Search Results

Designer:

Alexander Hayden Girard, American, 1907–1993  Search this

Office of:

Herman Miller Furniture Company, Zeeland, Michigan, USA  Search this

Medium:

Blueprint, diazo print on white wove paper

Type:

textile designs

Print

Object Name:

Print

Made in:

USA

Date:

1954

Credit Line:

Gift of Alexander H. Girard

Accession Number:

1969-165-247

See more items in:

Cooper Hewitt, Smithsonian Design Museum Collection

Drawings, Prints, and Graphic Design Department

Data Source:

Cooper Hewitt, Smithsonian Design Museum

EDAN-URL:

edanmdm:chndm_1969-165-247

Creator:

McCoy, Esther  Search this

Names:

Historic American Buildings Survey  Search this

Society of Architectural Historians  Search this

University of California, Los Angeles. School of Architecture and Urban Planning  Search this

Ain, Gregory, 1908-1988  Search this

Barragán, Luis, 1902-  Search this

Bradbury, Ray, 1920-  Search this

Davidson, Julius Ralph, b. 1889  Search this

Dreiser, Theodore, 1871-1945  Search this

Ellwood, Craig  Search this

Gill, Irving, 1870-1936  Search this

Grotz, Dorothy  Search this

Hollein, Hans, 1934-  Search this

Jones, A. Quincy (Archie Quincy), 1913-1979  Search this

Maybeck, Bernard R.  Search this

Neutra, Richard Joseph, 1892-1970  Search this

O'Gorman, Juan, 1905-  Search this

Rand, Marvin  Search this

Schindler, R. M. (Rudolph M.), 1887-1953  Search this

Shulman, Julius  Search this

Soriano, Rafael, 1920-  Search this

Watanabe, Makoto  Search this

Worlidge, T. (Thomas), 1700-1766  Search this

Extent:

44.4 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Date:

circa 1876-1990

bulk 1938-1989

Summary:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.4 linear feet and date from 1876 to 1990 (bulk 1938-1989). The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Scope and Content Note:

The papers of Southern California architectural historian, critic, and writer Esther McCoy measure 44.4 linear feet and date from 1876 to 1990 (bulk 1938-1989). The collection documents McCoy's career, as well as her family and personal life through biographical material, extensive correspondence, personal and professional writings, project files, Southern California architects' files, clippings and other printed material, a large collection of photographs and slides, and taped interviews of Southern California modern architects.

Biographical and family material consists of awards, resumes, identification documents, and other documentation of McCoy's personal life. Included are a transcript of a 1984 interview of McCoy by Makoto Watanabe and material relating to her friend, Theodore Dreiser.

Correspondence focuses on her personal relationships with family, friends, and lovers, and general correspondence relating primarily to her work as a writer. McCoy's personal correspondence is valuable to researchers who are interested in her personal life, her struggles as a young writer, and the way in which her family, friends, lovers, mentors, and colleagues helped to shape her work and career. As documented in this correspondence, her life offers a glimpse into twentieth-century American social and political history, especially the radical leftist movements of the 1920s and 1930s. Researchers interested in the roots of feminism in the United States should also find these papers useful in documenting the life of a creative and productive woman who was successful in a field then almost entirely dominated by men. Correspondents of note include her husband Berkeley Tobey, lovers Geoffrey Eaton and Albert Robert, writers Ray Bradbury and Theodore Dreiser, and artists and architects, such as Dorothy Grotz, Craig Ellwood, A. Quincy Jones, Hans Hollein, and J. R. Davidson. General correspondence is primarily with researchers, professors, architects, publishers, and professional organizations.

Personal writings include McCoy's diaries, notebooks, and memoirs, and writings by others including friends, lovers, and colleagues. Also included are drafts of McCoy's fictional works, both published and unpublished, including short stories, teleplays, and novels.

The collection contains in-depth documentation of McCoy's pioneering study of the modernist work of twentieth-century architects in Southern California. The bulk of her papers consist of her writing files for books, exhibition catalogs, articles, and lectures on architecture. Because many of the architects about whom McCoy wrote were her contemporaries, she developed personal relationships with several of them through her research and writing. Her writing files include drafts, notes, research material, photographs, and correspondence. McCoy also traveled extensively, particularly in Italy and Mexico, and wrote about architecture, craft, and culture in those countries. Project files document McCoy's other activities related to architectural history, such preservation projects, juries, grants, the Dodge House Preservation Campaign and related film project, her work for the Society of Architectural Historians and the Historic American Buildings Survey (HABS), and her work at the UCLA School of Architecture and Urban Planning, compiling a slide library and cataloging the Richard Neutra's papers. McCoy also maintained architect files which may contain correspondence, notes, photographs, research material, interview transcripts, about architects and their works. Among these extensive records, the files documenting the careers of R. M. Schindler, Irving Gill, Richard Neutra, and Juan O'Gorman are particularly rich.

Printed material in this collection documents McCoy's career as well as her personal interests. Included are books, clippings, magazines, newsletters, press releases, as well as publications arranged by subject such as architecture, art, Italy, and Mexico. McCoy also collected literary and leftist publications. The small amount of artwork in this collection consists of artwork sent to her by friends, including a drawing of her by Esther Rollo and etchings by various artists including Thomas Worlidge.

There are personal photographs of family and friends and of McCoy at different times in her life, as well as photographs gathered during the course of her research on architecture. Found here are photographs of architects and their works, including a large number depicting the work of Gregory Ain, Luis Barragan, J. R. Davidson, Irving Gill, Bernard Maybeck, Juan O'Gorman, R. M. Schindler, and Raphael Soriano. Many of these photographs were taken by notable architectural photographers Julius Shulman and Marvin Rand. Also found are photographs of architecture designed for the Case Study House program of Arts & Architecture magazine; exhibition photographs, primarily for the exhibition "Ten Italian Architects" in 1967; and other research photographs primarily documenting architecture and craft in other countries and the history of architecture in California. This series also includes approximately 3,600 slides of architecture.

