref3177

Rockwell Kent papers

Creator:
Kent, Rockwell, 1882-1971  Search this
Names:
American Artists' Congress  Search this
Artists League of America  Search this
Artists' Union (New York, N.Y.)  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
International Workers Order  Search this
Macbeth Gallery  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
Boyesen, Bayard  Search this
Chamberlain, J. E.  Search this
Chase, William Merritt, 1849-1916  Search this
Cleland, T. M. (Thomas Maitland), 1880-1964  Search this
Daniel, Charles, 1878-1971  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Fitzgerald, James, 1899-1971  Search this
Freuchen, Peter, 1886-1957  Search this
Gellert, Hugo, 1892-1985  Search this
Gottlieb, Harry, 1895-  Search this
Hartley, Marsden, 1877-1943  Search this
Hays, Lee, 1914-1981  Search this
Henri, Robert, 1865-1929  Search this
Jones, Dan Burne  Search this
Keller, Charles, 1914-2006  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Nearing, Helen  Search this
Nearing, Scott, 1883-1983  Search this
Pach, Walter, 1883-1958  Search this
Phillips, Duncan, 1886-1966  Search this
Rasmussen, Knud, 1879-1933  Search this
Reeves, Ruth, 1892-1966  Search this
Robeson, Paul, 1898-1976  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Ruggles, Carl, 1876-1971  Search this
Seeger, Pete, 1919-2014  Search this
Stefansson, Vilhjalmur, 1879-1962  Search this
Untermeyer, Louis, 1885-1977  Search this
Wildenstein, Felix, 1883-1952  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
88 Linear feet
Type:
Collection descriptions
Archival materials
Poems
Sketches
Business records
Photographs
Drawings
Date:
circa 1840-1993
bulk 1935-1961
Summary:
The Rockwell Kent papers measure 88.0 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.
Scope and Content Note:
The Rockwell Kent papers measure 88 linear feet and date from circa 1840 to 1993 with the bulk of the collection dating from 1935 to 1961. The collection provides comprehensive coverage of Kent's career as a painter, illustrator, designer, writer, lecturer, traveler, political activist, and dairy farmer.

Circumstances surrounding the acquisition of the papers are highlighted in an article by Garnett McCoy ("The Rockwell Kent Papers," in the Archives of American Art Journal, 12, no. 1 [January 1972]: 1-9), recommended reading for researchers interested in the collection. The collection is remarkably complete, for in the mid 1920s Kent began keeping carbon copies of all outgoing letters, eventually employing a secretary (who became his third wife and continued her office duties for the remainder of Kent's life).

Series 1: Alphabetical Files contain Kent's personal and professional correspondence, along with business records of the dairy farm and associated enterprises; also included are printed matter on a wide variety of topics and promotional literature relating to organizations and causes of interest to him. Voluminous correspondence with his three wives, five children, and other relatives, as well as with literally hundreds of friends, both lifelong and of brief duration, illuminates Kent's private life and contributes to understanding of his complex character. Among the many correspondents of note are: his art teachers William Merritt Chase, Robert Henri, and Kenneth Hayes Miller; fellow artists Tom Cleland, Arthur B. Davies, James Fitzgerald, Hugo Gellert, Harry Gottleib, Marsden Hartley, Charles Keller, and Ruth Reeves; collectors Duncan Phillips and Dan Burne Jones; critics J. E. Chamberlain and Walter Pach; and dealers Charles Daniel, Felix Wildenstein, and Macbeth Galleries. Kent corresponded with such diverse people as Arctic explorers Peter Freuchen, Knud Rasmussen, and Vilhjalmar Steffanson; composer Carl Ruggles and songwriters Lee Hays and Pete Seeger; civil rights pioneers Paul Robeson and Dr. W. E. B. Du Bois; writers Bayard Boyesen, Scott and Helen Nearing, and Louis Untermeyer; and art historian and print curator Carl Zigrosser.

Kent's interest and involvement in the labor movement are reflected in correspondence with officials and members of a wide variety and large number of unions and related organizations, among them: the Farmers' Educational and Cooperative Union of America, Farmers' Union of the New York Milk Shed, International Workers Order, National Maritime Union, and United Office and Professional Workers of America. Of special interest is his participation, often in leadership roles, in various attempts to organize artists. Files on the American Artists' Congress, Artists League of America, The Artists Union, United American Artists, and United Scenic Artists contain particularly valuable material on the movement.

A supporter of New Deal efforts to aid artists, Kent was actively interested in the various programs and often was critical of their limitations; he advocated continuing federal aid to artists after the Depression abated. The Kent papers include correspondence with the Federal Arts Project, Federal Fine Arts Project, Federal Writers Project, and the War Department, as well as correspondence with the Citizens' Committee for Government Art Projects and President Franklin D. Roosevelt on the subject.

Kent's professional correspondence documents exhibitions, sales, consignments, and reproduction of prints and paintings. He kept meticulous records of his advertising commissions and illustration work. Detailed correspondence with publishers and printers indicates Kent's involvement in the technical aspects of production and provides a good overview of the publishing industry during the mid-twentieth century.

Business records of Asgaard Farm include records of the dairy and transfer of ownership to its employees, tax and employee information, and documents concerning several related business ventures such as distributor ships for grain, feed, and farm implements.

Series 2: Writings consists of notes, drafts, and completed manuscripts by Rockwell Kent, mainly articles, statements, speeches, poems, introductions, and reviews. The Kent Collection given to Friendship House, Moscow, in 1960, was augmented later by a set of his publications and the illustrated manuscripts of many of his monographs. Also included are a small number of manuscripts by other authors.

Series 3: Artwork consists mainly of drawings and sketches by Kent; also included are works on paper by other artists, many of whom are unidentified, and by children.

Series 4: Printed Matter consists of clippings, exhibition catalogs and announcements, brochures, broadsides, programs, and newsletters. These include items by and about Kent and his family, as well as articles written and/or illustrated by him, and reviews of his books. There is also material on a variety of subjects and causes of interest to him. Additional printed matter is included among the alphabetical files, mainly as attachments to correspondence.

