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How the Ozarks Came to Be America’s Oldest Mountains

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 14 Aug 2023 04:00:46 GMT
Topic:
Cultural property  Search this
See more posts:
Festival Blog
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
EDAN-URL:
edanmdm:posts_07dabc476c69b4f8f083fd525ff5bef0

American men and women of science

Author:
R.R. Bowker Company Database Publishing Group  Search this
Physical description:
v. ; 29 cm
Type:
Biography
Directories
Place:
United States
Canada
Date:
1990
C1989-
Topic:
Scientists  Search this
Scientists--Biography  Search this
Scientists--Directories  Search this
Call number:
Q141 .A514
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_446617

Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990

Creator:
Falkenstein, Claire, 1908-1997  Search this
Subject:
O'Donnell, May  Search this
Still, Patricia  Search this
Still, Clyfford  Search this
Sawyer, Kenneth B.  Search this
Guggenheim, Peggy  Search this
Green, Ray  Search this
Kuh, Katharine  Search this
Wildenhain, Frans  Search this
Tapie, Michel  Search this
Temko, Allan  Search this
Tobey, Mark  Search this
Pond Farm Workshop  Search this
Merging One Gallery  Search this
San Francisco Museum of Art  Search this
John Bolles Gallery (San Francisco, Calif.)  Search this
Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this
Martha Jackson Gallery  Search this
Malvina Miller  Search this
Los Angeles Museum of Art  Search this
Coos Art Museum  Search this
Galerie Anderson-Mayer  Search this
Galerie Stadler  Search this
Fresno Art Museum  Search this
Mills College  Search this
University of California, San Francisco. School of Fine Arts  Search this
Type:
Sketchbooks
Diaries
Scrapbooks
Interviews
Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
Topic:
Art patronage  Search this
Artists' studios  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Women educators  Search this
Women authors  Search this
Theme:
Sketches & Sketchbooks  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6135
(DSI-AAA_SIRISBib)216351
AAA_collcode_falkclai
Theme:
Sketches & Sketchbooks
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216351
Online Media:

Claire Falkenstein papers

Creator:
Falkenstein, Claire, 1908-1997  Search this
Names:
Coos Art Museum  Search this
Fresno Art Museum  Search this
Galerie Anderson-Mayer  Search this
Galerie Stadler  Search this
Jack Rutberg Fine Arts (Los Angeles, Calif.)  Search this
John Bolles Gallery (San Francisco, Calif.)  Search this
Los Angeles Museum of Art  Search this
Malvina Miller  Search this
Martha Jackson Gallery  Search this
Merging One Gallery  Search this
Mills College -- Faculty  Search this
Pond Farm Workshop  Search this
San Francisco Museum of Art  Search this
University of California, San Francisco. School of Fine Arts -- Faculty  Search this
Green, Ray, 1908-1997  Search this
Guggenheim, Peggy, 1898-1979  Search this
Kuh, Katharine  Search this
O'Donnell, May, 1906-2004  Search this
Sawyer, Kenneth B.  Search this
Still, Clyfford, 1904-  Search this
Still, Patricia  Search this
Tapie, Michel  Search this
Temko, Allan  Search this
Tobey, Mark  Search this
Wildenhain, Frans, 1905-1980  Search this
Extent:
42.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Diaries
Scrapbooks
Interviews
Date:
circa 1914-1997
bulk 1940-1990
Summary:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.
Scope and Content Note:
The papers of sculptor, painter, jewelry designer, and teacher Claire Falkenstein measure 42.8 linear feet and date from 1917 to her death in 1997. There is extensive correspondence with fellow artists, collectors, critics, friends, museums, and galleries. The collection also contains biographical materials, much of it collected and organized by Falkenstein, personal and business records, writings, diaries, exhibition files, commission files, teaching files, photographs, original artwork, scrapbooks, and printed materials. There is a short motion picture film of an interview with Falkenstein featuring the windows she designed for St. Basil's Church in Los Angeles.

