(notes on notecards and on paper on various aspects and periods of arte chicano); bibliographic notes; letter to TYF from Barbara Pascal, undated; letter to TYF from Matt S. Meier and Francisco Jiménez, Dept. of Modern Languages, University of Santa Clara, 10/15/1980, asking TYF to do a lecture)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(photocopy of Arte Chicano; A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981, not including index)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
Scope and Contents:
These papers reflect the professional lives of Alice Cunningham Fletcher (1838-1923), an ethnologist with the Peabody Museum of Harvard University and collaborator with the Bureau of American Ethnology, and Francis La Flesche (1856-1923), an anthropologist with the Bureau of American Ethnology. Due to the close professional and personal relationship of Fletcher and La Flesche, their papers have been arranged jointly. The papers cover the period from 1874 to 1939. Included in the collection is correspondence, personal diaries, lectures, field notes and other ethnographic papers, drafts, musical transcriptions, publications by various authors, maps and photographs.
The papers have been divided into three general categories: the papers of Alice Cunningham Fletcher, the papers of Francis La Flesche, and the ethnographic research of Fletcher and La Flesche. The first two categories represent personal and professional materials of Fletcher and La Flesche. The third section holds the majority of the ethnographic material in the collection.
Of primary concern are Fletcher and La Flesche's ethnological investigations conducted among the Plains Indians, particularly the Omaha and Osage. Fletcher's Pawnee field research and her allotment work for the Bureau of Indian Affairs among the Omaha, Nez Perce, and Winnebago are represented in the collection. A substantial portion of the ethnographic material reflects Fletcher and La Flesche's studies of Native American music. Much of the correspondence in the papers of Fletcher and La Flesche is rich with information about the situation of Omaha peoples in the late nineteenth and early twentieth centuries.
Also included in the collection are documents related to Fletcher's work with the Archaeological Institute of America and the School for American Archaeology. Additionally, substantial amounts of Fletcher's early anthropological and historical research are found among her correspondence, lectures, anthropological notes, and early field diaries. La Flesche's literary efforts are also generously represented.
Arrangement:
The collection is divided into the following 3 series: 1) Alice Cunningham Fletcher papers, 1873-1925; 2) Francis La Flesche papers, 1881-1930; 3) Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche, 1877-1939.
Series 1: Alice Cunningham Fletcher papers is divided into the following 10 subseries: 1.1) Incoming correspondence, 1874-1923 (bulk 1882-1923); 1.2) Outgoing correspondence, 1873-1921; 1.3) Correspondence on specific subjects, 1881-1925; 1.4) Correspondence between Fletcher and La Flesche, 1895-1922; 1.5) Publications, 1882-1920; 1.6) Organizational records, 1904-1921; 1.7) General anthropological notes, undated; 1.8) Lectures, circa 1878-1910; 1.9) Diaries, 1881-1922; 1.10) Biography and memorabilia, 1878-1925.
Series 2: Francis La Flesche papers is divided into the following 6 subseries: 2.11) General correspondence, 1890-1929; 2.12) Correspondence on specific subjects, 1881-1930; 2.13) Publications, 1900-1927; 2.14) Literary efforts, undated; 2.15) Personal diaries, 1883-1924; 2.16) Biography and memorabilia, 1886-1930.
Series 3: Papers relating to the anthropological research of Alice Fletcher and Francis La Flesche is divided into the following 12 subseries: 3.17) Alaska, 1886-1887; 3.18) Earth lodges, 1882, 1898-1899; 3.19) Music, 1888-1918; 3.20) Nez Perce, 1889-1909; 3.21) Omaha, 1882-1922; 3.22) Osage, 1896-1939; 3.23) Pawnee, 1897-1910; 3.24) Pipes, undated; 3.25) Sioux, 1877-1896; 3.26) Other tribes, 1882-1922; 3.27) Publications collected, 1884-1905, undated; 3.28) Photographs, undated.
Biographical / Historical:
Alice Cunningham Fletcher (1838-1923) was an ethnologist with the Peabody Museum of Harvard and collaborator with the Bureau of American Ethnology. Francis La Flesche (1856-1923) was an anthropologist with the Bureau of American Ethnology.