Series 5: Miscellaneous includes biographical material, legal documents, and memorabilia. Artifacts received with papers include textile samples, a silk scarf, dinnerware, ice bucket, and rubber stamp, all featuring designs by Rockwell Kent. Also with this series are a variety of documents including a phrenological analysis of an ancestor, lists of supplies for expeditions, a hand-drawn map of an unidentified place, and technical notes regarding art materials and techniques.

Series 6: Photographs includes photographs of Kent, his family and friends, travel, and art number that over one thousand. Also included here are several albums of family and travel photographs.
Arrangement:
The collection is arranged into six series. Series 1 is arranged alphabetically. The arrangement of the remaining series is explained in each series description. Note that sealed materials that became available in 2000 were microfilmed separately on reels 5740-5741, but have integrated into this finding aid.

Missing Title

Series 1: Alphabetical Files, circa 1900-1971, undated (Reels 5153-5249, 5256, 5740-5741)

Series 2: Writings, 1906-1978, undated (Reels 5249-5252, 5741)

Series 3: Art Work, 1910-1972, undated (Reels 5252, 5741)

Series 4: Printed Matter, 1905-1993, undated (Reels 5252-5254)

Series 5: Miscellaneous, 1859-1969, undated (Reels 5254, 5741)

Series 6: Photographs, circa 1840-1970, undated (Reels 5254-5255, 5741)
Biographical Note:
Rockwell Kent (1882-1971), an energetic and multitalented man, pursued many interests and careers during his very long and active life. At various times he was an architect, draftsman, carpenter, unskilled laborer, painter, illustrator, printmaker, commercial artist, designer, traveler/explorer, writer, professional lecturer, dairy farmer, and political activist.

While studying architecture at Columbia University, Kent enrolled in William Merritt Chase's summer school at Shinnecock Hills, Long Island. He then redirected his career ambitions toward painting and continued to study with Chase in New York. Kent spent a summer working and living with Abbott H. Thayer in Dublin, New Hampshire, and attended the New York School of Art, where Robert Henri and Kenneth Hayes Miller were his teachers.

Critically and financially, Kent was a successful artist. He was very well known for his illustration work--particularly limited editions of the classics, bookplates, and Christmas cards. He was a prolific printmaker, and his prints and paintings were acquired by many major museums and private collectors. During the post-World War II era, Kent's political sympathies resulted in the loss of commissions, and his adherence to artistic conservatism and outspoken opposition to modern art led to disfavor within art circles. After many years of declining reputation in this country and unsuccessful attempts to find a home for the Kent Collection, Kent gave his unsold paintings--the majority of his oeuvre--to the Soviet Union, where he continued to be immensely popular.

An avid traveler, Kent was especially fascinated by remote, Arctic lands and often stayed for extended periods of time to paint, write, and become acquainted with the local inhabitants. Between 1918 and 1935, he wrote and illustrated several popular books about his experiences in Alaska, Tierra del Fuego, and Greenland. In the 1930s and 1940s, Kent was much in demand as a lecturer, making several nationwide tours under the management of a professional lecture bureau; he spoke mainly about his travels, but among his standard lectures were some on "art for the people."

In 1927, Kent purchased Asgaard Farm at AuSable Forks, New York, in the Adirondacks, where he lived for the remainder of his life, operating a modern dairy farm on a modest scale for many years.

As a young man, Kent met Rufus Weeks, became committed to social justice, and joined the Socialist Party. Throughout his life, he supported left-wing causes and was a member or officer of many organizations promoting world peace and harmonious relations with the Soviet Union, civil rights, civil liberties, antifascism, and organized labor. Kent was frequently featured as a celebrity sponsor or speaker at fund-raising events for these causes. In 1948, he ran unsuccessfully as the American Labor Party's candidate for Congress. Kent's unpopular political views eventually led to the dissolution of his dairy business, resulted in a summons to appear before the House Un-American Activities Committee, and prompted the U.S. State Department to deny him a passport, an action that subsequently was overturned by the U.S. Supreme Court.

Kent wrote two autobiographies, This Is My Own (1940) and It's Me, O Lord (1955). In 1969, he was the subject of an oral history interview conducted by Paul Cummings for the Archives of American Art.
Provenance:
In 1969, Rockwell Kent donated his papers to the Archives of American Art; textile samples were received in 1979, and his widow gave additional papers in 1971 and 1996. Letters to Rockwell Kent from wives Frances and Sally, sealed during Sally Kent Gorton's lifetime, became available for research after her death in 2000, and further material was donated to the Archives of American Art in 2001 by the Estate of Sally Kent [Shirley Johnstone] Gorton.
Restrictions:
The microfilm of this collection has been digitized and is available online via AAA's website. Use of material not microfilmed or digitized requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State)  Search this
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Function:
Labor unions
Genre/Form:
Poems
Sketches
Business records
Photographs
Drawings
Citation:
Rockwell Kent papers, circa 1840-1993, bulk 1935-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kentrock
See more items in:
Rockwell Kent papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97edd9940-eb61-4562-9583-def2da778b6a
EDAN-URL:
ead_collection:sova-aaa-kentrock
Online Media:

Diana Davies photographs

Photographer:
Davies, Diana, 1938-  Search this
Gahr, David  Search this
Performer:
Bread and Puppet Theater  Search this
Everly Brothers  Search this
New Lost City Ramblers  Search this
Pentangle (Musical group)  Search this
The Pennywhistlers (Musical group)  Search this
The Young Tradition (Musical group)  Search this
Andersen, Eric  Search this
Bikel, Theodore  Search this
Brand, Oscar  Search this
Cameron, John A.  Search this
Chandler, Len  Search this
Collier, Jimmy  Search this
Collins, Judy, 1939-  Search this
Fuller, Jesse  Search this
Gerrard, Alice, 1934-  Search this
Guthrie, Arlo  Search this
Hartford, John  Search this
Hjorth, Ole  Search this
Joplin, Janis  Search this
Kennedy, Norman, 1934-  Search this
Kershaw, Doug  Search this
Killen, Louis  Search this
Kirkpatrick, Frederick Douglass  Search this
Koerner, John  Search this
McGhee, Brownie, 1915-1996  Search this
Mitchell, Joni  Search this
Monroe, Bill, 1911-1996  Search this
Muddy Waters, 1915-1983  Search this
Ochs, Phil  Search this
Perkins, Carl  Search this
Proffitt, Frank, Jr., 1946-2005  Search this
Rachell, Yank  Search this
Raim, Ethel  Search this
Ramsey, Frederic, 1915-1995  Search this
Reagon, Bernice Johnson, 1942-  Search this
Rinzler, Ralph  Search this
Sainte-Marie, Buffy  Search this
Seeger, Mike, 1933-2009  Search this
Stabi, Björn  Search this
Sykes, Roosevelt, 1906-1983  Search this
Taylor, James  Search this
Traum, Artie  Search this
Traum, Happy  Search this
Watson, Doc  Search this
Watson, Merle  Search this
White, Elaine (Vocalist)  Search this
Wiseman, Mac  Search this
Names:
Newport Folk Festival  Search this
Philadelphia Folk Festival  Search this
Asch, Moses  Search this
Chandler, Nancy  Search this
Dunson, Josh, 1941-  Search this
King, Coretta Scott, 1927-2006  Search this
Silber, Irwin, 1925-2010  Search this
Young, Izzy, 1928-2019  Search this
Musician:
Bosco, John  Search this
Extent:
3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Type:
Collection descriptions
Archival materials
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Place:
New York (N.Y.)
Saint Simons Island (Ga. : Island)
Date:
1963-2009
Summary:
The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides. Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.
Scope and Contents:
The Diana Davies photographs, 1963-2009, consist of black and white negatives, contact sheets and prints, as well as color slides and negatives. The bulk of materials depict major festivals and protest movements (including the Poor People's March of 1968) documented by Diana Davies (located in Series 1: Newport Folk Festival, Series 2: Philadelphia Folk Festival, Series 6: Festival of American Folklife, and Series 11: Social Justice). Also well-represented are non-festival performances (in locations such as clubs, concert halls, and homes), recording sessions, and other music-related images, mainly of notable figures in the American folk music revival (located in Series 3: Broadside Magazine, Series 4: Sing Out! Magazine Concerts, Series 5: Miscellaneous Concerts and People, Series 7: Recording Sessions, Series 8: Instruction Book Shots, and Series 9: Jazz, Blues, and Salsa Musicians). Series 10: Georgia Sea Islands consists of photographs depicting the culture, environment, and daily life of these coastal islands in 1966. Series 12: New York City Scenes contains photographs taken on the street depicting everyday life in NYC in the 1960s and 1970s. The collection also contains related papers in Series 13: Miscellaneous Papers and Correspondence.
Arrangement note:
Each item in the Diana Davies Photographs has been assigned an accession number, and like materials have been put together such as the Newport Folk Festival photographs, in a chronological sequence as much as possible. Materials in the three more recent donation batches (1998, 2004, and 2006) were numbered and integrated into the collection. In some series, the accession numbers are in numerical order, and in others, the numbers are random because like items with different number sequences were pulled together in a series for subject coherence. The best way to find occurrences of a particular subject is to use the ctrl+F function. Please consult the archivists if you have any questions about the collection contents.

Contact sheets, slides, and prints arranged in 8 binders; negatives and oversize prints are stored separately.

Arranged in 14 series:

Series 1: Newport Folk Festival

Series 2: Philadelphia Folk Festival

Series 3: Broadside Magazine

Series 4: -- Sing Out! -- Magazine Concerts

Series 5: Miscellaneous Concerts and People

Series 6: Festival of American Folklife

Series 7: Recording Sessions

Series 8: Instruction Book Shots

Series 9: Jazz, Blues, and Salsa Musicians

Series 10: Georgia Sea Islands

Series 11: Social Justice

Series 12: New York City Scenes

Series 13: Miscellaneous Papers and Correspondence

Series 14: Oversize Materials
Biographical/Historical note:
Diana Davies is a well-known photographer of folk performers and festivals. Davies photographed the Smithsonian Folklife Festival in its earlier years. Born in 1938, Davies grew up in Maine, the Catskills, New York City, and Boston. Her grandparents were local union organizers and Debs socialists; one grandfather was a gandy dancer with the railroad, and her grandmother was a textile worker in Massachusetts, New York, and Pennsylvania. Davies finds that her family background was later expressed in her own activist efforts.

Davies left high school at 16, and worked sweeping out coffeehouses, which gave her the opportunity to listen to music while she worked. She became interested in theater and music. In Greenwich Village, she began doing some sound technician work, and then got interested in photography. She taught herself how to develop and print photographs in a darkroom, and began photographing in theaters, shooting from behind the scenes. Her theater photos are at Smith College in Northampton, where she presently lives. In the early 1960s, she began working with the editors of Broadside Magazine, Sis Cunningham and Gordon Friesen. She developed an interest in human rights work, which grew from her contact with Sis and Gordon, and also her own family background. She also worked as a photographer in a wide range of settings, including night clubs, weddings, and doing portrait photography. This led her to work for major national and international media including the New York Times, covering such events as the war in Biafra, and traveling to Mexico, Cuba, and Portugal on assignment.

