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José de Creeft papers

Creator:
De Creeft, José, 1884-1982  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Norton Gallery and School of Art  Search this
Skowhegan School of Painting and Sculpture -- Faculty  Search this
Stone Mountain Memorial (Ga.)  Search this
Albers, Josef -- Photographs  Search this
Calder, Alexander, 1898-1976  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Campos, Jules  Search this
De Creeft, William  Search this
De Diego, Julio, 1900- -- Photographs  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Diederich, William Hunt, 1884-1953  Search this
Dodd, Lamar  Search this
Escuder, Joseph  Search this
Gropius, Walter, 1883-1969 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Gómez Gil, Alfredo, 1936-  Search this
Lawrence, Gertrude -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Lipchitz, Jacques, 1891-1973 -- Photographs  Search this
Neumann, J. B. (Jsrael Ber) -- Photographs  Search this
Nivola, Costantino, 1911-1988  Search this
Rattner, Abraham -- Photographs  Search this
Roszak, Theodore, 1907-1981 -- Photographs  Search this
Soyer, Raphael, 1899-1987 -- Photographs  Search this
Sweeney, James Johnson, 1900-  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
28.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Date:
1871-2004, bulk 1910s-1980s
bulk 1910-1990
Summary:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.
Scope and Contents:
The papers of Spanish-born sculptor and educator José de Creeft measure 28.1 linear feet and date from 1871 to 2004 with the bulk of the material dating from the 1910s to the 1980s. Found are biographical materials, correspondence, fifty diaries, writings, subject files, personal business records, printed materials, twenty-seven photo albums and other photographs, scrapbooks, and scattered sketches.

Biographical materials include address books, awards, recorded interviews with and about de Creeft, membership materials, naturalization records, resumes, and travel documents.

Correspondence is primarily professional in nature and concerns exhibitions, de Creeft's involvement in arts organizations, and awards. There are also scattered personal letters from family and friends. Correspondents include Alexander Calder, Nina, Alice, Barbara and William de Creeft, Hunt Diederich, Joseph Escudar, and Gil Gomez, Jacques Lipchitz, Edwin Dickinson, James Johnson Sweeney, Costantino Nivola, Abraham Rattner, and Lamar Dodd, among others.

De Creeft's fifty diaries are nearly complete for the period dating from 1926 to 1981. Some are bound volumes and others are loose pages. The bulk of the diaries are in Spanish and many include sketches. Additional writings, called "escritos varios" by José de Creeft, are mostly in Spanish and consist of typed manuscripts and essays, including "Roosty Was My Friend, 1957, notebooks, an artist's statement, and writings by others, including drafts for The Sculpture of de Creeft by Jules Campos, and a video recording entitled José de Creeft by Bob Hanson. There is one sound recording of Lorrie Goulet reading poetry.

Subject files are varied and include files on de Creeft's teaching positions at the New School for Social Research, Black Mountain College, Skowhegan School of Painting and Sculpture, and the Art Students League. There are files for some of his sculpture projects, inlcuding Alice in Wonderland, Poet, and a proposed model for the Stone Mountain Confederate Memorial in Georgia, as well as compiled information about various art related topics of interest.

De Creeft's business records include appraisals, contracts, leases, price lists, and scattered receipts. Also found are art inventories in the form of three sets of index cards, some of which include photographs.

Printed materials include books, clippings, exhibition announcements and catalogs, exhibition labels, postcards, and posters.

There are loose photographs and twenty-seven photograph albums depicting de Creeft, his family, friends, and works of art. There are photos of Alexander Calder; de Creeft and Goulet with Raphael Soyer, posing with Soyer's portrait of them; Gertrude Lawrence; art juries, which also include images of Chaim Gross, Jacques Lipchitz, Theodore Roszak, and William Zorach; students, friends, and faculties of Black Mountain College, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton School of Art, which also includes images of Joseph Albers, Alexander Calder, Julio De Diego, Walter Gropius, J. B. Neumann, and Abraham Rattner.

