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Esther Baldwin Williams and Esther Williams papers, 1887-1984

Creator:
Williams, Esther Baldwin, 1867-1964  Search this
Williams, Esther, 1907-1969  Search this
Williams, Esther Baldwin, 1867-1964  Search this
Subject:
Williams, Esther  Search this
Prendergast, Maurice Brazil  Search this
Eilshemius, Louis M. (Louis Michel)  Search this
Finck, Furman J.  Search this
Williams, Nadia  Search this
Prendergast, Charles  Search this
Kroll, Leon  Search this
Grace Horne Galleries  Search this
Kraushaar Galleries  Search this
Type:
Photographs
Diaries
Sketchbooks
Sketches
Place:
Massachusetts -- Boston -- description and travel
France -- Paris -- description and travel
Topic:
Painting, American  Search this
Expatriate painters -- France -- Paris  Search this
Women painters -- Massachusetts  Search this
Women painters -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Art -- Study and teaching -- France -- Paris  Search this
Theme:
Diaries  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7339
(DSI-AAA_SIRISBib)209492
AAA_collcode_willesth
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209492
Online Media:

Oral history interview with Marek Cecula, 2009 May 19-20

Interviewee:
Cecula, Marek, 1944-  Search this
Cecula, Marek, 1944-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Subject:
Cecula, Lanie  Search this
De Waal, Edmund  Search this
Earl, Jack  Search this
Koplos, Janet  Search this
Kottler, Howard  Search this
Mayer, Jean  Search this
Nagle, Ron  Search this
Ogen, Gdula  Search this
Price, Kenneth  Search this
Shire, Peter  Search this
Spurey, Gerda  Search this
Spurey, Kurt  Search this
Veiteberg, Jorunn  Search this
Barneys New York  Search this
Garth Clark Gallery (New York, N.Y.)  Search this
George R. Gardiner Museum of Ceramic Art  Search this
Kunst- og designhögskolen i Bergen  Search this
Memphis (Group)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design  Search this
Tiffany and Company  Search this
Type:
Interviews
Sound recordings
Place:
Brazil -- description and travel
Israel -- description and travel
Poland -- description and travel
SoHo (New York, N.Y.) -- Description and travel
Topic:
Ceramicists -- New York (State) -- New York -- Interviews  Search this
Ceramics -- Japan  Search this
Ceramics -- Study and teaching  Search this
Ceramics -- Technique  Search this
Designers -- New York (State) -- New York -- Interviews  Search this
Kibbutzim  Search this
World War, 1939-1945 -- Poland  Search this
Record number:
(DSI-AAA_CollID)15681
(DSI-AAA_SIRISBib)282772
AAA_collcode_cecula09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282772
Online Media:

Hermann Dudley Murphy papers, circa 1878-1982

Creator:
Murphy, Hermann Dudley, 1867-1945  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Subject:
Abbott, Mary Ogden  Search this
Prendergast, Maurice Brazil  Search this
Barrie, Erwin S.  Search this
Ryder, Chauncey F.  Search this
Sizer, Theodore  Search this
Trowbridge, Alexander Buell  Search this
Tarbell, Edmund Charles  Search this
Vose Galleries of Boston  Search this
Type:
Photographs
Scrapbooks
Prints
Sketches
Sketchbooks
Place:
Mexico -- description and travel
Topic:
Picture frames and framing -- Massachusetts  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7311
(DSI-AAA_SIRISBib)209464
AAA_collcode_murpherm
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209464
Online Media:

Robert and Elizabeth Webb photographs of world travels

Creator:
Webb, Robert Watkins, 1906-1998  Search this
Names:
Webb, Elizabeth N. (possible photographer)  Search this
Extent:
53 Slides (53 black and white copy slides)
20 Color slides (circa)
1,500 Prints (circa, silver gelatin (some in photo albums))
1,000 Items (circa 1000 copy color prints (made from slides))
Type:
Collection descriptions
Archival materials
Slides
Color slides
Prints
Photographs
Place:
India -- description and travel
Japan -- Description and Travel
Singapore -- Description and Travel
Serbia -- description and travel
Scotland -- description and travel
Russia -- Description and Travel
Sri Lanka -- Description and Travel
Spain -- description and travel
South Africa -- Description and Travel
Chile -- description and travel
Somalia -- description and travel
Palestine -- description and travel
Peru -- Description and Travel
Nepal -- Description and Travel
Norway -- description and travel
Egypt -- description and travel
Portugal -- description and travel
Romania -- description and travel
Philippines -- Description and Travel
Poland -- description and travel
Kenya -- Description and Travel
Israel -- Description and Travel
China -- Description and Travel
Morocco -- description and travel
Mozambique -- description and travel
Mexico -- description and travel
Montenegro -- description and travel
Croatia -- description and travel
Denmark -- description and travel
Czech Republic -- Description and Travel
Burma -- Description and Travel
Bulgaria -- description and travel
Canada -- Description and Travel
Austria -- description and travel
Brazil -- Description and Travel
Borneo -- description and travel
England -- description and travel
France -- description and travel
Ecuador -- Description and Travel
Holland -- Description and Travel
Guatemala -- Description and Travel
Greece -- description and travel
Germany -- description and travel
Ireland -- description and travel
Iran -- Description and Travel
Italy -- description and travel
Hungary -- description and travel
United States -- description and travel
Thailand -- description and travel
Taiwan -- description and travel
Switzerland -- description and travel
Yugoslavia -- description and travel
Yucatan -- Description and Travel
Date:
1938-1996
Scope and Contents note:
Photographs made by Robert and Elizabeth Webb in numerous locations across the world, including Asia (China, Japan, Taiwan, Philippines, Borneo, Singapore, Thailand, Burma, Nepal, India, Sri Lanka, and Russia); the Balkans (Czech Republic, Croatia, Yugoslavia, Montenegro, Serbia, Bulgaria, Romania, Hungary, and Poland); Europe (Spain, England, France, Italy, Greece, Switzerland, Austria, Denmark, Holland, Norway, Germany, Ireland, Scotland, and Portugal); the Middle East (Egypt, Iran, Israel, and Palestine); Africa (Kenya, Morocco, Somalia, Mozambique, and South Africa); South America (Mexico, Ecuador, Peru, Chile, Brazil, Yucatan, and Guatemala); and North America (Canada, Florida, Washington state, Alaska, Hawaii, California, Arizona, New Mexico, and Utah). The photographs largely document architecture and art, including historical sites, though there are additional images of parades, transportation, cities, villages, markets, waterways, and people.