Audio and video recordings include a videocassette of McCoy's 80th birthday party and 55 taped interviews with architects, people associated with architectural projects, and artists.

Arrangement:

The collection is arranged into 10 series:

Series 1: Biographical and Family Material, 1881-1989 (boxes 1, 48; 0.6 linear feet)

Series 2: Correspondence, 1896-1989 (boxes 1-6, 4.9 linear feet)

Series 3: Personal Writings, 1919-1989 (boxes 6-14; 8.1 linear feet)

Series 4: Architectural Writings, 1908-1990 (boxes 14-24, 42, 49, 50; 10.2 linear feet)

Series 5: Projects, circa 1953-1988 (boxes 24-26, 47, FC 53-56; 2.5 linear feet)

Series 6: Architect Files, 1912-1990 (boxes 26-28, 42; 2.2 linear feet)

Series 7: Printed Material, circa 1885-1990 (boxes 28-31, 42; 2.9 linear feet)

Series 8: Artwork, 1924-1967, undated (box 31; 0.4 linear feet)

Series 9: Photographs and Slides, circa 1876-1989 (boxes 31-38, 41-46, 51; 8.7 linear feet)

Series 10: Audio and Video Recordings, 1930-1984 (boxes 38-40, 47; 2.5 linear feet)

Biographical Note:

Esther McCoy (1904-1989) is remembered best for her pioneering work as an architectural historian, critic, and proponent of Southern California modern architecture of the early to mid-twentieth century. Although her professional interests ranged from writing fiction to studying the folk architecture and crafts of Mexico, McCoy achieved her most notable success for her numerous articles, books, and exhibitions about Southern California architecture and the architects associated with the modernist movement.

Born in Arkansas in 1904, Esther McCoy grew up in Kansas and attended various schools in the Midwest. In 1926 she left the University of Michigan to launch a writing career in New York, where she moved in avant-garde literary circles and conducted research for Theodore Dreiser. She began writing fiction in New York and continued to write after moving to Los Angeles in 1932, working on short stories, novels, and screenplays. She published numerous short stories between 1929 and 1962, with works appearing in the New Yorker, Harper's Bazaar, and university quarterlies. Her short story, "The Cape," was reprinted in Best Short Stories of 1950. Many of the novels that she wrote from the mid-1960s through the 1980s were related thematically to architects and architecture.

During the late 1920s and throughout the 1930s, McCoy participated in the politically radical movements of the period and wrote for leftist publications. Her interest in the lowcost housing projects of modern architects was prompted by one of her articles about slums for Epic News. During World War II she entered a training program for engineering draftsmen at Douglas Aircraft and in 1944 was hired as an architectural draftsman for the architect R.M. Schindler. As she became increasingly interested in modern architecture and design, she combined her two major career interests and began to focus her energies on architectural research, writing, and criticism. Her first article on architecture, "Schindler: Space Architect," was published in 1945 in the journal Direction.

McCoy began writing about architecture in earnest in 1950 as a free-lance contributor to the Los Angeles Times. From then until her death in 1989, she wrote prolifically for Arts & Architecture magazine, Los Angeles Times, Los Angeles Herald Examiner, Architectural Record, L'Architectura, Zodiac (Italy), Progressive Architecture, Lotus (Italy), and Architectural Forum. In addition to her numerous articles, McCoy wrote several books on Southern California modern architecture and architects. Her first major work, Five California Architects, published in 1960, is now recognized as a classic work in modern architectural history. It promoted a serious study of modern architecture in Southern California and introduced to the world several leading California architects and their work: Bernard Maybeck, Irving Gill, Charles and Henry Greene, and R.M. Schindler. That same year, she published another important book focusing on the work of the California architect Richard Neutra. Other books by McCoy include Modern California Houses: Case Study Houses (1962), Craig Ellwood (1968), Vienna to Los Angeles: Two Journeys (1979), and The Second Generation (1984).

In addition to these books, McCoy organized and wrote catalogs for several significant exhibitions focusing on contemporary architects. Her first was the R.M. Schindler Retrospective, a 1954 exhibition at the Landau Art Gallery in Los Angeles. Her other exhibitions and accompanying catalogs include Roots of California Contemporary Architecture, 1956, Los Angeles Municipal Art Department; Felix Candela, 1957, University of Southern California, Los Angeles; Irving Gill, 1958, Los Angeles County Museum of Art; Juan O'Gorman, 1964, San Fernando Valley State College; and Ten Italian Architects, 1967, Los Angeles County Museum of Art. Moreover, McCoy contributed numerous essays to other exhibition catalogs and publications, lectured at the University of Southern California, participated in preservation projects, organized tours for the Society of Architectural Historians, and contributed to a number of documentary films. Her energy and interests also led her to catalog and transcribe Richard Neutra's papers at the University of California Los Angeles Archives.

McCoy received national recognition from the American Institute of Architects for her seminal and prolific work in the field of Southern California modern architectural history and criticism. Her interests, however, were not exclusively bound to California. She traveled the world and was interested in both Italian and Mexican architecture as well as the folk art and crafts of Mexico and South America. She made five extended trips to Italy during the 1950s and 1960s, publishing regularly about the architecture there and curating the exhibition Ten Italian Architects. She was a contributing editor to two Italian journals, Zodiac and Lotus, and was awarded the Star of Order of Solidarity in 1960 by the Republic of Italy for her research and writing.

Esther McCoy died of emphysema on December 30, 1989, at the age of eighty-five. Her last contribution was an essay for the exhibition catalog Blueprints for Modern Living: History and Legacy of the Case Study House. The show opened at the Museum of Contemporary Art in Los Angeles one month before her death.

1904 -- Born November 18 in Horatio, Arkansas. Raised in Kansas.

