The collection consists of approximately 1,950 glass plate and large format film negatives,100 hand-tinted and black-and-white prints and four photographic albums containing prints of various sizes, taken by Chief Solomon Osagie Alonge, the royal photographer to the Oba of Benin, Akenzua II (1933-1978). These images span six decades (1926 - 1989) and represent a dynamic, continuous record of the Benin Royal Court in Nigeria. Alonge documented the pageantry, ritual and regalia of the Obas, their wives and retainers for over a half-century, including the coronation of the King and the Iyoba, or queen mother. The collection also documents historic visits to Benin by Queen Elizabeth and Prince Philip (1956), Princess Alexandra (1960), foreign dignitaries, traditional rulers, political leaders and celebrities. The collection preserves an important historical record of Benin art and culture during the periods of British colonial rule and Nigerian independence in the 20th century. The rarity and historical value of the collection are enhanced by Alonge's privileged access to the Palace as a chief in the Iwebo Palace Society, a position which presents a unique insider's view of Benin royalty. The quality of the collection is testament to Alonge's technological skills in photography and his professionalism in keeping the collection ordered and well-preserved despite the heat, humidity and tropical climate of Nigeria.
Arrangement note:
Arrangement of negatives reflects the original order established by the photographer.
Biographical/Historical note:
Chief Solomon Osagie Alonge (1911-1994) was the first indigenous photographer of the Royal Court of Benin and one of the premier photographers of Nigeria. His significance as one of the earliest indigenous photographers in West Africa has been documented in detail by anthropologist Flora Kaplan. Alonge learned the craft of photography as a youth in Lagos during the 1920s and saw his profession as an honorable and distinguished calling. He clearly demonstrated an inclusive documentary perspective in his efforts to photograph many aspects of the world around him. In 1942, Alonge established the Ideal Photography Studio in Benin City and documented colonial society, the establishment of churches and businesses, and the formation of new civic organizations and social groups like the Benin Social Club (1940s). As a commercial photographer, Alonge photographed individual and group portraits, preserving a visual record of the everyday lives and peoples of Benin City. Alonge's studio portraits illustrate how local Africans presented themselves to the camera and engaged with the practice of photography during the early to mid-twentieth century.
General note:
Title provided by EEPA staff.
Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts bronze caster modelling wax over a clay core. During his trip to Nigeria, Elisofon visited Benin City in the Edo region. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
H 2 BNI 1 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
30
Frame value is 16.
Slide No. H 2 BNI 1 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts bronze caster modelling wax over a clay core. During his trip to Nigeria, Elisofon visited Benin City in the Edo region. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
H 2 BNI 2 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
30
Frame value is 17.
Slide No. H 2 BNI 2 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts bronze caster modelling wax over a clay core. During his trip to Nigeria, Elisofon visited Benin City in the Edo region. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
H 2 BNI 2.1 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
30
Frame value is 19.
Slide No. H 2 BNI 2.1 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts bronze caster modelling wax over a clay core. During his trip to Nigeria, Elisofon visited Benin City in the Edo region. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
H 2 BNI 3 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
30
Frame value is 20.
Slide No. H 2 BNI 3 EE 71
Other relationship:
Elisofon, Eliot Bronze caster among the Bini people, Benin City, Nigeria, 1971
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts bronze caster removing a bronze head from its mold. During his trip to Nigeria, Elisofon visited Benin City in the Edo region. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
H 2 BNI 3.1 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
30
Frame value is 25.
Slide No. H 2 BNI 3.1 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts bronze caster removing a bronze head from its mold. During his trip to Nigeria, Elisofon visited Benin City in the Edo region. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
H 2 BNI 4 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
30
Frame value is 24.
Slide No. H 2 BNI 4 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts bronze caster removing a bronze head from its mold. During his trip to Nigeria, Elisofon visited Benin City in the Edo region. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
H 2 BNI 5 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
30
Frame value is 23.
Slide No. H 2 BNI 5 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts bronze caster removing a bronze head from its mold. During his trip to Nigeria, Elisofon visited Benin City in the Edo region. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
H 2 BNI 6 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
30
Frame value is 22.
Slide No. H 2 BNI 6 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts bronze caster removing a bronze head from its mold. During his trip to Nigeria, Elisofon visited Benin City in the Edo region. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
H 2 BNI 7 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
30
Frame value is 21.
Slide No. H 2 BNI 7 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts the altar dedicated to the Oba Eweka II (reigned 1914-1933). "From the early eighteenth century to the present day, foreign visitors to Benin City have observed finely cast heads, some supporting carved tusks, on ancestral altars in the royal palace. The altar groupings were destroyed in 1897 when many objects were removed by the British military and a fire swept the palace. With the restoration of the Benin monarchy in 1914, the new Oba, Eweka II (d. 1933), commissioned heads and other objects for an altar dedicated to his father, Oba Ovonramwen (reigned 1888-97; d.1914)." [Freyer Br., 1987: Royal Benin Art. Smithsonian Institution Press]. "Benin City and the palace of the Oba are marked out by shrines which articulate the role and traditions of the Oba and his predecessors as rulers of the city and the kingdom. Throughout the city there are also domestic shrines, found in many households despite the active proselytizing of Christianity in all its forms during this century." [Gore Ch., 1998: Ritual, Performance and Media in Urban Contemporary Shrine Configurations in Benin City, Nigeria; Ritual, Performance, Media. pp.66-84. Routledge]. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
I 2 BNN 1 EE 70
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 16.
