Skip to main content Smithsonian Institution

Search Results

Collections Search Center
74 documents - page 1 of 4

Book Draft

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 65, Folder 20-21
Type:
Archival materials
Date:
circa 2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dc255c6f-16cf-443e-b948-7abd8110e059
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1842

Book Draft

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 66, Folder 1
Type:
Archival materials
Date:
circa 2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c9bb59e9-1c95-4cbe-af50-35431ec6c462
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1843

1981 Festival Program Book Draft Material

Collection Creator:
Rinzler, Ralph  Search this
Container:
Box 4 (Series 4)
Type:
Archival materials
Date:
undated
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, File RINZ_04_004_005
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 4: Events / 4.3: Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5a3ad4e8e-5118-4646-bafa-249d1fab61ae
EDAN-URL:
ead_component:sova-cfch-rinz-ref2210

Book Draft, American Abstract Artists, 1936-1966

Collection Creator:
Slobodkina, Esphyr, 1908-2002  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Container:
Box 2, Folder 3-7
Type:
Archival materials
Date:
circa 1966
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esphyr Slobodkina papers, circa 1925-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Esphyr Slobodkina papers
Esphyr Slobodkina papers / Series 5: American Abstract Artists / 5.3: Writings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b03457fc-73d9-4033-8755-78cd3847d07f
EDAN-URL:
ead_component:sova-aaa-slobesph-ref80

Book Draft, American Abstract Artists: Its Publications, Catalogs, and Membership

Collection Creator:
Slobodkina, Esphyr, 1908-2002  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Container:
Box 3, Folder 1-2
Type:
Archival materials
Date:
1979
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Esphyr Slobodkina papers, circa 1925-1995. Archives of American Art, Smithsonian Institution.
See more items in:
Esphyr Slobodkina papers
Esphyr Slobodkina papers / Series 5: American Abstract Artists / 5.5: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98c72bc33-1688-4560-b8bf-c8fa6137b42d
EDAN-URL:
ead_component:sova-aaa-slobesph-ref99

FD 5720 Toward World Understanding With Song

Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Container:
Box 25, Folder 7
Type:
Archival materials
Date:
1966
Scope and Contents note:
Toward World Understanding book (draft)
Liner note proofs and cover proofs rehoused to OS05-18
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, File Asch_02_025_007
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 2: Folkways Production / 2.1: Production Files
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk531e8554d-6e1a-4fab-a09e-5f2c36c52098
EDAN-URL:
ead_component:sova-cfch-asch-ref6422

Program Book Drafts

Container:
Box 4
Type:
Archival materials
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
See more items in:
Curatorial Research, Programs, and Projects
Curatorial Research, Programs, and Projects / Cadaval, Olivia / Programs - Chicago Latino 2006
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5d9dac9ad-b080-42ae-a8cb-9f8227c7228d
EDAN-URL:
ead_component:sova-cfch-crpp-ref764

Copy 1; 2 alternate beginnings

Collection Director:
Porterfield, Jeanne  Search this
Chickering, Lisa  Search this
Container:
Box 4
Type:
Archival materials
Date:
undated
Collection Restrictions:
The Lisa Chickering and Jeanne Porterfield collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the National Anthropological Film Collection may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Lisa Chickering and Jeanne Porterfield Collection, National Anthropological Film Collection, Smithsonian Institution
See more items in:
Lisa Chickering and Jeanne Porterfield collection
Lisa Chickering and Jeanne Porterfield collection / Series 3: Writings / 3.1: Book materials / Untitled book draft:
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc90e47a2f6-10bb-4cec-9920-b0fa40f46f2b
EDAN-URL:
ead_component:sova-hsfa-2015-16-ref264