Seven mixed media scrapbooks document de Creeft's career from 1929 to 1982. Also found are scattered pen and pencil sketches and one sketchbook dating from the 1920s.
Arrangement:
The collection is arranged as 10 series:

Series 1: Biographical Material, 1914-1979 (Boxes 1, 27; 0.9 linear feet)

Series 2: Correspondence, 1910s-1980s (Boxes 1-6; 4.2 linear feet)

Series 3: Diaries, 1926-1981 (Boxes 6-11; 5.4 linear feet)

Series 4: Writings, 1871-1977 (Boxes 11-13, 28; 2.5 linear feet)

Series 5: Subject Files, 1924-1980 (Boxes 13-16, 27; 2.4 linear feet)

Series 6: Personal Business Records, 1909-1980s (Boxes 16-17, 27; 1.0 linear feet)

Series 7: Printed Material, 1921-1980s (Boxes 17-21, 27, 33; 4.7 linear feet)

Series 8: Photographs, 1900-2004 (Boxes 21-25, 29, 31; 5.1 linear feet)

Series 9: Scrapbooks, 1929-1982 (Box 26, 30, 32; 1.8 linear feet)

Series 10: Artwork, 1920s-1930s (Box 26; 2 folders)
Biographical / Historical:
José de Creeft (1908-1982) was a Spanish-born sculptor active in New York City, New York.

José de Creeft was born in Guadalajara, Spain and raised in Barcelona. In 1900, he apprenticed to sculptor Don Augustine Querol and studied drawing with Idalgo de Caviedas. De Creeft moved to Paris in 1905 and began formal art training at the Académie Julianand. He also took a studio in the Batteau Lavoir in Montmartre, where he interacted with Pablo Picasso, Juan Gris, Manolo, and Pablo Gargallo, all of whom also had studios there. During this period, de Creeft became friends with the artist Mateo Hernandez.

In 1915, de Creeft rejected the traditional technique of reproducing sculpture in stone from clay and plaster models and turned to direct carving in wood and stone. He was also one of the first sculptors who practiced assemblage and incorporated found objects into his work. His notable assemblage sculpture El Picador, a large figure on horseback, received worldwide press coverage and was exhibited at the Salon des Artistes Independents in 1926. Between 1919 and 1928, his work was exhibited in various Paris salons. In the late 1920s, he created 200 stone carvings for Roberto Ramonje's Forteleza (fortress) in Mallorca. It was around this time frame when de Creeft met Alexander Calder, who became his student in direct carving. De Creeft encouraged Calder to display his mechanical toys and Calder put his Circus together for the first time in de Creeft's studio.

De Creeft emigrated to the United States in 1929, right after marrying fellow sculptor Alice Robertson Carr. They divorced nine years later.

While in New York, de Creeft began sculpting with lead sheets beaten into three-dimensional forms and established a studio at 1 Washington Square. His first solo exhibition was at the Ferargil Galleries in New York City and included The Portrait of Cesar Vallejo in chased lead and The Silver Fox of found materials.

In 1932, de Creeft accepted a teaching position in sculpture at the New School for Social Research. He also taught courses at Black Mountain College, where he met his second wife, sculptor Lorrie Goulet, the Art Students League, Skowhegan School of Painting and Sculpture, and the Norton Gallery and School of Art. In 1946, de Creeft and Goulet purchased a hundred-acre farm in Hoosick Falls, NY where they established a studio and part-time residence.

Perhaps De Creeft's most well-known monumental scuplture is Alice in Wonderland in Central Park, New York City. The 12' x 16' bronze was dedicated during a public event in 1959 and gave de Creeft worldwide recognition. In 1995 a short film about the making of the sculpture was produced by J. D'Alba and narrated by Lorrie Goulet.

De Creeft was as founding member of the American Artist's Congress, the Sculptors Guild, and the Artist's Equity Association. De Creeft was represented by the Georgette Passedoit Gallery from 1936 to 1949. Later, he joined The Contemporaries (gallery) and exhibited there until 1966. Kennedy Galleries represented de Creeft from 1970 until his death in 1982.
Related Materials:
The Archives of American Art also holds an interview of José De Creeft conducted October 1-8, 1968 by Forrest Selvig and the papers of de Creeft's wife Lorrie Goulet.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D150 and 375-378). While most of the items were included in subsequent gifts, material not donated to the Archives remain with the lender and are not described in the collection container inventory.
Provenance:
The José de Creeft papers were first lent for microfilming by the artist in 1963 and 1972. Lorrie Goulet, José de Creeft's widow, donated most of this material along with additional items in 1985 and 2009.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Educators -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Sculpture, Modern -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Diaries
Interviews
Scrapbooks
Sketches
Citation:
José de Creeft papers, 1871-2004, bulk 1910s-1980s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.decrjose
See more items in:
José de Creeft papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-decrjose

