Royal Swedish Academy of Letters, History and Antiquities
Saint Meinrad Seminary
State University College on Long Island
Temple University
University of Texas
University of Toronto
Washington University
Wayne State University
Weil Institute
Western Michigan University
Western Reserve University
Wilson College
College of Wooster
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy. Use of the unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Erwin Panofsky papers, 1904-1990 (bulk dates 1920-1968). Archives of American Art, Smithsonian Institution.
Abyssinia, 1867-1868 : artists on campaign : watercolors and drawings from the British expedition under Sir Robert Napier / Frederic A. Sharf with David Northrup and Richard Pankhurst
André Masson inside/outside surrealism : prints and illustrated books from the Gotlieb collection / Michael Parke-Taylor ; with an essay by Laurie J. Monahan
This donation consists of one copy of TM 1-205, Air Navigation; one copy of Instrument Flight Part One: Basic Air Work; one copy of Instrument Flying Advanced Theory and Practice; and a scrapbook detailing Clarke's time in the Navy. The scrapbook is separated into two sections: LITIS and CNTS. The first section of the scrapbook focuses on Link Instrument Training Instructor School. Here are detailed labeled diagrams, outlines and notes, Clarke's badges, a brochure from Independence Day 1944, and seven maps of the United States Naval Air Station in Norfolk, Virginia. The outlines and notes cover various topics including: Link trainer, Link trainer history, sensations of instrumental flight, navigation, communications, radio ranges, type E-6B Dead Reckoning Computer, instructions for the use of the Astro Compass Mark II, navigational procedures, and let-down procedure and instrument approach. The second section of the scrapbook includes information on navigation training including various diagrams, a list of definitions, and outlines and notes on the use of astrograph, navigation, ships, airplanes, and nautical data.
Biographical / Historical:
Barbara Lou Clarke was born on August 14, 1919. During World War II she joined the United States Navy where she was a Link Trainer Instructor and her rating was Sp(T)2c. Clarke later attended Boston College and the University of Southern California.
Provenance:
Candi Zizek, Gift, 2006
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Scattered biographical records include an award, Peter Blume's obituaries, a map of his birthplace Smorgon, a travel itinerary; and sound recordings and transcripts of interviews with Peter Blume by Alfred H. Barr, Boston College, Harry Bouras, and Visionary Company Magazine. Also found are genealogical records for Grace Blume's family, the Cratons. Researchers should note that the bulk of the Craton family papers are arranged in Series 10.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Blume papers, 1870-2001. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
Biographical material compiled by Pineda includes resumes, passport fragment, an interview transcript, two loose sketches, and correspondence with art historians, museums and galleries, and family; administrative correspondence, student evaluations, and other papers documenting her time at Newton College of the Sacred Heart, Boston University, and Boston College; and several files related to Pineda's membership in the Sculptor's Guild, National Sculpture Society, and National Academy of Design that consist of correspondence, exhibitions, gifts of artwork, printed material, and some sales records. Writings found in this series include drafts of artist statements and other writings and one journal. Also included are materials related to Marianna Pineda's memorial organized by Harold Tovish; and one VHS recording of a lecture given by Tovish.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Marianna Pineda papers, 1943-1998. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Sidney Simon papers, circa 1917-2002, bulk 1940-1997. Archives of American Art, Smithsonian Institution.
Restricted for duration of Farouk El-Baz's lifetime without written permission from Donor. Transferring office; 2/27/1983 Agreement of Transfer; Contact reference staff for details.