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Oral history interview with Herbert Palmer

Interviewee:
Palmer, Herbert Bearl, 1915-2006  Search this
Interviewer:
Ehrlich, Susan, 1942-  Search this
Names:
Ankrum Gallery  Search this
David Stuart Galleries  Search this
Feigen Palmer Gallery  Search this
Felix Landau Gallery  Search this
Irving Blum Gallery (Los Angeles, Calif.)  Search this
New York University -- Students  Search this
Ankrum, Joan  Search this
Bloch, Lucienne, 1909-1999  Search this
Bluhm, Norman, 1921-1999  Search this
Callahan, Harry M.  Search this
Cézanne, Paul, 1839-1906  Search this
Feigen, Richard L., 1930-  Search this
Garabedian, Charles  Search this
Grooms, Red  Search this
Maillol, Aristide, 1861-1944  Search this
Mullican, Lee, 1919-1998  Search this
Offner, Richard, 1889-1965  Search this
Onslow-Ford, Gordon  Search this
Paalen, Wolfgang, 1907-  Search this
Reiss, Henrietta  Search this
Reiss, Winold, 1886-1953  Search this
Riley, Bridget, 1931-  Search this
Shapiro, Meyer  Search this
Stevenson, Harold, 1929-2018  Search this
Tudor, David, 1926-1996  Search this
Vasa  Search this
Wölfflin, Heinrich, 1864-1945  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 Dec. 6-22
Scope and Contents:
An interview of Herbert Palmer conducted 2004 Dec. 6 and 22, by Susan Ehrlich, for the Archives of American Art, in West Hollywood, Calif.
Palmer discusses his family background and childhood in New York City; early exposure to art exhibitions; music appreciation; attending New York University; taking classes with Winhold Reiss, Meyer Shapiro, Richard Offner, and Heinrich Wolfflin; his master's thesis on Paul Cezanne's paintings of Mount Saint Victoire; moving to California; learning to fly; meeting Lillian, his wife; founding Feigen-Palmer Gallery with Richard Feigen; other galleries in the area, including Irving Blum, David Stuart, Felix Landau, Charles Garabedian, and Joan Ankrum; Monday Night Art Walks; John Cage and David Tudor performance pieces; the many artists he's exhibited; Andy Warhol's "The Kiss"; 1968 split with Richard Feigen to become the Herbert Palmer Gallery; the theft of a Picasso sculpture in Dec. 1981 and the ensuing legal case, which involved numerous galleries and collectors; his longstanding friendships with Gordon Onslow Ford, Lee Mullican, and Wolfgang Paalen; membership to the Art Dealers Association of California; and his enjoyment of discovering art, old and new. Palmer also recalls Henriette Riess, Harold Stevenson, Lucienne Bloch, Bridget Riley, Vasa Mihich, Maillol, Red Grooms, Norman Bluhm, and others.
Biographical / Historical:
Herbert Palmer (1915-2006) owned the Herbert Palmer Gallery of West Hollywood, Calif. Interviewer Susan Ehrlich is an art historian from Beverly Hills, Calif.
General:
Originally recorded on 4 mini discs. Reformatted in 2010 as 15 digital wav files. Duration is 3 hr., 35 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Use requires an appointment.
Topic:
Art dealers -- California -- Interviews  Search this
Art thefts  Search this
Gallery owners -- California -- Interviews  Search this
Function:
Art galleries, Commercial -- California
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.palmer04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-palmer04

Photographs of artists by Fred McDarrah

Photographer:
McDarrah, Fred W., 1926-2007  Search this
Names:
Beal, Jack, 1931-  Search this
Bluhm, Norman, 1921-1999  Search this
Christo, 1935-  Search this
De Kooning, Willem, 1904-1997  Search this
Freckelton, Sondra  Search this
Kline, Franz, 1910-1962  Search this
Motherwell, Robert  Search this
Noland, Kenneth, 1924-2010  Search this
Wilke, Hannah  Search this
Extent:
8 Items (photographic prints)
Type:
Collection descriptions
Archival materials
Date:
1963-1976
Scope and Contents:
Photographs of Norman Bluhm, Robert Motherwell, Franz Kline, Willem De Kooning, Kenneth Noland, Hannah Wilke, Christo, and Jack and Sandra (Freckleton) Beal.
Biographical / Historical:
Fred W. McDarrah (1926-2007) is a photographer, New York, N.Y.
Provenance:
Donated 1977 by Fred W. McDarrah.
Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists at or with their work  Search this
Identifier:
AAA.mcdafred
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mcdafred