Copy 2

Collection Director:
Porterfield, Jeanne  Search this
Chickering, Lisa  Search this
Container:
Box 4
Type:
Archival materials
Date:
undated
Collection Restrictions:
The Lisa Chickering and Jeanne Porterfield collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the National Anthropological Film Collection may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Lisa Chickering and Jeanne Porterfield Collection, National Anthropological Film Collection, Smithsonian Institution
See more items in:
Lisa Chickering and Jeanne Porterfield collection
Lisa Chickering and Jeanne Porterfield collection / Series 3: Writings / 3.1: Book materials / Untitled book draft:
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9f80b111d-5916-424c-81e0-eb992b36121a
EDAN-URL:
ead_component:sova-hsfa-2015-16-ref265

Copy 3

Collection Director:
Porterfield, Jeanne  Search this
Chickering, Lisa  Search this
Container:
Box 4
Type:
Archival materials
Date:
undated
Collection Restrictions:
The Lisa Chickering and Jeanne Porterfield collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the National Anthropological Film Collection may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Lisa Chickering and Jeanne Porterfield Collection, National Anthropological Film Collection, Smithsonian Institution
See more items in:
Lisa Chickering and Jeanne Porterfield collection
Lisa Chickering and Jeanne Porterfield collection / Series 3: Writings / 3.1: Book materials / Untitled book draft:
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9b28bf944-305d-47d3-abc4-5f856ded660c
EDAN-URL:
ead_component:sova-hsfa-2015-16-ref266

Fragments

Collection Director:
Porterfield, Jeanne  Search this
Chickering, Lisa  Search this
Container:
Box 4
Type:
Archival materials
Date:
undated
Collection Restrictions:
The Lisa Chickering and Jeanne Porterfield collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the National Anthropological Film Collection may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Lisa Chickering and Jeanne Porterfield Collection, National Anthropological Film Collection, Smithsonian Institution
See more items in:
Lisa Chickering and Jeanne Porterfield collection
Lisa Chickering and Jeanne Porterfield collection / Series 3: Writings / 3.1: Book materials / Untitled book draft:
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9e69d47a0-6c3d-4132-ab7f-6f8611bc0e27
EDAN-URL:
ead_component:sova-hsfa-2015-16-ref267

Untitled book draft:

Collection Director:
Porterfield, Jeanne  Search this
Chickering, Lisa  Search this
Type:
Archival materials
Collection Restrictions:
The Lisa Chickering and Jeanne Porterfield collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the National Anthropological Film Collection may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Lisa Chickering and Jeanne Porterfield Collection, National Anthropological Film Collection, Smithsonian Institution
See more items in:
Lisa Chickering and Jeanne Porterfield collection
Lisa Chickering and Jeanne Porterfield collection / Series 3: Writings / 3.1: Book materials
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9bed0341d-df2c-4d82-9f95-783248d6ef73
EDAN-URL:
ead_component:sova-hsfa-2015-16-ref55

Experimental Book Draft

Collection Creator:
Vanderbilt, Paul  Search this
Container:
Box 5, Folder 19
Type:
Archival materials
Date:
circa 1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Paul Vanderbilt papers, 1854-1992, bulk 1945-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Paul Vanderbilt papers
Paul Vanderbilt papers / Series 4: Writings and Notes / 4.1: Writings by Paul Vanderbilt
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw955d7c339-a9ba-4a95-be59-a0c28b1efc55
EDAN-URL:
ead_component:sova-aaa-vandpaul-ref130

Books

Collection Creator:
Selz, Peter Howard, 1919-2019  Search this
Type:
Archival materials
Date:
1942-2007
Scope and Contents:
This series is comprised of typescript drafts, correspondence, publishing contracts, research files, image rights and reproduction requests, financial material, and reader feedback, all related to books written or co-authored by Peter Selz. The titles include Art in a Turbulent Era, Art in Our Times, Art of Engagement, Beyond the Mainstream, Theories and Documents, and Theories of Modern Art. There are also monographs on artists such as Eduardo Chillida, Sam Francis, and William Congdon.
Arrangement:
This subseries is arranged alphabetically by title. Some books have folder groupings that are arranged by document type. Most of the book drafts are not numbered and are not in a specific order. The exception is Art of Engagement which had the number of the draft which was labeled "Second Draft," "Sixth Draft," etc.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.selzpete, Subseries 2.1
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 2: Writings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96d9ef391-168c-4c0e-b19a-14bea161eb4f
EDAN-URL:
ead_component:sova-aaa-selzpete-ref141

