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The Incredible Way That Excalibur Was Made

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2012-02-21T17:08:07.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_OznspTUdZrU

This London Blacksmith Forges Replicas of Medieval Swords

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2019-09-23T15:30:03.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_myCbp5laxyE

Forging: The Blacksmith’s Tools

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2019-04-05T16:30:20.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_Hd4k6lb3O4E

Sounding Forms: Bells

Creator:
National Museum of African Art  Search this
Type:
YouTube Videos
Uploaded:
2019-04-05T17:05:12.000Z
YouTube Category:
Education  Search this
Topic:
Art, African  Search this
See more by:
SmithsonianAfricanAr
Data Source:
National Museum of African Art
YouTube Channel:
SmithsonianAfricanAr
EDAN-URL:
edanmdm:yt_Yic0yzcV5x4

Claude Williams Papers

Creator:
Williams, Claude, 1908-2004  Search this
Fouse-Williams, Blanche Y.  Search this
Extent:
1 electronic_discs_cd
13 Cassette tapes
4.66 Cubic feet (14 boxes, 3 map- folders)
Container:
Map-folder 1
Map-folder 3
Type:
Collection descriptions
Archival materials
Electronic_discs_cd
Cassette tapes
Letters (correspondence)
Photographs
Programs
Posters
Scrapbooks
Financial records
Awards
Business records
Audiotapes
Articles
Manuscripts
Date:
1920-2005
Summary:
Business and personal papers, photographs, and audio recordings of Claude "Fiddler" Williams, an award-winning jazz fiddler. Although Williams played music for almost a century the materials in this collection date largely from 1970 to 2005.
Scope and Contents:
This collection documents the later life and career of jazz violinist Claude "Fiddler" Williams. Materials include correspondence, photographs, unpublished writings, awards, business records, financial records, programs and a few music manuscripts. There is one scrapbook and several audio recordings. There are also an autographed poster from 1997 honoring five inductees to the Oklahoma Music Hall of Fame, including Claude Williams, Merle Haggard, Patti Page, Woody Guthrie and Eddie Burris. While there are some materials from Williams's youth, the vast majority of the collection dates from 1970. Williams's second wife, Blanche Y. Fouse-Williams, was vigilant about saving his papers. She also managed his career for the last few years of his life. This accounts for the increased volume of materials documenting his later years. Materials generally are arranged in chronological order within series and subseries.

Series 1, Business Records, 1973-2005, undated, is divided into seven subseries and includes business records, information relating to tours and performances, awards and certificates, business and personal correspondence, financial papers, articles and newspaper clippings, and biographical information.

Subseries 1, Events, 1977-2004, undated, includes contracts, copies of newspaper clippings, performance programs, brochures, ticket stubs, travel itineraries, travel receipts, correspondence, materials regarding his work as a fiddle teacher, advertisements for performances, a certificate of recognition, and napkins saved from a Washington Education Television Association (WETA) performance at the White House in 1998. Materials are arranged in chronological order.

Subseries 2, Itineraries, 1990-2001, includes lists and correspondence detailing locations, musicians, travel and lodging plans, and financial compensation for William's performances. Materials are arranged in chronological order.

Subseries 3, Awards and Certificates, 1978-2002, contains awards and certificates of appreciation from the Steamboat Delta Queen, Annual Black Musicians Conference, Kansas City Chapter of the International Association of Jazz Record Collectors, and the Manhattan School of Music, as well as an invitation to a reception honoring Kansas City Jazz musicians from the Consul General of Japan. Materials are arranged in chronological order.

Subseries 4, Correspondence, 1975-2004, consists of information relating to travel arrangements, tours, remuneration, music recordings, press kits, contracts, public television performances, involvement with the National Endowment for the Arts and the National Endowment for the Humanities, as well as Williams's Smithsonian Folkways recording. Materials are arranged in chronological order.