Chronology of the Life of Alice Cunningham Fletcher
1838 March 15 -- Born in Havana, Cuba
1873-1876 -- Secretary, American Association for Advancement of Women
1879 -- Informal student of anthropology, Peabody Museum, Harvard University
1881 -- Field trip to Omaha and Rosebud Agencies
1882 -- Assistant in ethnology, Peabody Museum, Harvard University
1882 -- Helped secure land in severalty to Omaha Indians
1882-1883 -- Begins collaboration with Francis La Flesche on the Peabody Museum's collection of Omaha and Sioux artifacts
1883-1884 -- Special Agent, Bureau of Indian Affairs, Omaha Agency
1886 -- Bureau of Education investigation of Alaskan native education
1887-1888 -- Special Disbursing Agent, Bureau of Indian Affairs, Winnebago Agency
1889-1892 -- Special Agent for allotment, Bureau of Indian Affairs, Nez Perce Agency
1890-1899 -- President, Women's Anthropological Society of America
1891-1923 -- Mary Copley Thaw Fellow, Peabody Museum, Harvard University
1892-1893 -- Department of Interior consultant, World's Columbian Exposition
1896 -- Vice-President, Section H, American Association for the Advancement of Science
1897 -- Collaborator, Bureau of American Ethnology
1899-1916 -- Editorial board, American Anthropologist
1900 -- Published Indian Story and Song from North America
1901-1902 -- Advisory committee, Anthropology Department, University of California at Berkeley
1903 -- President, Anthropological Society of Washington
1904 -- Published The Hako: A Pawnee Ceremony with James Murie
1908-1913 -- Chair, Managing Committee of School of American Archaeology
1911 -- Honorary Vice-President, Section H, British Association for Advancement of Science
1911 -- Published The Omaha Tribe with Francis La Flesche
1913 -- Chair Emeritus, Managing Committee of School of American Archaeology
1915 -- Published Indian Games and Dances with Native Songs Arranged from American Indian Ceremonials and Sports
1923 April 6 -- Died in Washington, D.C.
Chronology of the Life of Francis La Flesche
1857 December 25 -- Born on Omaha Reservation near Macy, Nebraska
1879 -- Lecture tour, Ponca chief Standing Bear
1881 -- Interpreter, Senate Committee on Indian Affairs
1881-1910 -- Clerk, Bureau of Indian Affairs
1891 -- Informally adopted as Fletcher's son
1892 -- LL.B., National University Law School
1893 -- LL.M., National University Law School
1900 -- Published The Middle Five: Indian Boys at School
1906-1908 -- Marriage to Rosa Bourassa
1910-1929 -- Ethnologist, Bureau of American Ethnology
1911 -- Published The Omaha Tribe with Alice Fletcher
1921 -- Published The Osage Tribe, Part One
1922 -- Member, National Academy of Sciences
1922-1923 -- President, Anthropological Society of Washington
1925 -- Published The Osage Tribe, Part Two
1926 -- Honorary Doctor of Letters, University of Nebraska
1928 -- Published The Osage Tribe, Part Three
1932 -- Published Dictionary of the Osage Language
1932 September 5 -- Died in Thurston County, Nebraska
1939 -- Posthumous publication of War Ceremony and Peace Ceremony of the Osage Indians
Related Materials:
Additional material related to the professional work of Fletcher and La Flesche in the National Anthropological Archives may be found among the correspondence of the Bureau of American Ethnology (BAE) and the records of the Anthropological Society of Washington.
Sound recordings made by Fletcher and La Flesche can be found at the Library of Congress. The National Archives Records Administration hold the Records of the Bureau of Indian Affairs (BIA), including those relating to allotments in severalty for the Nez Perce by Alice Fletcher. The Nebraska Historical Society has diaries, letters and clippings regarding the La Flesche family, including correspondence of Francis La Flesche and Fletcher. The Radcliffe College Archives holds a manuscript account of Alice Fletcher's four summers with the Nez Perce (1889-1892). Correspondence between Fletcher and F. W. Putnam is also located at the Peabody Museum Archives of Harvard University.