Davies' folk photographs represent about one-quarter of her body of work; her other major photographic work includes the Civil Rights Movement, the Peace Movement, and theater. Davies began photographing at the Newport Folk Festival in 1964, which she covered for a number of years. She knew Ralph Rinzler, and found him a vibrant, alive person excited by all aspects of culture. He introduced her to Bessie Jones from the Georgia Sea Islands, and in 1966 she made a photographic journey to the islands. Her work from this trip is included in the collection. Davies has also been a musician. She became involved with the punk rock movement of the 1970s, and felt that there was a connection between the hard-hitting songs from the punk world and the songs being published in Broadside Magazine. In 1975, she became part of a folk/punk women's band in Boston, and later moved to Western Massachusetts. In addition to being a photographer and musician, Davies is also a writer. She wrote a play entitled "The Witch Papers" in 1980, which was produced in Boston and other locations. The play was a vehicle for her human rights activism, comparing the technology of inquisition with labor sweatshops. In 1998, her play "The War Machine" was produced in Amherst, Mass. She lives in Northampton, and enjoys and participates in street performance, which she describes as the "most essentially communicative stuff you can come up with."
General note:
All contact sheets from the collection are digitized and accessible through this finding aid. Series-level slideshows accessible through this finding aid represent a small sampling from the collection.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives and Collections. These two more recent donations of additional photographs (contact sheets, prints, and slides) consisted of documentation of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the provison that her work be credited in any use.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Peace movements  Search this
March on Washington for Jobs and Freedom, Washington, D.C., 1963  Search this
Civil rights -- United States  Search this
Genre/Form:
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Citation:
Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.
Identifier:
CFCH.DAVIE
See more items in:
Diana Davies photographs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59fa9fef6-8287-4b3c-8f47-119c519dd318
EDAN-URL:
ead_collection:sova-cfch-davie
Online Media:

GLCCB brochures, broadsides, and surveys

Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 77, Folder 1
Type:
Archival materials
Date:
undated
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB) / 10.2: Office Files
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85a1ea27d-f585-48f2-affa-d7cbefd5b015
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1123

Brochures, broadsides, ephemera

Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 115, Folder 1
Type:
Archival materials
Date:
1990-2012, undated
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 20: Pride at Work
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82e2e04a6-0e93-4833-8461-d7e91ad6f830
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1571

"woman-identified woman", "a letter from mary", broadside (New England Free Press, Somerville, Massachusetts)

Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 170, Folder 6
Type:
Archival materials
Date:
1970
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 4: Advertising, Business, and Publications / 4.5: Publications
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep885c8260d-2e0e-4c19-8c04-ead62448b383
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2939

AIDS 2012, XIX International AIDS Conference, posters and broadsides

Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Container:
Box 43, Folder 5
Type:
Archival materials
Date:
2012
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 3: Community Life, Subjects, and Subject Files / 3.6: HIV and AIDS, Ephemera and Photographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8175bc8cf-965b-488c-9c44-6ef4748b3d87
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref420

There was a 'Can Do' Republican Congress

Associated institution:
Republican National Party  Search this
Measurements:
overall: 11 in x 8 1/2 in; 27.94 cm x 21.59 cm
Object Name:
Broadside
Associated date:
1951
Credit Line:
The Ralph E Becker Collection of Political Americana
ID Number:
PL.227739.1950.F05
Catalog number:
227739.1950.F05
See more items in:
Political and Military History: Political History, Campaign Collection
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a3-1778-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_509698

Dakota agency personnel (including Indian Police), students, and views of Agency buildings, from various Dakota agencies and Carlisle Indian School