Biographical material includes appointment calendars, awards and honorary degrees, interview transcripts, passports, resumes, wills, and scrapbooks. Scrapbooks were compiled by Falkenstein and focus primarily on her exhibitions at the Galerie Stadler and Gallery Meyer in 1959 and 1960. Also of interest are the "biography files" created and arranged by Falkenstein. These files contain material that she personally felt was the most important in documenting her activities each year. They include correspondence, exhibition catalogs, printed material, and invitations.

Measuring nine linear feet, correspondence is extensive and comprehensively documents Falkenstein's work, social life, relationships, and other business and personal activities. Correspondence dates from 1941 to 1997 and includes business letters and correspondence with friends and family. Her communications with friends, family, clients, gallery owners, collectors, museums, publishers, foundations, and grant agencies reveal many of her ideas and techniques. Individual correspondents include Ray Green, Peggy Guggenheim, Katharine Kuh, May O'Donnell, Ken Sawyer, Clyfford and Pat Still, Michel Tapie, Allan Temko, Mark Tobey, and Frans Wildenhain. Gallery and museum correspondence is with the San Francisco Museum of Art, Coos Art Museum, Los Angeles Museum of Art, Galerie Stadler (Paris), Gallery Mayer (Paris), Malvina Miller (New York), Martha Jackson Gallery (New York), Jack Rutberg Fine Arts (Los Angeles), Galerie Anderson-Mayer (Paris), and Bolles Gallery. Correspondence is also found in the Commission Files and Exhibition Files.

Personal and business records contain a wide variety of material documenting Falkenstein's business, financial, legal, professional, and personal transactions. Files are found for sales and prices, art inventories, smaller jewelry commissions, her work as a juror, her business with galleries, legal affairs and contracts, expenses, records of arts organizations to which she belonged, conferences, grants and fellowships, studio and house renovations, her Paris studio and Paris expenses, travel, donations, loans and consignments, conservation, art shipping, insurance, and taxes. Oversized visitor's logs contain comments from visitors to Falkenstein's studio in Venice, California.

Falkenstein maintained comprehensive documentation of her exhibitions from her first exhibition in the 1930s to the last one at the Merging One Gallery in 1996. Files include both a chronological record and individual record for nearly all of her exhibitions. Found with the files are correspondence, photographs, loan and shipping records, catalogs, announcements, clippings, articles, and other records. Most of the photographs related to exhibitions are found in the Photographs Series. The files for exhibitions at the Fresno Art Museum, Martha Jackson Gallery and Jack Rutberg Fine Art Gallery are particularly rich.

Commission files document nearly all of Falkenstein's public and private large-scale projects and often contain a visual record of the work, as well as correspondence, design notes, contracts, and expense reports. There is documentation of the St. Basils Church windows in Los Angeles; the Peggy Guggenheim gate in Venice, Italy; and the fountain at the California Savings and Loan, in Los Angeles; and many others. There is also a chronological record of her commissions. The bulk of the photographs of commissions are found in the Photograph series. Also, most of Falkenstein's jewelry design commissions are found in the Personal and Business Records series.

Falkenstein's work as a prolific writer, particularly in the 1940s and 1950s, is well-documented here through her numerous published articles in Arts and Architecture magazine, and the New York Herald-Tribune. Her work for Arts and Architecture was primarily written for the "Art Comments from San Francisco" section. She was living in Paris when she contributed an art news column to the New York Herald-Tribune. Also found here are five diaries and one journal dating from circa 1929-1978. The entries are inconsistent and concern mostly travel. The diaries from 1929 and 1934 are more personal. Falkenstein also maintained extensive notes and notebooks about artwork ideas, observations about art, research, and even drafts of letters. There are also many notes about various topics, including art and class notes. Additional writings are eclectic and cover a wide range of topics, including music, poetry, the script for Falkestein's film entitled Touching the Quick, and drafts of her unpublished book on murals. A handful of writings by others are found, most with annotations by Falkenstein.

Teaching files include Falkenstein's numerous lectures given while teaching at Mills College, Pond Farm Workshops, and California School of Fine Arts, and various symposiums and conferences. Also found are lesson plans, contracts, scattered correspondence, and notes. The files on her tenure at the Pond Farm Workshops are particularly interesting, with notes about her fellow teacher Frans Wildenhain and correspondence with workshop owners, Jane and Gordon Herr.