Subseries 5, Financial Papers, 1990-2005, includes information about travel and payment, hotel bills and receipts, invoices for performances, music recordings sales, royalty statements and copies of checks. Materials are arranged in chronological order.

Subseries 6, Press, 1973--005, undated, includes magazines, newspaper clippings and articles, about Williams's performances and music, appearances and jazz festivals, as well as the Kansas City Jazz scene. Magazine titles include Kansas City Magazine , Missouri Alumnus , The Masters Traditional Arts Apprenticeship Program , Jazz Ambassador Magazine , Kansas City Ambassador to Jazz , The Mississippi Rag , Fiddler Magazine , Jazz News , Jazz Times , Living Blues , Blues Access , and Kansas City . Materials are arranged by type and then in chronological order.

Subseries 7, Music, 1989-1995, undated, contains thirteen audio tape recordings, one CD, sheet music and set lists of music performed by Williams. There is an audio recording of Black and Blue: A Musical Revue , a Folk Master performance at Carnegie Hall. Williams's work with James Chirillo, an appearance on Birdflight , as well as recordings of live and studio performances are also included among these materials. There is a copy of Williams's CD Swingtime in New York and an interview from1992. Materials are arranged in chronological order.

Series 2, Personal Papers, 1978--005, undated, is divided into two subseries and contains letters, cards, postcards, invitations, copies of email, and requests for information and interviews. Most of the correspondence was addressed to Williams but there are materials that were sent to Blanche Williams. The correspondence is generally from fans, friends and family.

Subseries 1, Correspondence, 1978-2005, undated, consists of birthday cards from school age children, postcards, copies of newspaper clippings, White House and other government correspondence, congratulations or birthday wishes, as well as personal correspondence from friends inquiring about Williams's health and well-being. Also included is a draft for a chapter in a book on Claude Williams's contributions to jazz. Requests relating to research about Williams are also included. Materials are arranged in chronological order. Materials are arranged first by type followed by general correspondence in chronological order.

Subseries 2, Miscellaneous, undated, contains ephemera, autographs, affiliates list, well-wishes to Blanche Williams, a funeral program, mailing lists, lists of affiliated organizations, and a Count Bassie autograph.

Series 3, Photographs, 1977-2004, undated, includes personal and professional photographic prints and negatives of Williams. Subjects include performances and festivals, headshots and publicity, images of other musicians, family, friends, and posters with photographs created for his funeral. The majority of these photographs are of performances. Materials are arranged by subject.
Arrangement:
The collection is arranged into three series.