1920 -- Attended preparatory school at Central College for Women, Lexington, Missouri.

1922-1925 -- College education: Baker University, Baldwin City, Kansas; University of Arkansas, Fayetteville; Washington University, St. Louis, Missouri; University of Michigan.

1924 -- Visited Theodore Dreiser in Michigan.

1926-1938 -- Began writing in New York City.

1926-1938 -- Researched and read for Theodore Dreiser.

1926-1938 -- Worked for editorial offices and publishers.

1926-1938 -- Traveled to write in Paris (1928), Key West, Florida (1930), and Los Angeles, California (1932-1935).

1938 -- Moved to Santa Monica, California.

1941 -- Married Berkeley Greene Tobey.

1942-1944 -- Employed as engineering draftsman at Douglas Aircraft.

1944-1947 -- Worked as architectural draftsman for R.M. Schindler.

1945 -- Began architectural writing career.

1950 -- Wrote script for film Architecture West.

1950 -- Joined editorial board of Arts & Architecture.

1950-1968 -- Worked as free-lance writer for the Los Angeles Times.

1951-1955 -- Traveled to, researched, and wrote about Mexico and Mexican art and architecture.

1954 -- R.M. Schindler Retrospective exhibition at the Landau Art Gallery, Los Angeles.

1956 -- Roots of California Contemporary Architecture exhibition, Los Angeles Municipal Art Department.

1957 -- Felix Candela exhibition, University of Southern California, Los Angeles.

1958 -- Irving Gill exhibition, Los Angeles County Museum of Art. Traveled to Italy.

1959-1968 -- Contributing editor to Italian periodicals Zodiac and Lotus.

1960 -- Five California Architects (New York: Reinhold).

1960 -- Richard Neutra (New York: G. Braziller).

1960 -- Awarded Star of Order of Solidarity by the Republic of Italy for reporting on arts and crafts in Italy.

1962 -- Death of Berkeley Greene Tobey.

1962 -- Modern California Houses: Case Study Houses (New York: Reinhold) (reprinted as Case Study Houses, Los Angeles: Hennessey and Ingalls, 1978).

1963 -- Resident Fellow at Huntington Hartford Foundation.

1964 -- Juan O'Gorman exhibition, San Fernando Valley State College, Northridge, Calif.

1965 -- Consultant for the California Arts Commission.

1965-1966 -- Wrote and produced the film Dodge House.

1965-1968 -- Lecturer at University of California at Los Angeles, School of Architecture and Urban Planning.

1966 -- Resident Fellow at MacDowell Colony, New Hampshire.

1967 -- Ten Italian Architects exhibition, Los Angeles County Museum of Art.

1967 -- Honorary Associate of the Southern California Chapter of the American Institute of Architects.

1967 -- Regents' Lecturer at University of California, Santa Barbara.

1968 -- Craig Ellwood (New York: Walker).

1968 -- Distinguished Service Citation from the California Council of AIA.

1969-1970 -- Lecturer at the University of California, Santa Barbara.

1969-1989 -- Contributing editor of Progressive Architecture.

1971-1978 -- Graham Foundation Grants.

1974 -- Regents' Lecturer at the University of California,Santa Cruz.

1979 -- Vienna to Los Angeles: Two Journeys (Santa Monica, Calif.: Arts & Architecture Press).

1979 -- Guggenheim Foundation Fellowship.

1981 -- Los Angeles Chapter Women's Architectural League Honorary Member.

1982 -- Los Angeles County Museum of Art's Modern and Contemporary Art Council Award for Distinguished Achievement.

1983 -- Home Sweet Home: The California Ranch House exhibition at California State University.

1984 -- The Second Generation (Salt Lake City: Peregrine Smith Books).

1985 -- American Institute of Architects, Institute Honor.

1986 -- High Styles exhibition at the Whitney Museum of American Art.

1987 -- Vesta Award for outstanding scholarship.

1989 -- Award from the Historical Society of Southern California.

1989 -- Award from the City of Los Angeles Department of Cultural Affairs.

1989 -- Blueprints for Modern Living: History and Legacy of the Case Study House exhibition at the Museum of Contemporary Art, Los Angeles. Died in Santa Monica, California, December 30.

Related Material:

Also in the Archives of American Art are eight sound cassettes of a transcribed interview with Esther McCoy conducted by Joseph Giovannini, June 8-November 14, 1987.

Provenance:

The collection was given to the Archives of American Art by Esther McCoy in 1986. Before her death in 1989, McCoy assisted in the organization and identification of the papers. Original pre-print film elements for Dodge House 1916 were donated to the Archives of American Art by the Academy Film Archive in 2018.

Restrictions:

Use of original papers requires an appointment. Use of audiovisual recordings without access copies requires advance notice.

Rights:

The Esther McCoy papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.

Occupation:

Architectural historians -- California  Search this

Art critics -- California  Search this

Topic:

Architecture, Modern -- 20th century -- Mexico  Search this

Architects -- Italy  Search this

Architecture, Domestic -- California  Search this

Authors -- California  Search this

Architecture, Modern -- 20th century -- California  Search this

Architecture, Modern -- 20th century -- Europe  Search this

Architects -- California  Search this

Feminism  Search this

Genre/Form:

Diaries

Etchings

Photographs

Sound recordings

Interviews

Video recordings

Slides (photographs)

Transcripts

Drawings

Memoirs

Citation:

Esther McCoy papers, circa 1876-1990, bulk 1938-1989. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing and digitization of this collection was provided by the John Randolph Haynes and Dora Haynes Foundation and the Terra Foundation for American Art.