There are extensive photographs of Falkenstein, her family and friends, colleagues, commissions, exhibitions, and works of art. Included are many images of Falkenstein, of Falkenstien with her art, of Falkentstien working, and of Falkenstein's studio. There are numerous photographs of Falkenstein with friends, family, and colleagues in social or work settings. Also found are photographs of exhibition openings, installation views, and works of art exhibited. Additional photographs document Falkenstein's commissions, including images of her at work. Additional images of commissions may also be found in the Commission Series, but the bulk are filed here. There are numerous photographs of Falkenstein's works of art, including drawings, sculpture, jewelry, murals, lamps, and ceramics.

Falkenstein's papers include a large amount of sketches, sketchbooks, and drawings. Many of the sketches and drawings relate to her ideas about commissions and large sculpture, jewelry designs, and general sketches. Sketches are also found in the Commission Files. Also included are drawings by Mark Tobey and Michel Tapie, and others.

Finally, printed materials include general exhibition catalogs, newspapers clippings, and clippings of articles by and about Falkenstein. Also included are books that have been inscribed and signed by the author.
Arrangement:
The collection is arranged into 9 series:

Missing Title

Series 1: Biographical Materials, 1934-1997 (Box 1-4, 41; 4.3 linear feet)

Series 2: Correspondence, 1931-1997 (Box 5-13; 9 linear feet)

Series 3: Personal and Business Records, 1936-1997 (Box 14-17, 41, 46-49; 4.2 linear feet)

Series 4: Exhibitions, 1930-1996 (Box 18-21, 42, OV 50; 3.3 linear feet)

Series 5. Commissions, 1930-1992 (Box 21-22, OV 50-54 ; 2.0 linear feet)

Series 6: Writings, circa 1929-1993 (Box 22-26, 42, 55; 4.6 linear feet)

Series 7: Teaching Files, 1929-1995 (Box 26; .8 linear feet)

Series 8: Photographs, circa 1917-1997 (Box 27-35, 43, 55-56; 9.5 linear feet)

Series 9: Artwork, circa 1937-1995 (Box 36-37, 44, 57; 2.0 linear feet)

Series 10: Printed Materials, circa 1914-1990 (Box 37-40, 45, 58; 3.9 linear feet)
Biographical Note:
Claire Falkenstein (1908-1997) spent the majority of her life working as an artist, sculptor, jewelry designer, teacher, and writer in California.

Claire Falkenstein was born in 1908 and grew up in Coos Bay, Oregon. In 1920, Falkenstein and her family moved to Berkeley, California, where she attended high school and then college at the University of California at Berkeley, studying philosophy, anthropology, and art. She graduated in 1930. Falkenstein had her first solo show at the East-West Gallery in San Francisco in 1930, the only member of her class to have an exhibition before graduation.

During the early 1930s, Falkenstein studied at Mills College with modernist sculptor Alexander Archipenko. There she also met Bauhaus artists Laszlo Moholy-Nagy and Gyorgy Kepes. Falkenstein married her high school sweetheart, Richard McCarthy in 1936.

In 1944, Falkenstein had her first New York exhibition at the Bonestall Gallery. At that time, Falkenstein's primary mediums were stone and wood. However, she became increasingly experimental with new materials that included sheet aluminum, Cor-Ten steel, glass, plastics, and welded wire rods while maintaining a connection to organic and natural forms. Her work in jewelry design was an outlet for exploring these new materials, forms, and techniques on a small scale. As her work grew physically larger, so did her recognition and it was her work in sculpture that won her a faculty appointment at the California School of Fine Arts from 1947-1949. It was here that she met Patricia and Clyfford Still, Hassel Smith, and Richard Diebenkorn.

In 1948, Falkenstein was invited to exhibit at the Salon des Realites Nouvelle in Paris, her first European show. She eventually moved to Europe in 1950 and had studios in Paris, Venice, and Rome. While in Europe, Falkenstein executed a number of large scale commissions, including the stair screen for Galerie Stadler (1955), grotto gates for Princess Pignatelli's villa in Rome (1957), and the bronze, steel, and the glass gate at the Peggy Guggenheim Museum in Venice (1961). While in Paris, she became acquainted with noted art critic Michel Tapie, with whom she maintained a life-long friendship.

