Files on ca. 150 American artists and art subjects, selected from Duveen's art reference files. Included are photographs of paintings in other collections, auction and exhibition catalogs, miscellaneous publications.
Files include: Francis Alexander, Washington Allston, William H. Bartlett, Ben-Zion, Thomas Birch, Joseph Blackburn, Ralph A. Blakelock, Charles F. Blauvelt, Peter Blume, Emile Branchard, Albertis D. O. Browere, John G. Brown, Jonathan Buddington, James E. Buttersworth, Carra, Dennis M. Carter, Mary Cassatt, George Catlin, Centurion, Paul Cezanne, Moura Chabor, Marc Chagall, T. Chambers, Jean Charlot, Thomas Cole, John Constable, George Cope, John S. Copley, Ralston Crawford, Jasper F. Cropsey, Arthur B. Davies, Charles Despiau, Roland Detre, Thomas R. Dibble, Enrico Donati, William Doriani, Thomas Doughty, Jessie Drew-Bear, Robert S. Duncanson, Dunlap, Asher B. Durand, George H. Durrie, Frank Duveneck, Evert Duyckinck, Thomas Eakins, Jacob Eichholtz, Louis M. Eilshemius, Charles L. Elliott, Robert Field, Emil Ganso, Pablo Gargallo, Jan Gelb, Paul Gillman, Christian Gullager, George H. Hall, Chester Harding, William M. Harnett, George Harvey, William J. Hays, George P. A. Healy, Edward L. Henry, John Hesselius, Edward Hicks, Thomas Hicks, Holland House, Charles Fevret de Saint-Memin, Winslow Homer, S. A. Hudson, Daniel Huntington, Henry Inman, George Inness, John W, Jarvis, Eastman Johnson, Henrietta Johnston, John Johnston, Hilde B. Kayn, Dikran K. Kelekian, Fitz Hugh Lane, Ernest Lawson, M. F. Lefferts, William R. Leigh, Abraham Lincoln, George B. Luks, Edward G. Malbone, Alfred H. Maurer, Louis Maurer, McKay, Alfred J. Miller, Louis C. Moeller, Samuel F. B. Morse, John Neagle, Donald Organ, Bass Otis, Walter Pach, Charles W. Peale, James Peale, Rembrandt Peale, William Penn, Enoch W. Perry, F. E. H. Philippoteaux, Charles P. Polk, T. B. Pope, Rufus Porter, William M. Prior, Walter Quirt, William T. Ranney, Reinhardt, Frederic Remington, Louisa Robins, Severin Roesen, Thomas P. Rossiter, Peter F. Rothermel, Charles M. Russell, Edward Savage, William Sawitzky, Nikol Schattenstein, Christian Schussele, D. Serres, James Sharples, Morris Shulman, John Smibert, Sergei Soudeikin, Haim Soutine, Frederick R. Spencer, Albert Stewart, Robert Street, William J. Strong, Gilbert Stuart, C. (Charles ?) Sullivan, Thomas Sully, Arthur F. Tait, G. Tirrell, John Trumbull, John Vanderlyn, Pieter Vanderlyn, William Von Schlegell, Samuel L. Waldo, Abraham Walkowitz, George Washington, Elbert Weinberg, Julian A. Weir, Thomas B. Welch, Adolph U. Wertmuller, Benjamin West, Anne Whitney, Arnold Wiltz, William E. Winner, S. Wood, and Thomas W. Wood.
The Saint-Memin, Stuart, B. West and Wertmuller files contain material from Albert Rosenthal relating to the above artists.
Files are arranged alphabetically by artist and subject, rolls NDU1-NDU3; publications and other miscellany were filmed on rolls NDU4-NDU5.
Biographical / Historical:
Albert Duveen was an art dealer and collector with offices in New York, N.Y., specializing in early American art. He was a cousin to Joseph Duveen (1869-1939), 1st Baron Duveen, president of Duveen Brothers art dealers.
Lent for microfilming 1958 by Duveen.
The Archives does not own the original papers. Microfilmed materials must be consulted on microfilm.
Biographical material, writings, scrapbooks, correspondence, photographs, artwork, printed material and miscellany relating to William and Thomas Birch.
Biographical material includes research material on the Birch coat of arms; notes, including two scrapbooks, concerning the Birch family genealogy compiled by David Walter Harry and Thaddeus Harry, ancestors of William and Thomas Birch. Writings include thesis notes by Doris Jean Creer on William and Thomas Birch. Photographs are of Birch family members and works of art by William and Thomas Birch.
Artwork includes lithographs of oil paintngs by William and Thomas Birch, including Girard's Bank (1800), Second Street (1799), and If that Fellow Wants to Fight, We Won't Disappoint Him (1812); one black and white engraving and one aquatint of Bethlehem, Pa (circa 1820) by artist William Strickland based on an oil painting by Thomas Birch, and two black and white engravings and one aquatint of View of the Water Gap and Columbia Glass Works, River Delaware (circa 1820) by William Strickland based on an oil painting by Thomas Birch.
Printed material include exhibition catalogs and books, newspaper clippings and magazine articles. Also included is documentation of a donation of William Birch's paint box to the Historical Society of Pennsylvania.
Biographical / Historical:
Enamel painters, miniaturists, engravers, etchers, publishers; Philadelphia, Pa. William Russell Birch (1755-1834) is best known for his miniature and enamel portraits and this series of Views of Philadelphia which he worked on with his son Thomas Birch (1779-1851) and published in 1799-1800.
Donated in 2008 by Cindy Keene, daughter of David Walter Harry.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Thomas Birch, 1779-1851: paintings and drawings. With a selection of miniatures by his father, William Russell Birch, 1755-1834, and a group of paintings by other artists of the Philadelphia maritime tradition