Commercial slides in the collection are by Swiss-Foto, E. Djupdraet, Herz-Color-Dias, Hong Kong Color Slide Service, SK Slide Co., Lehnert & Landrock, Douglas Whiteside, Vacation Films, Arctic Circle Enterprise, HI-FI Color Slides, Pana-Vue Slides, CP Inc., Jordan's Colour Lab, Hawaii Chrome, Syon House, John Decopoulos, La Goelette, and Zerkowitz. Notes by Robert Webb and original photograph albums are also available with the collection.
Biographical/Historical note:
Robert Watkins Webb (1906-1998) graduated from Southern Methodist University and received his medical degree from Tulane University in 1933. Before starting his psychiatry practice in Dallas, Webb traveled around the world, returning on the SS Normandie to New York (1938). An amateur photographer, Webb documented this and subsequent foreign trips, later submitting some of his photographs to the Dallas Museum of Art. He served four years in the Army during World War II,stationed primarily in Port Moresby, New Guinea. He later became chief psychiatrist of the Veterans Administration clinic in Washington, DC, from 1946-1950. In 1952, he married Elizabeth Nutting, a psychiatric social worker, while cruising the Mediterranean.
Local Call Number(s):
NAA Photo Lot 98-9
Location of Other Archival Materials:
The DeGolyer Library of Southern Methodist University holds Robert W. Webb photographs.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Architecture  Search this
Genre/Form:
Photographs
Citation:
Photo Lot 98-9, Robert and Elizabeth Webb photographs of world travels, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.98-9
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-98-9

Janet Longcope photographs of world travels

Creator:
Longcope, Janet, ca. 1886-1974  Search this
Extent:
600 Mounted prints (circa 600 mounted prints, silver gelatin)
4,000 Color slides (circa)
Type:
Collection descriptions
Archival materials
Mounted prints
Color slides
Photographs
Place:
Pakistan -- Description and Travel
Fiji -- Description and Travel
Ethiopia -- Description and Travel
Easter Island -- Description and Travel
Yemen -- Description and Travel
Honduras -- Description and Travel
Peru -- Description and Travel
Guatemala -- Description and Travel
Israel -- Description and Travel
Vietnam -- Description and Travel
Solomon Islands -- Description and Travel
Colombia -- Description and Travel
Thailand -- description and travel
Taiwan -- description and travel
Jordan -- Description and Travel
Uzbekistan -- Description and Travel
Singapore -- Description and Travel
Bhutan -- Description and Travel
Afghanistan -- Description and Travel
Burma -- Description and Travel
Brazil -- Description and Travel
Australia -- Description and Travel
Lebanon -- Description and Travel
Iraq -- Description and Travel
Iran -- Description and Travel
India -- description and travel
New Guinea -- Description and Travel
Syria -- Description and Travel
Nepal -- Description and Travel
Hong Kong -- Description and Travel
Cambodia -- Description and Travel
Sri Lanka -- Description and Travel
Chile -- description and travel
Mexico -- description and travel
Japan -- Description and Travel
Italy -- description and travel
Morocco -- description and travel
Spain -- description and travel
Mongolia -- Description and Travel
New Zealand -- Description and Travel
Russia -- Description and Travel
Kenya -- Description and Travel
Macau (China) -- Description and Travel
Malaysia -- Description and Travel
Yucatan -- Description and Travel
Indonesia -- Description and Travel
Date:
1954-1971
Scope and Contents note:
Photographs made by Janet Longcope during trips to countries around the world. They depict landscapes, buildings, markets, dances, agriculture, arts and crafts, ceremonies, children, cooking, musicians, and transportation. Locations depicted include Afghanistan, Australia, Bhutan, Brazil, Burma, Cambodia, Chile, Colombia, Easter Island, Egypt, Ethiopia, Fiji, Greece, Guatemala, Hawaii, Honduras, Hong Kong, India, Indonesia, Iran, Iraq, Israel, Italy, Japan, Jordan, Kenya, Lebanon, Macao, Malaysia, Mexico, Mongolia, Morocco, Nepal, New Guinea, New Zealand, Pakistan, Peru, Russia, Siberia, Singapore, Solomon Islands, Spain, Sri Lanka, Syria, Taiwan, Thailand, Uzbekistan, Vietnam, Yemen, and Yucatan. Longcope used many of these photographs in lectures.
Biographical/Historical note:
Janet Longcope (1886-1974) was a bookbinder and world traveler who gave informal lectures about her travels. Ater the death of her husband Dr. Warfield T. Longcope in 1953, she visited countries all over the world, returning to some, such as India, as many as nine times.
Local Call Number(s):
NAA Photo Lot 75-26
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Markets  Search this
Dance  Search this
Transportation  Search this
Agriculture  Search this
Cooking  Search this
Genre/Form:
Photographs
Citation:
Photo lot 75-26, Janet Longcope photographs of world travels, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.75-26
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-75-26