Draft Book for Clifford's Word Book

Artist:
Bridwell, Norman  Search this
Physical Description:
paper (overall material)
pencil (overall material)
ink (overall material)
tape (overall material)
metal (overall material)
Measurements:
overall: 11 in x 8 3/4 in x 3/8 in; 27.94 cm x 22.225 cm x .9525 cm
Object Name:
book
book, draft
Subject:
Education  Search this
Credit Line:
Gift of Norma E. H. Bridwell
ID Number:
2016.0241.94
Accession number:
2016.0241
Catalog number:
2016.0241.94
See more items in:
Home and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-73f7-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1819980

Book, Drafting & Industrial Tech Supply & Software Catalog 87

Maker:
Hearlihy & Company  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 21.5 cm x 28 cm; 8 15/32 in x 11 1/32 in
Object Name:
Book
book
Place made:
United States: Ohio, Springfield
Date made:
1987
Subject:
Mathematics  Search this
Credit Line:
Gift of Daniel A. Hearlihy
ID Number:
1987.0589.10
Accession number:
1987.0589
Catalog number:
1987.0589.10
See more items in:
Medicine and Science: Mathematics
Science & Mathematics
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b3-6a05-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_904560

Guy Pène Du Bois papers

Creator:
Pène Du Bois, Guy, 1884-1958  Search this
Names:
C.W. Kraushaar Art Galleries  Search this
Cortissoz, Royal, 1869-1948  Search this
Hopper, Edward, 1882-1967  Search this
McCoy, Samuel Duff, 1882-  Search this
Pène du Bois, William, 1916-1993  Search this
Soyer, Raphael, 1899-1987  Search this
Tarkington, Booth, 1869-1946  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Prints
Sketches
Date:
circa 1900-1963
bulk 1920-1963
Summary:
The papers of painter and art critic Guy Pène Du Bois measure 2.0 linear feet and date from circa 1900 to 1963 with the bulk of the materials dating from 1920 to 1963. Found within the papers are biographical material; personal and professional correspondence, including letters from Royal Cortissoz and Edward Hopper; writings, including essays, journals, short stories, and drafts of the autobiography Artists Say the Silliest Things; personal business records; printed material; and artwork.
Scope and Contents:
The papers of painter and art critic Guy Pène Du Bois measure 2.0 linear feet and date from circa 1900 to 1963 with the bulk of the materials dating from 1920 to 1963. Found within the papers are biographical material; personal and professional correspondence, including letters from Royal Cortissoz and Edward Hopper; writings, including essays, journals, short stories, and drafts of the autobiography Artists Say the Silliest Things; personal business records; printed material; and artwork.

Biographical materials consist of certificates, a curriculum vitae, passport, and a photograph of two unidentified women.

Correspondence is primarily with Pène Du Bois' family, friends, and business associates. The series includes significant correspondence from fellow art critic Royal Cortissoz; artists Raphael Soyer and Edward Hopper; and writers Samuel Duff McCoy, Lincoln Isham, and Newton Booth Tarkington. Other correspondents of note include C.W. Kraushaar Art Galleries and Pène Du Bois' son, the children's book illustrator William Pène Du Bois.

Writings include book drafts of Pène Du Bois' autobiography, Artists Say the Silliest Things, journal entries, 35 essays, 8 short stories, and various writing fragments and notes.

Personal business records consist of account and sales records from C.W. Kraushaar Art Galleries, book and publishing contracts, and receipts for art supply purchases.

Printed material includes a brochure for the Guy Pène Du Bois School of Art, clippings, exhibition announcements and catalogs, and miscellaneous printed material.

Artwork consists of pen and ink sketches by Pène Du Bois and a print by an unknown artist.
Arrangement:
The collection is arranged as 6 series.

