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Bikel, Theodore

Collection Creator:
Knight, Gwendolyn  Search this
Lawrence, Jacob, 1917-2000  Search this
Container:
Box 1, Folder 21
Type:
Archival materials
Date:
1978, 1982
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacob Lawrence and Gwendolyn Knight papers, 1816, 1914-2008, bulk 1973-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacob Lawrence and Gwendolyn Knight papers
Jacob Lawrence and Gwendolyn Knight papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a97b6790-4e35-4e13-8d6a-7659a919cea4
EDAN-URL:
ead_component:sova-aaa-lawrjaco-ref39

Bikel, Theodore

Collection Creator:
Gross, Chaim, 1904-1991  Search this
Container:
Box 2, Folder 5
Type:
Archival materials
Date:
circa 1961-circa 1972
Collection Restrictions:
Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Chaim Gross papers, 1920-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Chaim Gross papers
Chaim Gross papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d9e4d69b-a248-477a-8cf0-26d5db94a49c
EDAN-URL:
ead_component:sova-aaa-groschai-ref80

Photograph of McDew, Hansberry, Simone, Bikel, and Forman

Created by:
Unidentified  Search this
Subject of:
Lorraine Hansberry, American, 1930 - 1965  Search this
Nina Simone, American, 1933 - 2003  Search this
Theodore Bikel, American, born 1924  Search this
James Forman, American, 1928 - 2005  Search this
Charles F. McDew, American, born 1938  Search this
Medium:
silver and photographic gelatin on photographic paper
Dimensions:
H x W: 10 x 8 1/8 in. (25.4 x 20.6 cm)
Type:
gelatin silver prints
portraits
Place depicted:
New York City, New York, United States, North and Central America
Date:
1961-1962
Topic:
African American  Search this
Activism  Search this
Civil Rights  Search this
Entertainers  Search this
Photography  Search this
U.S. History, 1961-1969  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Collection of Andy Stroud
Object number:
2011.152.1
Restrictions & Rights:
Unknown - Restrictions Possible
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Movement:
Freedom Riders
Exhibition:
Musical Crossroads
On View:
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 053
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd58a192ba9-5bba-4960-bac0-a32c85f2ea74
EDAN-URL:
edanmdm:nmaahc_2011.152.1
Online Media:

Newport Folk Festival

Photographer:
Davies, Diana, 1938-  Search this
Performer:
Chambers Brothers  Search this
Ian & Sylvia  Search this
New Lost City Ramblers  Search this
Paul Butterfield Blues Band (Musical group)  Search this
Barker, Horton, 1889-1973  Search this
Beers, Bob, 1920-1972  Search this
Bikel, Theodore  Search this
Bloomfield, Mike  Search this
Blue, David, 1941-1982  Search this
Camp, Hamilton  Search this
Carter, Maybelle, 1909-1978  Search this
Cohen, John, 1932-2019  Search this
Dane, Barbara  Search this
Davis, Gary, 1896-1972  Search this
Donovan  Search this
Dylan, Bob, 1941-  Search this
Glover, Tony  Search this
House, Son  Search this
Koerner, John  Search this
Mitchell, Joni  Search this
Odetta, 1930-2008  Search this
Rose, Biff  Search this
Schwarz, Tracy  Search this
Seeger, Mike, 1933-2009  Search this
Siggins, Bob  Search this
Sky, Patrick  Search this
Spoelstra, Mark  Search this
Walker, Jerry Jeff  Search this
Names:
Newport Folk Festival  Search this
Emmy, Cousin, 1903-1980  Search this
Robertson, Eck  Search this
Folklorist:
Hawes, Bess Lomax, 1921-2009  Search this
Long, Worth W.  Search this
Collection Photographer:
Davies, Diana, 1938-  Search this
Extent:
24 Contact sheets (b&w)
8 Photographic prints (b&w, 10 x 8 in.)
5 Slides (col.)
25 Negatives (b&w)
Type:
Archival materials
Contact sheets
Photographic prints
Slides
Negatives
Date:
1964-1992, undated
1965
Scope and Contents:
Photographs taken by Diana Davies at the 1965 Newport Folk Festival. This series includes black-and-white contact sheets, negatives for the contact sheets, photographic prints, and slides. The photographs feature various performers and audience members at the Newport Folk Festival.
Restrictions:
Access by appointment only at the Ralph Rinzler Folklife Archives and Collections.
Rights:
Authorization to publish or reproduce requires written permission from Diana Davies. Please contact the Ralph Rinzler Folklife Archives and Collections for further information.
Topic:
Folk festivals -- Rhode Island -- Newport -- Photographs  Search this
Genre/Form:
Contact sheets
Collection Citation:
Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.
Identifier:
CFCH.DAVIE, Series 1
See more items in:
Diana Davies photographs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ed8bf2db-5dab-4703-b0b1-f3e803a5f556
EDAN-URL:
ead_component:sova-cfch-davie-ref12

The Newport Folk Festival 1960

Performer:
Oranim Zabar Israeli Troupe  Search this
Brand, Oscar  Search this
Holt, Will  Search this
Gill, Geula  Search this
Bikel, Theodore  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Israelis  Search this
Jews  Search this
Type:
Archival materials
Phonograph records
Place:
United States
New York
Israel
Track Information:
101 Talking Atomic Blues / Oscar Brand. Guitar. English language.

