United States of America -- Florida -- Brevard County -- Cocoa
United States of America -- Florida -- Lake County -- Groveland
United States of America -- Florida -- Brevard County -- Mims
United States of America -- Florida -- Brevard County
United States of America -- Florida -- Brevard County -- Titusville
United States of America -- Florida -- Seminole County -- Sanford
Date:
bulk 1945-1949
Summary:
Harry T. Moore was a pioneering civil rights activist, educator, and civic leader. The collection was originally housed in a formerly "lost" briefcase that was found in 2006 by FBI investigators. The materials in this collection focus on his activities as a civil rights activist and community leader who sought to advocate for pay equity, voting rights, and justice reform for African American communities in Florida. Harry Moore and his wife Harriette were murdered for their work and they have been immortalized as the Civil Rights Movement's first martyrs.
Scope and Contents:
The Harry T. and Harriette V. Moore Archival Collection chronicles Harry Moore's career in civil rights and education that ultimately led to his and his wife's murder. The materials in this collection were originally located in Harry T. Moore's briefcase and are dated from 1942 to 1949. The collection contains correspondence, memoranda, business records, ephemera, and newspaper clippings. The bulk of the material reflects Moore's work as a community leader working with the National Association for the Advancement of Colored People (NAACP) and the Progressive Voters League (PVL). The materials include original typed correspondence to and from Harry T. Moore as well as mimeographed letters that were saved for recordkeeping purposes.
The briefcase and Moore's wallet (part of the NMAAHC Collection) were found by Harriette Moore's brother, George Simms, after the firebombing of the Moore's home on Christmas night in 1951. Both were given to the local authorities for the investigation. The briefcase was lost during the initial 1951-1952 investigations. It was found in 2006 by FBI Investigators in a barn close to the Moore's former home. The investigation was closed the same year and the briefcase and its contents were returned to the family. J. Evangeline Moore served as the steward of the collection, lending out materials to various organizations, journalists, writers, and filmmakers over the years to educate the masses about her father's work and her parents' legacy. This work continued until her death in 2015. This collection and related Moore family heirlooms were donated to the National Museum of African American History and Culture in 2013 and 2018, respectively.
Arrangement:
This archival collection does not include all the materials originally located in the briefcase. Materials from this collection were used during investigations as well as historical displays, documentaries, and various educational presentations. Research revealed that various materials were misplaced or lost. The FBI investigators originally located the briefcase in 2006 and they organized and rehoused the materials for better preservation. According to the 2006 investigation report, the investigators organized the documents in alphabetical order but arranged them as they were discovered within Harry T. Moore's filing system. His filing system was based on keeping documents together in envelopes that pertain to the same subject.
The NMAAHC Archives Team kept the subject and proximal context of the materials together. To further preserve this original arrangement and sustain the collection, materials were separated by format and then by subject, keeping those with similar dates and subjects together.
Biographical / Historical:
Harry Tyson Moore was born on November 18, 1905 to Stephen John "Johnny" Moore and Rosalea "Rosa" Tyson Moore in Houston, Florida. After his father's death in 1914, Moore was sent to live with his maternal aunts in Daytona Beach, Florida. He attended Florida Normal and Industrial Memorial Institute, at the time a high school and junior college, where he graduated with a teaching degree in 1924. He immediately began his first teaching position at the segregated Monroe Elementary School in Cocoa, Florida.
Harriette Vyda Sims was born on June 19, 1902 in West Palm Beach, Florida to David and Annie Simms. Harriette was an insurance agent at Atlanta Life Insurance Company, a prominent Black-owned company, working out of Cocoa, Florida when she met Harry. Harry was also working at Atlanta Life to supplement his meager salary from teaching. Harry and Harriette married on Christmas Day in 1926. To establish themselves, the newlyweds moved in with Harriette's family in Mims, Florida. They had two daughters, Annie, born 1928, and Juanita (Evangeline), born 1930.
The couple enrolled together at the Daytona Normal Industrial Institute, later renamed the Bethune-Cookman College (BCC) after a merger of local African American schools. Harriette earned associate and bachelor's degrees in education in 1941 and 1950 respectively. Harry earned a bachelor's degree in education in 1936. Both Evangeline and Annie attended BCC as well. Annie served as an assistant to Dr. Mary McLeod Bethune.
