On the news program Panorama, Metromedia's Gary Axelson reports the latest news from the White House regarding the Vietnam War. Nikki Giovanni and Stokely Carmichael speak about the Vietnam War; the upcoming presidential election of Richard Nixon versus George McGovern; and the United States' two party system. Carmichael also speaks of the imperialism of America, scientific socialism, capitalism, and revolutionary change.
Television program. Part of Broadcast Programs. AV000784: Panorama: Nikki Giovanni and Stokely Carmichael from 001520 - 004335 (also on recording: Stokely Carmichael Lecture at Howard University and Panorama: Alyce C. Gullattee, James P. Comer, John Williams). Undated.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Lee Ya-Ching Papers, NASM.2008.0009, National Air and Space Museum, Smithsonian Institution.
On the news program Panorama, Alyce C. Gullattee, James P. Comer, and John Williams discuss persuasiveness of racism, self image, slavery and skills of the black slave, slave culture, the basis of power in society, the educational system, immigrants and their subculture, and how the social policy of the past hurts African Americans in the present.
Television program. Part of Broadcast Programs. AV000784: Panorama: Alyce C. Gullattee, James P. Comer, John Williams begins at 004336 (preceded by Stokely Carmichael Lecture at Howard University and Panorama: Nikki Giovanni and Stokely Carmichael). Undated.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Main Image: 1 color and 3 B and W photographs: B.B.C. building before the war, B.B.C. building during war, B.B.C. announcer for the Afrikaans Service, Female anouncer for Overseas Service
Other Image(s): British flag with the words "For Victory" under it
Local numbers:
Princeton Poster# 5018
General:
Issued for: British Broadcasting Corporation
Artist(s): Anon
Series:
GPD 365/13/27
Printing Info:
Specimen of British War Literature
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
Main Image: 1 color and 3 B and W photographs: King George VI making a anouncement, Churchill making a speech,Field-Marshal Smuts talking, Princess Elizabeth making a broadcast
Other Image(s): British flag with the words "For Victory" under it
Local numbers:
Princeton Poster# 5019
General:
Issued for: British Broadcasting Corporation
Artist(s): Anon
Series:
GPD 365/13/27 No.2
Printing Info:
Specimen of British War Literature
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
Main Image: 1 color and 3 B and W photographs: Inside BBC control room, BBC mobile recording truck, BBC transmitter machinery, BBC control room
Other Image(s): British flag with the words "For Victory" under it
Local numbers:
Princeton Poster# 5020
General:
Issued for: British Broadcasting Corp.
Artist(s): Anon
Series:
GPD 365/13/27 No.3
Printing Info:
Specimen of British War Literature
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
Main Image: 1 color and 3 B and W photographs: Broadcast from the HMAS "Shropshire", New Zealander broadcast from British airfield, Canadian choir in B.B.C. studio, South Africans broadcast to their country
Other Image(s): British flag with the words "For Victory" under it
Local numbers:
Princeton Poster# 5021
General:
Issued for: British Broadcasting Corp.
Artist(s): Anon
Series:
GPD 365/13/27 No.4
Printing Info:
Specimen of British War Literature
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
Main Image: 1 color and 3 B and W photographs: Indian soldiers in a BBC studio, Jamaican women in BBC studio, West Africans broadcasting home, two men from China and Ceylon broadcasting to the Far East
Other Image(s): British flag with the words "For Victory" under it
Local numbers:
Princeton Poster# 5022
General:
Issued for: British Broadcasting Corp.
Artist(s): Anon
Series:
GPD 365/13/27 No. 5
Printing Info:
Specimen of British War Literature
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
Main Image: 1 color and 3 B and W photographs: Men and women in BBC studio broadcasting the show "Shipmates Ashore", Aerial nets used for transmission, woman accordian player from Malta, Gramophone program
Other Image(s): British flag with the words "For Victory" under it
Local numbers:
Princeton Poster# 5023
General:
Issued for: British Broadcasting Corp.
Artist(s): Anon
Series:
GPD 365/13/27 No.6
Printing Info:
Specimen of British War Literature
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Princeton University Posters Collection, Archives Center, National Museum of American History.
Sponsor:
Digitization of the Princeton University Poster Collection was a collaboration of Google Arts and Culture and the Smithsonian Institution's Digitization Program Office. Catalog records were transcribed by digital volunteers through the Smithsonian Institution Transcription Center.
File consists of correspondence with Barrie Gavin, Manny Greenhill and Carolyn Johnson regarding footage of Watson shot by Gavin for the BBC and a shot list of that footage.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Sung in Gaelic by various inhabitants of the island of Lewis with Harris, Hebrides, Scotland. Notes: "The tunes ... are to be found in the Revised Church Hymnary and in The Scottish Psalter (1929). The Gaelic texts are from the current translation of the metrical Psalms, based on the Synod of Argyll's translation of 1694." Performer(s): Various performers. Production notes: Recorded 1955-1974 in Lewis by the School of Scottish Studies, University of Edinburgh and the British Broadcasting Corporation.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The story of John Axon G.C. and of the tradition of railway service for which he stands, told by his widow and his work mates and set into song by Ewan MacColl.