102 Great Selchie of Shule Skerry / Oscar Brand. Guitar. English language.

103 Horse with a Union Label / Oscar Brand. Guitar. English language.

104 Three Jovial Huntsmen / Will Holt. Guitar. English language.

105 Edward Ballad / Will Holt. Guitar. English language.

106 M.T.A / Will Holt. Guitar. English language.

201 Bukhara / Oranim Zabar Israeli Troupe, Geula Gill. Hebrew language.

202 Russian Spoof / Oranim Zabar Israeli Troupe, Geula Gill. Hebrew language.

203 Ayil Ayil / Oranim Zabar Israeli Troupe, Geula Gill. Hebrew language.

204 Al Harim / Theodore Bikel. Guitar. Hebrew language.

205 Mi Caballo / Theodore Bikel. Guitar.

206 Three Jolly Rogues / Theodore Bikel. Guitar.

207 Eres Alta / Theodore Bikel. Guitar.

208 Galveston Flood / Theodore Bikel. Guitar.
Local Numbers:
FP-RINZ-LP-0255

Elektra.189
Publication, Distribution, Etc. (Imprint):
New York Elektra
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Folksong revival  Search this
Guitar  Search this
Nuclear weapons  Search this
Function:
Labor unions
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0255
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b89382c1-e51a-41ce-a834-39185e69d561
EDAN-URL:
ead_component:sova-cfch-rinz-ref5726

Sings Yiddish Theater and Folk Songs

Performer:
Bikel, Theodore  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Jews  Search this
Type:
Archival materials
Phonograph records
Place:
United States
New York
Track Information:
101 A Chasene Tants.

102 Doina.

103 Beygelach.

104 Di Grine Kuzine.

105 A Pintale.

106 Dire-Gelt.

107 A Finf-un-Tsavantsiger.

108 Got Fun Avrohom.

201 Kalt Vasser.

202 Milner's Treren, Dem.

203 Machitonim.

204 Shabes Shabes.

205 Machateyneste Mayne.

206 Mayn Shtelle Belz.

207 Yosel der Klezmer.

208 A Kleyn Melamedl.
Local Numbers:
FP-RINZ-LP-1104

Elektra.7281
Publication, Distribution, Etc. (Imprint):
New York Elektra
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Theater  Search this
Folksong revival  Search this
Jewish  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-1104
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk521d04d7e-f54b-499d-bc2a-a997778020d0
EDAN-URL:
ead_component:sova-cfch-rinz-ref5738

Newport Folk Festival 1963, The: Evening Concerts, Vol. 2 [sound recording]

Performer:
Seeger, Pete, 1919-2014  Search this
Jones, Bessie, 1902-1984  Search this
Washington, Jackie  Search this
Davenport, Bob  Search this
Collins, Judy, 1939-  Search this
Bikel, Theodore  Search this
Van Ronk, Dave  Search this
Redpath, Jean  Search this
Carignan, Jean  Search this
Sea Island Singers  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
British  Search this
Canadians  Search this
Anglo-American  Search this
Scottish Americans  Search this
French-Canadians  Search this
Type:
Archival materials
Phonograph records
Place:
United States
Rhode Island
Newport (R.I.)
Georgia
England
Great Britian
New York
Scotland
Canada
Québec (Province)
Date:
1963
Contents:
My God is a rock in the weary land -- The buzzard lope -- One man's hands -- Bill Bailey -- With my pit boots on -- Greenland whale fisheries -- Little star -- Coplas -- Candy man -- Hold on -- The muckin' o' Geordie's Byre -- Song of the seals -- Le violon monté en vièle -- Le reel du diable -- Le reel de Rimouski -- Cripple Creek ; Old Joe Clark ; Leather britches -- This land.
Track Information:
101 My God is a Rock in the Weary Land / Sea Island Singers, Bessie Jones.

102 The Buzzard Lope / Sea Island Singers, Bessie Jones.

103 One Man's Hands / Jackie Washington.

104 Bill Bailey / Jackie Washington.

105 With My Pit Boots On / Bob Davenport. English language.

106 Greenland Whale Fisheries / Judy Collins, Theodore Bikel. English language.

107 Little Star / Theodore Bikel. English language.

108 Coplas / Theodore Bikel. English language.

201 Candy Man / Dave Van Ronk. English language.

202 Hold On / Dave Van Ronk. English language.

203 The Muckin' O'Geordie's Byre / Jean Redpath. English language.

204 Song of the Seals / Jean Redpath. English language.

205 Le Violin Monte en Viele / Jean Carignan. Fiddle. English language.

206 Le Reel du Diable / Jean Carignan. Fiddle. English language.

207 Le Reel de Rimouski / Jean Carignan. Fiddle. English language.

208 Cripple Creek / Pete Seeger. Banjo. English language.

208 Old Joe Clark / Pete Seeger. Banjo. English language.

208 Leather Britches / Pete Seeger. Banjo. English language.

209 This Land is Your Land / English language.
Local Numbers:
FP-RINZ-LP-0100

Vanguard.9149
Publication, Distribution, Etc. (Imprint):
New York Vanguard 1963
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), Rhode Island, United States.
General:
Title on container: The Newport Folk Festival-- 1963. "Recorded live at the Newport Folk Festival, 1963." Program notes by Stacey Williams on container.