Wanderings in South America, the Northwest of the United States, and the Antilles, in the years 1812, 1816, 1820, & 1824, with original instructions for the perfect preservation of birds, etc. for cabinets of natural history

Author:
Waterton, Charles 1782-1865  Search this
Wood, J. G (John George) 1827-1889  Search this
Physical description:
xvi, 520 p. illus. 20 cm
Type:
Books
Place:
Guyana
Pernambuco (Brazil)
Guiana
United States
Antilles, Lesser
Date:
1889
1878
Topic:
Zoology  Search this
Taxidermy  Search this
Description and travel  Search this
Call number:
F2371.W33 1889
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_102494

Wanderings in South America, the North-west of the United States, and the Antilles, in the years 1812, 1816, 1820, & 1824, with original instructions for the perfect preservation of birds, &c. for cabinets of natural history. By Charles Waterton, esq

Author:
Waterton, Charles 1782-1865  Search this
Physical description:
vii, 280 p. incl. front., illus. 18 cm
Type:
Books
Place:
Guyana
Pernambuco (Brazil)
Guiana
United States
Antilles, Lesser
Date:
1866
Topic:
Zoology  Search this
Taxidermy  Search this
Description and travel  Search this
Call number:
F2371 .W33 1866
F2371.W33 1866
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_147074

Wanderings in South America, the north-west of the United States, and the Antilles, in the years 1812, 1816, 1820, and 1824. With original instructions for the perfect preservation of birds, &c. for cabinets of natural history. By Charles Waterton

Author:
Waterton, Charles 1782-1865  Search this
Physical description:
vii, 326 p. front. 28 cm
Type:
Books
Place:
Guyana
Antilles, Lesser
United States
Pernambuco (Brazil)
Guiana
Date:
1825
Topic:
Taxidermy  Search this
Zoology  Search this
Description and travel  Search this
Call number:
F2371 .W33 1891
F2371.W33 1891
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_216140

Hermann Dudley Murphy papers

Creator:
Murphy, Hermann Dudley, 1867-1945  Search this
Names:
Vose Galleries of Boston  Search this
Abbott, Mary Ogden, 1894-1981  Search this
Barrie, Erwin S., 1886-1983  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Ryder, Chauncey F., 1868-1949  Search this
Sizer, Theodore, 1892-1967  Search this
Tarbell, Edmund Charles, 1862-1938  Search this
Trowbridge, Alexander Buell, 1868-1950  Search this
Extent:
2.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Prints
Sketches
Sketchbooks
Place:
Mexico -- description and travel
Date:
circa 1878-1982
Summary:
The papers of painter and frame maker Hermann Dudley Murphy measure 2.8 linear feet and date from circa 1878-1982. Found are biographical materials, correspondence, writings, personal business records, printed materials, a scrapbook, photographs, and original artworks, including sketchbooks.
Scope and Contents:
The papers of painter and frame maker Hermann Dudley Murphy measure 2.8 linear feet and date from circa 1878-1982. Found are biographical materials, correspondence, writings, personal business records, printed materials, a scrapbook, photographs, and original artworks, including sketchbooks.

The bulk of the papers focus on the later part of Herman Dudley Murphy's career. Specifically, correspondence focuses on the sale of still-life paintings and sketches and sketchbooks are mostly from Murphy's travels through Europe and Mexico from the 1920s to the 1930s. Correspondents include Mary Ogden Abbott, Edwin S. Barrie, Maurice Prendergast, Chauncey Ryder, Theodore Sizer, Edmund Tarbell, Alexander Trowbridge, and Vose Gallery among others. Personal business records comment on the sale of works of art from 1897 until 1944. Printed materials include clippings and exhibition catalogs spanning Murphy's career. One scrapbook contains photos and printed materials. Photographs and snapshots are of Hermann Dudley Murphey and family, family travels, and works of art and frames. Artwork consists of loose sketches, prints, and sketchbooks.
Arrangement:
This collection is arranged as 8 series.