From 1927-1936, Harry served as a teacher and eventual principal of Titusville Colored Junior High School. Harriette was a teacher and lunch lady at various elementary schools in the area. Troubled by the inequities and lack of educational resources available to African Americans, Harry started the Brevard County chapter of the National Association for the Advancement of Colored People (NAACP) in 1934. He established the organization with the help of the all-black Florida State Teacher's Association and the support of civil rights lawyer Thurgood Marshall.
In 1937, Moore was involved in a lawsuit regarding teacher pay equality. In Florida, White teachers received a monthly salary of $50 while African American teachers had a base salary of $20. This was the first civil rights case of its kind in the South. Moore's good friend John Gilbert, the principal of the junior high school, served as the plaintiff. The case, Gilbert v. Board of Public Instruction of Brevard County, was lost as many African American teachers were afraid to publicly endorse the case, fearing repercussions. This proved correct as Gilbert and Moore were both fired because of their activism. The Florida Supreme Court dismissed the petition stating that Brevard County was not legally required to change salary schedules based on pay because schools used individual contracts with the teachers. This case laid the foundation for several successful pay equality cases including McDaniel v. Board of Public Instruction in 1941 and County Teachers Association v. the Board of Public Instruction for the County of Marion and Broward in 1942.
Fighting for pay equity for teachers and educational civil rights took Harry and Harriette around the state, organizing and mobilizing community members. In 1936, the Moores took on new positions at the segregated Mims Elementary School and continued their involvement in organizing civil rights cases throughout Florida. In 1941, Harry was appointed the president of the Florida State Conference for the NAACP and later became the executive secretary for the Florida branch. In 1944, Smith v. Allwright ruled that it was unconstitutional for the Democratic Party to limit its membership to White people. This gave Harry the impetus to establish the Progressive Voters League (PVL), a partisan political action group in 1946. Harry believed that African Americans should have the power to vote for whomever is best for their community. Harry kept his work with the PVL separate from his work with the NAACP, despite his leadership role in both. Within a few years of PVL's establishment, there were 100,000 registered eligible African American voters in the state. For the first time in Florida's history, African American citizens were organized and poised to change the outcome of elections. In 1946, this work cost Harry and Harriette their positions at Mims Elementary School. Fortunately, the NAACP, grateful for all of Harry's years of voluntary service, named him the NAACP's first full-time paid executive secretary. Both daughters assisted in creating NAACP Youth Council for the chapter as well.
Harry fought against the gruesome lynching and rampant police brutality taking place in Florida. In 1937, he started investigating cases himself and took an active role in pursuing justice in several unsolved lynching cases around Florida. He regularly sent correspondence about voting rights and lynching to state legislators, the governor, congressmen and even the president. In
1949, Moore became very involved in the national case, State of Florida v. Samuel Shepherd, Walter L. Irvin, Charles Greenlee, and Ernest E. Thomas, commonly known as the Groveland Rape case. Four young African American men were accused of raping a white woman, Norma Padgett. The sheriff of the area, Willis V. McCall rallied a mob of 1,000 local men to locate the accused. Ernest Thomas was killed during pursuit after being shot 400 times by the mob. Shepherd, Irvin, and Greenlee were beaten and coerced into confessing to the crime, only Irvin refused. The trio were immediately convicted by an all-white jury. Shephard and Irvin were sentenced to death while Greenlee, a minor, was sentenced to life in prison. In 1951, Harry and the NAACP legal team appealed the case before the United States Supreme Court. The Court ruled the men were not given a fair trial and sent the case back for retrial at the lower court. In November of 1951, while transporting Shepherd and Irvin back to the county prison for the retrial, Sheriff McCall shot the handcuffed men, killing Shepherd and seriously injuring Irvin. Moore launched an aggressive campaign to have McCall removed from his position and indicted for his involvement in the deaths. He wrote letters to President Truman, the governor, congressmen and several state and county legislators about McCall and the case. Many historians believe Moore's involvement in this case led to his murder only six weeks later. In 2019, Florida Governor Ron DeSantis issued the Groveland Four a posthumous pardon.