Separated Materials:
Ethnographic photographs from the collection have been catalogued by tribe in Photo Lot 24.
Glass plate negatives from the collection have been catalogued by tribe in the BAE glass negatives collection (Negative Numbers 4439-4515).
Provenance:
The papers of Alice Cunningham Fletcher and Francis La Flesche have been received from an undocumented number of sources. Portions of Fletcher's ethnographic papers were donated to the archives by Mrs. G. David Pearlman in memory of her husband in 1959.
Restrictions:
The Alice Cunningham Fletcher and Francis La Flesche papers are open for research.
Access to the Alice Cunningham Fletcher and Francis La Flesche papers requires an appointment.
The Bay Psalm Book, Cambridge 1640: Old hundred --Winsor --Ten commandments --Hallelujah --Tunes --York -- Pater Noster --Old 113th.
Local Numbers:
FW-ASCH-LP-0388
AAO New World.2007
Publication, Distribution, Etc. (Imprint):
New York AAO New World 1958
General:
Program notes by Carlton Sprague Smith on container; bibliographical notes and texts ([4] p.) inserted. Performer(s): Sung by the Carleton Dodd Singers.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The collection is open for research. Use requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Henry-Russell Hitchcock papers, 1919-1987. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art
Letters from the Department of Interior, Office of Indian Affairs, Letters from the Department of Agriculture. One letter each from the following: Coulter, John M.- University of Chicago. Fisher, C. H.. Chihuahua. Marques, Don, Pueblo, New Mexico. Parker, A. C., University of the State of New York. Rithwick (?), J. T., West Chester, Pennsylvania. Three letters from Simmons, C. S., Cache, Oklahoma. One letter from R. H. Gordon to Dr Francis P. Morgan, Washington, D. C. Copies of letters from the following: Barker, B. F., Ojueles, Texas. (1) Briggs, J. R., M.D., Dallas, Texas. (1) Ewell, E. E., Washington, D. C. (2) Fuchs, Ernesto, Guadalajara, Mexico (1). Hadley, J. W., Lawton, Oklahoma. (1). McGee, W. J., Ethnologist-in-Charge (1). Prentiss, D. Webster, Bermuda, inclosing reports of effect of Peyote on various individuals. (1)
16 cards 4 1/2 x 6 1/2"- with Peyote notes. 1 list of Peyote reference books. 14 sheets from stenographer's note book containing Peyote notes. 11 sheets, 7 x 4 1/4", containing Theodate Smith notes. 58 pages- 11 x 8 1/2"- Manuscript of "The Peyote Road", by C. S. Simmons. [ca. 1912 +] [dated by Mooney] One letter and account of the Mescal Bean, from Louis P. Meeker, Darlington, Oklahoma. 8 pages total. Article on "Huskanawing"- Virginia," Beverly, History of Virginia, 175- 80, 1722, "Huskanawing- North Carolina", and Yaupon Myth.-Lawson, History of Carolina, 1714. "Peyote", by (?) Mitchell. Peyote Parallels, Brazil- Extract from Southey's History of Brazil. Extracts from Heffter- Ueber Pellote- 10 pages. Extract from Havelock's article "A new Artificial Paradise". Extract from Historia de la Compania de Jesus en Nueva Espana, by Francisco Jan'er Alegre. Extract from Rudo Ensayo (1760)- translation. Extract from Mexican Institute Medico Nacional.-translation. Extract from Lumholz, in Journal de la Societe Des Americanistes de Paris, 1899. 5 pages in Spanish. (article). Extract from Prentiss Morgan "Mescal Buttons", Medical Rec., New York 1896. Article in regard to the prejudice against Peyote as shown by the newspapers. Author's name not given. Pages 3, 4, and 5 of an article on Peyote (carbon copy). (Pages 1 and 2 and final sheets missing). One small pasteboard box containing specimens of Peyote. Printed Song, (Tam Hoscua). Extract from Current Literature (1895) on Hasheesh Eating. Extract from Medical Record (October 1895) on Mescal Buttons. Newspaper clippings. House Bills regarding Peyote. Copies of Congressional Record. 1 copy of "Apuntes Para la Historia de la Medicina en Michoacan, por El Dr. Nicolas Leon.