Series 1: Biographical Materials, 1887-circa 1940 (Box 1; 7 folders)

Series 2: Correspondence, circa 1890-1962 (Box 1; 0.3 linear feet)

Series 3: Writings and Notes, circa 1900-1942 (Box 1; 7 folders)

Series 4: Personal Business and Financial Records, 1897-1944 (Box 1; 0.2 linear feet)

Series 5: Printed Material, 1889-1982 (Box 1-2; 0.9 linear feet)

Series 6: Scrapbook, circa 1910 (Box 2; 1 folder)

Series 7: Photographs, circa 1878-circa 1950 (Box 2; 0.2 linear feet)

Series 8: Artwork, 1892-circa 1940 (Box 2-4; 0.8 linear feet)
Biographical / Historical:
Hermann Dudley Murphy (1867-1945) was a painter and frame maker active in Boston, Massachusetts.

Hermann Dudley Murphy was born in Massachusetts in 1867. He studied art under Edmund Tarbell at the Boston Museum School and later in Paris at the Académie Julian. His early career focused on portraiture and landscape painting. While in Paris, Murphy learned to make frames for artworks. After exhibiting at the 1913 Armory Show, Murphy rejected Modernism and painted still-life. He was known for his Tonalist style and his floral still-life paintings which included objects d'art such as Chinese ceramics, bronze statues, and textiles. Additionally, Murphy taught art classes at the Harvard School of Architecture and the Worcester Art Museum School.

Murphy married Caroline Bowles Murphy with whom he had two children, Carlene and Dudley Murphy. After Caroline died, he married artist Nellie Littlehale. With Nellie, he shared an interest in deck-seat canoeing. Murphy died in 1945.
Provenance:
The collection was donated in 1985 by Alexander B. and Dudley D. B. Samoiloff, grandsons of Hermann Dudley Murphy.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters  Search this
Topic:
Picture frames and framing -- Massachusetts  Search this
Genre/Form:
Photographs
Scrapbooks
Prints
Sketches
Sketchbooks
Citation:
Hermann Dudley Murphy papers, circa 1878-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.murpherm
See more items in:
Hermann Dudley Murphy papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-murpherm

Esther Baldwin Williams and Esther Williams papers

Creator:
Williams, Esther Baldwin, 1867-1964  Search this
Names:
Grace Horne Galleries  Search this
Kraushaar Galleries  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Finck, Furman J., 1900-  Search this
Kroll, Leon, 1884-1974  Search this
Prendergast, Charles, 1863-1948  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Williams, Esther, 1907-1969  Search this
Williams, Nadia, 1910-  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sketchbooks
Sketches
Place:
Massachusetts -- Boston -- Description and Travel
France -- Paris -- Description and Travel
Date:
1887-1984
Summary:
The papers of Boston area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.
Scope and Content Note:
The papers of Boston and New York area painters Esther Baldwin Williams and daughter Esther Williams measure 2.1 linear feet and date from 1887 to 1984. The scattered papers of both women include biographical information, personal business records, correspondence, writings and notes, two diaries, four sketchbooks, printed materials, photographs, and one photograph album.

For clarity, Esther Baldwin Williams and Esther Williams are referred to by their proper names throughout this finding aid.

Biographical information includes a membership card to the Rockport Art Association for Esther Williams and a biographical sketch of Esther Baldwin Williams

Personal business records include receipts for purchases of artwork by Esther Baldwin Williams, banking documents, exhibition entry forms and sales receipts for Esther William's works.

Correspondence includes incoming letters and drafts of outgoing letters. The majority of the correspondence is that of Esther Williams, including a considerable amount of letters to her parents. There are letters to Esther Williams from her friends Louis Eilshemius, Furman J. Finck, and Leon Kroll, and both Grace Horne Galleries and Kraushaar Galleries. Esther Baldwin Williams' correspondence includes personal letters from Maurice Prendergast.

Writings and notes include two diaries kept by Esther Baldwin Williams that date from 1892 until 1902 and cover her life in Paris and later in Boston. Some of the diary pages are illustrated with sketches. The series also includes scattered notes, including Charles Prendergast's Notes on Formula of Ebonizing Technique.

There are four sketchbooks, likely by Esther Baldwin Williams, of pencil and watercolor sketches of cats, babies and children, orchestral scenes, portraits, and architecture.

Scattered printed materials include a copy of Cezanne's Studio given to Esther Baldwin Williams by Maurice Prendergast, a copy of a family history by Nadia Williams, exhibition announcements and catalogs, clippings, and miscellany.

There is one photograph of an unidentified work of art and a circa 1900 family photo album with mostly unidentified photos of babies, children, and family members.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Materials, 1942-1979 (2 folders; Box 1)

Series 2: Personal Business Records, 1893-1966 (9 folders; Box 1)

Series 3: Correspondence, 1887-1961 (0.7 linear feet; Boxes 1-2)

Series 4: Writings and Notes, 1892-1947 (0.2 linear feet; Box 2)

Series 5: Sketchbooks and Sketches, circa 1900 (0.2 linear feet; Boxes 2-3)

Series 6: Printed Material, 1883-1984 (0.2 linear feet; Box 3)

Series 7: Photographs, circa 1900-circa 1920 (0.3 linear feet; Boxes 3-4)
Biographical Note:
Esther Baldwin Williams (1867-1964) and her daughter Esther Williams (1907-1969) were painters active in Boston, Paris, and New York City.