Local Numbers:
FP-RINZ-LP-2044
Argo.474
Publication, Distribution, Etc. (Imprint):
U.K. Argo 1965
Date/Time and Place of an Event Note:
Recorded in: England.
General:
Recorded in association with the British Broadcasting Corporation. Booklet included. Credits: Musical director, Peggy Seeger ; producer, Charles Parker ; technical director, John Bower. Performer(s): A.L. Lloyd, Isla Cameron, Stan Kelly, Colin Dunn, Charles Mayo, Dick Loveless, performers ; Jim Bray, bass ; Fitzroy Coleman, Brian Daley, guitars ; Terry Brown, trumpet ; Bob Clark, fiddle ; John Cole, harmonica ; Billy Loch, drums ; Alf Edwards, concertina ; Bob Mickleburgh, trombone ; Bruce Turner, clarinet.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright held by donor and/or heirs. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.] .
Collection Citation:
The Computer World Smithsonian Awards, Archives Center, National Museum of American History
Vieira da Silva, Maria Helena, 1908-1992 Search this
Extent:
10.2 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Reviews (documents)
Interviews
Articles
Notes
Manuscripts
Photographs
Sound recordings
Date:
1918-1971
Summary:
The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.
Scope and Content Note:
The papers of New York City and Paris art historian, educator, and gallerist Colette Roberts measure 10.2 linear feet and date from 1918 to 1971. Papers include correspondence, writings, teaching records, project proposals, gallery records from Grand Central Moderns Gallery, clippings, Roberts' printed articles, press releases, exhibition catalogs, posters, photographs, and a few works of art on paper. Also found are 124 interviews with contemporary artists conducted by Roberts.
Writings by Roberts include manuscripts and articles about artists, writings about her own art, personal writings, working notes from interviews and classes, reviews, and translations between English and French.
Printed materials in the collection include clippings, Roberts' printed articles, press releases, and other exhibition catalogs and announcements. Photographs are of Roberts, artists, including Ad Reinhardt, classes, art spaces, and works of art. A small number of artworks on paper are also found, including Fluxus art stamps and a printed picture of Ray Johnson stamped "DOUGHNUT FESTIVAL."
Series 1: Correspondence, 1918-1971 (Box 1, 0.5 linear feet)
Series 2: Notes and Writings, 1936-1970 (Box 1, 0.3 linear feet)
Series 3: Personal Records, 1944-1971 (Box 1-2, 11; 0.7 linear feet)
Series 4: Grand Central Moderns Gallery Records, 1952-1970 (Box 2-3, 11; 0.7 linear feet)
Series 5: Printed Material, 1938-1971 (Box 3-5, 11-12; 2.0 linear feet)
Series 6: Photographs, 1930-1971 (Box 5; 0.2 linear feet)
Series 7: Artwork, 1940-1969 (Box 5; 4 folders)
Series 8: Interviews with Artists, 1959-1971 (Box 5-10; 5.5 lienar feet)
Biographical Note:
Colette Roberts was a French artist, curator, gallery director, and scholar who emigrated to the United States in 1939, settling in New York City and remaining there until her death in 1971.
Roberts became gallery director of the Grand Central Moderns Gallery (New York, NY) in 1952 and remained in that position until 1968, when the gallery closed. The gallery was opened in 1946 by Erwin S. Barrie of the Grand Central Galleries for the promotion of living American artists. Among the artists represented there were Jennett Lam and Seong Moy. During this period she was also an instructor at New York University and Queens College, teaching art history and contemporary art. In 1957, she began a course at New York University called "Meet the Artist," for which she took her classes to the studios of working artists to see and discuss their work. In the early 1960s, she began to tape record her interviews of artists for this course, a practice which continued until her death in 1971. In 1968, Roberts worked briefly as Gallery Director for the A.M. Sachs Gallery (New York, NY), and as an oral history interviewer for the Archives of American Art.
Roberts wrote extensively on contempoary art, including articles and monographs on Mark Tobey (1960, Grove Press), Louise Nevelson (1964, The Pocket Museum), and Marcel Duchamp. She was a regular contributor to Aujourd'hui and Art and Architecture magazines.
Related Material:
Additional papers and recordings of Colette Roberts are held by Syracuse University Library Special Collections Research Center.
Separated Material:
A copy of a 1967 oral history with Adolf Gottlieb conducted by Dorothy Seckler for the Archives of American Art oral history program, which was found in Roberts' papers, has been returned to the Archives' oral history collection.
Provenance:
The sound recordings and transcripts of interviews with artists, were donated by Colette Roberts in 1970. The remaining papers were donated by her son, Richard B. Roberts, in 1973.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York Search this
"A musical documentary of the International Choral and Folk-Dance Festival held at Llangollen, North Wales, in July, 1952." ".... Made under the auspices of the International Music Council (UNESCO) with the cooperation of the British Broadcasting Corporation." Performer(s): Jack Bornoff, narrator. Production notes: "Recorded in Great Britain."
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