Robert Chapman Turner papers

Creator:
Turner, Robert Chapman, 1913-2005  Search this
Names:
Black Mountain College (Black Mountain, N.C.)  Search this
Haystack Mountain School of Crafts  Search this
York State Craftsmen  Search this
Extent:
13.3 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
circa 1917-2005
Summary:
The papers of ceramicist Robert Chapman Turner measure 13.3 linear feet and date from circa 1917 to 2005. The papers document Turner's career as an educator and studio potter through biographical material, correspondence, writings, teaching files, professional files including lectures, subject files, printed material, and photographs.
Scope and Contents:
The papers of ceramicist Robert Chapman Turner measure 13.3 linear feet and date from circa 1917 to 2005. The papers document Turner's career as an educator and studio potter through biographical material, correspondence, writings, teaching files, professional files including lectures, subject files, printed material, and photographs.

The bulk of Turner's papers relate to his role as an educator and a lecturer at various institutions including Alfred University, Anderson Ranch Arts Center, Black Mountain College, Haystack Mountain School of Crafts, and Penland School of Crafts. Records, including two sound cassettes, regarding his time at these institutions may be found among his teaching and professional files as well as among photographs. Turner's professional files document his long affiliations with professional organizations such as the York State Craftsmen, National Council on Education for the Ceramic Arts, and the International Academy of Ceramics. Correspondence is with artists, family, and friends. Notable correspondents include Margaret Carney, Kenneth Ferguson, Alice Parrott, Toshiko Takaezu, and Frans Wildenhain among many others and may be found in both the correspondence series and professional files. Photographs of note are by John Wood and depict the building of the pottery studio at Black Mountain College.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, 1930-2002 (0.4 linear feet; Boxes 1, 14)

Series 2: Correspondence, circa 1938-2005 (1.8 linear feet; Boxes 1-3)

Series 3: Writings and Notes, 1950s-2000s (0.6 linear feet; Box 3)

Series 4: Teaching Files, 1957-2005 (0.8 linear feet; Boxes 3-4)

Series 5: Professional Files, 1952-2005 (5.5 linear feet; Boxes 4-9)

Series 6: Subject Files, 1950s-2000 (0.8 linear feet; Boxes 9-10)

Series 7: Printed Material, 1939-2000s (1.5 linear feet; Boxes 10-12, 14)

Series 8: Photographs, circa 1917-2000s (1.9 linear feet; Boxes 12-14)
Biographical / Historical:
Robert Chapman Turner (1913-2006) was a ceramicist who was known for functional and abstract pottery. He was active in Alfred Station, New York where he was a longtime faculty member at Alfred University.

Robert Turner was born in Port Washington, New York in 1913. He attended Swarthmore College and the Pennsylvania Academy of the Fine Arts where he studied economics and painting. With his wife Sue Turner, Robert lived in Europe to study Old Master paintings but returned to the United States after the start of World War II. A Quaker, Turner was a conscientious objector and served at multiple Civilian Public Service (CPS) camps in the United States during the war.

After leaving the CPS camps, Robert Turner enrolled at the New York State College of Ceramics at Alfred University to study ceramics and graduated in 1949. Turner was a faculty member at Black Mountain College (1949-1951) and Alfred University (1958-1979). He conducted numerous ceramics workshops throughout his career at many institutions including Haystack Mountain School of Crafts and Penland School of Crafts. Additionally, he was an active member of the (New) York State Craftsman.