Esther Baldwin Williams was born Esther Mabel Baldwin on December 11, 1867 to a prominent Boston family of artists. She began her art education under her uncle Joseph Foxcroft Cole and worked with her cousin Adelaide Chase Cole. Adelaide and Esther shared a studio in Greenwich Village in 1888. The two cousins also traveled to Paris in 1877 and 1891 to paint. Esther Baldwin concentrated on portraiture and often painted the women in her social circle.

Esther Baldwin became engaged to Oliver Williams in 1898. They married and moved to 96 Beacon Street in Boston where they raised their children, Oliver, Thomas, and Esther. Around 1900, the Williams met Maurice and Charles Prendergast. Esther became a friend and patron of Maurice and the two shared a studio for some time and exchanged letters. Esther Baldwin continued to work in portraiture, focusing her work on her children and relatives and did not pursue a professional career. In addition to painting, Esther Baldwin and Oliver Williams inspired a passion for music in their children.

Born in 1907, Esther Williams inherited her mother's interest in the arts. Unlike her mother, she desired a professional career as a painter. She first studied at the Museum of Fine Arts School, Boston in 1925 and later went to Paris to study under Andre Lhote. Upon returning to the United States, she moved to New York City and enrolled with the Art Students League. She married Roland Joseph McKinney, director of the Baltimore Museum of Art and the Los Angeles County Museum.

Esther Williams is known for her portraits, paintings of flowers, circus and orchestra scenes, and for her impressionistic style. She was represented by Grace Horne Gallery in the 1930s and switched to Kraushaar Galleries in 1940.

Esther Baldwin Williams died in 1964. Her daughter, Esther Williams died shortly thereafter in 1969.
Related Material:
Among the holdings of the Archives of American Art are the papers of Esther William's husband Roland Joseph McKinney.
Provenance:
The Esther Baldwin Williams and Esther Williams papers were donated in two installments by Peter McKinney, step-son of Esther Williams in 1974 and by Nadia Williams, Esther Baldwin William's daughter-in-law in 1985.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting, American  Search this
Expatriate painters -- France -- Paris  Search this
Women painters -- Massachusetts  Search this
Women painters -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Art -- Study and teaching -- France -- Paris  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Sketches
Citation:
Esther Baldwin Williams and Esther Williams papers, 1887-1984. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.willesth
See more items in:
Esther Baldwin Williams and Esther Williams papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-willesth
Online Media:

Oral history interview with Marek Cecula

Interviewee:
Cecula, Marek, 1944-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Barneys New York  Search this
Garth Clark Gallery (New York, N.Y.)  Search this
George R. Gardiner Museum of Ceramic Art  Search this
Kunst- og designhögskolen i Bergen  Search this
Memphis (Group)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Parsons School of Design -- Faculty  Search this
Tiffany and Company  Search this
Cecula, Lanie  Search this
De Waal, Edmund  Search this
Earl, Jack  Search this
Koplos, Janet  Search this
Kottler, Howard, 1930-1989  Search this
Mayer, Jean  Search this
Nagle, Ron  Search this
Ogen, Gdula, 1929-  Search this
Price, Kenneth, 1935-2012  Search this
Shire, Peter  Search this
Spurey, Gerda  Search this
Spurey, Kurt, 1941-  Search this
Veiteberg, Jorunn, 1955-  Search this
Extent:
104 Pages (Transcript)
10 Items (Sound recording: 10 sound files (4 hr., 55 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Brazil -- Description and Travel
Israel -- Description and Travel
Poland -- description and travel
SoHo (New York, N.Y.) -- Description and Travel
Date:
2009 May 19-20
Scope and Contents:
An interview of Marek Cecula conducted 2009 May 19-20, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Cecula's studio, in New York, New York.
Marek Cecula speaks of his childhood in Kielce, Poland, during World War II; his move to Israel at age 16; studies with ceramists Gdula Ogen and Jean Mayer; the influence of Japanese ceramics on his early studies; life on the kibbutz HaSolelim in the late 1960s and early 1970s; the influence of Kurt and Gerda Spurey and their use of porcelain and slip-casting; his work in both functional and sculptural ceramics; his move to Tel Aviv in early 1970s, then to a commune in Binyamina in 1971; his move to Curitiba, Brazil, and subsequent work with Schmidt porcelain factory; "Art Project 79" exhibition, La Jola, Curitiba, Brazil, 1979; his move to Washington, D.C., with girlfriend (later wife) Lanie in 1976; Klepisko (2008); the cyclical nature in his work; move to New York City in late 1970s; the Soho arts scene in the 1970s and '80s; his work blending design and sculpture; establishing Contemporary Porcelain gallery, 1978; interest in work by Memphis Group, Peter Shire, Jack Earl, Ken Price, and Ron Nagle; head of ceramics department, at Parsons School of Design, New York City (1985-2004); continued design and production work, including for Tiffany & Co. and Barneys New York; establishment of Modus Design firm; continued exploration of industrial processes and use of decals in his work; influence of Howard Kottler; his quest to balance digital and handmade processes, and the continued importance of the tactile; "Scatology" exhibition; series Hygiene, his first purely sculptural series; Porcelain Carpet; representation at Garth Clark Gallery (New York City, Los Angeles, and Kansas City, Missouri); series Violations; series Mutants; series Industrial Interference; "Interface" exhibition (2002), in response to terrorist attacks on September 11, 2001; Look Into My Mind; The Stand For the Heroes, 2001; series Beauty of Imperfection; move to Poland in early 2000s; a teaching/artistic position at Bergen National Academy of Arts, Norway; establishment of Design Centrum Kielce in late 2000s; Menorah, 2007, Kielce (site-specific); Six Stations, 2007, Porsgrunn, Norway (site-specific); future projects for the city of Kielce; work with the Łódź Design Festival, Poland, and design center in Cieszyn, Poland; "kilo of earth" product; Last Supper; Mandala; Islam; limitations and advantages of ceramics as a medium; his globalized, multicultural experiences and outlook; the European vanguard in ceramics; periodicals and publications of interest; writers of interest: Edmund de Waal, Jorunn Veiteberg, Janet Koplos; the "desire society"; curating Third Biennale for Israeli Ceramics, 2004; fusion art, craft, and design; "Object Factory: The Art of Industrial Ceramics," Gardiner Museum, Toronto, 2008; redefinition of the concept of the object.
Biographical / Historical:
Marek Cecula (1944- ) is a ceramist and designer, who lives and works in New York and Poland.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
Occupation:
Ceramicists  Search this
Topic:
Ceramicists -- New York (State) -- New York -- Interviews  Search this
Ceramics -- Japan  Search this
Ceramics -- Study and teaching  Search this
Ceramics -- Technique  Search this
Designers -- New York (State) -- New York -- Interviews  Search this
Kibbutzim  Search this
World War, 1939-1945 -- Poland  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.cecula09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cecula09