Series 1, Business Records, 1973-2005, undated

Subseries 1.1, Events, 1977-2004, undated

Subseries 1.2, Itineraries, 1990-2001

Subseries 1.3, Awards and Certificates, 1978-2002

Subseries 1.4, Correspondence, 1975-2004

Subseries 1.5, Financial Papers, 1990-2005

Subseries 1.6, Press, 1973-2005, undated

Subseries 1.7, Music; 1989-1995, undated

Series 2, Personal Papers, 1978-2005, undated

Subseries 2.1, Correspondence, 1978-2005, undated

Subseries 2.2, Miscellaneous, undated

Series 3, Photographs, 1977-2004, undated
Biographical / Historical:
Claude "Fiddler" Williams, 1908-2004, was born in Muskogee, Oklahoma, the son of a blacksmith. His musical gifts developed at a very early age, and he quickly became adept at the guitar, banjo, mandolin and cello, learning mostly by ear, without formal training. After hearing the jazz violinist Joe Venuti, the violin became his instrument of choice, and it remained so for the rest of his life. He migrated to Kansas City in 1927 and toured with several territory bands. Additionally Williams toured with the Twelve Clouds of Joy and the Cole Brothers, and in 1936, joined Count Basie's band as the first guitarist. After he was fired from Count Basie's band because John Hammond thought Williams's guitar solos were taking too much attention away from Basie, he went back to the violin (or "fiddle" as he preferred to call it) and focused exclusively on it for the rest of his life. Later he started his own band and toured with several jazz groups working for a short time with the Works Progress Administration (WPA). His band appeared at the Monterey Jazz Festival, the Nice Jazz Festival, and the Smithsonian Institution's Festival of American Folk Life. Williams received numerous honors and awards, including induction into the Oklahoma Jazz Hall of Fame, a proclamation from the city of Kansas City, and a 1998 National Heritage Fellowship which included a $10,000 award. President Bill Clinton invited him to perform at one of the parties celebrating his first inauguration. Williams continued to tour and perform until well into his nineties. He also gave instruction at Mark O'Connor's annual fiddle camp to young violinists. Mr. Williams died in April 2004.
Separated Materials:
Artifacts donated to the Museum's Division of Culture and the Arts include a suit and violin. See accession numbers: 2005.3105 and 2007.3020.
Provenance:
This collection was donated by Claude Williams's widow, Blanche Y. Fouse-Williams, in 2005.
Restrictions:
The collection is open for research use.

Physical Access: Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Technical Access: Do not use original materials when available on reference audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use. All duplication requests must be reviewed and approved by Archives Center staff.
Topic:
Music -- 20th century -- United States  Search this
Jazz -- 20th century -- United States  Search this
Jazz musicians -- United States  Search this
Violinists  Search this
Musicians -- United States  Search this
Genre/Form:
Letters (correspondence) -- 20th century.
Photographs -- 2000-2010
Programs
Posters -- 1950-2000
Scrapbooks
Financial records
Awards
Business records -- 20th century
Audiotapes
Articles
Photographs -- 20th century
Manuscripts -- Music -- 20th century
Citation:
Claude Williams Papers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0909
See more items in:
Claude Williams Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0909
Online Media:

The Village Blacksmith [Print advertising.] Babyland Advertiser

Advertiser:
Procter & Gamble Company  Search this
Donor:
Procter & Gamble Company  Search this
Collection Creator:
Procter & Gamble Company  Search this
Leyendecker, J. C., 1874-1951  Search this
Smith, Jessie Willcox, 1863-1935  Search this
Elliott, Elizabeth Shippen Green  Search this
Extent:
1 Item (b&w, 21 x 15.5 cm.)
Container:
Box 1, Folder 6 (1886)
Type:
Archival materials
Poems
Print advertising
Date:
1886
Scope and Contents:
Line illustration: Blacksmith and upper-class man speaking: poem.
Local Numbers:
Ivorydata4 69

0207910059 (Scan No.)
Restrictions:
Unrestricted research use on site by appointment. Reproduction restrictions due to copyright.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Soap  Search this
Men in advertising  Search this
Blacksmiths  Search this
Genre/Form:
Poems
Print advertising
Collection Citation:
Ivory Soap Collection, 1883-1998, undated; Archives Center, National Museum of American History. Gift of Procter & Gamble.
See more items in:
Ivory Soap Advertising Collection
Ivory Soap Advertising Collection / Series 1: Ivory Soap Products Advertisements / Advertisements
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0791-ref1625

Ivory Soap [..] 99 44/100% Pure. [Print advertising.] The Century Magazine

Creator:
Procter & Gamble Company  Search this
Artist:
Beneker, Gerrit A.  Search this
Collection Creator:
Procter & Gamble Company  Search this
Leyendecker, J. C., 1874-1951  Search this
Smith, Jessie Willcox, 1863-1935  Search this
Elliott, Elizabeth Shippen Green  Search this
Extent:
1 Item (b&w, 24x16.5 cm.)
Container:
Box 4, Folder 1 (1915)
Type:
Archival materials
Print advertising
Date:
1915
Scope and Contents:
Caption: "Ivory Soap [...] 99 44/100% Pure". Blacksmith making chain link.
Published June 1915.
Local Numbers:
244587