Identifier:

AAA.mccoesth

See more items in:

Esther McCoy papers

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-mccoesth

Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Donor:

Tibbetts, Eleanor Sears  Search this

Tibbetts, Eleanor Sears  Search this

Extent:

44.5 Cubic feet (4,317 glass negatives. 363 film negatives. 182 glass lantern slides. 12 photograph albums. 56 plans and drawings. 3 monographs. )

Type:

Collection descriptions

Archival materials

Negatives

Blueprints

Albums

Plans (drawings)

Lantern slides

Date:

1899-1964

Summary:

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and 3 monographs by or about Sears.

Scope and Contents note:

The Thomas Warren Sears Photograph Collection documents examples of the design work of Thomas Warren Sears (1880-1966), a landscape architect and amateur photographer from Brookline, Massachusetts. Sears, who was based for most of his career in Philadelphia, designed a variety of different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments located primarily in Pennsylvania, Maryland, and New York. In addition to some of Sears' design work, images in the collection document Sears' domestic and foreign travels, design inspirations, and family. The collection includes over 4,800 black and white negatives and glass lantern slides dated circa 1899 to 1930. While most images show private and public gardens, there are a significant number of unidentified views and views photographed in Europe during two trips he took there in 1906 and 1908. Few images are captioned or dated. In addition, there are over 50 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina, and monographs by or about Sears. Several of the glass lantern slides are duplicates of glass plate negatives in the collection. They apparently were chosen by Sears to illustrate some of his best design work, perhaps for lecture or client purposes.

In addition, there are 56 plans and drawings, most notably for Balmuckety in Pikesville, Maryland and Reynolda in Winston-Salem, North Carolina. They range in date from 1917 to 1937 and from 1955 to 1964. Sears photographed some of his early plans; they are included in with the photographic images. Sears also photographed a handful of design plans by landscape architect Sibley Coslett Smith who practiced in Providence, Rhode Island; Sears and Smith shared the same business address there.

The Thomas Warren Sears Collection does not fully document the extent of Sears' design work. The use of glass plate negatives—which make up the bulk of the Thomas Warren Sears Collection—as a photography medium waned sometime during the first quarter of the twentieth century. As a result, the images in the Sears Collection capture examples of Sears' early to mid-career design work but they do not include jobs designed by Sears during the latter half of his design career.

Arrangement note:

The glass plate negatives were originally housed in numerous cardboard boxes manufactured for the sale of undeveloped glass plate negatives. Sears annotated the outside of the boxes with project or client names and/or locations, but the contents do not always match these labels. In addition, because very few of the glass plate negatives and lantern slides were labeled or captioned, it is not always evident where one job ended and another began if multiple projects were stored in the same carton. As a result, there are many instances in the Sears Collection where images have been inadvertently mislabeled because their identification is not apparent. Misidentified images are subject to correction as their proper identification is discovered. Each project has been assigned its own unique AAG job number based on its geographic origin. Those groups of images that have not been identified as to their location have been assigned a project number starting with 'SRS.' The collection is arranged into 3 series: 1) Photographic images (including glass plate negatives, film negatives, glass lantern slides, and photograph albums) 2) Plans and Drawings 3) Monographs

Biographical/Historical note:

Thomas Warren Sears was born in 1880 in Brookline, Massachusetts. He received a Bachelor of Arts degree from Harvard University in 1903 and Bachelor of Science degree in landscape architecture from the Lawrence Scientific School of Harvard in 1906. Sears was an amateur photographer who won awards for his photography while at Harvard. In 1915 his images were published in the monograph, Parish Churches of England. After graduation he worked for the firm of Olmsted Brothers Landscape Architects for two years and then briefly practiced in Providence, Rhode Island. In 1913, Sears established a landscape design office in Philadelphia, Pennsylvania where he spent the remainder of his professional career. Sears at one point was in a professional partnership; some of his design plans list the firm name of Sears and Wendell. He was made a Fellow of the American Society of Landscape Architects in 1921.

Sears designed many different types of landscapes ranging from private residences, schools, and playgrounds to parks, cemeteries, and urban housing developments. His designs were primarily located in Pennsylvania, Maryland, and New York. Just a few of his private landscapes include Marengo in Easton, Maryland; Sunnybrook, the Isaac H. Clothier, Jr. estate in Radnor, Pennsylvania; and Balmuckety in Pikesville, Maryland. In 1915, Sears started work on Reynolda, a country estate in Winston-Salem, North Carolina. He generated design plans for the property intermittently over the next two decades. Reynolda's formal gardens, greenhouses, and acres of fields and woodlands subsequently became part of Wake Forest University.

During World War I, Sears designed Army camps in Battle Creek, Michigan and Spartanburg, South Carolina. He also helped lay out Langley Field, at that time an experimental aviation field in Hampton Roads, Virginia. In the 1940s, Sears designed the amphitheater at Swarthmore College in Swarthmore, Pennsylvania for concerts, outdoor performances, and other special events. During that decade he also worked on Colonial Revival gardens at Pennsbury, William Penn's country estate in Bucks County, Pennsylvania located by the Delaware River. Sears retired in 1964 and died in 1966.

Related Archival Materials note:

The Philadelphia Architects and Buildings Project (PAB), administered by The Athenaeum of Philadelphia, includes references to design projects by Sears.

Harvard University's Loeb Library includes a number of images by Sears, some of them documenting gardens that he designed.

Harvard University's Fine Arts Library, Special Collections includes a collection of photographs and negatives of English parish churches by Sears, c. 1908. Some of the images were published in the monograph, Parish Churches of England.

The Reynolda House Museum of American Art in Winston-Salem, North Carolina includes plans by Sears of Reynolda in its Estate Archives.

Provenance:

Gift of Eleanor Sears Tibbetts, Sears' daughter, to the Horticulture Services Division (later Smithsonian Gardens) in 1992.

Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Topic:

Photographers  Search this

Landscape architects  Search this

Gardens -- United States  Search this

Gardens -- Switzerland  Search this

Gardens -- Scotland  Search this

Gardens -- Italy  Search this

Gardens -- Germany  Search this

Gardens -- France  Search this

Gardens -- England  Search this

Genre/Form:

Negatives

Blueprints

Albums

Plans (drawings)

Lantern slides

Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS

See more items in:

Thomas Warren Sears photograph collection

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_collection:sova-aag-srs

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1964

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA600001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA600: Malvern -- Almy, William E.

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6453

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1964

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA600002

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA600: Malvern -- Almy, William E.

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6454

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1959

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA601001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA601: Lower Merion Township -- Siegal [Siegel?], M/M Leonard

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6455

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1960

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA602001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA602: Plymouth Meeting -- Fernley, M/M Robert

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6456

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1959

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA603001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA603: Plymouth Meeting -- McNeil, Henry S.

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6457

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1959

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA604001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA604: Radnor -- Van Pelt, M/M Charles B. P.

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6458

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

circa 1959

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA604002

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA604: Radnor -- Van Pelt, M/M Charles B. P.

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6459

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1961

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA605001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA605: Bryn Mawr (Rosemont) -- Cain Jr., M/M F. J.

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6460

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1956-1961

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA606001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA606: Bryn Mawr (Rosemont) -- McIlvain, M/M T. Baird

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6461

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1955

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA607001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA607: Wallingford -- Seubel, Warren

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6462

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1959

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA608001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA608: Wynnewood -- Farquhar Jr., M/M S. E. [F. S?]

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6463

Collection Creator:

Sears, Thomas Warren, 1880-1966  Search this

Sears & Wendell  Search this

Olmsted Brothers  Search this

Harvard University  Search this

American Society of Landscape Architects  Search this

Collection Donor:

Tibbetts, Eleanor Sears  Search this

Extent:

1 Blueprint

Container:

Map-case 1, Map-folder 12C

Type:

Archival materials

Blueprints

Date:

1962

Collection Restrictions:

Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

For information or study purposes only. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.

Collection Citation:

Smithsonian Institution, Archives of American Gardens, Thomas Warren Sears photograph collection.

Identifier:

AAG.SRS, Item PA609001

See more items in:

Thomas Warren Sears photograph collection

Thomas Warren Sears photograph collection / Series 2: Plans and Drawings / Pennsylvania / PA609: Wynnewood -- Boyd III, M/M Robert J.

Archival Repository:

Archives of American Gardens

EDAN-URL:

ead_component:sova-aag-srs-ref6464

Creator:

Fried, Mary Hill  Search this

Fried, Frederick, 1909-1994  Search this

National Carousel Association.  Search this

Extent:

36 Cubic feet (89 boxes, 10 oversize folders)

Type:

Collection descriptions

Archival materials

Photographs

Advertisements

Clippings

Blueprints

Books

Auction catalogs

Design drawings

Date:

circa 1895-1985

Summary:

Processed by Craig Orr, archivist, (1999); Jennifer Shaifer (intern), October-December 2008; Ramona Williamson (volunteer), November 2008; Sarah Allan, November 2008; supervised by Vanessa Broussard Simmons, archivist.

Scope and Contents:

The Fried Collection consists of material created and collected by Frederick Fried and his wife Mary Hill Fried in the course of documenting and writing about American folk arts in America. It includes photographic materials, newspaper and magazine articles, research, lecture notes, published and unpublished writings, brochures, drawings, printed advertisements, blueprints, books, price lists, patents, correspondence, trade literature, sheet music, auction catalogs, oral history interviews and commercially recorded music.

Of particular interest for researchers may be the materials relating to carousels. It was one of the earliest interests of the couple and led to the publication of their first book. There is also a substantial amount of material relating to architecture particularly in New York. Other research interests include carvings, show figures, weathervanes, mechanical and coin operated machines, amusement parks, the circus, tattoos and lesser-known folk arts.

Fried organized the materials primarily by subject. There are some materials that were organized by genre particularly the photographic materials. There is some overlap in the arrangement of the materials therefore the researcher will have to look in more than one place.

Biographical / Historical:

Frederick P. Fried was born December 11, 1908 in Brooklyn, New York. He grew up in the Williamsburg section of Brooklyn where his father owned a clock business across the street from Charles Carmel, a carousel carver. Fried acquired a fine-arts education in the 1930s with an emphasis on sculpture. He served with the Air Force during the Second World War. After a successful military career, Fried worked as art director in several fashion agencies. He met Mary McKenzie Hill, an academically trained artist in one of the studios.

Mary McKenzie Hill was born in 1914 in Baltimore, Maryland. She graduated from the Maryland Institute of Fine Arts. After graduation, she spent a year abroad studying before she returned to the United States to work as a fashion illustrator in Baltimore and New York. During World War Two Hill was a draftsman for a firm of architects.

Fried and Mary Hill married in 1949. The couple had two children Robert Hazen and Rachel. Around 1953 Fried began to collect architectural ornaments in New York. Fried served as the art director for Bonwit Teller in New York City from 1955-1962. He left the fashion world in 1962 to pursue his passion for collecting and writing full time. Fried published his first book, Pictorial History of Carousels in 1964. In 1967, Fred and Mary Fried purchased a forty-acre farm in Bristol, Vermont where the family spent their summers.

In 1968, Fried led a national campaign to preserve the Titanic Memorial Lighthouse (Seamen's Church Institute at South Street). He also became active in politics and served as the campaign manager for a New York State senator. His interest in Indian cigar store figures resulted in his publication Artists in Wood: American Carvers of Cigar Store Indians, Show Figures and Circus published in 1970. The focus of the book was Samuel Anderson Robb a New York wood carver. Fried co-founded the National Carousel Association in 1973. In 1978, Fried wrote America's Forgotten Folk Art with his wife Mary. This publication covered subjects such as carousels, banner painting, scarecrows, beach sand sculpture, tattoos, cast iron toys, amusement park architecture and trade signs.