During the 1940s and 1950s Falkenstein was a regular contributor to Arts and Architecture magazine, most often writing the "Art Comments from San Francisco" section. While in Paris, she also wrote a column on art news for the New York Herald Tribune.

Falkenstein returned to the United States in 1962, eventually renovating a studio space in Venice, California. It was here that she conceived her largest commissions. In 1965, Falkenstein received a commission from the California Savings and Loan to create a sculpture for a large fountain at the front of the bank in downtown Los Angeles. The copper tube fountain, entitled "Structure and Flow #2," was the first of many large scale public art commissions that Falkenstein completed during her years in California. Her most important commission in the United States, completed in 1969, was for the doors, rectory gates and grills and stained-glass windows for St. Basil's Church on Wilshire Boulevard in Los Angeles. The eight doors and fifteen rectory screens, including 80 foot high windows in the nave, were an expansion of the "never ending screen" concept that Falkenstein executed with the Pignatelli commission in Rome. She continued to use this motif in her work throughout her career.

Claire Falkenstein worked as an arts instructor, visiting artist, and guest lecturer at many colleges, workshops, and schools in California. Her first position was at Mills College from 1946-1947. Shortly thereafter, she was appointed to the faculty at the California School of Fine Arts and later taught in the Extension Divisions of the University of California, Berkeley. She taught classes at California State Polytechnic University, California State University at Davis, and the Anna Head School. Falkenstein also taught art at the Pond Farm Workshops in California, and lectured at numerous colleges and museums. She served on many juried art shows in Southern California.

Falkenstein was acquainted with many artists, writers, instructors, collectors, gallery owners, and critics. Close friends included Esther and Bob Robles, Clyfford and Patricia Still, Michel Tapie, Allan Temko, Mark Tobey, Frans Wildenhain, and other notable figures in the art world.

Falkenstein continued to complete large scale private and public commissioned sculptures during the 1960s through the 1980s, including work for the University of Southern California, Hyland Biological Laboratory, California State University at Dominquez Hills and the California State Department of Motor Vehicles. Throughout her career, Falkenstein's work was featured in numerous exhibitions across the country. Her sculpture and other artwork can be found in the permanent collections of the Museum of Modern Art, Solomon R. Guggenheim Museum, Smithsonian American Art Museum, Coos Art Museum, Harvard University Art Museum, University of Southern California Fisher Museum of Art, Los Angeles County Museum of Art, and the Tate Gallery.

Falkenstein died in 1997 at the age of 89.
Related Material:
The Archives of American Art also holds two oral history interviews with Claire Falkenstein. The interview on April 13, 1965 was conducted by Betty Hoag and the one on March 2 and 21, 1995 was conducted by Paul Karlstrom.
Provenance:
The Claire Falkenstein papers were donated in 1997 by Steffan Wacholtz and Nancy Kendall, trustees for the Claire Falkenstein Trust.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- California  Search this
Painters -- California  Search this
Jewelers -- California  Search this
Educators -- California  Search this
Authors -- California  Search this
Topic:
Art patronage  Search this
Artists' studios  Search this
Women artists  Search this
Women painters  Search this
Women designers  Search this
Women educators  Search this
Women authors  Search this
Genre/Form:
Sketchbooks
Diaries
Scrapbooks
Interviews
Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.falkclai
See more items in:
Claire Falkenstein papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9911c74ff-413b-4b54-9280-89c8b0480495
EDAN-URL:
ead_collection:sova-aaa-falkclai
Online Media:

The Fosters

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Type:
Archival materials
Date:
2013-2015
Scope and Contents:
The Fosters is one-hour drama about a multi-ethnic family composed of foster and biological children being raised by two mothers. This series includes the script for the episode entitled, "I Do" where the two main characters, Stef Foster and Lena Adams, get married. It includes the original music manuscript for the song "Outlaws" that character Brandon sings to Callie, and it includes the prop birth certificate for Jude after he was offically adopted by the Adams Foster family. The series premiered on ABC Television in 2013.
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146, Series 19
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81170ee74-b5d6-49e8-91a0-fcc5e7f5e5e3
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref1558

