The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1983 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 6 series.
Missing Title
Series 1: Program Books, Festival Publications, and Ephemera
Series 2: Aviation Program
Series 3: Festival Sampler
Series 4: French/French-American Program
Series 5: National Heritage Fellowships Program
Series 6: New Jersey
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.
The 1983 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.
For more information, see Smithsonian Folklife Festival records.
Introduction:
Like its predecessor, the 1983 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan). A program on the folklife of flight celebrated the 200th anniversary of human flight, with other major programs focusing on French and French American music and dance, the folklife of New Jersey, and the second awarding of National Heritage Fellowships by the National Endowment for the Arts.
The idea that shaped this year's program - and any year's program, for that matter - was the Smithsonian Institution's abiding commitment to cultural conservation. The selected traditions were brought to the National Mall not only for visitors' enjoyment and intellectual edification, but also as a statement to the people who keep the traditions, to their communities, and to the great American public that these cultural traditions were more than the artistic flowering of a healthy community. They were often the very roots of a group's cultural identity, community feeling, and shared sense of style and, as such, were crucial to its well-being and productivity. Visitors were encouraged to find entertainment in the beautiful and significant traditions presented at this year's Festival and to understand their importance in the lives of the performers and their communities. Festival organizers also expressed their hope that visitors would join in making our nation an environment in which myriad cultural traditions can flourish.
The 1983 Program Book provides information on each of the programs.
The 1983 Festival was co-presented by the Smithsonian Institution and National Park Service, with support from Festival New Jersey '83!, the Government of France, Continental Telecom, Inc., Music Performance Trust Funds, and John & Clara Higgins Foundation, and with cooperation of the National Endowment for the Arts. It was organized by the Office of Folklife Programs, in conjunction (for the Aviation Program) with the National Air and Space Museum.
Folklife Advisory Council
Wilcomb E. Washburn, Chairman, Roger Abrahams, Richard Ahlborn, William Fitzhugh, Lloyd Herman, Robert Laughlin, Scott Odell, Ralph Rinzler, Peter Seitel, Thomas Vennum
Office of Folklife Programs
Ralph Rinzler, Festival Director; Peter Seitel, Acting Director; Jeffrey LaRiche, Acting Assistant Director; Diana Parker, Associate Festival Director; Thomas Vennum, Senior Ethnomusicologist; Marjorie Hunt, Folklorist; Kazadi wa Mukuna, Ethnomusicologist; Jack Santino, Folklorist; Richard Derbyshire, Archivist
National Park Service
Russell E. Dickenson, Director; Manus J. Fish, Jr., Regional Director, National Capital Region
Fieldworkers and presenters:
Barry Ancelet, Tina Bucuvalas, Lynda Burack-Novick, Tom Carroll, David Cohen, Angus Gillespie, John Herbst, Pandora Hopkins, Mary Hufford, Michael Licht, Amanda McQuiddy, Rita Moonsammy, Kazadi wa Mukuna, Kathleen Mundell, Catherine Perrier, Charlie Sayles, Daniel Sheehy, Nick Spitzer, Bob Teske, Norma Threadgill, Tom Vennum, John Vlach, Hank Willett, John Wright, Peggy Yocum
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://doi.org/10.25573/data.21771155.
Forms Part Of:
Smithsonian Folklife Festival records: 1983 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .
Smithsonian Folklife Festival records
Smithsonian Folklife Festival records: Papers
1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Jibaro Music / Cuerdas de Borinquen (Musical group). Guiro,Trovador,Cuatro,Guitar.
102 Puerto Rican Bomba and Plena / Marcial Reyes y Sus Pleneros. Percussion instruments. Spanish language.
103 Cuban Son / Grupo Changüí de Guantánamo. Percussion instruments,Bongo,Tres (Musical instrument),Maraca. Spanish language.
Local Numbers:
FP-1989-CT-0165
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Cuban Son / Grupo Changüí de Guantánamo. Bongo,Percussion instruments,Tres (Musical instrument),Maraca.
