The bulk of the collection consists of portraits of identified Native Americans and some government officials and interpreters. It includes cabinet cards, other mounted prints, newspaper articles, illustrations, and a photographic postcard. Depicted individuals include American Horse, Oglala; Black Hawk, Sauk; Bob Tail, Cheyenne; Crowfoot, Hunkpapa; Gaul, Hunkpapa; Geronimo, Chiricahua; John Grass, Teton; Chief Joseph, Nez Perce; Little Wound, Oglala; Medicine Bull, Hunkpapa; Osceola, Seminole; Ouray, Ute; Litte Raven, Arapaho; Plenty Coups, Crow; Pocahontas, Powhatan; Rain in the Face, Hunkpapa; Red Cloud, Oglala; Red Iron, Dakota; Short Man, Piegan; Sitting Bull, Hunkpapa; Standing On Prairie, Siouan; Thayendanegea (Joseph Brant), Mohawk; Two Guns White Calf, Piegan; Two Moon, Cheyenne; and Washakie, Shoshoni.
Indians of North America -- Southern states Search this
Genre/Form:
Photographs
Citation:
Photo lot 87-2P, United States National Museum Department of Anthropology photograph collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Great Plains Search this
Type:
Archival materials
Ledger drawings
Date:
ca. 1891?
Scope and Contents:
Ms. on drawing reads: "Blackfeet Indian was killed by a Cheyenne; see below; the gun was a Winchester and the two yellow sticks are the rest for the gun to lean on ... The year was about the time 1872. 5 6 3 4 1 2. Cheyenne Indian. T.D. Little Chief." This drawing, despite the notes in ms. and being part of MS 2016-a, is not an original part of the main set of Little Chief drawings or is a drawing by him.
Local Numbers:
NAA INV 08660100
NAA MS 2016-a
Varying Form of Title:
Note in ms. on drawing: Blackfeet Indian was killed by a Cheyenne ...
This collection consists of 168 glass lantern slides depicting Indigenous groups throughout North America. It also includes a small number of photographs, newspaper clippings, and publications written by and about Joseph K. Dixon, and his work as a photographer working with Native Americans during the early decades of the twentieth century.
Content Description:
The Joseph K. Dixon lantern slide collection consists of Lantern Slides, Photographs, and Printed Materials. Series 1: Lantern Slides, 1870s-1920s, includes 168 glass lantern slides, many hand-colored. The lantern slides were used by Dixon in lectures to promote his advocacy work on behalf of Native American citizenship. While Dixon himself was a photographer of many important photographs of Native peoples, the majority of the images for these glass lantern slides were not taken by Dixon, but rather collected by him for use in his lectures as he traveled around the country. Series 2: Photographs, 1870s-1920s, includes 8 photographs collected by Dixon and perhaps used in research for his lectures. Series 3: Printed Materials, 1905-1926, includes a small number of early twentieth-century publications and news clippings either written by Dixon or written about his work with the Indigenous peoples of North America.
Scope and Contents:
Please note that the language and terminology used in this collection reflects the context and culture of the time of its creation, and may include culturally sensitive information. As an historical document, its contents may be at odds with contemporary views and terminology. The information within this collection does not reflect the views of the Smithsonian Institution, but is available in its original form to facilitate research.
Arrangement:
This collection is arranged into three series. Series 1: Lantern Slides, 1870s-1920s, Series 2: Photographs, 1870s-1920s, and Series 3: Printed Materials, 1905-1926.
Biographical / Historical:
Joseph K. Dixon (1858-1926) was born in New York, and received a bachelor of divinity degree from the Rochester Theological Seminary before becoming a lecturer for the Eastman Kodak photographic company in 1904. Two years later he was hired to work in Wanamaker's Philadelphia-based department store, and by 1908 he was chosen to lead the three Wanamaker expeditions (1908-1913) to document the lives and cultures of Native peoples of the United States. His expedition work for Rodman Wanamaker resulted in the 1913 published book, The Vanishing Race. For the remainder of his life, Dixon frequently lectured on and continued to photograph the lives of Native Americans.
Related Materials:
The NMAI Archives Center collections include two related collections on Joseph K. Dixon: NMAI.AC.111 Joseph K. Dixon photographs from the 1909 Wanamaker Expedition, and NMAI.AC.309 Corcoran Gallery of Art collection of Joseph K. Dixon Wanamaker Expedition photographs. Other photographic collections of Joseph K. Dixon's work and Rodman Wanamaker's expeditions exist in the Smithsonian Institution's National Anthropological Archives, and the Mathers Museum of World Cultures at Indiana University.
Provenance:
Gift from the family and descendants of Joseph Kossuth Dixon in 2022.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 3:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Some photographs in this collection are restricted due to cultural sensitivity.
Identification of specific item; Date (if known); Joseph K. Dixon lantern slide collection, NMAI.AC.419; National Museum of the American Indian Archives Center, Smithsonian Institution.