Paul Jenkins papers

Creator:
Jenkins, Paul, 1923-2012  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Martha Jackson Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York University  Search this
Baber, Alice  Search this
Bluhm, Norman, 1921-1999  Search this
De Kooning, Willem, 1904-1997  Search this
Dusanne, Zoe, -1977  Search this
Erma, Thomas, 1939-1964  Search this
Gilot, Francoise, 1921-  Search this
Guggenheim, Peggy, 1898-  Search this
Jenkins, Esther Ebenhoe  Search this
Krasner, Lee, 1908-1984  Search this
Prantl, Karl  Search this
Prince, Frank  Search this
Extent:
11.1 Linear feet
Type:
Collection descriptions
Archival materials
Travel diaries
Manuscripts
Sketches
Watercolors
Prints
Collages
Visitors' books
Photographs
Scrapbooks
Place:
China -- Description and Travel
Date:
circa 1915-2010
Summary:
The papers of abstract expressionist painter and playwright Paul Jenkins measure 11.1 linear feet and date from circa 1915 to 2010. Jenkins's career in New York and Paris is documented through biographical material, family papers, correspondence, writings, personal business records, printed material, photographs of Jenkins in his studio and at various events, and original artwork by Jenkins and others.
Scope and Contents:
The papers of abstract expressionist painter and playwright Paul Jenkins measure 11.1 linear feet and date from circa 1915 to 2010. Jenkins's career in New York and Paris is documented through biographical material, family papers, correspondence, writings, personal business records, printed material, photographs of Jenkins in his studio and at various events, and original artwork by Jenkins and others.

Biographical material and family papers consist of awards and certificates, calendars, marriage, divorce, and estate papers, and military service records. Also included are family papers and a scrapbook belonging to Jenkins's aunt, Louise Jenkins.

Correspondence, which makes up the bulk of the collection, is with family, friends, and fellow artists, including Alice Baber, Norman Bluhm, Willem de Kooning, and Lee Krasner Pollock, as well as art organizations, schools, museums, galleries, and gallery owners, such as the Art Students League of New York, New York University, Museum of Modern Art, Martha Jackson Gallery, Zoe Dusanne, and Peggy Guggenheim.

Writings includes scattered writings by Paul Jenkins, two of his travel diaries, and the guest book for an exhibition in Tokyo. Also found are a copy of Lili Krahmer Verame's China travel diary and the writings and research materials of others.

Personal business records consist of financial records, lease documents, price lists, travel documents, and papers regarding Jenkins's rental property. Also included are a file on the New York University medal designed by Jenkins and a file concerning a Karl Prantl statue.

Printed material consists of event programs, newsletters, bulletins, member reports, press releases, art exhibition announcements and catalogs, concert and theater announcements and programs, news and magazine clippings, and obituaries and memorial announcements.

Artwork contains miscellaneous sketches and collages by Paul Jenkins. Additional artworks include sketches, watercolors, and prints by other artists, as well as 8 oversize mixed media sketches by Frank Prince of Jenkins's Meditation Mandala Sundial sculptures.

Photographs of Paul Jenkins depict him in his studio, with family and friends, and at events. Photographs of family and friends include Esther Ebenhoe Jenkins, Alice Baber Jenkins, Norman Bluhm, Thomas Erma, Françoise Gilot, Matsumi "Mike," Carole, and Bunshi Paul Kanemitsu, and Frank Prince.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, circa 1915-1997 (Box 1; 9 folders)

Series 2: Correspondence, circa 1930-2010 (Box 1-9, 13; 9 linear feet)

Series 3: Writings, circa 1950-2003 (Box 9-10; 0.5 linear feet)