On December 25, 1951, both Christmas and the Moore's 25th wedding anniversary, a bomb exploded under their home, directly below the Moore's bedroom. Harry died on the way to the hospital. His funeral took place on January 2, 1952 to a crowd of 3,500, according to Ebony magazine. The following day, January 3, Harriette died from the injuries she sustained in the bombing. Her funeral took place on January 8, where NAACP leader Roy Wilkins spoke eloquently about the Moores and how their work will not be forgotten. The Moores are often called the first martyrs of the 1950s Civil Rights Movement.
The world quickly took note of Harry and Harriet's murders. Newspapers around the world criticized the U.S. for its treatment of African American citizens. The murders were discussed on the floor of the United Nations and the halls of Congress. There were many investigations at the time of the bombing, but the perpetrators were not found. The case was reopened in 1978, but again no charges were filed. In 2004-2006, the investigation was again reopened and led to the conclusion that the murders were conducted by the Central Florida Klu Klux Klan. The men believed responsible were Earl J. Brooklyn, Tillman H. Belvin, Joseph N. Cox, and Edward L. Spivey. However, all the men had died by this time, therefore no one was ever charged for the Moores' murder.
Evangeline was extremely involved in the investigation and worked directly with the attorney general. By the mid-1990s, Evangeline began to take a public role in preserving the memory of her family's contributions to the Civil Rights Movement. In 1995, she helped organize the Harry T. Moore and Harriette V. Moore Homesite Development Committee, a non-profit organization that raised money for an educational site dedicated to celebrating the life and work of the Moores. In 2004, Harry T. and Harriette V. Moore Memorial Park opened, featuring a museum, the original Moore homesite, and a 12-acre park. There are annual celebrations held in the second week of December in Mims, honoring the Moore family's sacrifices for human rights. In 2015, the Florida State Senate adopted resolution SR1638, "Remembering the outstanding contributions of pioneer leaders and martyrs Harriette Vyda Simms Moore and Harry T. Moore in commemoration of the 50th Anniversary of the Voting Rights Act, etc." In October 2015, Evangeline passed away in New Carrolton, Maryland.
Historical Timeline
1902 -- Harriette V. Simms was born in West Palm Beach, Florida to David I. Simms and Annie Warren Simms.
1905 -- Harry Tyson Moore was born in Houston, Florida to Stephen John "Johnny" Moore and Rosa Tyson Moore.
1914-1916 -- Johnny Moore died. Rosa Moore sent Harry to Daytona Beach, Florida to stay with family because of financial difficulties. Harry and his maternal aunts moved to Jacksonville, Florida for better educational opportunities.
1919 -- Moore returned to Houston, Florida and began the high school program at Florida Normal and Industrial Memorial Institute. He graduated with a teaching degree in 1924.
1925 -- Harry earned his teaching certificate and immediately began teaching position at the segregated Monroe Elementary School in Cocoa, Florida.
1926 -- Harry and Harriette wed on Christmas.
1927 -- The Moore newlyweds moved in with Harriette's parents. Harry began teaching at the Titusville Colored Junior High School in Titusville, Florida.
1928 -- Annie Rosa Moore was born. In the fall, Harriette began working as a teacher at Mims Colored Elementary School in Mims, Florida.
1930 -- [Juanita] Evangeline Moore was born. Harry began taking correspondence courses at the University of Florida.
1931 -- Harry and his family move into their own home in Mims, Florida.
1934 -- Harry founded the Brevard County chapter of the National Association for the Advancement of Colored People (NAACP).
1936 -- Harry graduated from Bethune-Cookman College (BCC) with a normal degree in education. In the fall, Harry became a teacher and the principal of Mims Colored Elementary School.
1938 -- In March, Attorney S.D. McGill filed a lawsuit for pay equality with Cocoa Junior School principal John Gilbert as the plaintiff. The case was dismissed in June.
1939 -- The appeal case of Gilbert v. Board of Public Instruction of Brevard County was dismissed. The case was represented by NAACP Legal Counsel, Thurgood Marshall.
1941 -- Harry organized and served as president of the Florida State Conference of the NAACP. Harriette graduated from Bethune-Cookman College with a teaching degree.
1944 -- Harry founded the Progressive Voters League as a political partisan action group in opposition to the NAACP non-partisan stance.
1946 -- As a result of his civil rights work and activism, Harry and Harriette lost their teaching positions at Mims Elementary School.
1947 -- Evangeline enrolled in BCC. Harry became the NAACP's first fully paid executive secretary of the Brevard County chapter.