Ivorydata4 444

0207910434 (Scan No.)
Restrictions:
Unrestricted research use on site by appointment. Reproduction restrictions due to copyright.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Men  Search this
Genre/Form:
Print advertising
Collection Citation:
Ivory Soap Collection, 1883-1998, undated; Archives Center, National Museum of American History. Gift of Procter & Gamble.
See more items in:
Ivory Soap Advertising Collection
Ivory Soap Advertising Collection / Series 1: Ivory Soap Products Advertisements / Advertisements
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0791-ref1998

Dynamometer

Object Name:
dynamometer
Dynamometer
ID Number:
PH.308919
Catalog number:
308919
Accession number:
89797
Patent number:
13,608
See more items in:
Medicine and Science: Physical Sciences
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ae-1bcc-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1462534

Horace G. Jennerson collection

Photographer:
Jennerson, Horace G.  Search this
Bratley, J. H. (Jesse H.)  Search this
Names:
Red Cloud, 1822-1909  Search this
Extent:
1 Linear foot
28 Glass plate negatives
30 Photographic prints
Culture:
Oglala Lakota (Oglala Sioux)  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Oglala Lakota [Pine Ridge]  Search this
Sicangu Lakota (Brulé Sioux)  Search this
Omaha  Search this
Type:
Collection descriptions
Archival materials
Glass plate negatives
Photographic prints
Place:
Pine Ridge Indian Reservation (S.D.)
Rosebud Indian Reservation (S.D.)
Date:
bulk circa 1887-1902
circa 1887-1940
Summary:
This collection contains photographs was shot circa 1887-1899 by Jesse Hasting Bratley and Horace G. Jennerson while they served as teachers on the Rosebud and Pine Ridge Reservations.
Scope and Contents:
This collection contains 28 glass plate negatives and 30 photographic prints that were mostly shot by Jesse Hasting Bratley and Horace G. Jennerson circa 1887-1905, while they were teachers on the Rosebud and Pine Ridge Reservations respectively. The photographs include depictions of the Corn Creek Day School on Rosebud Reservation and No. 20 Day School on the Pine Ridge Reservation; portraits of individuals and families; interior views of an Omaha earth lodge and exterior views of encampments; activities such as branding calves, a 4th of July celebration, and an Episcopalian Convocation; and landscapes of the Badlands in South Dakota. One photograph in the collection possibly depicts Horace G. Jennerson circa 1938-1940.

Photographs of note include 2 glass plate negatives depicting Chief Red Cloud.

Some photographs in this collection are restricted because they depict culturally sensitive scenes such as sweat house/lodges and burial grounds.

Jennerson collected Bratley's photographs at some unknown point in time and Jennerson's wife Mary captioned many of the original plates and prints. In some instances, the original photographer is unclear.
Arrangement:
This collection is organized into 5 series: Series 1: Portraits, Series 2: Students and schools, Series 3: Activities, Series 4: Buildings and structures, and Series 5: Landscapes.

The photographs are physically arranged in original catalog number order within folders. The glass plate negatives are arranged in boxes according to image size and then by catalog number order.
Biographical / Historical:
Born in Kansas in 1863, Horace G. Jennerson served as a teacher at the No. 20 Day School on the Pine Ridge Reservation, South Dakota from circa 1896-1905. He married Mary R. Jennerson in Saline, Kansas in 1889. Their children included M. Leah Jennerson and Horace L. Jennerson. He also served as a financial clerk for the Indian Service in Ponca, Oklahoma circa 1905-1913. He died in Seattle, Washington in 1940.

Jesse Bratley was born in Brown Town, Wisconsin in 1867. He served as teacher at the Lower Cut Meat Creek Indian Day School on the Rosebud Reservation in South Dakota from circa 1893-1899. In addition to regular classes, he also taught the children farming, carpentry, and blacksmithing. He later served as a teacher at the Cantonment Boarding School in Oklahoma, circa 1899-1900; Havasupai at Cataract, Arizona, circa 1902-1903; Hopi Day School in Arizona, circa 1902-1903, and Seminole, Florida, 1910. He passed away in Florida in 1948.
Separated Materials:
Horace L. Jennerson also donated objects to the Museum of the American Indian and are cataloged under numbers 243761-243811.
Provenance:
This collection was donated to the Museum of the American Indian by Horace L. Jennerson (son of Horace G. Jennerson) in 1970.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Some images restricted: Cultural Sensitivity
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Indians of North America -- Education  Search this
Photographs  Search this
Citation:
Identification of specific item; Date (if known); Horace G. Jennerson collection, catalog #; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.224
See more items in:
Horace G. Jennerson collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-224
Online Media:

J. Harold Waugh photographs from the Spirit Lake Reservation (Devils Lake Reservation)

Creator:
Waugh, John Harold, Jr., 1878-1956  Search this
Names:
Spirit Lake Tribe, North Dakota  Search this
United States. Office of Indian Affairs. Fort Totten Agency  Search this
Extent:
41 Glass plate negatives
41 Copy negatives
Culture:
Wahpetonwan Dakota [Sisseton-Wahpeton Sioux Tribe]  Search this
Minnesota Chippewa [White Earth, Minnesota]  Search this
Turtle Mountain Chippewa  Search this
Type:
Collection descriptions
Archival materials
Glass plate negatives
Copy negatives
Photographs
Place:
Devils Lake (N.D.)
North Dakota
Date:
1890-1893
Summary:
This collection includes glass plate negatives shot by J. Harold Waugh, the son of Indian Agent John H. Waugh on the Spirit Lake (Devil's Lake) reservation between 1890 and 1893. The agency headquarters were located at Fort Totten in North Dakota and Waugh (Sr.) oversaw both the Spirit Lake (Devil's Lake) and Turtle Mountain reservations. J. Harold Waugh's photographs include images of agency buildings, activities on the reservation and members of the Wahpetonwan Dakota [Sisseton-Wahpeton Sioux Tribe] Tribe.
Scope and Contents:
This collection includes 41 glass plate negatives and copy negatives shot by J. Harold Waugh, the son of Indian Agent John H. Waugh on the Spirit Lake (Devil's Lake) reservation between 1890 and 1893. Waugh, who was a young man at the time, shot photographs documenting the activities at the Fort Totten Agency in North Dakota in addition to taking several group portraits and photographing buildings and landscape views. The buildings Waugh photographed included agency offices, post buildings, Issue buildings, a hotel in Fort Totten, the Episcopal mission, Roman Catholic convent and the Fort Totten Industrial Training School. Waugh shot photographs during several Wahpetonwan Dakota dances (some restricted), on Issue Day, and of a sham battle that took place in front of his house in Fort Totten. He also made portraits of Wahpetonwan Dakota community members, including members of the Spirit Lake (Devil's Lake) Indian police force. Several of the group portraits also include his father, John Waugh, and his sister, Edna Waugh. Although the majority of the photographs were made outside, there are several portraits of Minnesota Chippewa [White Earth, Minnesota] girls who were students at the Fort Totten Industrial school which appear to have been shot inside the school. Many of the Wahpetonwan Dakota community members were identified in the original catalog, though name spellings vary. Several photographs still remain unidentified.

The copy negatives were created by the Museum of the American Indian, Heye Foundation (NMAI's predecessor museum) during a photo conservation project in the 1960s.

N20150 - N20192. N20158 and N20189 were destroyed, no copy negative exists.
Arrangement:
Arranged by catalog number.
John Harold Waugh:
John Harold Waugh, Sr. was born west of Greenville, Pennsylvania in 1853, son of Judge William W. Waugh. Around 1873 he married to Ella M. Hammond, daughter of Dr. Hammond, formerly of Brooklyn, and they had two sons, William Hammond and John Harold, and one daughter, Edna. Waugh was stationed as the Indian agent from 1890-1893 at the Devil's Lake Agency which included the Fort Totten Reservation and Turtle Mountain Reservation in North Dakota. Fort Totten reservation is now part of the Spirit Lake Reservation (Devil's Lake) in North Dakota. Between 1867 and 1890, Fort Totten served as a military post policing the surrounding reservation inhabited by the Wahpetonwan Dakota, formerly called "Devils Lake Sioux." In 1890 the Fort was decommissioned and on January 5th, 1891 the former post became the property of the Bureau of Indian Affairs.