Ballads and folk-songs performed by The Georgia Sea Island Singers, Jackie Washington, Bob Davenport, Judy Collins, Theodore Bikel, Dave Van Ronk, Jean Redpath, Jean Carignan, Pete Seeger, and Bessie Jones.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Sea Islands -- Songs and music  Search this
Spirituals (Songs)  Search this
Folksong revival  Search this
British Isles -- Songs and music  Search this
Québec (Province) -- Songs and music  Search this
Banjo music  Search this
Folk songs -- United States  Search this
Violin  Search this
Banjo  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0100
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk55c514f45-e352-4801-a611-080553187a92
EDAN-URL:
ead_component:sova-cfch-rinz-ref6316

Newport Folk Festival 1964, The: Evening Concerts, Vol. 2

Performer:
Fuller, Jesse  Search this
Bikel, Theodore  Search this
El Din, Hamza  Search this
Wakefield, Frank  Search this
Baez, Joan  Search this
Phipps Family (Musical group)  Search this
Staple Singers  Search this
Greenbriar Boys  Search this
Collection Creator:
Rinzler, Ralph  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
African American  Search this
Jews  Search this
Type:
Archival materials
Phonograph records
Place:
United States
Rhode Island
Newport (R.I.)
Kentucky
New York
California
Egypt
Track Information:
101 Little Log Cabin by the Sea / Phipps Family (Musical group). English language.

102 Wreck on the L and M / Phipps Family (Musical group). English language.

103 I Wish I Had Answered / Staple Singers. English language.

104 Don't Drive Me Away / Staple Singers. English language.

105 Pray On, My Child / Staple Singers. English language.

106 Pilgrim of Sorrow / Joan Baez. Guitar. English language.

107 We Shall Overcome / Joan Baez. Guitar. English language.

201 I Double Do Love You / Jesse Fuller. Guitar,Fotdella,Kazoo. English language.

202 San Francisco Bay Blues / Jesse Fuller. Guitar,Fotdella,Kazoo. English language.

203 Gott Fun Avrom / Theodore Bikel. Guitar. English language.

204 Sudarinya / Theodore Bikel. Guitar. English language.

205 Desse Barama / Hamza El Din. Oud.

206 Little Birdie / Greenbriar Boys, Frank Wakefield. Guitar,Mandolin. English language.

207 Sleepy Eyed John / Greenbriar Boys, Frank Wakefield. Guitar,Mandolin. English language.
Local Numbers:
FP-RINZ-LP-0357

Vanguard.9185
Publication, Distribution, Etc. (Imprint):
New York Vanguard
Date/Time and Place of an Event Note:
Recorded in: Newport (R.I.), Rhode Island, United States.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for information.
Topic:
Folk songs -- United States  Search this
Gospel music  Search this
Folksong revival  Search this
Blues (Music)  Search this
One man bands  Search this
World music  Search this
Bluegrass music  Search this
Guitar  Search this
Fotdella  Search this
Kazoo  Search this
Oud  Search this
Mandolin  Search this
Collection Citation:
Ralph Rinzler papers and audio recordings, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.RINZ, Item FP-RINZ-LP-0357
See more items in:
Ralph Rinzler papers and audio recordings
Ralph Rinzler papers and audio recordings / Series 9: Audio / Commercial / LPs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59aaf7c6b-9cb7-458e-a7b3-ddbf0a8f85d8
EDAN-URL:
ead_component:sova-cfch-rinz-ref6323

Theodore Bikel sings Jewish folksongs

Performer:
Bikel, Theodore  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Jews  Search this
Type:
Archival materials
Phonograph records
Date:
1959
Track Information:
101 Der Rebe Elimelech.

102 Di Yontevdike Teyg.

103 Sha Shtil.

104 Di Ban.

105 Kum Aher Du Filozof.

106 Di Mezinke.

107 A Sudenyu.

108 Achtsik er un Zibetsik Zi.

201 Di Mame iz Gegangen.

202 Margaritkelech.

203 Mu Asapru.

204 Lomir Zich Iberbeten.

205 Homentashn.

206 A Chazn Oyf Shabes.

207 Reyzel.

208 Tumbalalayka.
Local Numbers:
FW-ASCH-LP-1180

Elektra.141
Publication, Distribution, Etc. (Imprint):
New York Elektra 1959
General:
Sung in Yiddish. With Orchestra./ Fred Hellerman, conductor. Program notes by Theodore Bikel on Slipcase. Texts, with transliterations and English translations, inserted in Slipcase.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Jewish  Search this
Folksong revival  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-1180
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk545de197e-3623-4f0a-8818-6d3e44a1bae2
EDAN-URL:
ead_component:sova-cfch-asch-ref16699

A Young Man and a Maid

Performer:
Bikel, Theodore  Search this
Gooding, Cynthia  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Type:
Archival materials
Phonograph records
Place:
United States
New York
Mexico
Israel
France
Date:
1956
Contents:
Where does it lead?, Meidl in di yoren., Sur la route., Laredo., Greensleeves., Ro'e Vero'a., Auprers de ma blonde., Mi jacalito., As I roved out., Coplas., Katherine Jaffrey., Hej pada pada., Well met, pretty maid., Ballade du chercheur d'or., Western wind., Proschay.
Track Information:
101 Where Does it Lead? / Cynthia Gooding, Theodore Bikel. Guitar. English language.

