Search Results

Type:

albums (bound) & books

Album

Object Name:

Album

Made in:

Europe

Date:

19th century

Accession Number:

1960-110-1

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

EDAN-URL:

edanmdm:chndm_1960-110-1

Creator:

National Academy of Design (U.S.)  Search this

Names:

American Federation of Arts  Search this

Abbey, Edwin Austin, 1852-1911  Search this

Durand, Asher Brown, 1796-1886  Search this

Lanyon, Ellen  Search this

Ranger, Henry Ward, 1858-1916  Search this

Extent:

92.7 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Scrapbooks

Interviews

Date:

1817-2012

Summary:

The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

Scope and Contents:

The records of New York City's National Academy of Design measure 92.7 linear feet and date from 1817-2012. The records pertain to all three constituents of the tripartite organization consisting of the Academy, a membership body of artists founded in 1825; the school, founded at the same time to promote arts education; and the exhibition program, inaugurated in 1826. Extensive administrative records include minutes, committee files, director files, annual reports, constitutions, and correspondence and subject files of council officers. Exhibition records, also substantive, date to the Academy's first annual exhibition and include gallery and special exhibitions, as well as exhibitions at the Academy's museum, established in 1979. The collection also includes gifts and funding files, especially relating to endowments and prizes; membership records; National Academy Association records; Ranger Fund assignments; extensive files pertaining to the school's administration, courses of instruction, registrations, and attendance; twenty scrapbooks containing clippings and ephemera; Society of American Artists records; correspondence and ephemera from other organizations; transcripts from oral histories with Academy members; extensive photographic material documenting artists, members, the school, exhibitions, buildings, and artwork created by Academy members; artist files containing correspondence, writings, and sketches from those associated with the Academy; and assorted printed material and ephemera.

The Academy minutes and committee files consist of official, original, and transcribed proceedings for the council, annual, business, and some committee meetings, as well as related correspondence, reports, financial documents, notes, drafts, and ballots pertaining to the Academy's administration and activities from its 1825 founding until 2006. As an organization actively engaged in the development of art and art education in the United States, the Academy minutes and committee files are a valuable resource on subjects and topics in the Academy's history; in particular, its founding, administration, school, and exhibition program.

Director files date from 1942-1990 and document the activities of four of the Academy's chief administrators, including Vernon Porter (1950-1966), Earl Tyler (1966-1967), Alice Melrose (1967-1977), and John H. Dobkin (1978-1990). Items include correspondence, memoranda, minutes, and printed material.

Annual reports, dating from 1828-2003, summarize the activities of the Academy over the course of a year, and may include presidents' reports, treasurers' reports, audits of financial operations by public accountants, and printed annual reports containing summaries from multiple council officers. Information pertains to the year's activities including finances, exhibitions, membership, the school, committee activities, awards, and other business.

Academy constitutions date from 1826-2012 and include the printed constitutions and by-laws as well as constitutional proposals. Constitutions and by-laws name the current council officials, professors, academicians, associates, and honorary members, and state the mission and guidelines for operation in regards to membership, officers, annual meetings, elections, school, exhibitions, and how the constitution can be amended or altered. Constitutional proposals contain amendment drafts, alterations, and related correspondence.

Council officer files, dating from 1848-1980, contain the correspondence and subjects files of Academy officers—presidents, vice presidents, corresponding secretaries, and treasurers—concerning all matters of Academy business and operations including membership, gifts and funds, the federal charter, exhibitions, juries, the school, scholarships, committee affairs, anniversaries, publicity, administrative matters, resignations, and relationships with other organizations.

General administrative files date from 1825-1982 and include ledgers, certificates, correspondence, and legal documents pertaining to the Academy's founding, building, financial accounts, art collection, and other administrative matters.

Exhibition files, dating from 1826-2003, document the Academy's long exhibition history and includes annual, gallery, special, and museum exhibitions. Files may include exhibition catalogs, photographs, press clippings, sales records, and correspondence related to jury selection, awards and prizes, and logistical planning. Files pertaining to the Academy's annual exhibitions comprise a bulk of the series. Held since 1826, the Annuals were organized and curated by Academy members, and considered to be an important and sweeping survey of contemporary American art.