Turner died in 2005 in Sandy Spring, Maryland.
Related Materials:
Also found in the Archives of American Art is an oral history interview of Robert Turner conducted 2001 June 11, by Margaret Carney, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America,
Provenance:
Robert Chapman Turner donated some of his papers in 1982. Additional materials were donated in 2005-2006 by Rosalind Turner Zuses, Turner's daughter.
Restrictions:
The collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Ceramicists -- New York (State) -- Alfred Station  Search this
Topic:
American studio craft movement  Search this
Ceramics -- Study and teaching  Search this
Conscientious objectors -- World War, 1939-1945  Search this
Genre/Form:
Sound recordings
Citation:
Robert Chapman Turner papers, circa 1917-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.turnrobe
See more items in:
Robert Chapman Turner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-turnrobe

Black Mountain College records

Creator:
Black Mountain College (Black Mountain, N.C.)  Search this
Extent:
20 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1933-1956
Scope and Contents:
Selected records of the Black Mountain College which pertain to the visual arts program, including minutes and attendent papers; general files; faculty files; and treasurer's files (record groups I, II, III, and VI). Photographs from the general files were microfilmed separately on roll 204.
Biographical / Historical:
Black Mountain College Founded in 1933; closed in 1956.
Provenance:
Lent for microfilming 1971 by North Carolina, Department of Archives and History.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Citation:
Black Mountain College selected records, 1933-1956. Owned and microfilmed by the North Carolina Department of Archives and History, Raleigh, North Carolina for the Smithsonian Institution, Archives of American Art.
Identifier:
AAA.blacmoun
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-blacmoun

David Weinrib papers

Creator:
Weinrib, David, 1924-2016  Search this
Names:
Black Mountain College (Black Mountain, N.C.) -- Faculty  Search this
Pratt Institute. Sculpture Garden  Search this
Acconci, Vito, 1940-  Search this
Bourgeois, Louise, 1911-2010  Search this
Coyne, Petah  Search this
Frank, Mary, 1933-  Search this
Pfaff, Judy, 1946-  Search this
Von Rydingsvärd, Ursula, 1942-  Search this
Weinrib, Joann  Search this
Extent:
28.2 Megabytes
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Megabytes
Photographs
Date:
circa 1950-2015
Summary:
The papers of multimedia sculptor, curator, and instructor David Weinrib measure 4.6 linear feet and date from circa 1950-2015. The collection documents Weinrib's life and career through a small amount of biographical material, project files, and printed and photographic material. Project files make up the bulk of the collection and document Weinrib's teaching at Black Mountain College, his curation of the Pratt Sculpture Park, and an extensive project that he undertook with his second wife, JoAnn Weinrib, in 1998 titled "Sculptors in Their Environments." This project file includes photographic documentation of numerous artists working in their studios including Vito Acconci, Louise Bourgeois, Petah Coyne, Mary Frank, Judy Pfaff, Ursula von Rydingsvard, and many others.
Scope and Contents:
The papers of multimedia sculptor, curator, and instructor David Weinrib measure 4.6 linear feet and date from circa 1950-2015. The collection documents Weinrib's life and career through a small amount of biographical material, project files, and printed and photographic material. Project files make up the bulk of the collection and document Weinrib's teaching at Black Mountain College, his curation of the Pratt Sculpture Park, and an extensive project that he undertook with his second wife, JoAnn Weinrib, in 1998 titled "Sculptors in Their Environments." This project file includes photographic documentation of numerous artists working in their studios including Vito Acconci, Louise Bourgeois, Petah Coyne, Mary Frank, Judy Pfaff, Ursula von Rydingsvard, and many others.
Arrangement:
The collection is arranged as four series

Series 1: Biographical Material, circa 1970-2015 (0.2 linear feet; Box 1)

Series 2: Project Files, circa 1968-2011 (2.9 linear feet; Box 1-3, OV 5-6; 28.2 megabytes; ER01-ER03)

Series 3: Printed Material, circa 1950-2010 (0.6 linear feet; Box 3-4)