102 A Meidl in Di Yoren / Theodore Bikel. Guitar. Yiddish language.

103 Sur La Route / Cynthia Gooding, Theodore Bikel. Guitar. French language.

104 Laredo / Cynthia Gooding, Theodore Bikel. Guitar. Spanish language.

105 Greensleeves / Cynthia Gooding. Guitar. English language.

106 Ro'e Vero'a / Cynthia Gooding, Theodore Bikel. Guitar. Hebrew language.

107 Aupres de ma Blonde / Cynthia Gooding. Guitar. French language.

108 Mi Jacalito / Cynthia Gooding, Theodore Bikel. Guitar. Spanish language.

201 As I Roved Out / Cynthia Gooding, Theodore Bikel. Guitar. English language.

202 Coplas / Cynthia Gooding, Theodore Bikel. Guitar. Spanish language.

203 Katherine Jaffrey / Cynthia Gooding. Guitar. English language.

204 Hej Pada Pada / Theodore Bikel. Guitar.

205 Well Met, Pretty Maid / Cynthia Gooding, Theodore Bikel. Guitar. English language.

206 La Ballade du Cherchuer d'Or / Theodore Bikel. Guitar. French language.

207 Western Wind / Cynthia Gooding. Guitar. English language.

208 Proschay / Cynthia Gooding, Theodore Bikel. Guitar. Russian language.
Local Numbers:
FW-ASCH-LP-2388

Elektra.109
Publication, Distribution, Etc. (Imprint):
New York Elektra 1956
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Folksong revival  Search this
Bawdy songs  Search this
Guitar  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-2388
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk54e730bc9-02c2-470e-9f2d-fd0620bda0fa
EDAN-URL:
ead_component:sova-cfch-asch-ref17271

Folk Songs of Israel

Performer:
Bikel, Theodore  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Jews  Search this
Type:
Archival materials
Phonograph records
Place:
Israel
Date:
1955
Contents:
Dodi li --Mi barechev --Hechalil --Ptsach bazemer --Orcha bamidbar --Uzi vezimrat yah --Karev yom --Shech Abrek -- Suka bakerem --Sissu vessimchu --El ginat egoz --Shir habokrim --Shomer mah milel --Hana'avah babanot --Ana pana' dodech --Shim'u shim'u --Ada --Lyla lyla.
Track Information:
101 Dodi Li.

102 Mi Barechev.

103 Hechalil.

104 Ptsach Bazemer.

105 Karev Yom.

106 Shech Abrek.

201 Sissoo Vessimchoo.

202 El Ginat Egoz.

203 Shomer Mah Milel.

204 Hana'ava Babanot.

205 Ana Pana Dodech.

206 Shim'oo Shim'oo.

207 Lyla Lyla.
Local Numbers:
FW-ASCH-LP-2426

Elektra.32
Publication, Distribution, Etc. (Imprint):
New York Elektra 1955
General:
Program notes by Theodore Bikel and biographical notes on container; lyrics in Hebrew and English ([10] p.) inserted. Performer(s): Sung by Theodore Bikel.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-2426
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5492f7467-90be-4353-b0f1-c9cc5e806724
EDAN-URL:
ead_component:sova-cfch-asch-ref17299