Photographer:
Choate, John N., of Carlisle, Pennsylvania  Search this
Anderson, J. A.  Search this
Creator:
Northwestern Photographic Company  Search this
Names:
Anderson, W. W.  Search this
Berht, Stella  Search this
Black Bear, Carrie  Search this
Calls Horse Looking  Search this
Cleveland, William Joshua, 1845-1910  Search this
Flood, Thomas  Search this
Four Horn, Charlotte  Search this
Galiego, Louisa  Search this
Gallagher, H. D. Col  Search this
Good Nation, Laura  Search this
Hand, Emma  Search this
Horse Looking, Irene  Search this
Iron Eagle Feather  Search this
Jackson, Sheldon, 1834-1909  Search this
Little Bull  Search this
Low, Adelia  Search this
McChesney, Charles E.  Search this
McLaughlin, James Major  Search this
Pratt, Richard Henry, 1840-1924  Search this
Shields, John  Search this
Spence, L. F. Agent  Search this
Standing Bear, Victoria  Search this
Townsend, Harvey  Search this
Two Dogs, Isabella  Search this
Wells, Mark  Search this
White Bear, Rosa  Search this
White Birch, Katie  Search this
White Horse  Search this
White Thunder, Rosa  Search this
Wilson, Susan  Search this
Wright, John V. Judge  Search this
Extent:
44 Prints (mounted)
Culture:
Dakota Indians  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
undated
Scope and Contents:
Photographs of Carlisle by J. N. Choate, three Rosebud Agency photographs by J. A. Anderson, the rest unidentified as to photographer. The photographs probably date between 1880 and 1895.
Catalog Number 4574: Letter of 3/21/58 from Richard A. Pohrt (donor): "...eleven photographs from the Indian School at Carlisle. Pa. These I am certain were all taken by J. N. Choates [Choate], a photographer who had a studio at 21 West Main St., Carlisle, Pa." (1) Carlisle Indian School "The dining hall, Indian Training School" (Original Number 45) Photographer: J. H. Choate, Carlisle, Pa. (2) Carlisle Indian School "Sheldon Jackson, John Shields and Harvey Townsend, Pueblos." (Original Number 70) J. N. Choate, Carlisle, Pa. (3) Carlisle Indian School "Pine Ridge Boys" (Original Number 155) (caption written by hand) J. N. Choate, Carlisle, Pa. (4) Carlisle Indian School "After School; Indian Training School, Carlisle, Pa." (written by hand). (Original Number 163) J. N. Choate, Carlisle, Pa. (5) Carlisle Indian School Group of students, presumably of Carlisle School. Labeled on back (by hand) as follows: "No. 1 White Horse Little Bull "No. 2 Calls Horse Looking "No. 3 Brule Iron Eagle Feather "No 4 Stella Berht "No. 5 Rosa White Thunder "No 6 Irene Horse Looking "No 7 Laura Good Nation Compliments of Capt. Pratt, E." J. N. Choate, Carlisle, Pa. (?) (6) Carlisle Indian School Group of girls, presumably students at Carlisle School. Labled by hand as follows; left to right, row 1 (kneeling) Emma Hand, Rosa White Bear (dead), Isabella Two Dogs, Louisa Galiego (Pine Ridge). Row 2, (sitting) Carrie Black Bear, Susan Wilson (S sister [?]), Charlotte Four Horn, Esther Side [?] Bear. Row 3 (standing) Katie White Birch, Adelia Low, Victoria Standing Bear, Martha Bordeaux [?], Mose Dion [?]. J. N. Choate, Carlisle, Pa. (?). (7) Carlisle Indian School Group of boys, presumably students at Carlisle School. J. N. Choate, Carlisle, Pa. (?). (8) "Girl's Quarters, Carlisle Barracks" [Choate Broadside, No 78?] J. N. Choate, Carlisle, Pa. (?). (9) "School Rooms, Carlisle Barracks." [Choate broadside, No. 80 ?].
Catalog Number 4574: (10) Carlisle Indian School "Cap't Pratt's House and Chapel." [Choate broadside, No. 82 ?] Captain Pratt near steps. J. N. Choate, Carlisle, Pa. (11) Carlisle Indian School (?) "Band of Indian Boys at the Government School, Washington, D. C." ("Popular Series"). Stereoscopic view. Probably copy of Choate No. 76, erroneously labeled. [See Choate broadside, B.A.E. Catalog Number 4241.] J. N. Choate, Carlisle, Pa (?) (See R. A. Pohrt correspondence, 9/24/59). (12) Tribe: Dakota (Oglalla ?) "High Hawk." Resembles closely the man identified as High Hawk in Signal Corps Photograph at National Archives (No. 101549). Only slight resemblance to S. I. Negative 42,827. He must have been considerably older when the latter was taken if they are the same person. J. N. Choate, Carlisle, Pa. (13) Dakota:Agency Personnel, various agencies Seated left to right: Reverend William J. Cleveland (Episcopal missionary and sometime agent at Rosebud-- See Bureau of American Ethnology Bulletin 5, page 20 for biography), Captain Richard Henry Pratt (Chairman), and Judge John V. Wright of Tennessee, -- the three composed the 2nd commission to the Sioux, 1888. (For account of the commission see Eastman, "Pratt, the Redman's Moses," University of Oklahoma Press, 1935). (Identified from BAE Negative Number "Portraits 13-b"). No date, but because of the 3 main figures, suggests ca. 1888. Standing. left to right: , (appears third from left in S. I. Negative 43,563-- identified more clearly in original prints of same group National Archives-- N. A. Numbers 86-1, 86-2, 87), Col. H. D. Gallagher, Agent Pine Ridge (same ident. source), Major W. W. Anderson, agent at Crow Creek and Lower Brule; for a Mark Wells see Negative 3307-c, Dr C. E. McChesney, agent at Cheyenne River Agency (Number 14, in row 5.), Major James McLaughlin, Agent Standing Rock Reservation, Col. L. F. Spence, Agent Rosebud Agency (identified from S. I. Negative 43,563). No date, but because of the 3 main figures, suggests ca. 1888.
Catalog Number 4574: (14) Dakota: Agency Personnel Seated: Col. L. F. Spence, Agent at Rosebud, (identified from S. I. Negative 43,563) Standing: unidentified, but compare with 4574: (28), below. (15) Dakota: Pine Ridge Agency Labeled in pencil, "Agent's Dwelling, Pine Ridge Agency, D. T." (Verified by numerous views of the Agency in the National Archives). Two Indian Policemen on porch. Water tower behind house. (16) Dakota: Pine Ridge Agency ? Distant view of Agency, almost certainly Pine Ridge (compare with original prints catalog Number 4464. "Pine Ridge Agency from the North in 1891"). Print marked in pencil, "Fort Niobrara, Nebraska Territory"-- erroneous ? Northwestern Photographic Co, Chadron, Nebraska (17) Dakota: Rosebud Agency "No. 4 St Francis' Mission, Rosebud Agency, S. D., West Side." Church and school, one wing in process of being built. Print not marked. Received in package marked by donor, "J. A. Anderson." (18) Dakota: Rosebud Agency "No 7. Birds-eye view of St Francis Mission. Rosebud Agency, S. D." Print not marked. Received in package marked by donor,"J. A. Anderson." (19) Dakota: Rosebud Agency "No 8. Fathers and Brothers of St Francis Mission. Rosebud Agency, S. D." J. A. Anderson, Rosebud Agency, S. D. (20) Dakota: Rosebud Agency View of Rosebud Agency, and garden, from the South (if 17 above correct). Must have been taken prior to the Anderson photograph, since the new wing is not in evidence. (Identified from 17 and 18.) (21) Dakota: Rosebud Agency Nuns with large group of students in school uniforms, (St Francis Mission, Rosebud Agency ?) Little white girl in front row looks like one in 4574: (32) below, and possibly same as in 4574: (31).