Series 4: Photographic Material, circa 1970-2010 (0.9 linear feet; Box 4, OV 6)
Biographical / Historical:
David Weinrib (1924-2016) was a sculptor, ceramicist, and instructor who worked primarily in New York City. Born in Brooklyn, New Work, Weinrib attended Brooklyn College before receiving his Bachelor of Fine Arts degree from Alfred University. Weinrib taught pottery at the Craft Institute at Black Mountain College from 1952-1953 with his first wife Karen Karnes. In the 1960s, Weinrib began experimenting in a variety of media and exhibited at the Howard Wise Gallery. He continued to work in different media through the decades including cast resin, cut paper, acrylic collages, and photography through collaboration with his second wife, JoAnn Weinrib. Weinrib taught at Pratt Institute for thirty years and also curated the Pratt Sculpture Park, which displays over fifty works on the urban campus. He is the recipient of numerous National Endowment for the Arts grants as well as Guggenheim and Fulbright grants. Weinrib's work is in the collections of the Walker Art Center, the Whitney Museum, and the Los Angeles County Museum of Art.
Provenance:
Donated to the Archives of American Art in 2016 by Abel Weinrib, David Weinrib's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of born digital records requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- New York (State) -- New York  Search this
Topic:
Artists' studios -- Photographs  Search this
Curators -- New York (State) -- New York  Search this
Multimedia (Art)  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
David Weinrib papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.weindavi
See more items in:
David Weinrib papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weindavi

Oral history interview with Ilya Bolotowsky

Interviewee:
Bolotowsky, Ilya, 1907-1981  Search this
Interviewer:
Cummings, Paul  Search this
Creator:
Diller, Burgoyne, 1906-1965  Search this
Names:
American Abstract Artists  Search this
American Artists' Congress  Search this
Art Students League (New York, N.Y.)  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
Federation of Modern Painters and Sculptors  Search this
G.R.D. Studio (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Public Works of Art Project  Search this
United States. Works Progress Administration  Search this
Yaddo (Artist's colony)  Search this
Albers, Josef  Search this
Browne, Byron, 1907-1961  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Drewes, Werner, 1899-1985  Search this
Gorky, Arshile, 1904-1948  Search this
Greenberg, Clement, 1909-1994  Search this
Greene, Balcomb, 1904-1990  Search this
Greene, Gertrude, 1904-1956  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Holtzman, Harry  Search this
Johnson, William H., 1901-1970  Search this
Léger, Fernand, 1881-1955  Search this
Mondrian, Piet, 1872-1944  Search this
Neilson, Raymond P. R. (Raymond Perry Rodgers), 1881-1964  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Olinsky, Ivan G. (Ivan Gregorewitch), 1878-1962  Search this
Ozenfant, Amédée, 1886-1966  Search this
Spivak, Max, 1906-1981  Search this
Vogel, Joseph, b. 1911  Search this
Extent:
197 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Wyoming
Date:
1968 March 24-April 7
Scope and Contents:
Interview of Ilya Bolotowsky conducted 1968 March 24-April 7, by Paul Cummings, for the Archives of American Art.
Bolotowsky, a lively raconteur, recalls a host of episodes from his personal and professional life. He speaks of his childhood in Russia and Azerbaijan; the effects of war and communism; the family's flight as refugees into Georgia and then to present-day Istanbul; and his early education with a private tutor and at a Jesuit school in Istanbul. Bolotowsky recalls his family's emigration to the United States by ship in 1923; his first impressions of New York City; and early visits to the city's museums. He relates numerous anecdotes about faculty and fellow students at the National Academy of Design, including Ivan Olinsky, Raymond Neilson, Charles Hawthorne, Amedee Ozenfant, and William Henry Johnson.
He speaks of various early exhibitions of his work, including those with the Art Students League, G.R.D. Studio, and the J.B. Neumann Gallery. He also describes a stay at Yaddo in 1934.
Bolotowsky recounts his participation in the Public Works of Art Project as a teacher of art to delinquent children; later work on the mural project of the Works Progress Administration; the picketing of WPA offices, providing anecdotes about Max Spivak and Joseph Vogel; military service during World War II, first working on a Russian dictionary of technical terms and then as a liason officer with the Soviet Air Force in Nome, Alaska.
Upon his return from the military, Bolotowsky immediately resumed his painting career, and describes his involvement with artists' organizations such as the American Abstract Artists, the American Artists' Congress, the Concretionists, the Federation of Modern Painters and Sculptors, and the Ten; he mentions in these contexts such personalities as Byron Browne, Burgoyne Diller, Werner Drewes, Arshile Gorky, Clement Greenberg, Balcomb and Gertrude Greene, Harry Holtzman, Fernand Leger, Piet Mondrian, and Meyer Schapiro.
Bolotowsky gives an extensive description of his experiences filling in for Joseph Albers for a year at Black Mountain College, and goes on to discuss his subsequent teaching positions at the University of Wyoming (including a discussion of the impact of the Wyoming landscape on his painting), Brooklyn College, Southampton College, and SUNY New Paltz. He devotes great attention to the development of his painting, his understanding of neo-plasticism and abstraction, and his efforts in filmmaking and playwriting.
Biographical / Historical:
Ilya Bolotowsky (1907-1981) was a Russian-American abstract painter in New York, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 12 digital wav files. Duration is 6 hr., 37 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for the interview was provided by the New York State Council on the Arts.
Restrictions:
ACCESS RESTRICTED; written permission required.
Occupation:
Filmmakers  Search this
Playwrights  Search this
Topic:
Art and state  Search this
Concretionists (Group of artists)  Search this
Emigration and immigration  Search this
Experimental films  Search this
Federal aid to the arts -- United States  Search this
Painting, Abstract -- New York (State) -- New York  Search this
Playwriting  Search this
Philadelphia Ten (Group of artists)  Search this
World War, 1939-1945 -- Anecdotes  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.boloto68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-boloto68