Gifts and funding files date from 1860-2009 and include financial documents, ledgers, legal material, and correspondence concerning the bequests, endowments, donations, and other gifts that financed the operations of the Academy and school. A significant number of records pertain to the Abbey Trust Fund and the Archer M. Hunting Fund.

Membership files, 1826-2012, document Academy members, honorary members, fellows, and the nominations and elections whereby members were voted into the Academy. Materials include registers, certificates, nomination ledgers and proposals, candidate biographies, and ballots.

The National Academy Association files date from 1911-1959 and contain a constitution, plan, and agreement, as well as correspondence, meeting minutes, and reports for the Association, incorporated in 1912 with the aim to erect a building shared by several New York art societies. At the time of incorporation, the Association consisted of members from the National Academy of Design, American Water Color Society, American Institute of Architects, Architectural League of New York, New York Water Color Club, National Sculpture Society, Municipal Art Society, Society of Beaux-Arts Architects, Mural Painters, Society of Illustrators, and a number of city representatives and citizens.

The Ranger Fund assignment files, 1919-2008, document the distribution of artworks by living American artists to institutions throughout the United States, in accordance with the will of Henry Ward Ranger. The Ranger Fund was initiated to stimulate public interest in the work of contemporary American painters in 1919, when the Academy received a bequest from Henry Ward Ranger, totaling $400,000. Ranger stated in his will that the capital should be invested and the income used as a purchase fund to facilitate gifts of paintings by living American artists to arts institutions throughout the United States. Files document the assignment of particular works of art to institutions through the official agreement, related correspondence, and in some instances, photographs of the artwork.

Extensive school records, dating from 1826-2008, contain administrative files, enrollment records, course files, student affairs files, and printed material documenting all aspects of the school's activities aligned with the Academy's mission to educate aspiring professional artists. A bulk of this series consists of student course registrations, documented in registers, then on index cards beginning in the 1930s. While information collected varied over the decades, registrations document student names and the year, and may additionally include course name, instructor, and cost.

Twenty Academy scrapbooks document the organization's activities from 1828-1939 and include clippings and ephemera. Three of the scrapbooks are devoted to specific topics, including one for the Society of American Artists, one for both the Society of American Artists and the Society of American Fakirs, and one for the Academy's centennial exhibition.

The Society of American Artists files, 1878-1906, document the formation of the Society as a departure from the Academy in 1877, its independent operations and activities, and its eventual consolidation with the Academy in 1906. The Society's members have included Edwin Abbey, James Carroll Beckwith, Mary Cassatt, William Merritt Chase, Thomas Eakins, George Inness Jr., John La Farge, Albert Pinkham Ryder, among many others.

Files from other organizations date from 1817-1997 and may include correspondence, ledgers, and printed material. Many of these organizations had business with the Academy, and records pertain to events, meetings, and exhibitions. Notable organizations include the American Academy of Fine Arts, American Federation of Arts, American Watercolor Society, Art Students League, Fine Arts Federation of New York, Metropolitan Museum of Art, New York Etching Club, Pennsylvania Academy of Fine Arts, and Salmagundi Club.

Oral history transcripts date from 2002-2007. Eight comprehensive interviews, conducted by Avis Berman for the Academy, are with Academy members and cover all aspects of the artists' lives, including family, early life, beginning career, mentors, contemporaries, influences, patrons, awards, residencies, as well as the artists' relationship with the Academy. The interview transcripts provide first-hand accounts of the organization, particularly from circa 1940 up to the time of the interview. Artists interviewed include Will Barnet, Hyman Bloom, Richard Haas, Ellen Lanyon, Jules Olitski, Bernard Olshan, Paul Resika, and Dorothea Rockburne.

Photographic material, dating from 1845-2010, includes a wide variety of formats and processes including 19th and 20th photographic prints, glass plate negatives, copy prints, contact sheets, slides, and 35mm negatives. Subjects include artists and others associated with the Academy, the school, exhibitions and events, Academy buildings, artwork, and reference photographs. Many 19th century photographs contain descriptive annotations. Supplementary inventories and guides prepared by Academy archivists are scattered throughout the series.

Artist files date from 1826-2004 and include the correspondence, writings, manuscripts, diaries, exhibition catalogs, and clippings of many notable artists involved with the Academy, including Asher B. Durand and Rembrandt Peale. Of particular note are two notebooks Durand gifted to the Academy, both containing notes and sketches from anatomy lectures.