Catalog Number 4574 (22) Dakota: Rosebud Agency "View at Rosebud Agency. May 8th 1892." This series of "row" houses corresponds, perhaps, to ones in J. A. Anderson's Among the Sioux, "A typical Indian Agency" (BAE temporary 77). Note "Police Station " sign. 1892. (23) Dakota: Rosebud Agency Agent's house, Rosebud Agency (identified from Negative Number 43,791-B). Standing in front, left to right: , , Col. L. F. Spence, Agent (identified from S, I, Negative 43,563 and National Archives' prints of same group), , , . (24) Boy on horse in front of agent's dwelling, Rosebud Agency. (House, and thus agency, identified from S. I. Negative 43,791-B and others). (25) Dakota: Rosebud Agency Group of Indian Police, civilian men, women, and children around flag pole in front of agent's house (identified from S. I. Negative 43,791-B), Rosebud Agency. Reverend William J. Cleveland (with whiskers and derby) in back row, 2nd to right of flagpole. (Indentified from BAE Negative Number "Portraits 13-b.") (26) Dakota: Rosebud Agency Distant view of agent's dwelling and unidentified home and/or school to the left of it. Copy in negative catalog made from another original print. See Negative Number 43,791-C.
Catalog Number 4574: (27) Dakota: Rosebud Agency Unidentified home and/or school to left of agent's dwelling (see 4574:(26) above, then 43,791-B), large group of men in front of building. Possibly Reverend William J. Cleveland, (note whiskers) on porch, 3rd from right. (28) Dakota: Rosebud Agency (?) Agency personnel (?), including Indian police. 4th from left, front row: Col. L. F. Spence, Agent at Rosebud (identified from S. I. Negative 43,563). 5th from left, front row: same as man on right in 4574: (14) (?). 2nd from left, 2nd row: same as man on left in 4574: (14) (?). 2nd from right, 2nd row: Thomas Flood, Interpreter (identified from S. I. Negative 43,563). Indentification as Rosebud Agency rests primarily upon the presence of Spence. See Negative Number 45,793-B. (29) Dakota: Rosebud Agency (?) Large building, with chapel, set in open area. Built 1885 (date on front gable). In front are 5 women (one on horse) 3 children, three men; Rev. William J. Cleveland at extreme left (identified from BAE Negative Number "Portraits" 13-b). May be Saint Mary's Mission Boarding School for Sioux Boys and Girls, 12 miles from Rosebud Agency, on Antelope Creek, Dakota Territory, for the following reasons: 1. The building is a self-contained unit--including a chapel--and there are no other buildings in view. 2. The building is dated 1885. Pilling, in Bureau of American Ethnology Bulletin 5, 1887 states that Cleveland had at that time been principal of Saint Mary's for 2 years, which fits neatly with the 1885 date. (30) Dakota: Rosebud Agency (?) Side view of same building as in 4574: (29). Several women and children in foreground. Reverend William J. Cleveland holding horses (identified from BAE Negative Number "Portraits" 13-b), and one other man. See 4574:(29) above.
Catalog Number 4574: The following photographs (4574: (31-39)), along with a group of similar photographs in the National Archives, seem to establish a consistent pattern in the location and structure of agency school facilities. In general, the schools were small frame buildings, apparently widely scattered over the agencies, each with a small frame house for the teaching couple and family. (31) Dakota: Agency Unidentified Frame school (?) building. In foreground, group of students with teachers (man and woman--and their little girl ?), and Indian police. (32) Dakota: Agency Unidentified Group of students with teachers (man and woman--and their child) in front of frame school (?) house. Also an Indian Policeman. (33) Dakota: Agency unidentified Group of students with teachers (man and woman) and Indian Police in front of frame school (?) house. White man on right appears to be identical with the first man on left in S. I. Negative 43,563, Sioux delegation to Washington, 1888. (34) Dakota: Agency unidentified Group of students with teachers (man and woman) in front of frame school (?) house. Also an Indian Policeman. (35) Dakota: Agency unidentified Frame school (?) building. In foreground a group of students with teacher(s). (36) Dakota: Agency unidentified Frame school (?) with group of students and teacher in the foreground. The teacher is the same as in 4574:(36), as are many of the pupils. (37) Dakota: Agency unidentified Teachers (and their child) with group of students in front of frame school building. (See 4574: (38) for identity as school.) (38) Dakota: Agency unidentified School building (and teachers' dwelling ?) with man, woman, and child (same ones as in 4574: (37) above) in front, and two Indian men at side. 2 duplicate prints.
Catalog Number 4574: (39) Dakota: Agency unidentified Teacher's dwelling-schoolhouse complex with one or two scattered cabins in the foreground. Follows what appears to be the typical pattern of small, widely scattered schools. (40) Dakota: Agency unidentified Frame building. Function ? Odd door on back and man standing in doorway suggest this might be an exterior view of 4574: (41). (41) Dakota: Agency Unidentified Pine Ridge (?) or Rosebud (?) Slaughter house (?), interior view, with three men, one an Indian. One man looks like Col. H. D. Gallagher, Pine Ridge Agent. But the print was among a group of views mainly from Rosebud Agency. (42) Dakota: Agency Unidentified Large group of uniformed Indian Police on horseback in front of frame buildings. Agency might be: 1. Standing Rock ? Man front row, left looks like Red Tomahawk. 2. Pine Ridge ? But the men aren't posed in same area of agency where other PR Police pictures were taken. Also the men in this picture have more uniform uniforms than are shown in PR pictures. (See Original Prints, "temporary" Number 29, and Catalog Number 4544: (59, 60).) 3. Rosebud ? (43) Dakota: Agency Unidentified Indian Police, same uniform, same agency, same building, as 4574: (42). Also additional evidence for identifying Agency as Standing Rock: compare officers to those in BAE Negative Number 3711-e. See Negative Number 45,793. (44) Dakota Badlands scenery. "In general it seems to resemble the badlands of southwestern South Dakota not far distant from Pine Ridge and Rosebud Reservations."--Information from John C. Ewers, 4/5/60.
Biographical / Historical:
Pohrt states, "I believe they were taken about 1890. Some are identified and many are not, but I have reason to believe that the majority were taken on the Rosebud and Pine Ridge Reservations in South Dakota. They are of school children, Indian Police, Agency buildings, etc." See correspondence in Smithsonian Institution-Bureau of American Ethnology files.
Local Numbers:
NAA MS 4574
Local Note:
Filed: Original Prints: Carlisle Indian School; Dakota.
Topic:
Photographs  Search this
Federal-Indian relations -- Agencies  Search this
Education -- Carlisle Indian School  Search this
Sioux  Search this
Citation:
Manuscript 4574, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4574
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d018cb80-1871-4a77-abaf-7a2601ccfe2d
EDAN-URL:
ead_collection:sova-naa-ms4574