Fried's collecting goal was to first preserve artifacts and to then make them available through his writings and exhibitions. His most treasured relics were the items he salvaged from the ruins of Coney Island. Fried referred to such artifacts as the uncelebrated arts. He became one of the founders of the Anonymous Arts Recovery Society a group of individuals who saved architectural ornaments from the wreckers' balls. In addition, he was one of the founders of the National Carousel Round Table which was created to preserve hand-carved merry-go-rounds. As a result of his collecting, research and writing Fried became recognized as the authority on carousels, coin-operated machines, and cigar store figures. He served as a consultant to many Museums; in particular as chief consultant on American Folk Art for the Smithsonian Institution.

Frederick and Mary Hill worked together in many ways to document, collect, preserve and increase the awareness about primarily the folk arts. Mary McKenzie Hill Fried passed away in 1988 at the age 74. Frederick P. Fried died July 1994 at the age of 86.

Provenance:

Collection a bequest of the Frederick Fried Estate.

Rights:

Reproduction restricted due to copyright or trademark. Fees for commercial reproduction.

Occupation:

Wood-carvers  Search this

Topic:

Periodicals  Search this

Merry-go-round art  Search this

Signs and signboards  Search this

Weather vanes  Search this

Coin-operated machines  Search this

Architecture -- Details  Search this

Amusement ride equipment industry  Search this

Amusement rides  Search this

Folk art  Search this

Merry-go-round  Search this

Figure sculpture -- United States  Search this

Genre/Form:

Photographs -- 20th century

Advertisements

Clippings

Blueprints -- 20th century

Books

Auction catalogs

Design drawings

Citation:

Frederick and Mary Hill Fried Folk Art Archives, circa 1895-1985, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0528

See more items in:

Frederick and Mary Hill Fried Folk Art Archives

Archival Repository:

Archives Center, National Museum of American History

EDAN-URL:

ead_collection:sova-nmah-ac-0528

Creator:

Guermonprez, Trude, 1910-1976  Search this

Names:

Akron Art Institute  Search this

American Crafts Council. Museum of Contemporary Crafts  Search this

American Institute of Architects  Search this

Black Mountain College (Black Mountain, N.C.)  Search this

California College of Arts and Crafts  Search this

Cooper-Hewitt Design Archive  Search this

Holland Amerika Lijn  Search this

Johnson Wax -- Art collections  Search this

Municipal School of Arts and Crafts (Halle an der Saale, Germany)  Search this

Oakland Art Museum  Search this

Owens-Corning Fiberglas Corporation  Search this

Pasadena Art Museum  Search this

Pond Farm Workshops  Search this

San Francisco Folk Art Museum  Search this

Staatliche Galerie Moritzburg Halle, Landeskunstmuseum Sachsen-Anhalt  Search this

Guermonprez, Paul.  Search this

Guermonprez, Trude, 1910-1976  Search this

Herr, Gordon.  Search this

Herr, Jane.  Search this

Larson, Jack Lenor.  Search this

Mendelsohn, Erich, 1887-1953  Search this

Oud, J. J. P. (Jacobus Johannes Pieter), 1890-1963  Search this

Wildenhain, Frans, 1905-1980  Search this

Wildenhain, Marguerite  Search this

Extent:

3 Boxes

Type:

Collection descriptions

Archival materials

Posters

Patterns (design elements)

Designs (textile)

Blueprints

Awards

Proposals

Postcards

Announcements

Brochures

Photographs

Exhibition catalogs

Slides (photographs)

Journals (periodicals)

Clippings

Financial records

Lecture notes

Articles

Business cards

Correspondence

Textiles

Sketches

Date:

1950-1976

Summary:

This archive includes interesting documents related to Trude Guermonprez's life and work as a weaver. The archives are especially related to the designer's work for her major clients, like Holland America Line and Owens Corning Fiberglass; other pieces in this archive are related to Guermonprez's work for custom curtains made for major synagogues and her designs, interior fabrics, screens and rugs realized in conjunction with J.P. Oud, Architects Associated, New York; Eric Mendelsohn, Warren Callister, etc. The correspondence and the photographs in this collection provide insight into the designer's private life. Included in this collection are press articles, brochures, correspondence, postcards, photographs, color slides, notebooks, textiles, and textile wood patterns.

Arrangement note:

Unprocessed; Included in this collection are press articles, brochures, correspondence, postcards, photographs, color slides, notebooks, textiles, and textile wood patterns.

Biographical/Historical note:

Trude Guermonprez is an experienced weaver as well as a designer, artist, craftsman and teacher. She has executed architectural commissions and has done interior design for industry. Her work is of great variety in character and form. Guermonprez started weaving in Halle, Germany at the Municipal School of Arts and Crafts. Six years of weaving in a Dutch rug shop preceded her coming to America, at the invitation of Anni Albers, to teach at Black Mountain College, and later to northern California to join her friend Marguerite Wildenhain, at Pond Farm Workshops in a producing-teaching cooperative. She served as Chairman of the Craft Department at The California College of Arts and Crafts. Though she designed fabrics for New York textile manufacturers, her works were mainly custom produced for architects and individuals. In 1970 she was honored the Craftsmanship Medal from the American Institute of Architects.

Guermonprez published works in Art and Architecture, 1949; Shuttlecraft Weaving Magazine, 1957; and Research in Crafts, 1961.

She also participated in the following exhibitions: de Young Museum; American Wallhangings, London; Oakland Art Museum; Pasadena Art Museum; U.S. Information Agency State Department Show, traveling Europe exhibition; "Craftsmen of the West", "Fabrics International" and "10 American Weavers" at the Victoria and Albert Museum in London. In 2000 at Staatliche Galerie Moritzburg Halle Landeskunstmuseum, Halle (Salle), Germany: "From Bauhaus to the Pacific: The Impact of Emigration on Marguerite Wildenhain and Trude Guermonprez".