Missing Title

Biographical material, 1929-1954 (4 folders; Box 1)

Correspondence, 1908-1958 (0.5 linear feet; Box 1)

Writings, circa 1900-1954 (1.1 linear feet; Box 1-4)

Personal business records, circa 1920-1949 (3 folders; Box 3)

Printed material, circa 1920-1963 (0.3 linear feet; Box 3)

Artwork, circa 1920-1954 (2 folders; Box 3)
Biographical / Historical:
Painter and art critic Guy Pène Du Bois (1884-1958) lived and worked in New York City, New York and was known for his realist paintings, essays, and art reviews.

Pène Du Bois was born in Brooklyn, New York to the art critic Henri Pène Du Bois and his wife Laura. After he showed an early interest in art, his' family supported his decision to enroll in William Merritt Chase's New York School of Art at the age of 15. There, Pène Du Bois trained with the realist painters Robert Henri and Kenneth Hayes Miller along with fellow students George Bellows, Edward Hopper, and Rockwell Kent. In 1905, he traveled to Paris and studied briefly with the artist Thèophile Steinlen, but returned to New York the following year after the death of his father. To help support his family, he found work as an illustrator and cartoonist for the New York American, and was promoted to the position of art critic for the newspaper in 1909.

In 1911, Pène Du Bois married his wife, Florence Duncan, and became an assistant writer for the New York Tribune under Royal Cortissoz (1913). Pène Du Bois also wrote art reviews for the New York Post (1916-1918), and was a writer and later editor of Arts and Decoration (1913-1915, 1917-1921). During these years, Pène Du Bois also began to establish a career as a realist painter of note. His work was included in the 1913 Armory Show, after which he signed on as a member of the Kraushaar Gallery stable. Throughout the 1910s, Pène Du Bois exhibited in numerous galleries and museums, and held his first one-man show in 1918 at the Whitney Studio Club.

From 1920 to 1924, Pène Du Bois taught at the Art Students League, and spent the latter part of the 1920s in France with his family. After seven years, he moved his family back to Connecticut and opened the Guy Pène Du Bois School of Art in Stonington, Connecticut. Throughout the 1930s, Pène Du Bois continued painting and received commissions to design federal murals in upstate New York (1937) and Boston (1942). In 1940, Pène Du Bois published his autobiography, Artists Say the Silliest Things. After the death of his wife in 1950, Pène Du Bois lived and traveled with his daughter's family and died in her home in Boston in 1958.
Related Materials:
The Archives also holds the Guy Pène Du Bois and Mary Lightfoot Tarleton correspondence.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel 28) including sketches and etching proofs. Lent material was returned to the lender and is not described in the collection container inventory.
Provenance:
Sketches and etching proofs were lent to the Archives of American Art in 1970 for microfilming by Pène du Bois' children, Yvonne McKenney and William Pène du Bois. Yvonne McKenney donated papers in 1971. In 1980, two journals dating from 1913 to 1955, were loaned for microfilming by Pène du Bois' daughter-in-law, Willa Kim. These journals were subsequently donated by Martha Fleishman in 2017.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Painting, American -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Prints
Sketches
Citation:
Guy Pène Du Bois papers, circa 1900-1963, bulk 1920-1963. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.duboguyp
See more items in:
Guy Pène Du Bois papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97572fde2-20b1-4c2d-888b-9056094d425e
EDAN-URL:
ead_collection:sova-aaa-duboguyp
Online Media:

Writings

Collection Creator:
Pène Du Bois, Guy, 1884-1958  Search this
Extent:
1.1 Linear feet (Box 1-4)
Type:
Archival materials
Date:
circa 1900-1954
Scope and Contents:
Writings include book drafts of Pène Du Bois' autobiography, Artists Say the Silliest Things, 2 bound journals dating from 1913-1955, journal entries, 35 essays on various art related topics, 8 short stories, and various writing fragments and notes. The journal entries are primarily writing exercises in essay style and cover diverse topics of fashion, character studies, art history, and current events.
Arrangement:
Materials are arranged by document type.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Guy Pène Du Bois papers, circa 1900-1963, bulk 1920-1963. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.duboguyp, Series 3
See more items in:
Guy Pène Du Bois papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bcde9f34-434b-4261-a944-3ede0298b1a8
EDAN-URL:
ead_component:sova-aaa-duboguyp-ref16