The Literary Corner: Ron Karenga’s Life and Works (side a) / Margaret Danner’s Life and Works (side b)

Title:
Cassette tape with two episodes of the Literary Corner radio program
Created by:
Brooks B. Robinson Ph.D., American  Search this
Interviewed by:
Sarah Fabio, PhD, American, 1928 - 1979  Search this
Edris Makward PhD, Gambian  Search this
Interview of:
Maulana Karenga, American, born 1941  Search this
Margaret Danner, American, 1915 - 1984  Search this
Subject of:
Dudley Randall, American, 1914 - 2000  Search this
William Wells Brown, American, 1815 - 1884  Search this
Charles W. Chesnutt, American, 1858 - 1932  Search this
Directed by:
Robert Cham  Search this
Medium:
plastic and tape
Dimensions:
H x W (audiocassette): 2 3/4 × 4 1/4 × 5/8 in. (7 × 10.8 × 1.6 cm)
Duration (side a): 00:15:10
Duration (side b): 00:15:12
Type:
audiotapes
Place made:
United States, North and Central America
Place depicted:
Dakar, Senegal, West Africa, Africa
Detroit, Wayne County, Michigan, United States, North and Central America
Date:
1978
Topic:
African American  Search this
Literature  Search this
Poetry  Search this
Radio  Search this
United States History  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Contributed in memory of Professor Sarah Webster Fabio (1928-1979), poet, educator, Black Arts Movement icon, and one of the Literary Corner's analysts.
Object number:
2010.17.1.8a
Restrictions & Rights:
© Brooks B. Robinson
Permission required for use. Proper usage is the responsibility of the user.
See more items in:
National Museum of African American History and Culture Collection
Portfolio/Series:
The Literary Corner: Black Writers of the World
Classification:
Media Arts-Audio Recordings
Movement:
BAM (Black Arts Movement 1965-1976)
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5d03f3576-7b77-49c6-a17f-c7878fa8900a
EDAN-URL:
edanmdm:nmaahc_2010.17.1.8a
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View <I>The Literary Corner: Ron Karenga’s Life and Works (side a) / Margaret Danner’s Life and Works (side b)</I> digital asset number 1
Online Media:

SALGA Marches in the / NYC Pride 95 Parade]. [flier]

Names:
SALGA [South Asian Lesbian and Gay Association]  Search this
Series Collector:
Archives Center, National Museum of American History  Search this
Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Extent:
1 Item (Ink on paper., 5.5" x 4.2".)
Container:
Box 34
Type:
Archival materials
Fliers (printed matter)
Broadsides
Scope and Contents:
Black text on yellow paper. Advises participants what to wear, including saris, salwar kameez, and dupattas.
Local Numbers:
AC1146-0000068.tif (AC Scan No.)
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Saris  Search this
Clothing and dress  Search this
LGBT  Search this
Gay pride celebrations  Search this
Parades -- New York  Search this
Genre/Form:
Fliers (printed matter)
Broadsides
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 2: Agencies, Associations, and Organizations / SALGA, flyers, advertisements
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e0c2a8db-23ec-4584-bc96-d4c15280f287
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2766

Mi Raza Arts Consortium (MIRA), Organization, Chicago, Illinois

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(see also: Día de Los Muertos)
Container:
Box 19, Folder 8
Type:
Archival materials
Date:
1983-1984
Scope and Contents note:
(broadsides; flyers; membership forms and information; newsletter: vol. 1, nos. 2 - 4 July-Dec. 1982; vol. 2, no. 1 Mar. 1983; vol. 2, nos. 3 - 4 Fall-Winter 1983; vol. 3, no. 2 Winter 1984; vol. 4, no. 1 Spring 1985)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eeeb5648-83cc-4739-b5d2-387169fe5ed0
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1124

Festival International de la Raza, Festival, Tijuana, Baja California, Mexico

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(see also: OV 32)
Container:
Box 10, Folder 1
Type:
Archival materials
Date:
1984-1988
Scope and Contents note:
(catalogs; broadside; schedule of events; "Foro Frente a Frent" packet; Boletín Cefnomex, publicacion Bimestral de Centro de Estudios Fronterizos del Norte de México, Tijuana, Baja California, México, vol.1 no. 6 Noviembre-Diciembre) 1985; El Correo Fronterizo, publicacion Bimestral de El Colegio de la Frontera Norte antes Centro de Estudios Fronterizos de Norte de México, Tijuana, Baja California, México, vol. 1 n. 4, septiembre-octubre, 1986)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material on Chicano art
Tomás Ybarra-Frausto research material on Chicano art / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e98143ff-c149-4e12-abda-62ccf933f74c
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref680

Philadelphia -- Bartram's Garden

Former owner:
Bartram, John  Search this
Eastwick, Andrew  Search this
Gardener:
Meehan, Thomas  Search this
Architect:
Sloan, Samuel  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Bartram's Garden (Philadelphia, Pennsylvania)
Philadelphia (Pa.)
United States of America -- Pennsylvania -- Philadelphia County -- Philadelphia
Scope and Contents:
The folder includes a worksheet; brochures; biographical sketch of John Bartram; newspaper, journal, and magazine articles; and Bartram Broadside (Winter 1994-1995).
General:
The Bartram gardens were the first real botanic gardens developed in America. In 1728, John Bartram bought land at Gray's Ferry for a botanical garden. The borders are laid out in squares and rectangles, but not in a formal manner. Andrew M. Eastwick purchased the property in 1850 in order to protect the site from destruction from industrial sprawl. After Andrew Eastwick's death, the garden was neglected until Thomas Meehan, Eastwick's gardener, persuaded the City of Philadelphia to buy the site for a park in 1891. In 1893, John Bartram's descendants formed an Association to preserve the garden. Historic buildings on the property include a house, stable, sheds, barn, icehouse, seed house, and stone cider mill. A restoration project began in 1981. In 1982-1988, an adjacent industrial tract was reclaimed to function as a 15-acre meadow. Highlights of the garden include a vegetable garden, River's Edge Trail, Bartram oak, and flower gardens. The garden is open to the public.
Persons associated with the garden include: John Bartram (former owner, 1727); Bartram descendants (former owners, ?-1850); Andrew Eastwick (former owner, 1850-1891); Thomas Meehan (gardener, ca. 1850s); Samuel Sloan (architect of barn, which burned in 1896); John Bartram Association (administration, 1893-present); Fairmount Park Commission (administration); and City of Philadelphia (owner, 1891-present).
Related Materials:
Bartram's Garden related holdings consist of 1 folder (2 glass lantern slides, 2 35 mm. slides, and 1 photoprint)
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Pennsylvania -- Philadelphia  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File PA001
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb63c242e83-de36-4791-82a0-2856e87aee92
EDAN-URL:
ead_component:sova-aag-gca-ref16497

The / International Sweethearts of Rythm [sic] [booking advertisement letter for the "Sweethearts"; broadside?]