Diana Davies photographs

Photographer:
Davies, Diana, 1938-  Search this
Gahr, David  Search this
Performer:
Bread and Puppet Theater  Search this
Everly Brothers  Search this
New Lost City Ramblers  Search this
Pentangle (Musical group)  Search this
The Pennywhistlers (Musical group)  Search this
The Young Tradition (Musical group)  Search this
Andersen, Eric  Search this
Bikel, Theodore  Search this
Brand, Oscar  Search this
Cameron, John A.  Search this
Chandler, Len  Search this
Collier, Jimmy  Search this
Collins, Judy, 1939-  Search this
Fuller, Jesse  Search this
Gerrard, Alice, 1934-  Search this
Guthrie, Arlo  Search this
Hartford, John  Search this
Hjorth, Ole  Search this
Joplin, Janis  Search this
Kennedy, Norman, 1934-  Search this
Kershaw, Doug  Search this
Killen, Louis  Search this
Kirkpatrick, Frederick Douglass  Search this
Koerner, John  Search this
McGhee, Brownie, 1915-1996  Search this
Mitchell, Joni  Search this
Monroe, Bill, 1911-1996  Search this
Muddy Waters, 1915-1983  Search this
Ochs, Phil  Search this
Perkins, Carl  Search this
Proffitt, Frank, Jr., 1946-2005  Search this
Rachell, Yank  Search this
Raim, Ethel  Search this
Ramsey, Frederic, 1915-1995  Search this
Reagon, Bernice Johnson, 1942-  Search this
Rinzler, Ralph  Search this
Sainte-Marie, Buffy  Search this
Seeger, Mike, 1933-2009  Search this
Stabi, Björn  Search this
Sykes, Roosevelt, 1906-1983  Search this
Taylor, James  Search this
Traum, Artie  Search this
Traum, Happy  Search this
Watson, Doc  Search this
Watson, Merle  Search this
White, Elaine (Vocalist)  Search this
Wiseman, Mac  Search this
Names:
Newport Folk Festival  Search this
Philadelphia Folk Festival  Search this
Asch, Moses  Search this
Chandler, Nancy  Search this
Dunson, Josh, 1941-  Search this
King, Coretta Scott, 1927-2006  Search this
Silber, Irwin, 1925-2010  Search this
Young, Izzy, 1928-  Search this
Musician:
Bosco, John  Search this
Extent:
3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)
Type:
Collection descriptions
Archival materials
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Place:
New York (N.Y.)
Saint Simons Island (Ga. : Island)
Date:
1963-2009
Summary:
The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides. Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.
Scope and Contents:
The Diana Davies photographs, 1963-2009, consist of black and white negatives, contact sheets and prints, as well as color slides and negatives. The bulk of materials depict major festivals and protest movements (including the Poor People's March of 1968) documented by Diana Davies (located in Series 1: Newport Folk Festival, Series 2: Philadelphia Folk Festival, Series 6: Festival of American Folklife, and Series 11: Social Justice). Also well-represented are non-festival performances (in locations such as clubs, concert halls, and homes), recording sessions, and other music-related images, mainly of notable figures in the American folk music revival (located in Series 3: Broadside Magazine, Series 4: Sing Out! Magazine Concerts, Series 5: Miscellaneous Concerts and People, Series 7: Recording Sessions, Series 8: Instruction Book Shots, and Series 9: Jazz, Blues, and Salsa Musicians). Series 10: Georgia Sea Islands consists of photographs depicting the culture, environment, and daily life of these coastal islands in 1966. Series 12: New York City Scenes contains photographs taken on the street depicting everyday life in NYC in the 1960s and 1970s. The collection also contains related papers in Series 13: Miscellaneous Papers and Correspondence.
Arrangement note:
Each item in the Diana Davies Photographs has been assigned an accession number, and like materials have been put together such as the Newport Folk Festival photographs, in a chronological sequence as much as possible. Materials in the three more recent donation batches (1998, 2004, and 2006) were numbered and integrated into the collection. In some series, the accession numbers are in numerical order, and in others, the numbers are random because like items with different number sequences were pulled together in a series for subject coherence. The best way to find occurrences of a particular subject is to use the ctrl+F function. Please consult the archivists if you have any questions about the collection contents.

Contact sheets, slides, and prints arranged in 8 binders; negatives and oversize prints are stored separately.

Arranged in 14 series:

Missing Title

Series 1: Newport Folk Festival

Series 2: Philadelphia Folk Festival

Series 3: Broadside Magazine

Series 4: -- Sing Out! -- Magazine Concerts

Series 5: Miscellaneous Concerts and People

Series 6: Festival of American Folklife

Series 7: Recording Sessions

Series 8: Instruction Book Shots

Series 9: Jazz, Blues, and Salsa Musicians

Series 10: Georgia Sea Islands

Series 11: Social Justice

Series 12: New York City Scenes

Series 13: Miscellaneous Papers and Correspondence

Series 14: Oversize Materials
Biographical/Historical note:
Diana Davies is a well-known photographer of folk performers and festivals. Davies photographed the Smithsonian Folklife Festival in its earlier years. Born in 1938, Davies grew up in Maine, the Catskills, New York City, and Boston. Her grandparents were local union organizers and Debs socialists; one grandfather was a gandy dancer with the railroad, and her grandmother was a textile worker in Massachusetts, New York, and Pennsylvania. Davies finds that her family background was later expressed in her own activist efforts.

Davies left high school at 16, and worked sweeping out coffeehouses, which gave her the opportunity to listen to music while she worked. She became interested in theater and music. In Greenwich Village, she began doing some sound technician work, and then got interested in photography. She taught herself how to develop and print photographs in a darkroom, and began photographing in theaters, shooting from behind the scenes. Her theater photos are at Smith College in Northampton, where she presently lives. In the early 1960s, she began working with the editors of Broadside Magazine, Sis Cunningham and Gordon Friesen. She developed an interest in human rights work, which grew from her contact with Sis and Gordon, and also her own family background. She also worked as a photographer in a wide range of settings, including night clubs, weddings, and doing portrait photography. This led her to work for major national and international media including the New York Times, covering such events as the war in Biafra, and traveling to Mexico, Cuba, and Portugal on assignment.

