An interview with Judith Bernstein conducted 2020 July 21, by Benjamin Gillespie, for the Archives of American Art's Pandemic Oral History Project at Bernstein's studio in New York, New York.
Biographical / Historical:
Judith Bernstein (1942- ) is a painter, feminist, and activist in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York Search this
Political activists -- New York (State) -- New York Search this
Documenting the Black Lives Matter Movement Through Contemporary Collecting: An Initiative of the National Museum of African American History and Culture
An interview with Linda Lomahaftewa conducted 2020 September 2, by Lara M. Evans, for the Archives of American Art's Pandemic Oral History Project, at Lomahaftewa's home in Santa Fe, New Mexico.
Biographical / Historical:
Linda Lomahaftewa (1947 - ) is a Hopi-Choctaw printmaker, painter, and arts educator in Santa Fe, New Mexico. Lomahaftewa received the Robert Rauschenberg Foundation Power of Art Award in 2001 and has taught at Sonoma State, UC Berkeley, and the IAIA.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
An interview with Lillian Pitt conducted 2020 September 1, by Lara M. Evans, for the Archives of American Art's Pandemic Oral History Project, at Pitt's home in Portland, Ore.
Biographical / Historical:
Lillian Pitt (1943 - ) is a multimedia artist in Portland, Oregon. Pitt explores Native legacies and futures through clay, glass, jewelry, textiles, and masks.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Multimedia artists -- Oregon -- Portland Search this
An interview with Kim Jones conducted 2020 August 15, by Melissa Ho, for the Archives of American Art's Pandemic Oral History Project at Jones' home in New York, New York.
Biographical / Historical:
Kim Jones (1944- ) is a multimedia and performance artist in New York, NY. Jones' alter-ego is Mudman.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Multimedia artists -- New York (State) -- New York Search this
Conceptual artists -- New York (State) -- New York Search this
An interview with Hock E Aye VI Edgar Heap of Birds conducted 2020 August 12, by Melissa Ho, for the Archives of American Art's Pandemic Oral History Project at Heap of Birds's home in Oklahoma City, Oklahoma.
Biographical / Historical:
Hock E Aye VI Edgar Heap of Birds (1954- ) is a Cheyenne and Arapaho multimedia, conceptual, and installation artist in Oklahoma City, Oklahoma.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Multimedia artists -- Oklahoma -- Oklahoma City Search this
Conceptual artists -- Oklahoma -- Oklahoma City Search this
An interview with RYAN! Feddersen conducted 2020 September 10, by Lara Evans, for the Archives of American Art's Pandemic Oral History Project at Feddersen's home in Tacoma, Washington.
Biographical / Historical:
RYAN! Feddersen (1984 -) is a site-specific installation artist and muralist in Tacoma, Washington. Feddersen is an enrolled member of the Confederated Tribes of the Colville Reservation from the Okanogan and Arrow Lakes bands. She uses traditional plateau storytelling to interrogate official histories.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- Washington (State) -- Tacoma Search this
Installation artists -- Washington (State) -- Tacoma Search this
An interview with Carrie Moyer conducted 2020 August 20, by Benjamin Gillespie, for the Archives of American Art's Pandemic Oral History Project at Moyer's studio in Brooklyn, New York.
Biographical / Historical:
Carrie Moyer (1960- ) is a painter, activist, and educator in New York, NY. Moyer was co-founder of Dyke Action Machine! from 1991-2008 and is a professor and the Director of the MFA Program in Studio Art at Hunter College in Brooklyn.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York Search this
Political activists -- New York (State) -- New York Search this
Educators -- New York (State) -- New York Search this