Slide No. I 2 BNN 1 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts the altar dedicated to the Oba Eweka II (reigned 1914-1933). "From the early eighteenth century to the present day, foreign visitors to Benin City have observed finely cast heads, some supporting carved tusks, on ancestral altars in the royal palace. The altar groupings were destroyed in 1897 when many objects were removed by the British military and a fire swept the palace. With the restoration of the Benin monarchy in 1914, the new Oba, Eweka II (d. 1933), commissioned heads and other objects for an altar dedicated to his father, Oba Ovonramwen (reigned 1888-97; d.1914)." [Freyer Br., 1987: Royal Benin Art. Smithsonian Institution Press]. "Benin City and the palace of the Oba are marked out by shrines which articulate the role and traditions of the Oba and his predecessors as rulers of the city and the kingdom. Throughout the city there are also domestic shrines, found in many households despite the active proselytizing of Christianity in all its forms during this century." [Gore Ch., 1998: Ritual, Performance and Media in Urban Contemporary Shrine Configurations in Benin City, Nigeria; Ritual, Performance, Media. pp.66-84. Routledge]. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
I 2 BNN 1.2 EE 70
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 17.
Slide No. I 2 BNN 1.2 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts the altar dedicated to the Oba Eweka II (reigned 1914-1933). "From the early eighteenth century to the present day, foreign visitors to Benin City have observed finely cast heads, some supporting carved tusks, on ancestral altars in the royal palace. The altar groupings were destroyed in 1897 when many objects were removed by the British military and a fire swept the palace. With the restoration of the Benin monarchy in 1914, the new Oba, Eweka II (d. 1933), commissioned heads and other objects for an altar dedicated to his father, Oba Ovonramwen (reigned 1888-97; d.1914)." [Freyer Br., 1987: Royal Benin Art. Smithsonian Institution Press]. "Benin City and the palace of the Oba are marked out by shrines which articulate the role and traditions of the Oba and his predecessors as rulers of the city and the kingdom. Throughout the city there are also domestic shrines, found in many households despite the active proselytizing of Christianity in all its forms during this century." [Gore Ch., 1998: Ritual, Performance and Media in Urban Contemporary Shrine Configurations in Benin City, Nigeria; Ritual, Performance, Media. pp.66-84. Routledge]. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
I 2 BNN 1.3 EE 70
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 18.
Slide No. I 2 BNN 1.3 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts the altar dedicated to the Oba Ovonramwen (reigned 1888-1914). "From the early eighteenth century to the present day, foreign visitors to Benin City have observed finely cast heads, some supporting carved tusks, on ancestral altars in the royal palace. The altar groupings were destroyed in 1897 when many objects were removed by the British military and a fire swept the palace. With the restoration of the Benin monarchy in 1914, the new Oba, Eweka II (d. 1933), commissioned heads and other objects for an altar dedicated to his father, Oba Ovonramwen (reigned 1888-97; d.1914)." [Freyer Br., 1987: Royal Benin Art. Smithsonian Institution Press]. "Benin City and the palace of the Oba are marked out by shrines which articulate the role and traditions of the Oba and his predecessors as rulers of the city and the kingdom. Throughout the city there are also domestic shrines, found in many households despite the active proselytizing of Christianity in all its forms during this century." [Gore Ch., 1998: Ritual, Performance and Media in Urban Contemporary Shrine Configurations in Benin City, Nigeria; Ritual, Performance, Media. pp.66-84. Routledge]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
I 2 BNN 2 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
58482 83
Frame value is 31.
Slide No. I 2 BNN 2 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts the altar dedicated to the Oba Ovonramwen (reigned 1888-1914). "From the early eighteenth century to the present day, foreign visitors to Benin City have observed finely cast heads, some supporting carved tusks, on ancestral altars in the royal palace. The altar groupings were destroyed in 1897 when many objects were removed by the British military and a fire swept the palace. With the restoration of the Benin monarchy in 1914, the new Oba, Eweka II (d. 1933), commissioned heads and other objects for an altar dedicated to his father, Oba Ovonramwen (reigned 1888-97; d.1914)." [Freyer Br., 1987: Royal Benin Art. Smithsonian Institution Press]. "Benin City and the palace of the Oba are marked out by shrines which articulate the role and traditions of the Oba and his predecessors as rulers of the city and the kingdom. Throughout the city there are also domestic shrines, found in many households despite the active proselytizing of Christianity in all its forms during this century." [Gore Ch., 1998: Ritual, Performance and Media in Urban Contemporary Shrine Configurations in Benin City, Nigeria; Ritual, Performance, Media. pp.66-84. Routledge]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
I 2 BNN 2.01 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. I 2 BNN 2.01 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts the altar dedicated to the Oba Ovonramwen (reigned 1888-1914). "From the early eighteenth century to the present day, foreign visitors to Benin City have observed finely cast heads, some supporting carved tusks, on ancestral altars in the royal palace. The altar groupings were destroyed in 1897 when many objects were removed by the British military and a fire swept the palace. With the restoration of the Benin monarchy in 1914, the new Oba, Eweka II (d. 1933), commissioned heads and other objects for an altar dedicated to his father, Oba Ovonramwen (reigned 1888-97; d.1914)." [Freyer Br., 1987: Royal Benin Art. Smithsonian Institution Press]. "Benin City and the palace of the Oba are marked out by shrines which articulate the role and traditions of the Oba and his predecessors as rulers of the city and the kingdom. Throughout the city there are also domestic shrines, found in many households despite the active proselytizing of Christianity in all its forms during this century." [Gore Ch., 1998: Ritual, Performance and Media in Urban Contemporary Shrine Configurations in Benin City, Nigeria; Ritual, Performance, Media. pp.66-84. Routledge]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from August 18, 1959 to December 20, 1959.
Local Numbers:
I 2 BNN 2.1 EE 59
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
58482 83
Frame value is 30.
Slide No. I 2 BNN 2.1 EE 59
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