Davies' folk photographs represent about one-quarter of her body of work; her other major photographic work includes the Civil Rights Movement, the Peace Movement, and theater. Davies began photographing at the Newport Folk Festival in 1964, which she covered for a number of years. She knew Ralph Rinzler, and found him a vibrant, alive person excited by all aspects of culture. He introduced her to Bessie Jones from the Georgia Sea Islands, and in 1966 she made a photographic journey to the islands. Her work from this trip is included in the collection. Davies has also been a musician. She became involved with the punk rock movement of the 1970s, and felt that there was a connection between the hard-hitting songs from the punk world and the songs being published in Broadside Magazine. In 1975, she became part of a folk/punk women's band in Boston, and later moved to Western Massachusetts. In addition to being a photographer and musician, Davies is also a writer. She wrote a play entitled "The Witch Papers" in 1980, which was produced in Boston and other locations. The play was a vehicle for her human rights activism, comparing the technology of inquisition with labor sweatshops. In 1998, her play "The War Machine" was produced in Amherst, Mass. She lives in Northampton, and enjoys and participates in street performance, which she describes as the "most essentially communicative stuff you can come up with."
General note:
All contact sheets from the collection are digitized and accessible through this finding aid. Series-level slideshows accessible through this finding aid represent a small sampling from the collection.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives and Collections. These two more recent donations of additional photographs (contact sheets, prints, and slides) consisted of documentation of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the provison that her work be credited in any use.
Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.

Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections.
Rights:
Copyright restrictions apply. Please contact the archives staff for further information.
Topic:
Peace movements  Search this
March on Washington for Jobs and Freedom, Washington, D.C., 1963  Search this
Civil rights -- United States  Search this
Genre/Form:
Contact sheets
Slides (photographs)
Black-and-white negatives
Photographic prints
Citation:
Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.
Identifier:
CFCH.DAVIE
See more items in:
Diana Davies photographs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59fa9fef6-8287-4b3c-8f47-119c519dd318
EDAN-URL:
ead_collection:sova-cfch-davie
Online Media:

Moses Moon Civil Rights Movement Audio Collection

Creator:
McNamara, Norris  Search this
Moon, Moses  Search this
Names:
Freedom Singers  Search this
Abernathy, Ralph, 1926-1990  Search this
Anderson, Marian, 1897-1993  Search this
Baez, Joan  Search this
Baker, Ella, 1903-1986  Search this
Baker, Josephine, 1906-1975  Search this
Baldwin, James, 1924-1987  Search this
Barry, Marion, 1936-  Search this
Bikel, Theodore  Search this
Carawan, Guy  Search this
Conyers, John, 1929-  Search this
Donaldson, Ivanhoe  Search this
Dylan, Bob, 1941-  Search this
Ferebee, Dorothy Boulding , 1898?-1980  Search this
Forman, James, 1928-2005  Search this
Gregory, Dick  Search this
Guyot, Lawrence, 1939-  Search this
Hamer, Fannie Lou  Search this
Height , Dorothy I. (Dorothy Irene), 1912-2010  Search this
Horne, Lena  Search this
King, Martin Luther, Jr., 1929-1968  Search this
Lewis, John  Search this
Moses, Robert  Search this
Moses, Robert Parris  Search this
Odetta, 1930-2008  Search this
Parks, Rosa, 1913-2005  Search this
Reagon, Bernice Johnson, 1942-  Search this
Reagon, Cordell  Search this
Robinson , Amelia Boynton, 1911-2015  Search this
Robinson, Jackie  Search this
Rustin, Bayard, 1912-1987  Search this
Seeger, Pete, 1919-2014  Search this
Sherrod, Charles, 1937-  Search this
Shuttlesworth, Fred L., 1922-2011  Search this
Extent:
4 Cubic feet (18 boxes)
Type:
Collection descriptions
Archival materials
Audiotapes
Sound recordings
Date:
1963-1964
Summary:
Recorded by Moses Moon (known at the time as Alan Ribback) and assisted by Norris McNamara during 1963 and 1964, the collection includes audio recordings of interviews with civil rights leaders and participants as well as free-style recordings of mass meetings, voter registration events, and other gatherings organized by Student Nonviolent Coordinating Committee (SNCC). This collection provides a mostly unfiltered documentation of significant moments in the civil rights movement.
Scope and Contents:
This collection consists of 115 reel to reel audio recordings containing interviews, mass meetings, demonstrations, and conversations concerning the civil rights movement, and in particular the voter registration drives organized by SNCC in Alabama and Mississippi in 1963 and 1964. Mass meetings were recorded in Greenwood, Mississippi; Americus, Georgia; Selma, Alabama; Jackson, Mississippi; Danville, Virginia; Washington, D.C.; Hattiesburg, Mississippi; and Indianola, Mississippi. Major demonstrations recorded include the March on Washington in August of 1963, Freedom Day in Selma, Alabama in October of 1963, and Freedom Day in Hattiesburg, Mississippi in January of 1964. Interviews with SNCC workers include Julian Bond, John Lewis, James Forman, Bruce Gordon, Prathia Hall, Ivanhoe Donaldson, Bob Moses, Avery Williams, Willie Peacock, Bruce Boynton and his mother, as well as dozens of others involved in the movement, who are named in the collection inventory. Many of those interviewed were actively involved in strategizing and carrying out SNCC demonstrations and political actions, and many were victims of death threats, beatings, unlawful arrest, police brutality, and torture and abuse in prison. These interviews contain detailed eyewitness accounts and personal testimony regarding these experiences, as well as personal history and thoughts about the movement, the South, and the future.