Copies of the following publications: "Mescal Buttons", pamphlet by D. W. Prentiss. Mescal Buttons, Reprint from the Theraputic Gazette, January 1896. Anhalonium Lewinii (Mescal Buttons)- Reprint from the Theraputic Gazette, September 1895. Contributions from ther U. S. National Herbarium, 1892-94 and -96. (3 copies) Theraputic Gazette, January 1896 (one copy) Samoan Kava Custom, by William Churchill (Extract from Holmes Anniversary Volume). Ethnos, Mexican Medical publican- April 1920 (1 copy). Cahoba, Indentity of- the narcotic snuff of ancient Haiti, Reprint from Jounal of Was. Acad. of Sc. 1916. Photostat copies from various publications, regarding Peyote (in sizes varying from 10 x 8 1/2" to 1 1/2 x 3 1/2"). 5 photos showing Peyote plant. 2 small boxes of peyote transferred to United States National Museum 2/11/55. (Letter of Stirling to Kellogg.)
List of Contents by David F. Aberle, May 2, 1952. Bureau of American Ethnology File 2537. Peyote. James Mooney. Miscellaneous material regarding Peyote. Also see File 1887. Manila envelope containing various bibliographical leads and so on, and notes regarding congressional hearings on peyote. I have taken the considerable liberty of sorting some of the remainder of the material into manila folders. These are grouped as follows: Chemistry and Botany. Therapeutic uses (by this is meant therapeutic use in Western medicine, not Indian), and Effects- visions, etc. (Accounts of experiences, etc.) Ethnology, bibliography, and miscellaneous. Accounts of use in various areas, bibliographical leads, mainly Spanish, comprise the bulk of this-only 2 items of Miscellaneous, in fact. Legislation and agitation: congressional hearings, newspaper article, etc. "Peyote Parallels": Marijuana and other drugs. Mooney apparently tried to cover Marijuana, Kava, some South American drugs, etc. In addition to the manila envelope and these manila folders, the following are in this file: 5 sheets of photographs of peyote plants. A manuscript on peyote by C. S. Simmons, Cache, Oklahoma: The Peyote Road. There are also letters to, from, and about the author. The manuscript is not complete. It includes: poetry, preface; Chapter I, Fight on the Indian Religion; II, the Missionary; III, the Rites of the Road; IV, The Drum; VI, Medicine Smoking; VII, healing the sick; XI, Unity; VIII, Physical and Psychical Phenomena; XIII, the Awakening; XIV, the Means to Power; XV, Psychometry-the awakening of the spiritual senses; XVI, the peyote in science and medicine; XVII, The explanation; XVIII, Indian Singing; Appendix- correspondence with congressmen, etc, re Peyote. Chapters 5, 9, 10, 12 are missing. Typescript of chapters 9, 10, 12 received 1968 from Simmons' granddaughter and correspondence, 6 pages. Author, a white man, an ardent peyotist, friend of Quanah Parker, his accounts of his own experiences have considerable interest, and there is also some valuable information in it. He was a complete mystic. Apparently Mooney planned to publish this. A notebook bound in olive cloth, 5 x 8, with 39 pages filled, and 2 bibliographic notes in the very back. The notebook seems to contain, among other things, detailed notes on actual meetings, but hard to read.
Hymns: Windham. Mear. Wondrous love. Lover of the Lord.--Fuguing songs: Montgomery. Northfield. Mount Zion. Milford. Stratfield. Evening shade. Ballstown. Edom. Fillmore. Sardis. Mission. Vain world, adieu.--Anthems: Heavenly vision, by W. Billings. David's lamentation, by W. Billings. Sherburne, by D. Read.