The Lantern Slides are arranged in numerical order, presumably following how Joseph K. Dixon would have presented the materials in his lectures and presentations. Possible thematic groupings created by Dixon include depictions of Native clothing, warfare, games, hunting, religious celebrations, weaving, and food production, among others.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 3:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Some photographs in this collection are restricted due to cultural sensitivity.
Collection Citation:
Identification of specific item; Date (if known); Joseph K. Dixon lantern slide collection, NMAI.AC.419; National Museum of the American Indian Archives Center, Smithsonian Institution.
The photographs were collected by Joseph K. Dixon and may have been used to help facilitate his research on Native American communities. Photographs include depictions of a Hopi village, a Hopi woman grinding corn, a Havasupai (Coconino) mother and child, and a photograph of the church in Auburn, New York, where Dixon worked as a minister, among others.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 3:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Some photographs in this collection are restricted due to cultural sensitivity.
Collection Citation:
Identification of specific item; Date (if known); Joseph K. Dixon lantern slide collection, NMAI.AC.419; National Museum of the American Indian Archives Center, Smithsonian Institution.
50 Stereographs (circa 50 printed stereographs, halftone and color halftone)
1,000 Stereographs (circa, albumen and silver gelatin (some tinted))
239 Prints (circa 239 mounted and unmounted prints, albumen (including cartes de visite, imperial cards, cabinet cards, and one tinted print) and silver gelatin (some modern copies))
96 Prints (Album :, silver gelatin)
21 Postcards (silver gelatin, collotype, color halftone, and halftone)
Photographs relating to Native Americans or frontier themes, including portraits, expedition photographs, landscapes, and other images of dwellings, transportation, totem poles, ceremonies, infants and children in cradleboards, camps and towns, hunting and fishing, wild west shows, food preparation, funeral customs, the US Army and army posts, cliff dwellings, and grave mounds and excavations. The collection also includes images of prisoners at Fort Marion in 1875, Sioux Indians involved in the Great Sioux Uprising in Minnesota, the Fort Laramie Peace Commission of 1868, Sitting Bull and his followers after the Battle of the Little Bighorn, and the aftermath of the Wounded Knee Massacre in 1890.
There are studio portraits of well-known Native Americans, including American Horse, Big Bow, Four Bears, Iron Bull, Ouray, Red Cloud, Red Dog, Red Shirt, Sitting Bull, Spotted Tail, Three Bears, and Two Guns White Calf. Depicted delegations include a Sauk and Fox meeting in Washington, DC, with Lewis V. Bogy and Charles E. Mix in 1867; Kiowas and Cheyennes at the White House in 1863; and Dakotas and Crows who visited President Warren G. Harding in 1921. Images of schools show Worcester Academy in Vinita, Oklahoma; Chilocco Indian School; Carlisle Indian Industrial School; Haskell Instittue, and Albuquerque Indian School.
Some photographs relate to the Centennial Exposition in Philadelphia, 1876; World's Columbian Exposition in Chicago, 1893; Louisiana Purchase Exposition in St. Louis, 1903; and Centennial Exposition of the Baltimore and Ohio Railraod, 1876. Expedition photographs show the Crook expedition of 1876, the Sanderson expedition to the Custer Battlefield in 1877, the Wheeler Survey of the 1870s, Powell's surveys of the Rocky Mountain region during the 1860s and 1870s, and the Hayden Surveys.
Outstanding single views include the party of Zuni group led to the sea by Frank Hamilton Cushing; Episcopal Church Rectory and School Building, Yankton Agency; Matilda Coxe Stevenson and a companion taking a photographs of a Zuni ceremony; John Moran sketching at Acoma; Ben H. Gurnsey's studio with Indian patrons; Quapaw Mission; baptism of a group of Paiutes at Coeur d'Alene Mission; court-martial commission involved in the trial of Colonel Joseph J. Reynolds, 1877; President Harding at Sitka, Alaska; Walter Hough at Hopi in 1902; and Mrs. Jesse Walter Fewkes at Hopi in 1897.
Biographical/Historical note:
George V. Allen was an attorney in Lawrence, Kansas and an early member of the National Stereoscope Association. Between the 1950s and 1980s, Allen made an extensive collection of photographs of the American West, mostly in stereographs, but also including cartes-de-visite and other styles of mounted prints, photogravures, lantern slides, autochromes, and glass negatives.
Indians of North America -- Southern states Search this
Citation:
Photo Lot 90-1, George V. Allen collection of photographs of Native Americans and the American frontier, National Anthropological Archives, Smithsonian Institution
Army Medical Museum photographs prepared under the supervision of John Shaw Billings and Washington Matthews, and created by superimposing images of several skulls for comparative purposes. Each image has a caption that includes tribal or racial identification, number of skulls photographed, photograph number, negative number, and data on photographic technique.
The collection represents of Aleut, Apache, Arapaho, Cheyenne, Comanche, Dakota, Eskimo, Hidatsa, Navajo, Oglala, Ojibwa, Paiute, Piegan, Ponca, Wichita, African American, Hawaiian, people, and people of San Miguel and San Nicholas Islands (California).