J. Harold Waugh, Jr., born in 1877, was still a young man while his father was stationed in North Dakota. After the death of his father in 1894 he along with his mother and sister moved back to Pennsylvania. Waugh eventually settled in New Jersey and opened an advertising firm. He later donated his negatives to the Museum of the American Indian, Heye Foundation in 1930 and deposited additional materials with the museum in 1950.
The Fort Totten Industrial Training School:
The Fort Totten Industrial Training School was originally an outgrowth of the mission school established by the Catholics in 1874 and the industrial school established by the order of the Grey Nuns from Montreal. After a fire burned down the main buildings of the mission in 1883 a new mission was built half a mile northeast of Fort Totten. In 1890 when the Fort was decommissioned, the Mission school was consolidated with the Industrial School and placed under the supervision of Superintendent William F. Canfield. Under Canfield the school taught students from the Spirit Lake (Devils Lake) reservation, Turtle Mountain reservation, and Standing Rock reservations in North Dakota, the Fort Peck Reservation in Montana, the White Earth Reservation, Red Lake Reservation, and Leech Lake reservations in Minnesota. Most pupils were enrolled for three to five years and half the school day was devoted to industrial work including harness making, shoemaking, tailoring, carpentry, masonry, blacksmithing, farming and engineering for the boys and cooking, breadmaking, housekeeping, laundry work and sewing for the girls.
Related Materials:
J. Harold Waugh later donated a collection of plains ethnology to the MAI in 1941. These items had been collected by his father John H. Waugh while he was an Indian Agent in North Dakota from 1890-1893. You can view these items here: John Waugh collection items.
Provenance:
Donated by J. Harold Waugh, Jr. in 1930.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

One of the photographs is restricted due to cultural sensitivity.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Boarding schools  Search this
Indians of North America -- North Dakota  Search this
Genre/Form:
Glass plate negatives
Photographs
Citation:
Identification of specific item; Date (if known); J. Harold Waugh photographs from the Spirit Lake Reservation (Devil's Lake Reservation) image #, NMAI.AC.143; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.143
See more items in:
J. Harold Waugh photographs from the Spirit Lake Reservation (Devils Lake Reservation)
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-143
Online Media:

Portrait of Robert Lee Harris and Nettie Owl Harris

Collection Creator:
Speck, Frank G. (Frank Gouldsmith), 1881-1950  Search this
Collection Source:
Museum of the American Indian, Heye Foundation  Search this
Extent:
1 Negatives (photographic)
Culture:
Catawba  Search this
Type:
Archival materials
Negatives (photographic)
Date:
1922
Scope and Contents:
Outdoor portrait of Catawba couple Robert "Bob" Lee Harris and his wife Nettie Owl Harris, posed standing in front of their home on the Catawba Reservation in South Carolina. This house was formally a blacksmith shop built by Lloyd Owl, Nettie's first husband while living at the Catawba Reservation. The house is at the present-day site of 2262 Indian Trail Road.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Frank Speck photograph collection, Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.001.032, Item N12405
See more items in:
Frank Gouldsmith Speck photograph collection
Frank Gouldsmith Speck photograph collection / Series 10: North Carolina and South Carolina: Catawba, Eastern Band of Cherokee
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-001-032-ref1059

