The papers of Anne Valk— a specialist in oral history, public history, and the social history of the 20th-century United States measure 3.75 linear feet and date from 1964 to 1997. The collection contains oral history interviews and documents acquired or created by Dr. Valk during her extensive research of key figures in D.C. community activism for her book, Radical Sisters: Second-Wave Feminism and Black Liberation in Washington D.C. (University of Illinois Press, 2010).
Research files and ephemera from the following people, organizations, and publications are represented in the collection: Josephine Butler (DC Statehood Party; Adams Morgan Organization), Etta Horn (Southeast Neighborhood House's Band of Angels; National Welfare Rights Organization), Dorothy Burlage (Southeast Neighborhood House), Betty Garman (Student Nonviolent Coordinating Committee), Judy Richardson (Student Nonviolent Coordinating Committee), Bernice Reagon (Student Nonviolent Coordinating Committee), Marcia Sprinkle (Student Nonviolent Coordinating Committee), Juanita Weaver (Quest), LaValleJones (Rape Crisis Center), Loretta Ross (Rape Crisis Center, National Black United Front, National Organization of Women), Peggy Cleveland (The Bridge), Joan Biren (DC Women's Liberation Movement), Cathy Wilkerson (SDS, Weather Underground), Tina Smith (SNCC), Off Our Backs newspaper, and Congress Of Racial Equality (CORE),
Biographical / Historical:
Anne Valk (1964- ) is a specialist in oral history, public history, and the social history of the 20th-century United States. Dr. Valk received a M.A. from Mount Holyoke College and a PhD in history from Duke University in 1996. Professor Valk has written extensively in the areas of women's history, history of feminism, and oral history. She teaches public history at the Graduate Center at City University of New York (CUNY) and is the director of the Center for Media and Learning/American Social History Project.
Use of the materials requires an appointment. Please contact the archivist at email@example.com.
The Anne Valk papers are the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.
Collection is open for research but negatives and audiovisuial materials are stored off-site and special arrangements must be made to work with it. Some papers of living persons are restricted. Access to restricted portions may be arranged by request to the donor. Gloves required for unprotected photographs. Viewing film portions of the collection and listening to LP recording requires special appointment. Contact the Archives Center for information at firstname.lastname@example.org or 202-633-3270.
The Archives Center does not own exclusive rights to these materials. Copyright for all materials is retained by the donor, Franklin A. Robinson, Jr.; permission for commercial use and/or publication may be requested from the donor through the Archives Center. Military Records for Franklin A. Robinson (b. 1932) and correspondence from Richard I. Damalouji (1961-2014) are restricted; written permission is needed to research these files. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The Robinson and Via Family Papers, Archives Center, National Museum of American History
Preservation of the 8mm films in this collection was made possible, in part, by a grant from the National Film Preservation Fund.