Series 4: Personal Business Records, circa 1944-1990 (Box 10; 0.3 linear feet)

Series 5: Printed Material, circa 1952-2010 (Box 10-11; 0.6 linear feet)

Aeries 6: Artwork, circa 1935-2007 (Box 11-12, OV 14; 0.2 linear feet)

Series 7: Photography, circa 1940-1998 (Box 12; 0.4 linear feet)
Biographical / Historical:
Paul Jenkins (1923-2012) was an abstract expressionist painter and playwright in New York, New York, and Paris, France. Jenkins was born in Kansas City, Missouri in 1923, and moved to Youngstown, Ohio as a teenager. After serving in the U.S. Maritime Service and the U.S. Naval Air Corps, Jenkins studied playwriting with George McCalmon at the Carnegie Institute of Technology (now Carnegie Mellon University). In 1948, he moved to New York City, where he studied with Yasuo Kuniyoshi at the Art Students League of New York.

Over the course of his career, Jenkins experimented with multiple techniques, including oil on primed canvas, flowing paints, acrylics, watercolor, and mixed media collages. After traveling extensively and meeting many artists, Jenkins ultimately became associated with the Abstract Expressionists. His work gained the attention of other members of the art world and he held solo exhibitions at venues such as the Zoe Dusanne Gallery in Seattle and the Martha Jackson Gallery in New York. Jenkins' paintings were purchased by both museums and private collectors, including the Museum of Modern Art, the Whitney Museum of American Art, and Peggy Guggenheim.

In addition to his painting, Jenkins continued to explore other creative endeavors. He experimented with sculpture, producing works for events and permanent displays, including the Sculptors' Symposium at the Cooper-Hewitt Museum and the Sculpture Garden of the Hofstra Museum. His plays, such as Strike the Puma, were published and performed off Broadway in New York City. Jenkins's art served as the backdrop for multiple stage productions, and in 1978, his paintings were featured in the Academy Award nominated movie An Unmarried Woman. Jenkins also collaborated on a number of book projects, including Anatomy of a Cloud, a collection of autobiographical collages and texts.

Throughout his adult life, Jenkins split most of his time between New York and Paris. He continued to create and exhibit new works until his death in New York in 2012.
Related Materials:
Also found at the Archives of American Art are an interview of Paul Jenkins, August 1969, conducted by Albert Elsen, and an oral history interview, 1968, conducted by Colette Roberts.
Provenance:
The papers were donated 2007-2009 and in 2012 by Paul and Suzanne Jenkins.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. One letter from Paul Jenkins to Norman Bluhm, circa 1966, is ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.
Rights:
Entire (except oversize watercolors): Authorization to quote or reproduce for the purposes of publication requires written permission from Suzanne or Paul Jenkins, c/o Imago Terrae. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Dramatists -- France -- Paris  Search this
Dramatists -- New York (State) -- New York  Search this
Topic:
Abstract expressionism  Search this
Artists' studios -- Photographs  Search this
Medals -- Design  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Travel diaries
Manuscripts
Sketches
Watercolors
Prints
Collages
Visitors' books
Photographs
Scrapbooks
Citation:
Paul Jenkins papers, circa 1915-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jenkpaul2
See more items in:
Paul Jenkins papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jenkpaul2

Norman Bluhm papers

Creator:
Bluhm, Norman, 1921-1999  Search this
Extent:
350 Items
Type:
Collection descriptions
Archival materials
Date:
1956-1969
Scope and Contents:
Correspondence, jottings, catalogs, clippings, and 149 photographs, ca. 1950-1969, including 17 of Bluhm (some with other artists) and 132 of his works. Artists included in the photos are Insho Domoto, Michael Goldberg, Joan Mitchell, Phillip Pavia, Peter Pollack, Jean-Paul Riopelle, Nadja Scarpitta, Syd Solomon, Nora Speyer, Antonio Tapies, and Wou-Ki Zao.
Biographical / Historical:
Painter; Millbrook, New York. b. 1920, in Chicago, Ill. d. Feb. 3, 1999, in East Wallingford, Vt. Birthdate also listed as 1921.
Provenance:
Donated 1969 and 1970 by Norman Bluhm.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Identifier:
AAA.bluhnorm
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bluhnorm