Stanton L. Catlin papers

Creator:
Catlin, Stanton L. , 1915-1997  Search this
Names:
Columbia Records, Inc.  Search this
Hunter College -- Faculty  Search this
Syracuse University -- Faculty  Search this
Universidad de Chile -- Faculty  Search this
Ades, Dawn  Search this
Ashton, Dore  Search this
Boulton, Alfredo  Search this
Motherwell, Robert  Search this
Obregón, Alejandro, 1920-  Search this
Paternosto, César, 1931-  Search this
Paz, Octavio, 1914-  Search this
Rasmussen, Waldo  Search this
Rockefeller, David, 1915-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Sandoval, Judith Hancock de  Search this
Sebastián, Santiago  Search this
Torruella Leval, Susana  Search this
Williams, Amancio  Search this
Extent:
56.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Transcripts
Diaries
Place:
Czech Republic -- Description and Travel
Date:
1911-1998
bulk 1930-1994
Summary:
The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.
Scope and Contents:
The papers of curator, gallery director, educator, and Latin American art historian Stanton L. Catlin (1915-1997) measure 56.4 linear feet and date from 1911 to 1998 with the bulk of the material dating from 1930 to 1994. The papers are comprised of biographical material, correspondence, writings and notes, teaching and project files, professional files, research files, exhibition and subject files, printed material, and photographs.

Biographical material includes six address books, two annotated calendars, four day books, curriculum vitae, interview transcripts, records of Catlin's personal book collection, and his work as a student. Correspondence is with Catlin's family and prominent artists and colleagues, such as Dawn Ades, Dore Ashton, Alfredo Boulton, Robert Motherwell, Alejandro Obregon, César Paternosto, Octavio Paz, Waldo Rasmussen, David and Nelson Rockefeller, Susana Torruella Leval, Judith Sandoval, Santiago Sebastian, and Amancio Williams. Correspondence with Columbia Records concerns Catlin's Grammy Award for best album.

There are writings and notes by Catlin and others on Latin American art, and three journals kept by Catlin during his time in the Czech Republic and Minnesota.

Teaching files document some of Catlin's work as an art history professor at Hunter College, Syracuse University, and the University of Chile. The project files document his work as a consultant or contributor on various projects abd the professional files include records of Catlin's positions as art gallery curator and director, professional memberships, conference participation, and other professional activities. Research and subject files consist of annotated material related to Latin American art, European art, and various artforms and artists.

Exhibition files are found for Art of Latin America Since Independence (1966) and other exhibitions of Latin American art. Printed materials include books with an inscription, clippings, exhibition announcements and catalogs, magazines, and publications. There are photographs of Catlin, family and friends, colleagues, and artwork.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical material , 1933-1989 (1 linear foot; Box 1)

Series 2: Correspondence, 1914-1994 (4.5 linear feet; Box 2-6)

Series 3: Writings and Notes, 1930-1993 (4.5 linear feet; Box 6-10, OV 57)

Series 4: Teaching Files, 1941-1991 (1.5 linear feet; Box 10-12)

Series 5: Project Files, 1940-1993 (3.5 linear feet; Box 12-16)

Series 6: Professional Files, 1939-1994 (13.1 linear feet; Box 16-28, OV 58, 60)

Series 7: Research and Subject Files, 1938-1998 (8.0 linear feet; Box 28-36)

Series 8: Exhibition Files, 1941-1993 (15.6 linear feet; Box 37-51, OV 58-60)

Series 9: Printed Material, 1944-1993 (4.2 linear feet; Box 52-56)

Series 10: Photographs, 1911-1991 (0.5 linear feet; Box 56)
Biographical / Historical:
Stanton L. Catlin (1915-1997) was a curator, gallery director, educator, art historian, and expert on Latin American Art.