102 Puerto Rican Bomba and Plena / Marcial Reyes y Sus Pleneros. Percussion instruments.
Local Numbers:
FP-1989-CT-0171
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Puerto Rican Bomba and Plena / Marcial Reyes y Sus Pleneros. Percussion instruments.
102 Cuban Son / Grupo Changüí de Guantánamo. Percussion instruments,Bongo,Tres (Musical instrument),Maraca.
Local Numbers:
FP-1989-CT-0172
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Marcial Reyes' group also includes Jose Calderon, Eva Hernandez, Enrique Martinez, Milagros Cintron, Jose Ramirez, Jose Hernandez, Ricardo Hernandez, Eduardo Walker Cuerdas Borinquen includes Edicelio Santiago, Martin Rodriguez, Edwin Rodriguez, Victor Figeroa
Track Information:
1 Cuban Son / Grupo Changüí de Guantánamo, Andres Fisto, Carlos Barromeo Planchet. Bongo,Maraca.
2 Puerto Rican Jibaro Music / Cuerdas de Borinquen (Musical group), Anibal Alvarado Negrón, Conrado Albino Torres. Bongo,Guitar,Guiro,Trovador,Cantador,Cuatro.
3 Puerto Rican Bomba and Plena / Francisco Banze, Antonio Juan Bones, Marcial Reyes.
Local Numbers:
FP-1990-DT-0017
General:
tape 2
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The title of the Nuestra Música program - "Our Music" - conveys two meanings. One is the feeling of closeness that Latinos who share life experiences, values, and perhaps language feel when they say, "This is our music." The other meaning, underscored by the symbol-charged setting of the National Mall in the nation's capital around the Independence Day holiday, is that música latina is a defining piece of our nation's living cultural heritage. The 2005 installment of Nuestra Música presented a series of evening concerts showcasing a variety of Latino musical styles and cultures and exploring the theme "Music Builds Community" (see also the 2004 2006 and 2009 programs).
The 2005 program explored how Latinos have used music to persevere as mexicanos, Chicanos, puertorriqueños, Newyoricans, cubanos, salvadoreños, centroamericanos, dominicanos, colombianos, Latinos, or another self-proclaimed label, in the mass-media-driven, multicultural society of the United States. The larger purposes over the four years of this project (2004-2007) were to spotlight grassroots música latina's beauty, texture, and centrality to our nation's cultural core and to explore the many shades of meaning that Latinos give music. The special focus of the 2005 program was how Latinos use music and the values it carries to build a coherent, positive sense of community among people of specific cultural backgrounds and among the Latino population as a whole.
Through the musical windows on culture that the Nuestra Música program presented and explored, visitors could find the fullest meaning of music. This meaning goes far beyond mere sounds; it goes to the heart of personal and social identity, to issues of survival for immigrant communities adjusting to alien social environments, to constructing a new spirit of community in an ever-evolving world. Music carries knowledge, meaning, affect, and spirit because people have endowed it with these assets, because they consider it essential to envisioning and living a normal life in which they are genuinely themselves. Creative musicians and communities constantly construct new meanings for music, meaning that serves a social purpose as well as an aesthetic one. Nuestra Música offered visitors to this "living exhibition" on the National Mall the opportunity to meet the musicians and to learn more about the world of meaning behind the sounds, as well as to sing the songs, to dance to the rhythms, and to experience the panorama of diverse expressions we call música latina.
Olivia Cadaval and Daniel Sheehy were Curators; Cristina Díaz-Carrera was Program Coordinator; Nilda Villalta was Research Associate; and Russell Rodríguez was Presenter.
This program was generously funded by the Smithsonian Latino Initiatives Fund, NEXTEL, Joyce Foundation, and Univision and was produced in collaboration with the Cultural Institute of Mexico and the Ministry of External Relations of Mexico, with media support from Radio Bilingüe.