1948 -- Harriette began teaching at the Lake Park Colored School in Palm Beach County, Florida.
1950 -- Harriette graduated from BCC with a B.S. in science.
1951 -- Harry graduated with a B.A. from BCC in August. December 25: The Moore's home is firebombed. Harry passed away right before midnight.
1952 -- January 1: Funeral of Harry T. Moore. Jannuary 3: Harriette died from injuries sustained in bombing. January 8: Funeral of Harriette V. Moore. The NAACP awarded the Spingarn medal to Harry T. Moore; his mother Rosa accepted it on his behalf. Evangeline married Drapher Pagan, Sr. Drapher "Skip" Pagan, Jr. is born the following year.
1955 -- The FBI officially closed the Moore homicide investigation case.
1972 -- Annie R. Moore Hampton died suddenly and was buried in Ocala, Florida.
1978 -- The Moore case was reopened but no charges were filed.
1985 -- Creation of the Harry T. Moore Social Service Center in Titusville, Florida.
1991 -- Florida's Governor Lawton Chiles ordered the reopening of the Moores' homicide case; no charges were filed.
1993-1998 -- The Brevard County Board of County Commissioners purchased the Moore homesite to be used as a memorial to the slain couple and created The Harry T. Moore Homesite Development Committee. The Florida State Legislature awarded $700,000 for development of the 10-acre Harry T. Moore Memorial Homesite in Mims, Florida.
1999 -- Harry T. & Harriette V. Moore Memorial Homesite Historical Marker is unveiled.
2002 -- Brevard County Court Harry T. & Harriette V. Moore Justice Center opened.
2003-2004 -- An archeological survey of Moore family home led to an investigation. The Florida State Attorney General Charlie Crist reopened the Moore homicide investigation. The Harry T. and Harriette V. Moore Cultural Complex is completed.
2006 -- Attorney General Crist concluded that the perpetrators were four men from the Central Florida Klu Klux Klan. They had all died by this time, so no charges were filed.
2012-2013 -- The post office in Cocoa, Florida was renamed was named in honor of Harry T. and Harriette Moore by an Act of Congress: Public Law 112-243. Harry and Harriette were inducted in the Florida Civil Rights Hall of Fame.
2015 -- Evangeline Moore died in New Carrolton, Maryland.
2019 -- The Harry T. & Harriette V. Moore Memorial Park and Museum was added to U.S. Civil Rights Trail.
2021 -- Brevard County School Board passed a resolution acknowledging the Moore's unjust firings.
Provenance:
Acquired as a gift from Drapher "Skip" Pagan, Jr. in memory of Juanita Evangeline Moore.
The Museum acquired two personal watches, a locket, and 26 textual documents pertaining to Harry and Harriette Moore (2013.157) from Juanita Evangeline Moore in 2013. These materials are viewable via Smithsonian Collections Search. The Harry T. and Harriette V. Moore Archival Collection was acquired through a donation from the Moores' grandson, Drapher "Skip" Pagan, Jr. in 2018.
Restrictions:
The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Rights:
The copyright law of the United States (title 17, United States Code) governs the making reproductions of copyrighted material. Any reproductions of these materials are not to be used for any purpose other than research or educational use.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Scope and Contents:
Front row, left to right: Dr. Ambrose Caliver, Dr. Roscoe C. Brown, Dr. Robert C. Weaver, Joseph H. Evans, Dr. Frank Horne, Mary McLeod Bethune, Lt. Lawrence A. Oxley, Dr. William J. Thompkins, Charles E. Hall, William I. Houston, Ralph E. Mizelle. Back row, left to right: Dewey R. Jones, Edgar Brown, J. Parker Prescott, Edward H. Lawson, Jr., Arthur Weiseger, Alfred Edgar Smith, Henry A. Hunt, John W. Whitten, Joseph R. Houchins. (Sources: information provided by Cynthia Hunt-Easley and Wanda Hunt-McLean; Langston Hughes, Milton Meltzer and C. Eric Lincoln, A Pictorial History of Black Americans, New York, Crown Publishers, Inc., 1973.)
