The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Graded materials of Anthony Leeds' students and grant applications that he reviewed are restricted. His photo album is also restricted due to preservation concerns.
Collection Rights:
Contact the respository for terms of use.
Collection Citation:
Anthony Leeds papers, National Anthropological Archives, Smithsonian Institution
(printed matter relating to TYF's A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981; typed drafts with handwritten notes; handwritten drafts; clippings; photocopies of bibliographic citations; notes; Chicano Studies Library, UC Berkeley brochures; note to TYF from Carolyn Soto of the Chicano Studies Library, 12/03/1986)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the 2014 processing of this collection was provided by the Frederick Hammersley Foundation. Funding for the processing of the 2018 addition was provided by Gerald and Bente Buck.
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.
However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
(photocopy of Arte Chicano; A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981, not including index)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Collection Citation:
The Aschwin Lippe Collection, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C.
S-7: "Samarra, Tagebuch 2. Reise nach Sulaimaniyyah und nach Ktesiphon-Baghdad. Ernst Herzfeld". First pages are bibliographical notes on proposed trip. Trip began (p.6) June 2, 1911; he arrived at Paikuli via Khaniqin June 17th; back in Kerkuk June 24...
1 Diary (1 volume (98 pages), 25.8 cm. x 21.3 cm.)
Container:
Volume S-7
Type:
Archival materials
Diaries
Notebooks
Place:
Asia
Iraq
Syria
Lebanon
Sāmarrāʼ (Iraq)
Iraq -- Salah ad-Din -- Samarra
Date:
1911
Scope and Contents:
- FSA A.6 01.07, on which Joseph Upton's classification mentions "S-7", provides first an account of a round-trip expedition (June 3, 1911 to June 29, 1911) from Samarra to Paikuli; and second an account of a round-trip expedition (September 12, 1911 to October 8, 1911) from Samarra to Baghdad-Ktesiphon. Both journeys include topographical and archaeological notes, especially of Budkhaneh (Paikuli), Kerkuk, Imām Dūr, Balad, and Ctesiphon.
- Original title reads, "Samarra Tagebuch 2, Reise nach Sulaymānīyah und nach Ktesiphon Baghdad, Ernst Herzfeld."
- The account of the trip to Sulaymānīyah reads, "Dalu'iyyah, June 3, 1911 (pp. 6-8); Mandjūr, June 4, 1911 (pp. 8-10); Dalkāwah, June 5, 1911 (pp. 11-13); Abu Saidah, June 6, 1911 (pp. 13-16); Shahrabān, June 7, 1911 (pp. 17-18); Qyzrubāh (Qizil Robat, Qyzyl-ābād), June 8, 1911 (pp. 19-20); Khânigūn (Khanigin, Khāndjûn), June 9, 1911 (pp. 21-25); Khânigūn (Khanigin, Khāndjûn), June 11, 1911 (pp. 25-27); Haush Dury, June 12, 1911 (pp. 27-28); Qasr i Shirin, June 14, 1911 (pp. 28-31); Gūn gurūsh, June 15, 1911 (pp. 31); Būd Khāuch, Tel i Paikuli, June 17, 1911 (pp. 32-35); Būd Khāuch, June 18, 1911 (pp. 36-38); Qaradagh (Kara Dāgh), June 19, 1911 (pp. 38-39); Suleimēniyyah (Soleymaniyeh,Sulaymānīyah, Sulaimaniya), June 20, 1911 (p. 39); Suleimēniyyah (Soleymaniyeh, Sulaymānīyah, Sulaimaniya), June 23, 1911 (pp. 42); Tēnāw, June 22, 1911 (pp. 41); Tshemtshemāl, June 4, 1911 (pp. 46-48); Kerkūk (Karkūk, Kirkūk), June 24, 1911 (pp. 42-43); Kerkūk (Karkūk, Kirkūk), June 25, 1911 (pp. 43-45); Kerkūk (Karkūk, Kirkūk), June 26, 1911 (pp. 45-48); Busheriyyah, June 27, 1911 (pp.45-48); Hamrīn, June 28, 1911 (pp. 45-48); Imām Dūr, June 29, 1911 (pp. 48-50)."
- Additional information reads, "Draft of reply to Joseph Strzygowski's review of "Die Genesis der islamischen Kunst," (pp.51-57)."
- Additional information reads, "Notes on Gertrude Bell's Amurath to Amurath (london, 1911), (pp.58-62)."
- The account of the trip to Ctesiphon reads, "Balad, September 12, 1911 (pp. 63-67); Sumaikah, September 13, 1911 (pp. 68-73); Shari'ah al-Azam, September 14, 1911 (pp. 73-79); Ktesiphon, September 17, 1911 (pp. 79-82); Ktesiphon, September 18, 1911 (pp. 82-89); Seleukia, September 19, 1911 (pp. 89-94); Samarra, October 8, 1911 (p. 95)."
- Additional information reads, "Desiderata in Aleppo, (pp.96-98)."
Ernst Herzfeld Papers, Series 1: Travel Journals; Diary of Two Expeditions From Samarra (Iraq) to Sulaimaniya (Iraq) and to Ctesiphon (Iraq)
Arrangement:
In the original arrangement of the Ernst Herzfeld Archive, Travel Journals were included in a larger body of diverse material acknowledged by Ernst Herzfeld as his study collection. In the early 1970s, Joseph Upton, for research purpose, rearranged the collection and created a specific series (Ernst Herzfeld Papers, Series 1: Travel Journals, 1905-1928) for eight travel journals. For some reason, Upton has given this journal an accession number related to the series he created for the Samarra material (Ernst Herzfeld Papers, Series 7: Records of Samarra Expeditions, 1906-1945), probably following Herzfeld's original organization.
Local Numbers:
Ernst Herzfeld Papers, S-7
FSA A.06 07.07
FSA A.06 07.07
General:
Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive and Ernst Herzfeld's original diaries.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Ernst Herzfeld Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington D.C. Gift of Ernst Herzfeld, 1946
John Peabody Harrington papers, National Anthropological Archives, Smithsonian Institution
The preferred citation for the Harrington Papers will reference the actual location within the collection, i.e. Box 172, Alaska/Northwest Coast, Papers of John Peabody Harrington, National Anthropological Archives, Smithsonian Institution.
However, as the NAA understands the need to cite phrases or vocabulary on specific pages, a citation referencing the microfilmed papers is acceptable. Please note that the page numbering of the PDF version of the Harrington microfilm does not directly correlate to the analog microfilm frame numbers. If it is necessary to cite the microfilmed papers, please refer to the specific page number of the PDF version, as in: Papers of John Peabody Harrington, Microfilm: MF 7, R34 page 42.