Bernard Harper Friedman papers

Creator:
Friedman, B. H. (Bernard Harper), 1926-2011  Search this
Names:
Provincetown Fine Arts Work Center  Search this
Whitney Museum of American Art  Search this
Asher, Elise, 1914-  Search this
Baur, John I. H. (John Ireland Howe), 1909-1987  Search this
Bertoia, Harry  Search this
Biddle, Flora Miller  Search this
Bluhm, Norman, 1921-1999  Search this
Brooks, James, 1906-1992  Search this
Bultman, Fritz, 1919-1985  Search this
Castelli, Leo  Search this
Copley, William Nelson, 1919-1996  Search this
Dine, Jim, 1935-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gill, Brendan, 1914-1997  Search this
Goodnough, Robert, 1917-  Search this
Gray, Cleve  Search this
Gray, Francine du Plessix  Search this
Hall, Joellen  Search this
Huebler, Douglas  Search this
Kanovitz, Howard  Search this
Knowlton, Grace, 1932-  Search this
Krasner, Lee, 1908-1984  Search this
Kunitz, Stanley, 1905-2006  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Matter, Mercedes  Search this
McDarrah, Fred W., 1926-2007  Search this
McEwen, Rory, 1932-  Search this
Motherwell, Robert  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Barnett, 1905-1970  Search this
Norman, Dorothy, 1905-1997  Search this
Ossorio, Alfonso, 1916-1990  Search this
Pollock, Jackson, 1912-1956  Search this
Richenburg, Robert  Search this
Rosset, Barney  Search this
Roth, Philip  Search this
Rothschild, Judith  Search this
Salvesen, Magda  Search this
Sandler, Irving, 1925-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Schueler, Jon, 1916-  Search this
Simon, Sidney, 1917-1997  Search this
Slivka, David, 1913-  Search this
Still, Clyfford, 1904-1980  Search this
Stout, Myron, 1908-1987  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Correspondent:
Leary, Timothy Francis, 1920-  Search this
Extent:
30.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Transcripts
Sound recordings
Photographs
Scrapbooks
Date:
1926-2011
bulk 1943-2010
Summary:
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, printed material, 5 scrapbooks and photographs.
Scope and Contents:
The papers of writer, art critic and collector Bernard Harper Friedman, 1926-2011, bulk 1943-2010, measure 30.6 linear feet. Extensive professional and personal correspondence, 41 diaries, a large number of his published and unpublished writings, and subject files document Friedman's career as a writer, relationships with cultural institutions and art world figures, and his personal life. Also included are biographical materials, interviews, 5 scrapbooks, and photographs.

Biographical materials include educational records, documentation of Friedman's World War II service in the U.S. Navy, and birth, marriage, and death certificates.

Correspondence is with friends, family, artists, art world figures and institutions, writers, publishers, and literary agents. Among the correspondents are: John I. H. Baur, Harry Bertoia, Flora Biddle, Norman Bluhm, James Brooks, Fritz Bultman, Leo Castelli, William N. Copley, Jim Dine, Helen Frankenthaler, Brendan Gill, Robert Goodnough, Cleve and Francine Gray, Howard Kanovitz, Grace Knowlton, Stanley Kunitz, Conrad Marca-Relli, Mercedes Matter, Fred W. McDarrah, Rory McEwen, Robert Motherwell, Arnold Newman, Barnett Newman, Dorothy Norman, Alfonso Ossorio, Provincetown Fine Arts Work Center, Robert Richenburg, Barney Rosset, Philip Roth, Judith Rothschild, Irving Sandler, Salvatore Scarpitta, Jon Schueler, Sidney Simon, David Slivka, Clyfford Still, Myron Stout, Calvin Tompkins, and David Windham.

There are transcripts of interviews with B. H. Friedman, his daughter and wife conducted by the Yale University School of Medicine's "Adult Development Study," and 2 recordings of interviews with Friedman for radio broadcast.