Home of Robert Lee Harris and Nettie Owl Harris

Collection Creator:
Speck, Frank G. (Frank Gouldsmith), 1881-1950  Search this
Collection Source:
Museum of the American Indian, Heye Foundation  Search this
Extent:
1 Negatives (photographic)
Culture:
Catawba  Search this
Type:
Archival materials
Negatives (photographic)
Date:
1922
Scope and Contents:
Outdoor portrait of Catawba couple Robert "Bob" Lee Harris and his wife Nettie Owl Harris, posed standing in front of their home on the Catawba Reservation in South Carolina. This house was formally a blacksmith shop built by Lloyd Owl, Nettie's first husband while living at the Catawba Reservation. The house is at the present-day site of 2262 Indian Trail Road.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Frank Speck photograph collection, Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.001.032, Item N12406
See more items in:
Frank Gouldsmith Speck photograph collection
Frank Gouldsmith Speck photograph collection / Series 10: North Carolina and South Carolina: Catawba, Eastern Band of Cherokee
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-001-032-ref1060

Selected prints

Photographer:
Moore, Riley Dunning, 1883-  Search this
Names:
Konig  Search this
Muntokolia  Search this
Ounngtis ?  Search this
Soonogarook  Search this
Extent:
12 Prints
Culture:
Eskimos  Search this
Unangan (Aleut)  Search this
Arctic peoples  Search this
Indians of North America -- Subarctic  Search this
Type:
Collection descriptions
Archival materials
Prints
Photographs
Place:
Saint Lawrence Island (Alaska)
Date:
1912
Scope and Contents:
Made by Bureau of American Ethnology from a series of negatives by Riley D. Moore, 1912, filed in Division of Physical Anthropology, U. S. National Museum. 11 prints of Eskimos and 1 of an Aleut.
Catalog Number 4696: (1) Tribe: Eskimo Description: Summer home of Soonogarook, St Lawrence Island, Alaska. Man standing with arms inside coat, the customary way when not using hands. Left to right: Ounngtis (?), Soonogarook, Muntokolia, Koning. (2) Eskimo Summer home of Soonogarook. (3) Eskimo Wrestling, at Gambell, St Lawrence Island, Alaska. (4) Eskimo Wrestling, St Lawrence Island, Alaska. Man seated on embankment of an old "ningloo." (5) Eskimo Wrestling, St Lawrence Island, Alaska.. Frame building, store (co-op) and blacksmith shop in background. (6) Eskimo Home of Oghoolki, winter house, St Lawrence Island, Alaska. (7) Eskimo Broken house, womkon in front, St Lawrence Island, Alaska. (8) Eskimo Group, Kodiak. Volcanic dust shovelled from the door. (9) Eskimo Kodiak. Roof caved in from volcanic dust. (10) Eskimo Kodiak harbor. (11) Eskimo Kodiak. (12) Aleut Unalaska.
Local Numbers:
NAA MS 4696
Topic:
Habitations and other structures -- summer home  Search this
Habitations and other structures -- winter house  Search this
Toys and games -- Wrestling  Search this
Genre/Form:
Photographs
Citation:
Manuscript 4696, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4696
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms4696

Plectogyra tumula Zeller, 1957

Type Citation:
Zeller. 1957. Jour.Paleontology. 31 (n.4): 697, pl.79,f.8.
Type Status:
paratype
Place:
Blacksmith Fork, Bear River Range, Base Bed 29, Cache County, Utah, United States, North America
Taxonomy:
Protoctista Granuloreticulosa Foraminifera
Published Name:
Plectogyra tumula Zeller, 1957
USNM Number:
PAL186263
See more items in:
Paleogeneral
Types: Foraminifera
Foraminiferida Oversized and Thin Section Type and Non-Type
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/358725e3f-b136-43db-b02c-62f2ac1dbd60
EDAN-URL:
edanmdm:nmnhpaleobiology_3256664

Granuliferella granulosa Zeller, 1957

Type Citation:
Zeller. 1957. Jour.Paleontology. 31 (n.4): 695, pl.79,f.20.
Type Status:
paratype
Place:
Blacksmith Fork, Bear River Range, Bed 39, Cache County, Utah, United States, North America
Taxonomy:
Protoctista Granuloreticulosa Foraminifera
Published Name:
Granuliferella granulosa Zeller, 1957
USNM Number:
PAL186275
See more items in:
Paleogeneral
Types: Foraminifera
Foraminiferida Oversized and Thin Section Type and Non-Type
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3b124be29-8fc4-4f56-8a22-dab145ce1225
EDAN-URL:
edanmdm:nmnhpaleobiology_3256668