While printed material is scattered throughout, the final series collects a small number of additional announcements, brochures, clippings, illustrations, and other ephemera not filed in other series.

Arrangement:

The collection is arranged as nineteen series.

Series 1: Minutes and Committee Files, 1825-2006 (11.5 linear feet; Boxes 1-11, BV 100-106)

Series 2: Director Files, 1942-1990 (0.5 linear feet; Box 11)

Series 3: Annual Reports, 1828-2003, circa 2010 (2.1 linear feet; Boxes 11-13, OV 139-142)

Series 4: Constitutions, 1826-2012 (1.1 linear feet; Boxes 13-14)

Series 5: Council Officers, 1848-1980 (4 linear feet; Boxes 14-18)

Series 6: General Administration, 1825-1982 (0.6 linear feet; Boxes 18, 126)

Series 7: Exhibitions, 1826-2003, 2008 (14.4 linear feet; Boxes 18-33)

Series 8: Gifts and Funding, 1860-2009 (4.1 linear feet; Boxes 33-37)

Series 9: Membership, 1826-2012 (3.4 linear feet; Boxes 37-39, 127-131)

Series 10: National Academy Association, 1911-1959 (0.4 linear feet; Box 39)

Series 11: Ranger Fund Assignments, 1919-2008 (4.3 linear feet; Boxes 39-44)

Series 12: School, 1826-2008 (28.5 linear feet; Boxes 44-56, 68-99)

Series 13: Scrapbooks, 1828-1939 (4 linear feet; Box 56, BV 107-125)

Series 14: Society of American Artists, 1878-1906 (0.8 linear feet; Boxes 56-57)

Series 15: Other Organizations, 1817-1997 (1.8 linear feet; Boxes 57-59, 131)

Series 16: Oral History Transcripts, 2002-2007 (0.7 linear feet; Box 59)

Series 17: Photographic Material, 1845-2010 (6.1 linear feet; Boxes 60-63, 131-138, OV 143-144)

Series 18: Artist Files, 1826-2004 (3.5 linear feet; Boxes 63-66)

Series 19: Printed Material, 1839-1954 (0.4 linear feet; Boxes 67, 131, OV 145)

Biographical / Historical:

The National Academy of Design (1825- ) based in New York City, is a tripartite organization consisting of a membership body of artists, a school, and an exhibition program. The Academy was founded in 1825 by a group of professional artists with the mission to promote the fine arts in America through exhibition and education. Originally named the New York Drawing Association, the Academy was the first organization in the United States established and managed by professional artists. Samuel F.B. Morse, the Academy's first president, was influenced by the organization of the Royal Academy in London, which was comprised of professional artist members and elected government council, an art school, and a venue for exhibitions. After unsuccessful negotiations to unite with the American Academy of Fine Arts, the New York Drawing Association reformed as the National Academy of The Arts of Design on January 19, 1826. Among the founders were mostly young artists who became prominent figures in American art, including Frederick S. Agate, Thomas Cole, Thomas S. Cummings, Asher B. Durand, John Frazee, Charles C. Ingham, Henry Inman, Gerlando Marsiglia, Samuel F. B. Morse, Samuel L. Waldo, and Charles Cushing Wright.

The first Academy members were elected in January 1826, and levels of membership were established shortly thereafter. Originally there were four levels of Academy membership: associates, academicians, artists, and honorary corresponding members. The category of artists was eliminated in 1829, and the honorary member category, established to recognize American artists living outside New York, distinguished foreign artists, and patrons and friends of the Academy, was eliminated in 1862 (the constitution was not amended with this change until 1896). Since 1869, the residency requirement for election to active membership was eliminated and membership was opened to all American artists. In 1920, the classification of honorary corresponding member was re-introduced to recognize representatives of other national academies. With the 1997 constitution, the honorary corresponding member classification was again eliminated, and in 1994 the associate category was eliminated.

Artists are proposed for membership by academicians through the membership committee and are elected for life by a sixty percent majority, based on recognized excellence and significant contributions to the field. Procedures and rules for nominating and choosing new academicians changed over the years, as detailed in the constitutions. Associates were at one time required to present a portrait of themselves upon election and academicians were required to provide an additional representative work upon election. With the elimination of the category of associate in 1994, only one representative work is currently required. These works of art become part of the Academy's permanent collection.