Track Information:
101 Windham / Group, Uncle Dock Owen. Vocals.
102 Mear / Group, Paine Denson.
103 Wondrous Love / Group, Lee Wells.
104 Lover of the Lord / Group, Lonnie P. Odem.
105 Montgomery / Group, Delilah Denson Posey.
106 Northfield / Group, Paine Denson.
107 Mount Zion / Group, Maud Moncrief.
108 Milford / Group, M.L. Mann.
109 Stratfield / Group, John M. Dye.
110 Evening Shade / Group, Euna Vee Denson Nail.
201 Ballstown / Group, Ernestine Tipton.
202 Edom / Group, Delilah Denson Posey.
203 Fillmore / Group, Ernestine Tipton.
204 Sardis / Group, Uncle Dock Owen.
205 Mission / Group, A. Marcus Cagle.
206 Vain World Adieu / Group, A. Marcus Cagle.
207 Heavenly Vision / Group, Paine Denson.
208 David's Lamentation / Group, Howard Denson.
209 Sherburne / Group, R.M. Hornsby.
Local Numbers:
FP-RINZ-LP-0968
Library of Congress.AAFS L11
Publication, Distribution, Etc. (Imprint):
Washington, D.C. Library of Congress 1959
Date/Time and Place of an Event Note:
Recorded originally by Alan Lomax and the editor at the 37th annual session of the Alabama Sacred Harp Singing Convention at Birmingham, Ala., Aug. 1942.
General:
"From the Archive of American Folk Song." First issued on 78 rpm. records in 1973; first issued on long-playing records in 1959. Texts and bibliographical notes (12 p.) inserted in container.
Sacred harp, a collection of Psalms and hymn tunes, odes and anthems.
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(notes of bibliographic entries, some annotated; sections on "Vaqueros," "Colorado," and "Santos")
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(photocopy of the bibliography from Painted Walls of Mexico by Emily Edwards, 1966; notes on bibliographic references, including books and periodicals; photocopies of other bibliographies; Booklist, June 1972)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(lists of artists, exhibitions and other events, publications such as books and periodicals, articles, along with page numbers; lists of "publications to send for" and "materials to order"; references to fine art and dramatic arts including theater and cinema)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(notes; chronology of Mexican-American history, 1900-1965; biographies of artists: Jose Arpa, 1858-1952, Hernando Villa, 1881-1952, Xavier Martínez, 1869-1943; more bibliographic listings; clippings)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(bibliography for conference "The Poetics and Politics of Representation")
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(photocopy of annotated bibliography from "A Study of Cultural Themes of the Spanish Golden Age")
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(clippings; drafts and final published versions of writings by Goldman; letter to TYF from Goldman, 04/14/1979; TYF notes [for Bibliography of Chicano Art]; Conferencia Plástica Chicana, Austin, Texas, announcement letter to Goldman, 08/05/1979 and schedule; letter to TYF from Goldman, 09/25/1979; note to TYF from Goldman, 12/18/1980, re. letter to Jacinto Quirarte from Goldman, 12/18/1980, cc: TYF; draft of letter to Goldman [TYF's handwriting], undated, re. her CALIFAS catalog essay; International Inventory of Current Mexico-Related Research survey, filled out by Goldman; letter to TYF from Goldman, 09/27/1984; L.A. Artists Call against U.S. intervention in Central America flyers; letter to TYF from Goldman, 06/28/1985; letter to Carolyn [Soto] from Goldman, 04/13/1985, cc: TYF, re. Bibliography of Chicano Art; letter to TYF from Carolyn Soto, 10/04/1985; letter to Lily from Goldman, cc: TYF, 06/28/1985; letters to TYF from Goldman, 08/26/1986, 11/11/1988, 10/06/1994; bibliographic notes; letter to Goldman from Pan American University Press, 01/31/1989, re. Bibliography of Chicano Art, photocopy)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
(printed matter relating to TYF's A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981; typed drafts with handwritten notes; handwritten drafts; clippings; photocopies of bibliographic citations; notes; Chicano Studies Library, UC Berkeley brochures; note to TYF from Carolyn Soto of the Chicano Studies Library, 12/03/1986)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