Writings by Friedman include manuscripts of novels, short stories, plays, articles, monographs, and art criticism, some published versions of his work, and a variety of notes. Also found are recordings of lectures by B. H. Friedman and panel discussions in which he participated. Other authors represented are John Cage, W. B. Henry, and Jon Schueler. Friedman's diaries, 1948-1993 (41 volumes) record activities, thoughts, and events.

Subject files compiled by Friedman reflect professional and personal interests, activities, and projects. Many concern publicity for published writings or efforts to find publishers. Especially well documented is his interest in Jackson Pollock, Timothy Leary, and Alfonso Ossorio, and his affiliation with the Whitney Museum of American Art.

The majority of printed material is about or mentions Friedman. Five scrapbooks consist mainly of printed material.

Most photographs are of B. H. and Abby Friedman, their family, and friends. Among the individuals pictured are: Elise Asher, Cary and Norman Bluhm, Sandy Friedman, Joellen Hall, Doug Huebler, Howard Kanowitz, Stanley Kunitz, Lee Krasner, Sheridan Lloyd, Barnett and Annalee Newman, Alfonso Ossorio, Magda Salvesen, Salvatore Scarpitta, John Schueler, and Myron Stout. A photograph album records scenes from a 1979 performance of Whispers, a stage adaptation by Alan Wynroth from Friedman's novel of the same title.
Arrangement:
This collection is arranged as 9 series:

Series 1: Biographical Materials, 1926-2011 (Box 1; 0.2 linear feet)

Series 2: Correspondence, 1946-2011 (Boxes 1-15; 14.7 linear feet)

Series 3: Interviews, 1969-2001 (Box 15; 0.2 linear feet)

Series 4: Writings, 1940s-2010 (Boxes 16-23; 8 linear feet)

Series 5: Diaries, 1948-1993 (Boxes 24-25; 1.75 linear feet)

Series 6: Subject Files, 1940-2010 (Boxes 25-30; 4.45 linear feet)

Series 7: Printed Material, 1954-2010 (Box 30-31; 0.2 linear feet)

Series 8: Scrapbooks, 1960-2006 (Boxes 30-32; 0.8 lilnear feet)

Series 9: Photographs, circa 1950s-2008 (Box 30; 0.4 linear feet)
Biographical / Historical:
Bernard Harper Friedman (1926-2011), a writer best known as the author of the first biography of Jackson Pollock, was also an art critic and art collector involved in the cultural life of New York City.

Bernard Harper Friedman, known professionally as B. H. Friedman, was called Bob by family and friends. After interrupting his studies at Cornell University to serve in the U.S. Navy during World War II, he graduated in 1948 with a degree in English. Friedman and his new bride, fellow student Abby G. Noselson (1926-2003), returned home to New York City and he began a real estate career in his uncles' firm, Uris Buildings Corporation. While a businessman, Friedman spent much of his spare time writing. He produced fiction, plays, and criticism; Friedman's articles on art, literature and music appeared in a wide variety of periodicals. During this period, Friedman also pursued his interests in jazz, collecting abstract art, and psychedelic drug experiences with Timothy Leary.

His first published novel, Circles, about the Abstract Expressionist milieu, appeared in 1962. A year later, B. H. Friedman became a full-time writer. For nearly 20 years, he divided his time between New York City and Provincetown, Massachusetts, where he was affiliated with the Fine Arts Work Center as a director and consultant. During this period, he published several novels and two biographies: Jackson Pollock: Energy Made Visible and Gertrude Vanderbilt Whitney, written with Flora Biddle. More novels and short story collections were published, and staged readings of seven plays were presented between 1987 and 2007. Tripping, a memoir of using psychedlics with Timothy Leary, appeared in 2006.

