Letters to the Sterners, primarily regarding art and cultural matters.
Letters are from: John Barbirolli, George G. Barnard, Cecelia Beaux, George Bellows, Emile Bourdelle, Poultney Bigelow, Emma Calve, William M. Chase, Winston Churchill, Constance Collier, John Dewey, Gerald du Maurier, John Drew, James N. Dunn, Joseph Duveen, Elsie Ferguson, Arnold Genthe, Charles D. Gibson, Warren G. Harding, Charles W. Hawthorne, Robert Henri, Walter Hampden, Oliver Herford, Leslie Howard, Sir Henry Irving, Eva Le Gallienne, Julie Marlow, Philip Merivale, Maurice Mozkowski, Alla Nazimova, Joseph Pennell, Raphael Pompelli, Howard Pyle, Theodore Roosevelt, John S. Sargent, G. Bernard Shaw, Sir Herbert B. Tree, Mary A. Ward, J. Alden Weir, Edith Wharton, Francis Wilson, and Israel Zangwill.
Biographical / Historical:
Illustrator and painter; New York City. Sterner's wife, Marie, was an art dealer.
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Art dealers -- New York (State) -- New York Search this
Illustrators -- New York (State) -- New York Search this
0.3 Linear feet ((partially microfilmed on 6 reels))
Scope and Contents:
Biographical material, correspondence (1920-1977), diaries, notes and writings, art works, subject files (1939-1968), printed material (1919-1971), and photographs (1919-1929) document Geissbuhler's artistic activities in Paris and New England.
Reels 1267-1268: Many letters (1920-1971), written by Geissbuhler to his wife Elisabeth Chase Geissbuhler, are illustrated. Other correspondents include Adelyn Breeskin, Margaret Browne, Edward W. Forbes, and A. Conger Goodyear. Art works consist of 26 sketchbooks (1915-1962), annotated in French and English, and over 600 figure studies (1922-1970). Printed material includes a Sculptors' Guild brochure, art course announcements (1958), and clippings (1924-1971). Other materials consist of 2 autobiographical accounts, an award from the Cambridge Centennial Exhibition (1946), an address book and calling cards.
Reel 1271: Printed material includes reproductions of Geissbuhler's work, an advertisement for the Academie Julian (1919), an exhibition announcement (1921), and a clipping (1925). Photographs (1919-1922) and a photograph album (1921-1929) contain images of Geissbuhler in his studio, his works, his family, and friends including Otto Banninger, Antoine Bourdelle, Alberto Giacometti, his father Giovanni Giacometti, and Germaine Richier. Sixteen photographs show art classes, primarily Bourdelle's classes (1919-1922), and Charles Graffley's studio (1921). Other materials consist of biographical notes, an award certificate and 4 sketches (1918).
Reel 1331: Correspondence consists of letters received from Antoine and Rhoda Bourdelle (1921-1977) and general correspondence concerning art business matters (1927-1971). A diary in 8 volumes (1921-1922) contains some illustrated entries. Printed material (1934-1971) consists of 40 exhibition catalogs, 8 clippings, and a school brochure. Four loose sketches are undated. Seven subject files concerning Geissbuhler's sculpture projects contain letters, business records, notes, and clippings.
Reel 1813: Photographs of Geissbuhler's work and one of his house, ca. 1924-1933.
Unfilmed: Letters (1937-1941) concern Geissbuhler's work for the WPA, Treasury Department, and the Federal Works Agency, primarily the Medford project and the Foxboro, Massachusetts, post office project. Other material consists of 3 forms, 2 exhibition catalogs, a press release concerning government projects, 2 rolled charcoal drawings and 2 photographs of the sculptural relief "Straw Cutting and Weaving" from the Foxboro, Massachusetts post office project, and notes.
Biographical / Historical:
Sculptor; Dennis, Mass. Born in Delemont, Switzerland. In 1914, Geissbuhler traveled to Zurich to become a sculptor's apprentice in the studio of Otto Munch. He attended the Kunst Gewerbe School and worked as Munch's assistant until 1919. In that year, Geissbuhler went to Paris to study with Antoine Bourdelle at the Academie Julian. He maintained a studio in Paris until 1927, when he travelled to the United States and married Elisabeth Chase, a Boston sculptor whom he met in Bourdelle's class. They moved to New England in 1933, and in 1937 he became an art instructor at Wellesley College.
Material on reels 1267-1268, 1271, 1331 and 1813 lent for microfilming 1977-1978; unmicrofilmed material donated 1984 all by Arnold Geissbuhler.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Biographical materials, including certificates of U.S. citizenship, voter registration, and marriage for Sambugnac and his wife Ana; addresses of artists and construction contractors; letters from his family in Hungary, from Capital Products Inc., and the governments of Cuba and the Dominican Republic concerning sculpture commissions; notes and drawings, including blueprints of airplane designs for Pan American Airways; business records, including contracts with the U.S. Treasury Department for sculptures in U.S. post offices and courthouses; receipts for construction services and materials;
a ledger listing bills paid and medical information; printed materials on Sambugnac, his work, and other artists; and photographs of Sambugnac, of him in his studio, with his family and friends, and of his sculptures and paintings.
Biographical / Historical:
Sculptor and teacher; Florida. Born April 22, 1888 in Zemun, Yugoslavia and became a naturalized U.S. citizen in 1938. Studied at the Royal Academy of Fine Arts in Budapest, Hungary and Munich, Germany before going to Paris in 1913 to study under Antoine Bourdelle. Executed sculptures in numerous post offices around the States for the U.S. Treasury Department in the 1930's. Is represented in the Museum of Fine Arts in Budapest, a cathedral in Vienna, and the capitol in Havana. Was a member of the Architectural League of New York and the National Sculpture Society.
Donated 1984 by Dinorah Wilkins step-daughter of Sambugnac.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Autour de Bourdelle : Paris et les artistes polonais, 1900-1918 : [exposition] les musées de la Ville de Paris, Musée Bourdelle, 23 octobre 1996-19 janvier 1997 / conception de l'exposition et du catalogue, Elżbieta Grabska