It is clear from what we know of the dates and locations of these recordings, as well as from documentation of these events in other sources, that many of these recordings are unique documents of important events in American history, which may also contain the commentary of important political and cultural figures who were involved in the movement. For example, an article by Howard Zinn recounts how an unidentified man recorded James Baldwin on October 7, 1963, Freedom Day in Selma, on the steps of the courthouse. Baldwin was furious at the lack of support from nearby federal agents as state troopers advanced on peaceful demonstrators. One of the tapes dated October 7, 1963, originally labeled "courthouse interviews," appears to be this recoding, although Baldwin is not named. The same article (available in The Howard Zinn Reader) recounts the mass meetings which led up to that demonstration, at which actor Dick Gregory gave a rousing sermon as his wife sat in jail for demonstrating in Selma. The Moses Moon Collection may be the only existing audio recording of that sermon as well as many other sermons and speeches.

Moses Moon changed his name after these recordings were made. He is referred to in the finding aid as Alan Ribback because that name is used on the recordings.
Arrangement:
The collection is arranged in two series.Series 1 is in chronological order to the degree recording dates can be determined, and is based on the locations and dates provided by Moon in his description or gleaned from the recordings themselves and other secondary sources. Series 1 contains 17 groups of recordings.

Moon's original numbers are recorded in the column next to the descriptions. Following the first four Greenwood tapes, which are numbered sequentially, Moon's numbering system took the first two letters of the town in which the recordings were made, a one (1), a decimal, and then a tape number. Numbers preceding the town code refer to the recording day. "N" numbers were later assigned by Moon to the 7" reels only, after the original recordings were made, possibly during editing or when the tapes were made available to the Program in African American Culture.

Series 1, Original Tapes

1. Greenwood, Mississippi; Spring 1963; 4 7" reels

2. Chicago, Illinois; August 9, 12, 1963; 2 5" reels

3. Americus, Georgia; August 17, 1963; 5 5" reels, 1 7" reel

4. Atlanta, Georgia; August 21, 1963; 1 5" reel

5. Washington, D.C.; August 26-28, 1963; 6 5", 8 7" reels

6. Atlanta, Georgia; September 8, 1963; 4 5" reels

7. Selma, Alabama; September 29-October 7, 1963; 11 5" reels, 16 7" reels

8. Gadsden, Alabama; October 23, 1963; 2 5" reels

9. Jackson, Mississippi; Fall/Winter 1963; 11 7" reels

10. Greenwood, Mississippi; c. November 3, 1963; 3 5" reels, 4 7" reels

11. Danville, Virginia; 1963; 6 7" reels

12. Washington, D.C.; soon after November 22, 1963; 6 7" reels

13. Washington, D.C.; late 1963, or possibly during MOW; 10 7" reels

14. Hattiesburg, Mississippi; January 1964; 9 7" reels

15. Indianola, Mississippi; Summer 1964; 2 7" reels

16. Monroe County, Mississippi; August 1, 1964; 4 5" reels

17. Milton, Mississippi; August 16, 1964; 3 5" reels

Series 2, Preservation Masters consists of data DVDs for a portion of the collection.
Biographical / Historical:
Moses Moon was born Alan Ribback in 1928. During the 1950s until 1962, Ribback was the proprietor of the Gate of Horn, Chicago's premier folk music club, which featured performers including Bob Gibson, Odetta, Judy Collins, Joan Baez, Jo Mapes, Peter, Paul and Mary, Lenny Bruce, and Shelley Berman. On December 5, 1962, Lenny Bruce was arrested during a performance at the Gate of Horn along with Ribback, George Carlin, and others. As a result of the arrest and Bruce's subsequent conviction for obscenity, the club was closed by the City of Chicago, and Ribback left Chicago with Norris McNamara, an audio technician, to record folk concerts taking place in the South as part of the growing civil rights movement. From the spring of 1963 until the summer of 1964, Ribback and McNamara recorded demonstrations and mass meetings and interviewed civil rights activists, primarily those involved in the Student Nonviolent Coordinating Committee (SNCC). Later, Ribback moved to New York and edited his recordings into an album called Movement Soul. Ribback married Delia Moon in 1971, took her last name and changed his first name to Moses. In 1979, Bernice Reagon Johnson, working with the Program on African American Culture at the Smithsonian, contacted Moon and borrowed the recordings of mass meetings for a 1980 program on the voices of the civil rights movement. In the late 1980s, Moon was stricken with a severe case of Guillain-Barre syndrome, which left him paralyzed. Moon donated the entire collection of original recordings shortly before his death in 1993.
Related Materials:
Materials at Other Organizations

The papers of the Student Nonviolent Coordinating Committee are held by the King Library and Archives in Atlanta, Georgia; archives@thekingcenter.org.
Provenance:
Donated by Moses and Delia Moon in 1995.
Restrictions:
Collection is open for research. Reference copies must be used. Tapes noted in the container list have digital reference copies in the Smithsonian Institution Digital Asset Management System (DAMS).
Rights:
Collection items available for reproduction, but copyright status unknown. Contact Archives Center staff for additional information. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American civil rights workers.  Search this
African American preaching.  Search this
Mississippi Freedom Project  Search this
Civil rights movements  Search this
Student Nonviolent Coordinating Committee (U.S.)  Search this
Civil rights  Search this
Voter registration  Search this
African Americans -- Civil rights  Search this
African American student movements.  Search this
Folk music  Search this
March on Washington for Jobs and Freedom, Washington, D.C., 1963  Search this
Gospel music  Search this
Genre/Form:
Audiotapes -- Open reel
Sound recordings
Audiotapes
Citation:
Moses Moon Civil Rights Movement Audio Collection, 1963-1964, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0556
See more items in:
Moses Moon Civil Rights Movement Audio Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f8d8405e-ab8d-486c-96c7-58c33804c206
EDAN-URL:
ead_collection:sova-nmah-ac-0556