Granuliferella plectula Zeller, 1957

Type Citation:
Zeller. 1957. Jour.Paleontology. 31 (n.4): 695, pl.79,f.2.
Type Status:
paratype
Place:
Blacksmith Fork, Bear River Range, Bed 27, Cache County, Utah, United States, North America
Taxonomy:
Protoctista Granuloreticulosa Foraminifera
Published Name:
Granuliferella plectula Zeller, 1957
USNM Number:
PAL186257
See more items in:
Paleogeneral
Types: Foraminifera
Foraminiferida Oversized and Thin Section Type and Non-Type
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3109644b5-95de-4a60-b3ee-852aee9b6a1d
EDAN-URL:
edanmdm:nmnhpaleobiology_3256659

Granuliferella granulosa Zeller, 1957

Type Citation:
Zeller. 1957. Jour.Paleontology. 31 (n.4): 695, pl.79,f.3.
Type Status:
paratype
Place:
Blacksmith Fork, Bear River Range, Bed 27, Cache County, Utah, United States, North America
Taxonomy:
Protoctista Granuloreticulosa Foraminifera
Published Name:
Granuliferella granulosa Zeller, 1957
USNM Number:
PAL186258
See more items in:
Paleogeneral
Types: Foraminifera
Foraminiferida Oversized and Thin Section Type and Non-Type
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/307d45fb8-8380-481a-98fb-0b95e8f2cff0
EDAN-URL:
edanmdm:nmnhpaleobiology_3256660

Granuliferella granulosa Zeller, 1957

Type Citation:
Zeller. 1957. Jour.Paleontology. 31 (n.4): 695, pl.79,f.4.
Type Status:
paratype
Place:
Blacksmith Fork, Bear River Range, Bed 27, Cache County, Utah, United States, North America
Taxonomy:
Protoctista Granuloreticulosa Foraminifera
Published Name:
Granuliferella granulosa Zeller, 1957
USNM Number:
PAL186259
See more items in:
Paleogeneral
Types: Foraminifera
Foraminiferida Oversized and Thin Section Type and Non-Type
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3f3cf72df-4835-44cd-b14f-e1cd6cb09323
EDAN-URL:
edanmdm:nmnhpaleobiology_3256661

Granuliferella granulosa Zeller, 1957

Type Citation:
Zeller. 1957. Jour.Paleontology. 31 (n.4): 695, pl.79,f.5.
Type Status:
paratype
Place:
Blacksmith Fork, Bear River Range, Bed 27, Cache County, Utah, United States, North America
Taxonomy:
Protoctista Granuloreticulosa Foraminifera
Published Name:
Granuliferella granulosa Zeller, 1957
USNM Number:
PAL186260
See more items in:
Paleogeneral
Types: Foraminifera
Foraminiferida Oversized and Thin Section Type and Non-Type
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/36684d652-b626-4c64-801c-8cb343a17846
EDAN-URL:
edanmdm:nmnhpaleobiology_3256662

Plectogyra tumula Zeller, 1957

Type Citation:
Zeller. 1957. Jour.Paleontology. 31 (n.4): 697, pl.79,f.7.
Type Status:
paratype
Place:
Blacksmith Fork, Bear River Range, Base Bed 29, Cache County, Utah, United States, North America
Taxonomy:
Protoctista Granuloreticulosa Foraminifera
Published Name:
Plectogyra tumula Zeller, 1957
USNM Number:
PAL186262
See more items in:
Paleogeneral
Types: Foraminifera
Foraminiferida Oversized and Thin Section Type and Non-Type
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/33378b119-af8f-4d02-a762-ba683d96d345
EDAN-URL:
edanmdm:nmnhpaleobiology_3256663

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