Catlin studied art history at Oberlin College and graduated in 1937. After graduation, he studied painting and art history at the Academy of Arts in Prague, Czech Republic for two years. Catlin received a Fogg Museum Fellowship in Modern Art at Harvard University to survey collections of art in Europe. However, the project was canceled because of World War II.

During the war, Catlin served as a Cultural Relations Representative for the Coordinator of Inter-American Affairs where he assisted with exhibition arrangements throughout Latin America. In 1942, he also began teaching the history of art in the United States at the University of Chile. After the war, Catlin served in the Field Operations Division of the United Nations Relief and Rehabilitation Administration, working in the Displaced Persons Operation from 1945-1946.

From 1947 to 1950, Catlin served as the executive director of the American Institute of Graphic Arts. He received his graduate degree in art history from New York University in 1952, and shortly thereafter became editor and curator of American art at the Minneapolis Institute of Arts. From 1958 to 1967, Catlin was the assistant director of the Yale University Art Gallery. While there, he curated the landmark exhibition Art of Latin America Since Independence in 1966, the first exhibition to include only Latin American art and the accompanying catalog remains a standard reference source. That same year, Catlin won a Grammy Award for best album notes for an essay on Mexican mural painting.

In 1967, Catlin left Yale to take a position as director of the Art Gallery at the Center for Inter-American Relations before joining the faculty of Syracuse University in 1971 and becoming director of the university's Art Gallery. He remained at Syracuse for the rest of his career.

Catlin was a consultant on the major retrospective exhibition of the work of Diego Rivera at the Detroit Institute of Arts in 1986. He also worked on a project to document Mexican murals in the United States. Catlin died in Fayetteville, New York in 1997.
Related Materials:
Also found at the Archives of American Art is an oral history interview conducted by Francis V. O'Connor with Stanton L. Catlin from July 1 to September 14, 1989.

The University of Texas at Austin holds a significant collection of Stanton Loomis Catlin's papers, some of which are duplicates of the papers held by the Archives of American Art.
Provenance:
The collection was donated from 1992 to 1995 to by Stanton L. Catlin.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State)  Search this
Minnesota -- Description and travel  Search this
Gallery directors -- New York (State)  Search this
Curators -- New York (State)  Search this
Topic:
Art, European  Search this
Latino and Latin American artists  Search this
Educators -- New York (State)  Search this
Art, Latin American  Search this
Art -- History -- Study and teaching  Search this
Genre/Form:
Photographs
Interviews
Transcripts
Diaries
Citation:
Stanton L. Catlin papers, 1911-1998, bulk 1930-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.catlstan
See more items in:
Stanton L. Catlin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-catlstan
Online Media:

Smithsonian Tropical Research Institute Oral History Interviews

Creator::
Smithsonian Tropical Research Institute  Search this
Extent:
1 audiotape (Reference copy).
Type:
Collection descriptions
Archival materials
Audiotapes
Transcripts
Place:
Panama
Panama -- Social life and customs
Barro Colorado Island (Panama)
Panama -- Description and travel
Date:
1990
Introduction:
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives' record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also interviews conducted by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.

STRI staff who lived on Barro Colorado Island and raised their families in this unique environment were interviewed as a group to capture what life was like living and and working in this remote tropical location.
Descriptive Entry:
This interview by Pamela M. Henson, historian, Smithsonian Institution Archives, was recorded at the Rands' home in Gamboa, Panama, and documented reminiscences of former colleagues, students, visitors, and staff at STRI from the late 1950s to 1990, including experiences with ants (Paraponera), snakes, food, beer, long-term residence on Barro Colorado Island, increasing institutional management of STRI in recent years, laundry, pets, and children.

This collection is comprised of one interview session, totaling approximately 1.0 hour of recording and 40 pages of transcript.
Historical Note:
Many Smithsonian Tropical Research Institute (STRI) staff live on Barro Colorado Island (BCI), an island located in Gatun Lake, part of the Panama Canal watershed. In 1923, the island was set aside as a nature reserve and site for research in tropical biology. The BCI Research Station was run by a consortium of universities and government agencies in its early years. Called the Canal Zone Biological Area (CZBA), it was transferred to the Smithsonian Institution in 1946 and was renamed the Smithsonian Tropical Research Institute (STRI) in 1966.

This group interview documents life on the island from the perspective of five residents, Brian C. Bock, A. Stanley Rand, Patricia Rand, Nicholas D. Smythe, and Tanis Smythe. A. Stanley Rand received his Ph.D. in biology from Harvard University in 1961. After working with Harvard's Museum of Comparative Zoology and the Secretary of Agriculture in Brazil, he began working at STRI in 1964 as a herpetologist. From 1974 to 1979, Rand served as Assistant Director, and he was appointed Senior Biologist in 1979. His interest in the behavior and ecology of reptiles and amphibians led to pioneering studies of frog communications. Patricia Rand came to live on the island with her husband in 1964 and raised their family there. She conducted research and prepared exhibits on the history of BCI.