Robert C. Malone photographs

Photographer:
Malone, Robert C., 1931-2019  Search this
Names:
Old Town School of Folk Music  Search this
Weavers (Musical group)  Search this
Broonzy, Big Bill, 1893-1958  Search this
Performer:
Bikel, Theodore  Search this
English, Logan  Search this
Gilbert, Ronnie  Search this
Gooding, Cynthia  Search this
Hamilton, Frank, 1934-  Search this
Hays, Lee, 1914-1981  Search this
Hellerman, Fred, 1927-2016  Search this
Houston, Cisco  Search this
Jackson, Mahalia, 1911-1972  Search this
Koppelman, Robert S. (Robert Steven), 1959-  Search this
Langhorne, Bruce  Search this
Odetta, 1930-2008  Search this
Schlamme, Martha  Search this
Seeger, Pete, 1919-2014  Search this
Sellers, John, 1924-  Search this
Stracke, Win, 1908-1991  Search this
Extent:
1 Folder (papers)
1 Binder (contact sheets and prints, black and white)
1 Boxe (35 mm negatives, black and white, 8.5"x10.75"x2.5")
0.44 Cubic feet (2 boxes contain the extent details for this collection, Box 1 is 0.24 cubic feet and Box 2 is 0.2 cubic feet)
Type:
Collection descriptions
Archival materials
Binders
Photographic prints
Correspondence
Contact sheets
Black-and-white negatives
Place:
Chicago (Ill.)
New York (N.Y.)
Date:
1957 - 1961
Summary:
Original photographs and negatives taken by Robert C. Malone.
Scope and Contents:
The Robert C. Malone photographs document the performances of folk singers. The collection dates from 1957 to circa 1961. Photographic materials include 16 rolls of negatives, contact sheets made from the negatives, and 14 prints. The collection features photographs of the Weavers and Cisco Houston. The collection also includes a small amount of correspondence, including two letters from Robert C. Malone to the Center for Folklife and Cultural Heritage concerning the donation of the collection, and two letters from Lee Hays to Robert C. Malone. A handful of Malone's prints are housed with the Lee Hays papers in the Rinzler Archives and are not included in the finding aid.
Arrangement note:
Arranged in 6 series: (1) University of Chicago; (2) Old Town School of Folk Music, Chicago, Ill.; (3) One Sheridan Square, N.Y.; (4) Cisco Houston's Last Performance; (5) Miscellaneous People; (6) Correspondence and Miscellaneous. Contact sheets and prints arranged in 1 binder; negatives are stored in a separate binder. Series VI, Correspondence and Miscellaneous, is filed separately. Materials are arranged chronologically.
Biographical/Historical note:
Robert C. Malone is currently retired and lives in Ridgewood, New Jersey. Between 1957-1961, Robert C. Malone moved between Chicago and New York photographing folk singers such as the Weavers and Cisco Houston.

Through contact with Robert Koppelman, a scholar working with the Lee Hays Papers in the Rinzler Archives, Robert C. Malone heard about the Archives and wrote to offer his photos to the Archives collections.
Provenance:
The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired the Robert C. Malone Photograph Collection in 1998. In a letter dated 19 January 1999, Mr. Malone gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of his photographs with the request that his work be credited.
Restrictions:
Access by appointment only. Permission for the reproduction or publication of items in the Robert C. Malone Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information at (202) 633-7322.
Rights:
Copyright restrictions apply. Please contact the archivists for further information.
Topic:
Folk songs -- United States  Search this
Genre/Form:
Photographic prints
Correspondence
Contact sheets
Black-and-white negatives
Citation:
Robert C. Malone photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.MALO
See more items in:
Robert C. Malone photographs
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e750a176-9c34-4a4b-91b9-513a08a340ed
EDAN-URL:
ead_collection:sova-cfch-malo
Online Media:

Bikel, Theodore

Collection Collector:
Sidney, George, 1916-2002  Search this
Container:
Box 54, Folder 39
Type:
Archival materials
Date:
1964
Collection Restrictions:
Collection is open for research but is stored off-site. Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period.

Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
The Archives Center does not own exclusive rights to these materials. All requests for permission to use these materials for non-museum purposes must be addressed directly to the Archives Center, and the Archives Center will forward the request to the copyright holder. Collection items are available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Collection Citation:
George Sidney Collection, Archives Center, National Museum of American History, gift of Corinne Entratter Sidney
See more items in:
George Sidney Collection
George Sidney Collection / Series 1: Photographs, Photographic Negatives, and Slides / 1.3: Personalities and People
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep87f168696-5692-455e-a311-4e804d80027b
EDAN-URL:
ead_component:sova-nmah-ac-0867-ref304

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