A founding member of Fiction Collective, a nonprofit publishing group run by and for writers, Friedman was also a member of several national writers' organizations. He served as a trustee of the Whitney Musuem of American Art, 1961-1968, and then as honorary trustee. B. H. Friedman died from complications of pneumonia on January 4, 2011 in New York City.
Related Materials:
Also available is an oral history interview with Bernard Harper Friedman, 1972 November 10, conducted by Paul Cummings for the Archives of American Art.
Provenance:
The Bernard Harper Friedman papers were donated to the Archives of American Art in 2012 by his daughter, Daisy Friedman.
Restrictions:
The collection is ACCESS RESTRICTED; written permission is required. Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Interviews  Search this
Authors -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Transcripts
Sound recordings
Photographs
Scrapbooks
Citation:
Bernard Harper Friedman papers, 1926-2011, bulk 1943-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.friebern
See more items in:
Bernard Harper Friedman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-friebern

Oral history interview with Norman Bluhm

Interviewee:
Bluhm, Norman, 1921-1999  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Mies van der Rohe, Ludwig, 1886-1969  Search this
Extent:
67 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1969 October 23-November 12
Scope and Contents:
Interviews of Norman Bluhm conducted 1969 October 23-November 12, by Paul Cummings, for the Archives of American Art. Bluhm speaks of studying architecture with Mies van der Rohe at Armour Institute of Technology; his early interest in architecture; the quality of art education; how he started painting; living in Paris and the effect it had on him and his career; subject matter in his paintings; returning to New York; earning a living as a painter; his painting methods and materials; the way painters live; and collectors he has known.
Biographical / Historical:
Norman Bluhm (1921-1999) was a painter from Millbrook, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 4 hr., 34 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bluhm69
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bluhm69

Oral history interview with Norman Bluhm, 1969 October 23-November 12

Interviewee:
Bluhm, Norman, 1921-1999  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Mies van der Rohe, Ludwig  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11627
(DSI-AAA_SIRISBib)212542
AAA_collcode_bluhm69
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212542

Norman Bluhm papers, 1956-1969

Creator:
Bluhm, Norman, 1921-1999  Search this
Record number:
(DSI-AAA_CollID)6743
(DSI-AAA_SIRISBib)208868
AAA_collcode_bluhnorm
Theme:
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208868

Eudocia, (painting)

Painter:
Bluhm, Norman 1921-1999  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1980.6.8
Date:
1967
Topic:
Abstract  Search this
Control number:
IAP 08586487
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_477462

Erythea, (painting)

Painter:
Bluhm, Norman 1921-1999  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1974.17
Date:
1971
Topic:
Abstract  Search this
Control number:
IAP 08586488
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_477463

Untitled, (painting)

Painter:
Bluhm, Norman 1921-1999  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1980.6.9
Date:
1960
Topic:
Abstract  Search this
Control number:
IAP 08586489
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_477464

Excalibur, (painting)

Painter:
Bluhm, Norman 1921-1999  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1980.6.7
Date:
1960
Topic:
Abstract  Search this
Control number:
IAP 08586490
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_477465

Norman Bluhm: artist file, [photographs]

Artist:
Bluhm, Norman 1921-1999  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF000322
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_137116

Jason's Voyage [art work] / (photographed by Peter A. Juley & Son)

Artist:
Bluhm, Norman 1921-1999  Search this
Type:
Photograph
Image number:
JUL J0024937
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_24938

Acheron (triptych), (painting)

Painter:
Bluhm, Norman 1921-1999  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1980.137.4
Date:
1971
Topic:
Abstract  Search this
Control number:
IAP 08585392
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475020

Thamyrus, (painting)

Painter:
Bluhm, Norman 1921-1999  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1980.137.6
Date:
1972
Topic:
Abstract  Search this
Control number:
IAP 08585393
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475021

Aritic (triptych), (painting)

Painter:
Bluhm, Norman 1921-1999  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1980.137.3A-C
Date:
1959
Topic:
Abstract  Search this
Control number:
IAP 08585389
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475017

Mathematics, (painting)

Painter:
Bluhm, Norman 1921-1999  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1980.137.2
Date:
1962
Topic:
Abstract  Search this
Control number:
IAP 08585390
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475018

Mojabe, (painting)

Painter:
Bluhm, Norman 1921-1999  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1980.137.7
Date:
1966
Topic:
Abstract  Search this
Control number:
IAP 08585391
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475019

Dido, (painting)

Painter:
Bluhm, Norman 1921-1999  Search this
Medium:
Oil on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1980.137.5
Date:
1973
Topic:
Abstract  Search this
Control number:
IAP 08585394
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_475022

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