Location of Other Archival Materials Note:

The North Carolina State Archives web site has material in its collection related to Guermonprez as a teacher and artist-in-residence at Black Mountain College.

The Archives of American Art hasoral history interviews of Merry Renk conducted 2001 Jan. 18-19 by Arline M. Fisch for Nanette L. Laitman's, Documentation Project for Craft and Decorative Arts in America. Guermonprez is only mentioned.

Provenance:

All materials were donated to the museum by Mr. Eric and Mrs. Sylvia Elsesser in 1993.

Restrictions:

Unprocessed; access is limited. Permission of Library Director required. Policy.

Occupation:

Textile designers -- United States  Search this

Weavers -- United States  Search this

Topic:

Weaving -- History -- 20th century -- Sources  Search this

Genre/Form:

Posters

Patterns (design elements)

Designs (textile)

Blueprints

Awards

Proposals

Postcards

Announcements

Brochures

Photographs

Exhibition catalogs

Slides (photographs)

Journals (periodicals)

Clippings

Financial records

Lecture notes

Articles

Business cards

Correspondence

Textiles

Sketches

Identifier:

SIL-CH.1993-121-118

Archival Repository:

Smithsonian Libraries

EDAN-URL:

ead_collection:sova-sil-ch-1993-121-118

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Kaiser-Friedrich-Museum  Search this

Verlag Philipp von Zabern  Search this

Anistas Mari, al-Karmili, ab, 1866-1947  Search this

Becker, Carl Heinrich, 1876-1933  Search this

Bell, Gertrude Lowthian, 1868-1926  Search this

Berchem, Max van, 1863-1921  Search this

Herzfeld, Ernst, 1879-1948  Search this

Krefter, Friedrich, 1898-1995  Search this

Meyer, Eduard, 1855-1930  Search this

Sarre, Friedrich Paul Theodor, 1865-1945  Search this

Extent:

150 Linear feet (circa 30,000 items)

Type:

Collection descriptions

Archival materials

Blueprints

Journals (accounts)

Photographs

Clippings

Notebooks

Drawings

Sketchbooks

Articles

Paper squeezes

Correspondence

Diaries

Sketches

Rubbings

Place:

Turkey

Mesopotamia

Bakun, Tall-e (Iran)

Iran

Iraq

Lebanon

Persepolis (Iran)

Pasargadae (Extinct city)

Taq-e Bostan Site (Iran)

Sāmarrāʼ (Iraq)

Syria

Date:

1903-1947

Summary:

An outstanding scholar in the field of Iranian studies, Ernst Herzfeld (1879--1948) explored all phases of Near Eastern culture from the prehistoric period to Islamic times. This collection documents Herzfeld's excavations at Samarra, Persepolis, Pasargadae, and Aleppo and includes correspondence; field notebooks; drawings; sketchbooks; inventories of objects; "squeeze" copies of architectural details; and photographs.

Scope and Contents:

Papers (1899--1962) of German born archaeologist Ernst Emil Herzfeld (1879--1948), a preeminent scholar of Near Eastern and Iranian studies. The collection measures 150 linear feet (circa 30,000 items) and documents Herzfeld's work as a pioneer in the field and sheds light on his excavations at Samarra, Persepolis, Pasargadae, and Aleppo. Formats include correspondence; field notebooks; drawings; sketchbooks; inventories of objects; "squeeze" copies of architectural details; and photographs.

Arrangement:

This collection is organized into seven series.

Series 1: Travel journals

Series 2: Sketchbooks

Series 3: Notebooks

Series 4: Photographic files 1-42

Series 5: Drawings and maps

Series 6: Squeezes

Series 7: Samarra Expedition

Biographical / Historical:

The Ernst Herzfeld Papers document the career of Ernst Herzfeld (1879--1948), a German architect, archaeologist, and historian of Islamic and Pre-Islamic studies. After training as an architect he studied archaeology under Delitzch from 1903 to 1906 at the excavations at Assur in Mesopotamia. A student of Latin, Greek, Arabic, Persian, Turkish, and Hebrew, Herzfeld received a doctorate in Humanistic Studies at universities in Munich and Berlin in 1907. His work with Friedrich Sarre to survey the monuments of the Tigris-Euphrates valleys resulted in landmark studies in architectural history, published in 1911 and 1920.

In 1920 Herzfeld was appointed to the chair of Historical Geography in Berlin and began his excavation at Samarra. Herzfeld's work there led to a six-volume publication. He published widely throughout his life on the sources of Islamic architecture and ornament, including the Royal Palace at Persepolis.

From 1934 until the end of his life Herzfeld spent his time producing many books and articles, lecturing, and working at the Institute for Advanced Study at Princeton (1936--1945.) Many of his works continue to be published post-humously.

1879 July 23 -- Born in Celle, Germany.

1897 -- Received diploma from Joachimsthaler Gymnasium, Berlin.

1897-circa 1898 -- Fulfilled military service.

circa 1899 -- Studied architecture at the Technical University and Assyriology, art history, and philosophy at the Friedrich-Wilhems Universität in Berlin.

1903 -- Passed exam in structural engineering.

1903-1905 -- Assistant to Walter Andrae (1875-1956) in Assur.

1905-1906 -- Traveled throughout Iran and Iraq.

1907 -- Excavation in Cilicia. Passed oral exam in February. Awarded doctorate in Humanistic Studies by Friedrich-Wilhems Universtät zu Berlin. After receiving Ph.D. traveled extensively in Syria and Iraq with Friedrich Sarre, director of the Islamic Museum in Berlin.

1910 -- Herzfeld and Sarre jointly publish, Iranische Felsreliefs (Berlin, 1910).

1911-1913 -- Field Director under direction of Sarre during expedition to Samarra.

circa 1914 -- Drafted into service in France and Poland during World War I. Sent to Iraq where he functioned as a surveyor.

1916 -- Father died.