Jacqueline Gourevitch papers

Creator:
Gourevitch, Jacqueline  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1949-2019
bulk 1955-2005
Summary:
The papers of painter and educator Jacqueline Gourevitch measure 5.6 linear feet and date from 1946-2019 and document her education at Black Mountain College, Black Mountain, N.C., and the Art Students League; her teaching career; and exhibitions in Chicago and New York through biographical material, teaching files, personal and professional correspondence, gallery and exhibition files, and printed material.
Scope and Contents:
The papers of painter and educator Jacqueline Gourevitch measure 5.6 linear feet and date from 1946-2019 and document her education at Black Mountain College, Black Mountain, N.C., and the Art Students League; her teaching career; and exhibitions in Chicago and New York through biographical material, teaching files, personal and professional correspondence, gallery and exhibition files, and printed material.

Materials in this collection document Gourevitch's career as an artist and educator. Her early interest in pursuing a career as a painter is highlighted through biographical materials that include correspondence, alumni lists, and notes from Black Mountain College and the High School of Music and Arts related to class reunions; a 1954 Fulbright application; and teacher bios from the Art Students League and Chicago Arts Institute.

Although her work as an artist and as an educator often overlapped, Gourevitch did not begin teaching until the 1970s. The years she spent painting are documented through exhibition announcements and clippings; gallery and exhibition files that include correspondence with curators and gallery owners, loan agreements, price lists, checklists, photographs and notes; various projects she worked on, including the Black Mountain College Project and numerous exhibitions related to Black Mountain College; and through correspondence with colleagues, other artists, including Ellen Lanyon, and friends. Gourevitch's teaching files document her career as an instructor and visiting artist through correspondence with students, faculty and staff at various institutions; lectures, lecture notes, and lecture announcements; course descriptions; class lists; syllabi; campus maps; and letters of recommendation. Evidence of her lasting impact on her students can be found throughout the collection through correspondence, clippings, and exhibition announcements.
Arrangement:
The collection is arranged in six series.

Series 1: Biographical Material, 1949-2017 (0.15 linear feet, Box 1)

Series 2: Correspondence, 1949-2017 (1.05 linear feet, Box 2-3)

Series 3: Professional Files, 1949-2019 (0.95 linear feet, Box 3-4)

Series 4: Gallery and Exhibition Files, circa 1950-2012 (2.45 linear feet, Box 3-5)

Series 5: Teaching Files, 1960-2015 (0.8 linear feet, Box 5-6)

Series 6: Printed Materials, 1958-1997 (0.2 linear feet, Box 6)
Biographical / Historical:
Jacqueline Gourevitch (1933- ) is a painter and educator in New York, New York. Gourevitch was born in Paris and moved to New York with her parents when she was a child. There she attended the High School of Music and Art where she decided to pursue a career as a painter. In 1950, she attended a summer program for art studies at Black Mountain College. She studied Art History at the University of Chicago and took courses at the Art Institute of Chicago and the Art Students League. In 1954, she married Victor Gourevitch, a graduate student at the University of Chicago, and they had two sons.