Book Drafts and Notes

Collection Creator:
Genauer, Emily, 1910-2002  Search this
Container:
Box 1, Folder 24
Type:
Archival materials
Date:
circa 1970s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Emily Genauer papers, circa 1920s-1990s. Archives of American art, Smithsonian Institution.
See more items in:
Emily Genauer papers
Emily Genauer papers / Series 2: Writings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eb91bc37-0758-4de7-9222-b9e27b277e9a
EDAN-URL:
ead_component:sova-aaa-genaemil-ref50

Thomas Henry Tibbles papers

Creator:
Tibbles, Thomas Henry, 1840-1928  Search this
Names:
Omaha World-Herald Company  Search this
Bryan, William Jennings, 1860-1925  Search this
Standing Bear, Ponca chief  Search this
Watson, Thomas E. (Thomas Edward), 1856-1922  Search this
Correspondent:
Crook, George, 1829-1890  Search this
La Flesche, Susette, 1854-1903  Search this
Extent:
2 Linear feet
41 Photographs
Culture:
Ponca  Search this
Omaha  Search this
Type:
Collection descriptions
Archival materials
Photographs
Articles
Essays
Book drafts
Correspondence
Autobiographies
Date:
1850-1956
bulk 1875-1905
Scope and Contents:
The Thomas Henry Tibbles papers include documents that span Tibbles career as a journalist and lecturer on Indian rights from the 1870s until his death in 1928. Of particular note are the documents related to his work on the Standing Bear vs. George Crook Habeas Corpus trial. This includes articles, essays and talks written by Tibbles as well as copies of a lecture given by Susette LaFlesche Tibbles. Notable correspondents include; Robert Clarkson, Joseph Cook, General George Crook, Robert N. Price and William Jennings Bryan. Examples of materials related to the Ponca land case and Standing Bear trial include reports from the Ponca Relief commitee, a petition from the Ponca people, minutes from the Council Concerning Ponca Land Right and additional documents and writings sent out by Tibbles to gain support from both the church and politicians. Also included in these papers are several drafts of Buckskin and Blanket Days, Tibbles' autobiography that was written in 1905 and published in 1957. There is a significant amount of correspondence between Chester Barris, grandson to Tibbles, and publishing houses between 1939 and 1956 in the search for a willing publisher. There is also correspondence between Barris and his aunt Theadora "Dora" Cogswell who worked on editing the manuscript. Cogswell conducted a large amount of research on the historicity of the events described by Tibbles and her notes are included in the collection. The photographs in this collection include portraits of the Tibbles/LaFlesche family as well as portraits of freinds and aquaintances. These include photographs of Edward Everett Hale, General George Crook, Governor Benjamin Butluer, Wendall Phillips, Thomas Watson, William Jennings Bryan and Harriet Beecher Stowe.
Arrangement:
This collection is arranged into three series. Series 1: Subject Files and Series 2: Buckskin and Blanket Days are both arranged alphabetically. Series 3: Photographs is subdivided into three subseries; Subseries 3A: T.H. Tibbles Portaits, arranged chronologically, Subseries 3B: Family and Friends and Subseries 3C: Presentation Portraits to Bright Eyes, both arranged alphabetically.
Biographical / Historical:
Thomas Henry Tibbles was born May 22, 1840, near Athens, Ohio to parents William and Martha (nee Cooley) Tibbles. In 1856, at the age of 16, Tibbles fought with anti-slavery Free-Staters in the Bleeding Kansas conflicts under James Henry Lane. Lane's troops disbanded the same year and Tibbles went on to study at Mt. Union College in Alliance, Ohio from 1858-1861. During the Civil War Tibbles served as a scout and newspaper correspondent in Missouri and Kansas and continued newspaper work until 1871 when he became a circuit preacher. Between 1874 and 1879, Tibbles worked on the staffs of various newspapers in Omaha, Nebraska eventually reaching the post of assistant editor of the Omaha Daily Herald. It was during his time at the Herald that Tibbles was instrumental in bringing the case of Standing Bear and the Ponca Indian people before the United States District Court at Fort Omaha. Standing Bear, along with thirty other Poncas, had returned to their home in Nebraska after being forcibly removed to Indian Territory 1878. They were being detained at the Omaha Reservation on an order from the Secretary of the Interior and Tibbles began to circulate the story of the plight of the Ponca to major newspapers gathering the support of the public. Eventually Tibbles had attorneys John L. Webster and A.J. Poppleton help Standing Bear petition the court with a writ of habeas corpus. On April 30, 1879 Judge Elmer Dundy declared that an Indian is a person within the law and that the Ponca were being held illegally, setting Standing Bear and the Ponca free. Following the trial, Tibbles continued to report on violations against Native American rights. Tibbles was a witness to the aftermath of the massacre of Native Americans at Wounded Knee in 1891, and reported this tragedy to the world. From 1893-1895, he worked as a newspaper correspondent in Washington D.C. On returning to Nebraska, Tibbles became editor-in-chief of The Independent, a weekly Populist Party newspaper. He was the Populist Party nominee for Vice President of the United States in 1904. Though unsuccessful in this campaign Tibbles continued to write on Populist issues as well as editing The Investigator from 1905-1910 and returning to the Omaha World Herald from 1910 to his retirement.