1917 -- Appointed associate professor for Historical Geography and Art History of the Ancient Orient at Berlin. Along with Friedrich Sarre and others, founded the German-Persian Society to increase cultural and economic exchange between Germany and Persia.

1920 -- Appointed world's first full professor of Near Eastern Archeology. Begins excavation at Samarra.

1922 -- Mother died.

1923-1934 -- In Persia, where he completed many excavations and studies.

1928 -- Excavation at Pasargadae.

1931-1934 -- Appointed director of the Oriental Institute of the University of Chicago and moved to Persepolis.

1934 -- As grandson of Jews, Nazi legislation expelling state employees of Jewish descent forced Herzfeld to retire as a professor employed by the state. Moved to London.

1936 -- Delivered Lowell Lectures. Moved to Boston. Lectured on Iranian history and appointed a member of the Princeton Institute for Advanced Study.

1944 -- Retired from Princeton University.

1948 January 20 -- Died.

Provenance:

Ernst Herzfeld donated his papers to the Freer Gallery of Art in 1946.

Restrictions:

Collection is open for research.

Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Ayyubids  Search this

Art of the Islamic World  Search this

Antiquities  Search this

History  Search this

Excavations (Archaeology)  Search this

Pottery  Search this

Description and Travel  Search this

Decoration and ornament  Search this

Ancient Near Eastern Art  Search this

Aerial photography  Search this

Abbasids  Search this

Religious buildings  Search this

Numismatics  Search this

Inscriptions  Search this

Architectural drawing  Search this

Genre/Form:

Blueprints

Journals (accounts)

Photographs

Clippings

Notebooks

Drawings

Sketchbooks

Articles

Paper Squeezes

Correspondence

Diaries

Sketches

Rubbings

Citation:

Ernst Herzfeld Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Ernst Herzfeld, 1946

Identifier:

FSA.A.06

See more items in:

Ernst Herzfeld Papers

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_collection:sova-fsa-a-06

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Blueprint (b&w, 26 cm. x 21 cm.)

Type:

Archival materials

Blueprints

Place:

Asia

Iraq

Mesopotamia

Sāmarrāʼ (Iraq)

Iraq -- Salah ad-Din -- Samarra -- Dar al-Khilafa

Date:

1911-1913

Scope and Contents:

- Additional information reads, "Ernst Herzfeld recorded his observations on topography, landscape, archaeological remains, architecture, artifacts and decorative motifs, related to the second campaign of excavations at the Palace of the Caliph at Samarra (Dār al-Khilāfa, Jawsaq al-Khāqāni, Bayt al-Khalīfah) including the western garden, the Bāb al-ʿĀmma and the square reception-hall block, the great courtyard (Great Esplanade), the south side of the complex, the Large Serdab, the Rotundabau, the east end and the Small Serdab, the stable and pavilions, the barracks, Al-Hamman, and finally the north palace."

Arrangement:

- Journals, letters, and sketchbooks are arranged roughly in sequential number sequences, housed in document boxes.

- S-30 is organized into 17 subdivisions which include one or several items of original materials.

Local Numbers:

S-30

FSA A.06 07.30.06

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive and Thomas Leisten's publication, Excavation of Samarra, vol 1.

- Series title in Joseph Upton's Catalogue of the Herzfeld Archive reads, "Records of Samarra Expeditions."

Date/Time and Place of an Event Note:

Notes related primarly to the two campaigns of excavation at Sāmarrāʼ (Iraq), carried out by Ernst Herzfeld on behalf of the Kaiser Friedrich Museum in Berlin between the years 1911 and 1913.

Funding note:

Funded by

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Abbasids  Search this

Excavations (Archaeology)  Search this

Genre/Form:

Blueprints

Collection Citation:

Ernst Herzfeld Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Ernst Herzfeld, 1946

Identifier:

FSA.A.06, Item FSA A.06 07.30.06

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Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 7: Records of Samarra Expeditions / S-30: "Samarra, Privathäuser." Contains measured drawings of plans and architectural details with cross-references to sketchbooks (S-12/29) and to the Fundjournal. The material on the houses should be studied in conjunction with the photographs in Photo Files 19--23 and the unpublished plans and drawings in the "D" (drawings) file.

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-06-ref24653

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Blueprint (b&w, 8.8 cm. x 29.7 cm.)

Type:

Archival materials

Blueprints

Place:

Asia

Iraq

Mesopotamia

Sāmarrāʼ (Iraq)

Iraq -- Salah ad-Din -- Samarra

Date:

1911-1913

Arrangement:

- Journals, letters, and sketchbooks are arranged roughly in sequential number sequences, housed in document boxes.

- S-30 is organized into 17 subdivisions which include one or several items of original materials.

Local Numbers:

S-30

FSA A.06 07.30.14

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive and Thomas Leisten's publication, Excavation of Samarra, vol 1.

- Series title in Joseph Upton's Catalogue of the Herzfeld Archive reads, "Records of Samarra Expeditions."

Date/Time and Place of an Event Note:

Notes related primarly to the two campaigns of excavation at Sāmarrāʼ (Iraq), carried out by Ernst Herzfeld on behalf of the Kaiser Friedrich Museum in Berlin between the years 1911 and 1913.

Funding note:

Funded by

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Abbasids  Search this

Excavations (Archaeology)  Search this

Genre/Form:

Blueprints

Collection Citation:

Ernst Herzfeld Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Ernst Herzfeld, 1946

Identifier:

FSA.A.06, Item FSA A.06 07.30.14

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 7: Records of Samarra Expeditions / S-30: "Samarra, Privathäuser." Contains measured drawings of plans and architectural details with cross-references to sketchbooks (S-12/29) and to the Fundjournal. The material on the houses should be studied in conjunction with the photographs in Photo Files 19--23 and the unpublished plans and drawings in the "D" (drawings) file.

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

EDAN-URL:

ead_component:sova-fsa-a-06-ref24660