MS 4807 Collections of the United States South Sea Surveying and Exploring Expedition 1838, 9, 40, 41 & 42. By T. R. Peale, U. S. Patent Office, 1846

Creator:
Peale, Titian R. (Titian Ramsay), 1780-1798  Search this
United States Exploring Expedition (1838-1842)  Search this
Extent:
57 Pages
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Catalogue of 2516 ethnological specimens, numbered 1-2487.
Some original accession data concerning anthropological specimens collected on the Wilkes Expedition are also included in section C, in the Manuscript volume catalogued in the Smithsonian Institution Library as follows: MSS c Case U58 eori U. S. Exploring Expedition Original invoices and other official papers. Estimated 73 full pages FF. Section C, "Original Invoices of Miscellaneous Specimens" (1839-41) includes "Catalogue of Boxes Barrels &c Shipped on board the American Ship Lausanne [from ?] Oahu," no date, 4 pages and other untitled lists that include some anthropological entries. Also in Section C is a 1-page "List of articles...[belonging to the] Philological Dept." signed by H[oratio ] Hale; these are mostly printed articles, but there is one reference to a Quichua and Moxa grammar, presumably a Manuscript.
Biographical / Historical:
Note on title page states: The collections made by the Exploring Expedition under Capt. Wilkes were brought to Washington and unpacked at the U. S. Patent Office, where they were on exhibition for several years. About 1851 they were transferred to the Smithsonian Building. This catalogue was presented to the Nat. Museum in January 1877 by Mr Peale in person. Accompanying letter of A. H. Clark to [G. B.] Goode, March 24, 1887 transmits catalogue to Goode, stating that it was found "Among the National Institute papers several months ago." Title page refers to catalogue(s) of 134 mammal specimens and 150 ornithological species which are not included in this volume. Note with Smithsonian Institution Library card catalogue entry for a 46 page typescript of this volume states that the original Manuscript catalogs of birds and mammals are in the American Museum of Natural History, and xerox copies of both are in the MNH, Division of Mammals (Dr D. H. Johnson).
Local Numbers:
NAA MS 4807
Topic:
Expeditions -- United States South Sea and Exploring Expedition  Search this
Pacific Islanders  Search this
Specimens -- catalog of  Search this
Language and languages -- Documentation  Search this
Citation:
Manuscript 4807, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4807
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw39a37c96b-336c-4846-8763-383e7dd7f513
EDAN-URL:
ead_collection:sova-naa-ms4807
Online Media:

Ottoia prolifica Walcott

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Taxonomy:
Animalia Priapulida Palaeoscolecida Ottoiidae
Published Name:
Ottoia prolifica Walcott
USNM Number:
PAL138298
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/341e492ef-3786-4b83-b99c-662e4eae1793
EDAN-URL:
edanmdm:nmnhpaleobiology_3226938

Banffia constricta Walcott

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Taxonomy:
Animalia Vetulicolia Heteromorphida Banffiata Banffidae
Published Name:
Banffia constricta Walcott
USNM Number:
PAL188623
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/33aa83d9d-10a5-44f4-9129-d5b96128db14
EDAN-URL:
edanmdm:nmnhpaleobiology_3226952

Banffia constricta Walcott

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Taxonomy:
Animalia Vetulicolia Heteromorphida Banffiata Banffidae
Published Name:
Banffia constricta Walcott
USNM Number:
PAL188624
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3f63bb73c-e1ed-450c-9bbd-96b683864077
EDAN-URL:
edanmdm:nmnhpaleobiology_3226953

Banffia constricta Walcott

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Taxonomy:
Animalia Vetulicolia Heteromorphida Banffiata Banffidae
Published Name:
Banffia constricta Walcott
USNM Number:
PAL188625
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3e9687df7-85ce-48a0-88b8-51cfb9204216
EDAN-URL:
edanmdm:nmnhpaleobiology_3226954