Biographical/Historical note:
The United States Army Medical Museum (AMM, renamed the National Museum of Health and Medicine in 1989) was established by US Army Surgeon General William A. Hammond in 1862. Its initial focus was on collecting specimens of unusual pathology, mostly taken from victims of the American Civil War. By 1867, the museum had expanded to include medical, microsopical, anatomical, comparative anatomics, and other sections. The anatomical collection grew in part as a result of Circular No. 2 of 1867, which authorized military medical officers to collect cranial specimens from deceased Native Americans. Additionally, the AMM made an arrangement with the Smithsonian Institution, by which the Smithsonian transferred their collection of human remains in exchange for ethnological artifacts. AMM photographed and measured many of the specimens in its collection as part of the museum's anthropological research.
Local Call Number(s):
NAA Photo Lot 6A
Location of Other Archival Materials:
Additional Army Medical Museum photographs of skulls can be found in the National Anthropological Archives in Photo Lot 6B, Photo Lot 73-26C, Photo Lot 78-42, Photo Lot 83-41, and Photo Lot 97.
The National Anthropological Archives holds microfilm of the papers of Washington Matthews, circa 1864-1905, and records concerning skeletal material transferred to the Smithsonian Institution from the Army Medical Museum.
See others in:
United States Army Medical Museum composite photographs of skulls, circa 1884-1885
Indians of North America -- Great Basin Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Copy prints
Place:
Yosemite National Park (Calif.)
Washington (D.C.)
Florida
Yellowstone National Park
Colorado
Date:
mid-19th - early 20th century
Scope and Contents note:
Copies of photogaphs selected from the George Eastman House collection by Bureau of American Ethnology archivist Margaret Blaker in 1962. Many of the photographs are individual or group portraits of American Indians and some highlight pottery, baskets, and cradleboards. There are also images of American Indian dwellings, including tipis and hogans; pueblos; dances; and an encampment during the Modoc War and Plains Indian prisoners at Fort Marion, Florida (1870s).
Expedition photos in the collection were made on T. O. Selfridgeʹs Darien Expedition (1870-1871), the Wheeler surveys (1871-1874), and the Hayden Geological Survey (1871). The collection also includes portraits of Frederick Douglass, Sitting Bull, and John A. Logan; and images from Buffalo Bill's Wild West Show; Company F of New York's 140th Volunteer Infantry; and the Smithsonian in Washington, DC.
Local Call Number(s):
NAA Photo Lot R79
Reproduction Note:
Copy negatives made by George Eastman House, 1962.
Copy prints made by the Smithsonian, 1962-1963.
Location of Other Archival Materials:
The National Anthropological Archives holds vintage prints for many of the photographs copied in this collection, including in Photo lot 4501, Photo Lot 4605, and Photo Lot 90-1.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
The images were acquired for reference purposes and cannot be reproduced. Copies may be obtained from George Eastman House, International Museum of Photography and Film.
The collection is made up of illustrations prepared for new printings of James Mooneyʹs "Calendar History of the Kiowa Indians," John Reed Swantonʹs "Indians of the Southeastern United States," and John C. Ewers's "The Horse in Blackfoot Indian Culture" in the Classics of Smithsonian Anthropology series. It includes images of maps, Kiowa, Blackfeet, and Native Americans of the American Southeast, and ANative American artwork and other artifacts. Images of Native people include photographs, portraits, and drawings. There are also textual publication materials, including layout and notated reprint, available with the collection.
Biographical/Historical note:
The aim of the Classics of Smithsonian Anthropology series, which is comprised of reprinted BAE publications, was to appeal to a more popular audience. The series began in 1979 with the publication of "Calendar History of the Kiowa Indians" and "Indians of the Southeastern United States." "The Horse in Blackfoot Indian Culture" was published the following year.
Local Call Number(s):
NAA Photo Lot 80-39, NAA Photo Lot 80-6
Reproduction Note:
Copy prints made by Smithsonian Institution, circa 1979.
Location of Other Archival Materials:
Photo Lot 80-6 has been relocated and merged with Photo Lot 80-39. These photographs were also made and collected for the Classics of Smithsonian Anthropology publications and form part of this collection.
Originals for some of these images, as well as additional photographs by John Swanton, can be found in the National Anthropological Archives in Photo Lot 76 and 87-2Q.
Originals for some of these images, as well as additional photographs by James Mooney, can be found in the National Anthropological Archives in Photo Lot 74 and 14 as well as NAA MS 2531.
Originals for some of these images, as well as additional photographs by John C. Ewers, can be found in the National Anthropological Archives in the papers of John Canfield Ewers.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Indians of North America -- Southern states Search this
Genre/Form:
Illustrations
Photographs
Citation:
Photo lot 80-39, Illustrations for Classics of Smithsonian Anthropology, National Anthropological Archives, Smithsonian Institution