Although Gourevitch is most widely known for her Cloud paintings, her work focuses on the sky and clouds and incorporates the earth and the city, often observed from a distance or a high place. After many years of painting independently, Gourevitch began teaching in the early 1970s. She taught courses in drawing and painting at Wesleyan University in Middletown, Connecticut, and Cooper Union in New York. She held several Visiting Artist positions throughout her life and her work has been exhibited and included in permanent collections across the United States.
Provenance:
Donated in 2019 by Jacqueline Gourevitch.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Genre/Form:
Interviews
Citation:
Jacqueline Gourevitch papers, 1949-2019. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gourjacq
See more items in:
Jacqueline Gourevitch papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gourjacq

Robert Chapman Turner papers, circa 1917-2005

Creator:
Turner, Robert Chapman, 1913-2005  Search this
Subject:
Black Mountain College (Black Mountain, N.C.)  Search this
Haystack Mountain School of Crafts  Search this
York State Craftsmen  Search this
Type:
Sound recordings
Topic:
American studio craft movement  Search this
Ceramics -- Study and teaching  Search this
Conscientious objectors -- World War, 1939-1945  Search this
Record number:
(DSI-AAA_CollID)5578
(DSI-AAA_SIRISBib)209302
AAA_collcode_turnrobe
Theme:
Craft
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209302
Online Media:

Oral history interview with Ilya Bolotowsky, 1968 March 24-April 7

Interviewee:
Bolotowsky, Ilya, 1907-1981  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Albers, Josef  Search this
Browne, Byron  Search this
Dlugoszewski, Lucia  Search this
Drewes, Werner  Search this
Gorky, Arshile  Search this
Greenberg, Clement  Search this
Greene, Balcomb  Search this
Greene, Gertrude  Search this
Hawthorne, Charles Webster  Search this
Holtzman, Harry  Search this
Johnson, William H.  Search this
Léger, Fernand  Search this
Mondrian, Piet  Search this
Neilson, Raymond P. R. (Raymond Perry Rodgers)  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Olinsky, Ivan G. (Ivan Gregorewitch)  Search this
Ozenfant, Amédée  Search this
Spivak, Max  Search this
Vogel, Joseph  Search this
American Abstract Artists  Search this
Art Students League (New York, N.Y.)  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
Federation of Modern Painters and Sculptors  Search this
G.R.D. Studio (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Public Works of Art Project  Search this
United States  Search this
Yaddo (Artist's colony)  Search this
American Artists' Congress  Search this
Type:
Sound recordings
Interviews
Place:
Wyoming
Topic:
Art and state  Search this
Concretionists (Group of artists)  Search this
Emigration and immigration  Search this
Experimental films  Search this
Federal aid to the arts -- United States  Search this
Painting, Abstract -- New York (State) -- New York  Search this
Playwriting  Search this
Philadelphia Ten (Group of artists)  Search this
World War, 1939-1945 -- Anecdotes  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12377
(DSI-AAA_SIRISBib)212205
AAA_collcode_boloto68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212205

Black Mountain College records, 1933-1956

Creator:
Black Mountain College (Black Mountain, N.C.)  Search this
Record number:
(DSI-AAA_CollID)7212
(DSI-AAA_SIRISBib)209349
AAA_collcode_blacmoun
Theme:
Ephemera, Miscellany, and General Art Related
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209349

Black Mountain College bulletin

Creator:
Black Mountain College (Black Mountain, N.C.)  Search this
Type:
Printed Materials
Date:
1952
Record number:
(DSI-AAA)12972
See more items in:
Jack Tworkov papers, circa 1926-1993
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12972
Online Media:

A palpable elysium : portraits of genius and solitude / Jonathan Williams

Author:
Williams, Jonathan 1929-2008  Search this
Subject:
Black Mountain College (Black Mountain, N.C.) Faculty  Search this
Black Mountain College (Black Mountain, N.C.) Alumni and alumnae  Search this
Physical description:
174 p. : col. ill. ; 26 cm
Type:
Books
Biography
Date:
2002
20th century
Topic:
Arts, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_708403

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