Author:
Hardy, J.D., Mrs.  Search this
Collection Creator:
Cron, Rosalind  Search this
International Sweethearts of Rhythm  Search this
Piney Woods School  Search this
Moon, Dixie Hardy  Search this
Hughes, Cathy  Search this
Extent:
1 Item (Ink on paper., 16-1/2" x 7-1/8".)
Type:
Archival materials
Broadsides
Place:
Madison (Wis.)
Wisconsin
Scope and Contents:
Undated. Mrs. Hardy's address is given as 549 Conklin Place, Madison, Wisconsin.
Local Numbers:
AC1218-0000078.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Women and Jazz: The International Sweethearts of Rhythm, 1937-1949", from March 25, 2011 through May 31, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Big band music  Search this
Women musicians  Search this
Jazz musicians  Search this
Bands (Music)  Search this
Genre/Form:
Broadsides
Collection Citation:
International Sweethearts of Rhythm Collection, Archives Center, National Museum of American History
See more items in:
International Sweethearts of Rhythm Collection
International Sweethearts of Rhythm Collection / Series 2: Rosalind Cron Materials / News clippings and bulletins
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c483f123-5ec5-41c1-a7df-9445e1a892e0
EDAN-URL:
ead_component:sova-nmah-ac-1218-ref611

HEART BEATS / News of "The International Sweethearts of Rhythm". [black and white advertisement]

Collection Creator:
Cron, Rosalind  Search this
International Sweethearts of Rhythm  Search this
Piney Woods School  Search this
Moon, Dixie Hardy  Search this
Hughes, Cathy  Search this
Extent:
1 Item (Ink on paper., 22" x 8-3/4".)
Type:
Archival materials
Advertisements
Broadsides
Scope and Contents:
Undated broadside with image of tour bus.
Local Numbers:
AC1218-0000080m.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Women and Jazz: The International Sweethearts of Rhythm, 1937-1949", from March 25, 2011 through May 31, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Buses  Search this
Big band music  Search this
Women musicians  Search this
Jazz musicians  Search this
Bands (Music)  Search this
Genre/Form:
Advertisements -- 1930-1950
Broadsides -- 1940-1980
Collection Citation:
International Sweethearts of Rhythm Collection, Archives Center, National Museum of American History
See more items in:
International Sweethearts of Rhythm Collection
International Sweethearts of Rhythm Collection / Series 2: Rosalind Cron Materials / News clippings and bulletins
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c30667aa-752a-4c5d-a045-9834a01aadca
EDAN-URL:
ead_component:sova-nmah-ac-1218-ref613

James E. McClees Studio photographs of Native American delegates to Washington, DC

Creator:
M'Clees, Jas. E. (James E.) (studio owner and photographer)  Search this
Publisher:
Blackmore Museum (Salisbury, England)  Search this
Photographer:
Cohner, Samuel A.  Search this
Vannerson, Julian, 1827-  Search this
Extent:
32 Albumen prints (mounted)
Culture:
Indians of North America -- Great Plains  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Ponca  Search this
Cree  Search this
Potawatomi  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Fox  Search this
Sauk  Search this
Wahpetonwan Dakota (Wahpeton Sioux)  Search this
Sioux  Search this
Sisitonwan Dakota (Sisseton Sioux)  Search this
Yanktonnai Nakota (Yankton Sioux)  Search this
Type:
Collection descriptions
Archival materials
Albumen prints
Date:
circa 1850 to 1863
bulk 1857-1858
Scope and Contents note:
Studio portraits made by the James E. McClees Studio and published by the Blackmore Museum, depicting Native American visitors to Washington, D.C. The series is identified by an 1863 broadside in the collection as "Photographs of some of the principal Chiefs of the North American Indians, made when they have visited Washington as deputations from their Tribes." Yankton, Sisseton, Mdewakanton, Wahpeton, Pawnee, Potawatomi, Sauk and Fox, Ponca, and Ojibwa people are represented. Three additional portraits depict men (possibly Cree) and were probably made by a different photographer.
Biographical/Historical note:
James Earl McClees (1821-1887) trained as a daguerreotypist in Philadelphia, Pennsylvania, before opening a studio in Washington, D.C. in 1857. He was an early user of paper photographic processes and was well-known for photographing delegations of American Indians. His Washington studio, known as the James E. McClees Studio, operated in 1857-1858 with Julian Vannerson (1827-?) and Samuel Cohner as its most established operators. The studio was taken over by Robert W. Addis in 1858. Among Addis's proprietors was Antonio Zeno Schindler, an artist who made copies of photographs for English philanthropist and collector William Blackmore (1827-1878). Blackmore purchased the McClees Studio's negatives from Shindler, later transferring them to the Smithsonian. The Bureau of American Ethnology absorbed the photographs upon its formation in 1878-1879.
Local Call Number(s):
NAA Photo Lot 4286
Location of Other Archival Materials:
Additional McClees Studio and Vannerson photographs held in the National Anthropological Archives in the BAE historical negatives and Photo Lot 4420.
Glass negatives relating to William Henry Blackmore, including copies of photographs collected by Blackmore, held in the British Museum and in National Anthropological Archives Photo Lot 31 and the BAE historical negatives.
Artifacts collected by Blackmore held in the anthropology collections of the National Museum of Natural History in accessions 1846, 2371, and 1826.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Indians of North America -- Northeast  Search this
Photographs  Search this
Citation:
Photo Lot 4286, James E. McClees Studio photographs of Native American delegates to Washington DC, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.4286
See more items in:
James E. McClees Studio photographs of Native American delegates to Washington, DC
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw330663fd4-6ed5-4faa-b20f-477e3af80c27
EDAN-URL:
ead_collection:sova-naa-photolot-4286

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