Nicholas D. Smythe received his Ph.D. in biology from the University of Maryland in 1970. He began working at STRI the same year to develop baseline studies of the rainforest for the Environmental Sciences Program. His research interests centered on frugivorous mammals, and during the 1980s Smythe began a domestication program for the paca, a species of cavy, which is an excellent source of protein and can be raised on forest by-products. Smythe's goal was a large scale paca industry which would prevent further destruction of the rainforest. Tanis Smythe took up residence on BCI with her husband in 1970 and also worked in the STRI library. Brian Bock, a herpetologist at the University of Tennessee, was a visiting scientist in STRI's Biology Program and worked at STRI with the iguana biology and management project.
Rights:
Restricted. Contact SIHistory@si.edu to request permission.
Topic:
Tropical biology  Search this
Conservation of natural resources  Search this
Herpetologists  Search this
Women -- History  Search this
Oral history  Search this
Interviews  Search this
Paca  Search this
Genre/Form:
Audiotapes
Transcripts
Citation:
Smithsonian Institution Archives, Record Unit 9580, Smithsonian Tropical Research Institute, Smithsonian Tropical Research Institute Oral History Interviews
Identifier:
Record Unit 9580
See more items in:
Smithsonian Tropical Research Institute Oral History Interviews
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru9580

City of S. Paulo-Brazil

Graphic artist:
Anonymous  Search this
Measurements:
overall: 7.2 cm x 4.8 cm; 2 13/16 in x 1 7/8 in
Object Name:
Print
Object Type:
Wood Engraving
Other Terms:
Print; Wood Engraving
Presumed place made:
Brazil
Associated Place:
South America
Date made:
between 1820 and 1840
ca. 1820-1840
Date of scrap-book:
1910
Subject:
Travel  Search this
ID Number:
GA.12066
Catalog number:
12066
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-4144-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_807883

Rio Janeiro/ Gold Washing in Brazil

Graphic artist:
Anonymous  Search this
Measurements:
overall: 9 cm x 6.6 cm; 3 9/16 in x 2 5/8 in
overall: 21 cm x 27.6 cm; 8 9/32 in x 10 7/8 in
Object Name:
Print
Object Type:
Woodcut
Other Terms:
Print; Wood Engraving
Place made:
World
Brazil
Associated Place:
South America
Date made:
ca. 1820-1840
Subject:
Travel  Search this
River scenes & river life  Search this
ID Number:
GA.12067
Catalog number:
12067
See more items in:
Work and Industry: Graphic Arts
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a6-4145-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_807884

Commemoracao do centernario

Measurements:
overall: 43 in x 29 in; 109.22 cm x 73.66 cm
Object Name:
Poster
Place made:
Brazil
Associated place:
Brazil
Date made:
1922
Associated date:
1922
Subject:
Worlds Fair  Search this
independence  Search this
Latin America  Search this
Travel  Search this
Tourism  Search this
Expositions and Fairs  Search this
ID Number:
ZZ.RSN82623Y11
See more items in:
Political and Military History: Political History, General History Collection
Princeton Posters
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a3-982b-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_540126

Early American cartographies edited by Martin Brückner

Author:
Brückner, Martin 1963-  Search this
Omohundro Institute of Early American History & Culture  Search this
Physical description:
1 online resource (xiii, 485 pages) illustrations, maps
Type:
Electronic resources
Maps
Electronic books
History
Place:
America
United States
Date:
2011
Topic:
Cartography--History  Search this
HISTORY--Colonial Period (1600-1775)  Search this
REFERENCE--Atlases & Gazetteers  Search this
TRAVEL--Maps & Road Atlases  Search this
Cartography  Search this
Historical geography  Search this
History  Search this
Call number:
GA401 .E17 2011 (Internet)
Restrictions & Rights:
Unlimited users
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1146246

The Uphill Battle to Stop Peru From Building a New Airport Near Machu Picchu

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Wed, 24 Feb 2021 17:17:11 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_f2e5b2fcb868c805e16de15de4447346

A botanist in the Amazon Valley; an account of the flora and fauna in the land of floods, by R. Ruggles Gates; with photographs and a map

Author:
Gates, R. Ruggles (Reginald Ruggles) 1882-1962  Search this
Physical description:
203 pages frontispiece, x plates, folded map 20 cm
Type:
Books
Place:
Amazon River Valley
Amazonie
Brésil
Amazone, Vallée de l'
Brazil
Date:
1927
Topic:
Natural history  Search this
Botany  Search this
Sciences naturelles  Search this
Botanique  Search this
Travel  Search this
Natural History  Search this
Description and travel  Search this
Descriptions et voyages  Search this
Call number:
QH117.G3X 1927
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_318991

A journey in Brazil. By Professor and Mrs. Louis Agassiz ..

Author:
Agassiz, Louis 1807-1873  Search this
Agassiz, Elizabeth Cabot Cary 1822-1907  Search this
Physical description:
xix, 540 p. front., illus., plates. 23 cm
Type:
Books
Place:
Amazon River Valley
Brazil
Date:
1879
Topic:
Geology  Search this
Description and travel  Search this
Call number:
F2513.A26 1879
F2513.A26 1879
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_216142

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