Tibbles had two children with his first wife, Amelia Owen whom he married in 1861. Eda, born in 1868 in Kansas City, married Herbert Bates in 1894 and May, born in 1870 in Danville Iowa, married Allen Barris in 1891. Amelia died of peritonitis in 1879. On June 29, 1882, Tibbles married Susette "Bright Eyes" LaFlesche (Omaha), daughter of Joseph "Iron Eye" LaFlesche. Susette LaFlesche worked closely alongside Tibbles during the Standing Bear's trial in her role as chief interpreter. Together, LaFlesche, Tibbles and Standing Bear carried out a successful lecture tour in England and Scotland in 1886-1887 speaking on issues of Indian rights. LaFlesche became well known as an eloquent writer and orator. Following her death in 1903 she was eulagized in the US Senate and was later inducted into the Nebraska Hall of Fame. Tibbles remarried for a final time in 1907 to Ida Belle Riddle. She remained by Tibbles side until his own death in 1928.

During his career, Tibbles wrote three books which included Ponca Chiefs (1880), which was written under the pen name "Zylyff", Hidden Power (1881) and The American Peasant (1892). Tibbles had also composed his memoirs titled Buckskin and Blanket Days which were eventually published in 1957 through the efforts of his grandson Chester Barris.
Related Materials note:
The dress of Susette "Bright Eyes" LaFlesche, wife to Tibbles, was also donated by Vivien Barris in 1984 and is a part of NMAI's Ethnology object collection. It has catalog number 25/2192.
Separated Materials:
The photographs have been moved to cool storage.
Provenance:
Thomas Henry Tibbles papers were originally donated to the Museum of the American Indian, Heye Foundation in 1960 by Vivien Barris, wife of Tibbles's grandson Chester Barris.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Topic:
Habeas corpus -- United States -- Cases  Search this
Ponca Indians -- Legal status, laws, etc.  Search this
Wounded Knee Massacre, S.D., 1890  Search this
Genre/Form:
Articles
Essays
Book drafts
Correspondence
Autobiographies
Citation:
Identification of specific item; Date (if known); Thomas Henry Tibbles papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.066
See more items in:
Thomas Henry Tibbles papers
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4b4ba9f3c-13e7-4648-8b7c-fca4d07a9ecc
EDAN-URL:
ead_collection:sova-nmai-ac-066
Online Media:

Modify Your Search







or


Narrow By