Lorena Íñiguez, 1976-, vihuela, jarana, small percussion
Joel R. Martínez, 1972-, drums, percussion
Victor Pichardo, 1961-, vocals, huapanguera, jarana, guitar, clarinet
José Juan Rivera, 1977-, vocals, requinto, violin
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 2005 Smithsonian Folklife Festival, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound cassette (analog.)
Type:
Archival materials
Sound cassettes
Place:
Puerto Rico
Local Numbers:
FP-1989-CT-0013-2
General:
tape 1
Date/Time and Place of an Event Note:
Recorded in: Puerto Rico, February 2, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Puerto Rican Bomba and Plena / Francisco Banze, Marcial Reyes. Percussion instruments. Spanish language.
102 Kumina Drumming / Kumina Group. Drum.
Local Numbers:
FP-1989-CT-0151
General:
tape 2/4
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
102 Jibaro Music / Cuerdas de Borinquen (Musical group). Cuatro,Guitar,Guiro,Trovador,Bongo. Spanish language.
103 Puerto Rican Bomba and Plena / Ophera Hallis, Marcial Reyes. Percussion instruments. Spanish language.
Local Numbers:
FP-1989-CT-0152
General:
tape 3/4
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, June 25, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, June 26, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Puerto Rican Bomba and Plena / Ophera Hallis, Marcial Reyes. Percussion instruments.
102 Jibaro Music / Cuerdas de Borinquen (Musical group). Guitar,Guiro,Cuatro,Trovador,Bongo.
Local Numbers:
FP-1989-CT-0158
General:
tape 2/4
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Ritual Dance Workshop / Kumina Group, Maroon Drumming Group, Voudon Group de Madame Nerva. Drum.
102 Puerto Rican Bomba and Plena / Ophera Hallis, Marcial Reyes. Percussion instruments. Spanish language.
Local Numbers:
FP-1989-CT-0159
General:
tape 3/4
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, June 27, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
101 Puerto Rican Bomba and Plena / Marcial Reyes y Sus Pleneros. Percussion instruments.
102 Cuban Son / Cuarteto Patria, Compay Segundo. Guitar.
Local Numbers:
FP-1989-CT-0169
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
102 Puerto Rican Bomba and Plena / Gabriel Mondlane, Marcial Reyes. Percussion instruments. Spanish language.
103 Jibaro Music / Cuerdas de Borinquen (Musical group). Guitar,Guiro,Trovador,Cuatro. Spanish language.
Local Numbers:
FP-1989-CT-0384
General:
Kumina Group: Elijah Alexander, Aaron Bailey, Mytyle Bailey, James Jonothan, Bertram Kelly, Clinton Kennedy, Imogene "Queenie" Kennedy; Marcial Reyes y sus Pleneros: Antonio Bones, Jose Calderon, Eva Hernandez, Enrique Martinez, Milagros Mojita, Jose Ramirez, Marcial Reyes, Jose Figueroa, Ricardo Hernandez, Eduardo Walker; Cuerdas de Borinquen: Conrado Torres, Anibel Negron, Edicelio Santiago, Martin Rodriguez, Edwin Rodriguez, Victor Figueroa, Juan Cruz, Elvin Matos
tape 2A
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, June 24, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
3 Cuban Rhumba / Grupo Afrocuba, Francisco Zamora Chirino, Pedro Aballi.
Local Numbers:
FP-1990-DT-0018
General:
tape 3
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Recorded in: Washington (D.C.), United States, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Extent:
1 Sound recording (sound tape reel, 7 inch reel, 1/4 inch tape)
sound-tape reel (analog, 7 in.)
Type:
Archival materials
Sound recordings
Place:
United States
Washington (D.C.)
Puerto Rico
Ozark (Ala.)
Alabama
Date:
1983 June 25
Contents:
Wiregrass Sacred Harp Singers--Amazing grace--Now is time to serve the Lord--Marilla's blessing--How long--My mother is gone--Sign of the Judgement--Mercy in the sky--Give me just a little more time; La Familia Cepeda--Intro--Carnival--Bomba
Local Numbers:
FP-1983-7RR-0359
General:
CDR copy
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 25, 1983.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