The original classes of professional artists were painting, sculpture, architecture, and engraving. These professional classes were modified over the years. In 1936 the engraving class was made more comprehensive, including all of the graphic arts. Watercolor was added as a class in 1943 and was codified in the 1945 constitution. However, the division into five distinct classes started to create difficulties in how specific works of art were to be categorized. In 1981 the council eased the rules regarding separate media classification so that members could submit a work in any medium to the annual exhibitions regardless of the class to which they had been elected. The constitution of 1994 restated four professional classes—painting, sculpture, graphics, and architecture—which were further reduced in the 2011 constitution to two: visual arts and architecture.

Until 2009, the governing body of the Academy was the council. The seven officers of the council were president, vice-president, treasurer, assistant treasurer, corresponding secretary, assistant corresponding secretary and recording secretary, all of whom were required to be academicians. In 2009, a new constitution provided for a board of governors, replacing the council. The five officers of the board of governors are chair, vice-chair, president, vice-president, and treasurer. Only the offices of president and vice-president are required to be held by academicians.

Central to the Academy's mission, the school began with an anatomy lecture for the New York Drawing Association, delivered by Dr. Frederick G. King in November 1825. The first drawing session took place in November 1826 in the Old Alms House at City Hall Park with two academicians and twenty students. In the school's early years, professional artists met with students to draw from plaster casts of antique sculpture in the academic tradition. Both lectures and studio training were central the school's early curricula. Life classes, the practice of drawing from live models, were introduced in 1837, but only to advanced male students. A life class for women was not instituted until 1857, even though women were allowed membership to the Academy since its beginning. Due to financial difficulties at the Academy, the school was forced to move locations and shut down its operations for extended periods. Mounting dissatisfaction and frustration led several students and Lemuel E. Wilmarth, one of the school's leaders and first full-time professional instructor, to leave the Academy in 1875 and form a new school, the Art Students League. While charging tuition was unpopular, the Academy realized that it was necessary to ensure the school's sustainability, and implemented fee structures with varying success over the second half of the 19th century and first half of the 20th. Eventually, tuition was established by 1951, when the school was reopened at a new location, 5th Avenue and 89th Street.

Exhibitions have always been an important activity for the Academy, even prior to the opening of the National Academy Museum in 1979. Since 1826, the Academy has held annual exhibitions intended to reflect contemporary art currents in America. Any American artist was eligible to submit work to be reviewed by a jury of selection, comprised of academicians. Throughout the 19th century, the annual exhibitions at the Academy were one of the most significant and influential in the country. The selection process for these exhibitions was a critical topic, at times actively discussed in the press, and continually undergoing modification and change. In addition to the Annuals, the galleries of the Academy were often rented or loaned to outside organizations such as the American Watercolor Society, Audubon Artists, and the National Association of Women Artists. The galleries also mounted special exhibitions curated by its members and hosted a certain number of travelling exhibitions organized by other museums or art organizations. The museum, opened in 1979, hosted and presented major exhibitions, many focusing on historic European subjects.

Official Names of the Academy 1825-2017

1825 -- The New York Drawing Association

1826 -- The National Academy of The Arts of Design

1828 -- The National Academy of Design

1997 -- The National Academy Museum and School of Fine Art

2017 -- The National Academy of Design

National Academy of Design Meeting, Exhibition, and School Locations

1826 -- Old Alms House at City Hall Park in lower Manhattan

1827-1830 -- Chambers Street over the Arcade Baths

1831-1840 -- Corner of Nassau and Beckman Streets, the Mercantile Library on the third floor of Clinton Hall

1841 to 1849 -- 346 Broadway (at Leonard Street), the third and fourth floors of the New York Society Library

1850-1854 -- 663 Broadway, where the Academy erected a suite of six galleries

1855-1856 -- 548 Broadway (over Dr. Chapin's Church)

1857 -- 663 Broadway

1858-1861 -- 10th Street and 4th Avenue, the upper floor of a building

1861-1863 -- 625 Broadway, the Institute of Art

1865-1899 -- 23rd Street and Fourth Avenue (now Park Avenue South)

1899-1940 -- 109th Street and Amsterdam Avenue; exhibition galleries at 215 West 57th Street

1940-2017 -- 1083 Fifth Avenue at East 89th Street

Provenance:

The bulk of the collection was donated by the National Academy of Design in 2018. The trustees' ledger book in series 6 was donated in 1979 by Warder Cadbury of the Adirondack Museum; it is unclear how Cadbury acquired the ledger. Microfilm reels 798-799 containing transcriptions of minutes were given to the Archives by Lois Fink in 1974.