Banffia constricta Walcott

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Taxonomy:
Animalia Vetulicolia Heteromorphida Banffiata Banffidae
Published Name:
Banffia constricta Walcott
USNM Number:
PAL188626
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/35c6ca789-9f51-4a27-b835-f0aa022e8445
EDAN-URL:
edanmdm:nmnhpaleobiology_3226955

Ottoia ? minor Walcott

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Taxonomy:
Animalia Priapulida Palaeoscolecida Ottoiidae
Published Name:
Ottoia ? minor Walcott
USNM Number:
PAL188627
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3c45b4461-4976-4544-a13b-eae08a5a6903
EDAN-URL:
edanmdm:nmnhpaleobiology_3226956

Banffia constricta Walcott

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Taxonomy:
Animalia Vetulicolia Heteromorphida Banffiata Banffidae
Published Name:
Banffia constricta Walcott
USNM Number:
PAL188629
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3a301c0a9-2292-4305-8479-e578148eda5a
EDAN-URL:
edanmdm:nmnhpaleobiology_3226957

Banffia constricta Walcott

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Taxonomy:
Animalia Vetulicolia Heteromorphida Banffiata Banffidae
Published Name:
Banffia constricta Walcott
USNM Number:
PAL188631
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/32bcaf8a8-22ea-45d1-8c2e-9923edbf5275
EDAN-URL:
edanmdm:nmnhpaleobiology_3226958

Mackenzia costalis Walcott, 1911

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Collection Date:
1910 to 1917
Taxonomy:
Animalia Cnidaria Coelenterata
Published Name:
Mackenzia costalis Walcott, 1911
USNM Number:
PAL193931
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/373b44943-c9eb-4120-8112-6f868db21d94
EDAN-URL:
edanmdm:nmnhpaleobiology_3227408

Mackenzia costalis Walcott, 1911

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Collection Date:
1910 to 1917
Taxonomy:
Animalia Cnidaria Coelenterata
Published Name:
Mackenzia costalis Walcott, 1911
USNM Number:
PAL193932
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/32a0f4346-676f-4971-960c-8b5628dd9f7f
EDAN-URL:
edanmdm:nmnhpaleobiology_3227409

Mackenzia costalis Walcott, 1911

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Collection Date:
1910 to 1917
Taxonomy:
Animalia Cnidaria Coelenterata
Published Name:
Mackenzia costalis Walcott, 1911
USNM Number:
PAL193933
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3bee16b3f-bc9f-42c6-9625-53d0aad04276
EDAN-URL:
edanmdm:nmnhpaleobiology_3227410

Mackenzia costalis Walcott, 1911

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Collection Date:
1910 to 1917
Taxonomy:
Animalia Cnidaria Coelenterata
Published Name:
Mackenzia costalis Walcott, 1911
USNM Number:
PAL193934
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3c6539875-016d-477e-9ab9-f2e294fa501f
EDAN-URL:
edanmdm:nmnhpaleobiology_3227411

Mackenzia costalis Walcott, 1911

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Collection Date:
1910 to 1917
Taxonomy:
Animalia Cnidaria Coelenterata
Published Name:
Mackenzia costalis Walcott, 1911
USNM Number:
PAL193935
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/369a0c2bb-bc6c-4dde-b5c5-cd3a7813b725
EDAN-URL:
edanmdm:nmnhpaleobiology_3227412

Mackenzia costalis Walcott, 1911

Collector:
Dr. Charles D. Walcott  Search this
Place:
British Columbia, Canada, North America
Collection Date:
1910 to 1917
Taxonomy:
Animalia Cnidaria Coelenterata
Published Name:
Mackenzia costalis Walcott, 1911
USNM Number:
PAL193936
See more items in:
Paleogeneral
Burgess Shale and Solnhofen Biologic
Burgess Shale Biologic
Paleobiology
Data Source:
NMNH - Paleobiology Dept.
GUID:
http://n2t.net/ark:/65665/3b06f5fc8-3c21-4162-b918-921006623971
EDAN-URL:
edanmdm:nmnhpaleobiology_3227413

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