Restrictions:

This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Function:

Art Schools -- New York (State) -- New York

Arts organizations -- New York (State) -- New York

Genre/Form:

Drawings

Scrapbooks

Interviews

Citation:

National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.natiacad

See more items in:

National Academy of Design records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-natiacad

Collection Creator:

National Academy of Design (U.S.)  Search this

Extent:

14.4 Linear feet (Boxes 18-33)

Type:

Archival materials

Date:

1826-2003

2008

Scope and Contents:

Exhibition files document the National Academy of Design's commitment to exhibiting American art, achieved through its long history mounting annual, gallery, special, and museum exhibitions. Files may include exhibition catalogs, photographs, press clippings, sales records, and correspondence related to jury selection, awards and prizes, and logistical planning.

Annual exhibition files (subseries 7.1) document the Academy's member-curated annual exhibitions, which since 1826, have presented a survey of contemporary art in America. Up until 1900, the documentation of the annual exhibitions consists primarily of the exhibition catalogs, press clippings, and other printed material such as invitations and tickets. Catalogs provide details on participants, and many from the late 19th century contain illustrations by the artists and notes by prominent art critics such as Charles M. Kurtz. Documentation for 20th century exhibitions may additionally contain correspondence; financial material including price lists and receipts; exhibition and jury committee records; photographs of artwork, installations, and juries; guest books; entry forms and submission guidelines; and voting ballots. Annual exhibitions have typically been held in the spring, and certain years include winter or autumn annual exhibitions as well.

Gallery exhibition files (subseries 7.2) pertain to those exhibitions organized by outside organizations or groups who rented or borrowed the space from the Academy, including the American Society of Painters in Watercolor, Audubon Artists, and the National Association of Women Artists. These exhibitions provided a source of revenue for the Academy or were organized as a benefit for the outside organization. Items may include exhibition catalogs, clippings, correspondence, lists, and rental agreements.

Special exhibition files (subseries 7.3) pertain to exhibitions organized by the Academy and featuring works by Academy members. This includes exhibitions organized to correspond with America's centennial in 1876, the Academy's own centennial in 1925, and exhibitions of Academy artists organized in other locations including New Zealand and Fort Worth, Texas. Items found in this subseries may include catalogs, lectures and essays, correspondence, and other records pertaining to sales, curatorial, advertising, fundraising, and lenders.

Museum exhibition files (subseries 7.4) relate to exhibitions mounted by the Academy museum, opened in 1979, independent of the Annuals and member generated shows. Museum exhibitions included many travelling exhibitions that originated elsewhere and visited the Academy museum.

The final subseries (7.5) contains general exhibition files that overlap between exhibition types.

Arrangement:

The series is arranged as five subseries. Files are arranged chronologically within each subseries.

7.1: Annual Exhibitions, 1826-2003

7.2: Gallery Exhibitions, 1836-1988

7.3: Special, 1846-1981, 2008

7.4: Museum, 1979-1984

7.5: General, 1917-1996

Collection Restrictions:

This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.natiacad, Series 7

See more items in:

National Academy of Design records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_component:sova-aaa-natiacad-ref7

Creator:

Hirshhorn Museum and Sculpture Garden  Search this

Type:

Lectures

YouTube Videos

Uploaded:

2021-05-06T04:35:02.000Z

YouTube Category:

Education  Search this

Topic:

Art, modern  Search this

See more by:

hirshhornmuseum

Data Source:

Hirshhorn Museum and Sculpture Garden

YouTube Channel:

hirshhornmuseum

EDAN-URL:

edanmdm:yt_huoMdtBPT2c

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2021-03-26T02:00:01.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_NJQ5KV-B1gc

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2021-03-26T02:00:06.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_wR-vCOwdLTY

Creator:

Freer Gallery of Art and Arthur M. Sackler Gallery  Search this

Type:

YouTube Videos

Uploaded:

2021-03-26T02:00:06.000Z

YouTube Category:

Education  Search this

Topic:

Art, Asian  Search this

See more by:

FreerSackler

Data Source:

Freer Gallery of Art and Arthur M. Sackler Gallery

YouTube Channel:

FreerSackler

EDAN-URL:

edanmdm:yt_yr2uoQAcGXk

Creator:

National Postal Museum  Search this

Type:

YouTube Videos

Uploaded:

2018-03-06T21:43:31.000Z

YouTube Category:

Education  Search this

Topic:

Postal service;Letter mail handling;Stamp collecting  Search this

See more by:

SmithsonianNPM

Data Source:

National Postal Museum

YouTube Channel:

SmithsonianNPM

EDAN-URL:

edanmdm:yt_akz0k7JNEdY

Creator:

Smithsonian Libraries  Search this

Type:

YouTube Videos

Uploaded:

2021-05-03T13:35:24.000Z

YouTube Category:

Education  Search this

Topic:

Library science  Search this

See more by:

SmithsonianLibraries

Data Source:

Smithsonian Libraries

YouTube Channel:

SmithsonianLibraries

EDAN-URL:

edanmdm:yt_fBMXWt37O0M

Creator:

National Museum of the American Indian  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2017-02-15T15:57:32.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_4fXxkOgesoY

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2016-03-07T15:05:56.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_A8Ar1xBXCZA

Creator:

National Museum of the American Indian  Search this

Type:

YouTube Videos

Uploaded:

2018-02-23T15:03:47.000Z

YouTube Category:

Education  Search this

Topic:

Native Americans;American Indians  Search this

See more by:

SmithsonianNMAI

Data Source:

National Museum of the American Indian

YouTube Channel:

SmithsonianNMAI

EDAN-URL:

edanmdm:yt_OfaLDIgw0A8

Creator:

Duncan, Robert Edward, 1919-1988  Search this

Collins, Jess, 1923-2004  Search this

Duncan, Robert Edward, 1919-1988  Search this

Subject:

Jordan, Patricia M.  Search this

Type:

Albums

Date:

1959

Topic:

Artists' books  Search this

Collage  Search this

Poetry  Search this

Record number:

(DSI-AAA)11139

See more items in:

Patricia Jordan papers, 1870

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_item_11139

Creator:

Waring, Janet, 1870-1941  Search this

Waring, Janet, 1870-1941  Search this

Topic:

Decoration and ornament, Architectural -- Photographs  Search this

Stencil work -- Photographs  Search this

Theme:

Art Theory and Historiography  Search this

Record number:

(DSI-AAA_CollID)6955

(DSI-AAA_SIRISBib)209084

AAA_collcode_warijane

Theme:

Art Theory and Historiography

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209084

Creator:

Weir family  Search this

Weir family  Search this

Subject:

Weir, John F. (John Ferguson)  Search this

Weir, Julian Alden  Search this

Weir, Robert Walter  Search this

Perry, Edith Weir  Search this

McGuigan, John F., Jr. (John Fuller)  Search this

McGuigan, Mary K.  Search this

Type:

Drawings

Topic:

Women painters  Search this

Hudson River school of landscape painting  Search this

Theme:

Diaries  Search this

Lives of American Artists  Search this

Record number:

(DSI-AAA_CollID)13415

(DSI-AAA_SIRISBib)209196

AAA_collcode_weirweir

Theme:

Diaries

Lives of American Artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209196

Creator:

Spark, Victor D. (Victor David), 1898-1991  Search this

Spark, Victor D. (Victor David), 1898-1991  Search this

Subject:

Clonney, James Goodwyn  Search this

Prendergast, Maurice Brazil  Search this

Hardy, Jeremiah Pearson  Search this

Copley, John Singleton  Search this

Engelhard, Charles W., Jr.  Search this

Frankenstein, Alfred V. (Alfred Victor)  Search this

Moran, Thomas  Search this

Berliner, Jacob  Search this

Medina, Leon  Search this

Heade, Martin Johnson  Search this

Grigaut, Hubert L.  Search this

Lehman, Robert  Search this

Hardy, Charlotte  Search this

Shinn, Everett  Search this

Sully, Thomas  Search this

Moran, Ruth B.  Search this

Peale, Rembrandt  Search this

San Diego Arts Society  Search this

Type:

Photographs

Topic:

Artists' studios -- Photographs  Search this

Art, Modern -- 20th century -- United States  Search this

Art, Modern -- 19th century -- United States  Search this

Art -- Collectors and collecting -- New York (State) -- New York  Search this

Art galleries, Commercial -- New York (State) -- New York  Search this

Art, American  Search this

Art dealers -- New York (State) -- New York  Search this

Theme:

The Art Market  Search this

Art Gallery Records  Search this

Record number:

(DSI-AAA_CollID)7451

(DSI-AAA_SIRISBib)209609

AAA_collcode_sparvict

Theme:

The Art Market

Art Gallery Records

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209609

Creator:

West, William Edward, 1788-1857  Search this

West, William Edward, 1788-1857  Search this

Subject:

Byron, George Gordon Byron, Baron  Search this

Irving, Washington  Search this

Hemans, Felicia Dorothea Browne  Search this

Topic:

Portrait painting -- 19th century -- England  Search this

Theme:

Lives of American Artists  Search this

Record number:

(DSI-AAA_CollID)8627

(DSI-AAA_SIRISBib)210807

AAA_collcode_westwill

Theme:

Lives of American Artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210807

Creator:

Water Color Club (Boston, Mass.)  Search this

Water Color Club (Boston, Mass.)  Search this

Subject:

New England Watercolor Society  Search this

Topic:

Art -- Societies, etc. -- Massachusetts -- Boston  Search this

Painting, Modern -- 19th century -- Massachusetts  Search this

Painting, Modern -- 20th century -- Massachusetts  Search this

Watercolor painting -- Massachusetts -- Boston  Search this

Women painters -- Massachusetts -- Boston  Search this

Theme:

Communities, Organizations, Museums  Search this

Record number:

(DSI-AAA_CollID)8846

(DSI-AAA_SIRISBib)211031

AAA_collcode_watecolo

Theme:

Communities, Organizations, Museums

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211031

Creator:

Vedder, Elihu, 1836-1923  Search this

Vedder, Elihu, 1836-1923  Search this

Subject:

Vedder, Caroline Rosekrans  Search this

Type:

Photographs

Diaries

Topic:

Illustrators -- Italy -- Rome  Search this

Painters -- Italy -- Rome  Search this

Painting, Modern -- 19th century -- Italy -- Rome  Search this

Artists' writings  Search this

Works of art  Search this

Theme:

Diaries  Search this

American Art and Artists in a Global Context  Search this

Record number:

(DSI-AAA_CollID)9264

(DSI-AAA_SIRISBib)211459

AAA_collcode_veddelih

Theme:

Diaries

American Art and Artists in a Global Context

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211459

Creator:

Vose Galleries of Boston  Search this

Vose Galleries of Boston  Search this

Subject:

Vose, Robert Churchill  Search this

Hassam, Childe  Search this

Hoffman, Malvina  Search this

Jonniaux, Alfred  Search this

Ladd, Anna Coleman (sculptor)  Search this

Thayer, Abbott Handerson  Search this

Norton, William E.  Search this

Sargent, John Singer  Search this

Vose, Robert C. (Robert Churchill)  Search this

Arthur U. Newton Galleries  Search this

Ehrich Galleries (New York, N.Y.)  Search this

Howard Young Galleries (New York, N.Y.)  Search this

Jill Newhouse (Gallery)  Search this

M. Knoedler & Co.  Search this

Macbeth Gallery  Search this

Milch Galleries  Search this

Norton Gallery and School of Art  Search this

R.C. & N.M. Vose (Firm)  Search this

Robert C. Vose Galleries  Search this

Centennial Exhibition  Search this

Type:

Video recordings

Manuscript

Topic:

Artists -- United States -- Photographs  Search this

Picture frame industry -- Massachusetts -- Boston  Search this

Picture frames and framing  Search this

Art, Modern -- 20th century -- Massachusetts -- Boston  Search this

Art, Modern -- 19th century -- Massachusetts -- Boston  Search this

Theme:

The Art Market  Search this

Art Gallery Records  Search this

Record number:

(DSI-AAA_CollID)9272

(DSI-AAA_SIRISBib)211467

AAA_collcode_vosegall

Theme:

The Art Market

Art Gallery Records

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211467