Series Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Smithsonian Institution. Traveling Exhibition Service Search this
Extent:
2 Sound recordings (open reel, 1/4 inch)
Type:
Archival materials
Sound recordings
Narration
Music
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
circa 1983
Scope and Contents:
Narrator presents short historical and biographical profiles of outstanding Americans of negro origin: W.E.B. Du Bois, A. Philip Randolph, Ralph Johnson Bunche, Thurgood Marshall, William Henry Hastie, Mordecai Wyatt Johnson, Mary McLeod Bethune, Joe Louis, James Weldon Johnson, Richmond Barthe, and Paul Robeson. Quotes written by these outstandings Americans and read by narrator are included. Music played between biographical profiles.
Narration and music. Part of Portraits in Black: Outstanding Americans of Negro Origin Audiovisual Records. AV003484 and AV003508: same content but AV003484 has beeps throughout recording. Undated.
Biographical / Historical:
The exhibition, Portraits in Black: Outstanding Americans of Negro Origin, displayed 36 portraits--27 oil paintings and 9 color photo reproductions--selected from the Harmon Foundation collection, on loan from the National Portrait Gallery, as well as biographical information and memorabilia. The exhibition was on view at the Anacostia Community Museum from April 17, 1983 - August 21, 1983. Likenesses of blacks who made significant contributions in the fields of civil rights, law, education, medicine, the military, and the arts were on display. Included were Marian Anderson, Joe Louis, W.E.B. Du Bois, Thurgood Marshall, George Washington Carver, Charles Drew, William Ayres Campbell, and Richmond Barthe.
Local Numbers:
ACMA AV003508-1
ACMA AV003508-2
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Smithsonian Institution. Traveling Exhibition Service Search this
Extent:
1 Sound recording (open reel, 1/4 inch)
Type:
Archival materials
Sound recordings
Narration
Place:
Anacostia (Washington, D.C.)
Washington (D.C.)
United States
Date:
1983
Scope and Contents:
Narration for the two slide shows which complimented the exhibition, Portraits in Black: Outstanding Americans of Negro Origin. Narrator repeats quotes from the words of W.E.B. Du Bois, A. Philip Randolph, Ralph Johnson Bunche, Thurgood Marshall, William Henry Hastie, Charles Richard Drew, James Weldon Johnson, Mary McLeod Bethune, Joe Louis, Richard Barthe, and Paul Leroy Robeson.
Narration. Part of Part of Portraits in Black: Outstanding Americans of Negro Origin Audiovisual Records. Dated 19830324.
Biographical / Historical:
The exhibition, Portraits in Black: Outstanding Americans of Negro Origin, presented 36 portraits selected from the Harmon Foundation collection, on loan from the National Portrait Gallery, as well as biographical information and memorabilia. The portraits depicted likenesses of blacks who made significant contributions in the fields of civil rights, law, education, medicine, the military, and the arts. Portrait subjects included Marian Anderson, Joe Louis, W.E.B. Du Bois, Thurgood Marshall, George Washington Carver, Charles Drew, William Ayres Campbell, and Richard Barthe. The exhibition was on display from April 17, 1983 - August 21, 1983 at the Anacostia Neighborhood Museum.
Series Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
At Lincoln Park in the Capitol Hill Neighborhood of Washington, D.C, speeches about and dedication to Mary McLeod Bethune. Reveal of statue dedicated to Mary McLeod Bethune.
Dedication and speeches. Part of ACM Museum Events, PR, and Ceremonies Recordings. Dedication begins begins at 001753 (preceded by Live Musical Performances at Anacostia Neighborhood Museum). Static in middle of recording. Dated 19740712.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Scholars, historians, and archivists speak about their experiences working in archives and with archival materials, specifically negro, black, and African American records. W. Augustus Low speaks about his experience working in archives and with archivists as well as his work with the Freedmen Bureau records, and researching Civil Rights and Anthony Johnson (Jamestown colonist); he also speaks about other scholars who used archives for their articles published in the Journal of Negro History, which Low is editor. Harold Pinkett presents his paper about how records useful for research enter the documentary preserve designated as archives; the formation of the National Archives; early development of archival standards; and scattered government records related to black experience. Mary Frances Berry speaks about her good and challenging experiences working with National Archives records for her research on black soldiers, and later law and policing as related to African Americans. Elaine M. Smith explains her research on Mary McLeod Bethune using the National Archives. Roland C. Connell describes his experience working for the National Archives, and later researching Andrew Jackson and the negro soldier; he also speaks about his experience working with the archives at Morgan State College. Barry A. Crouch speaks about researching the Texas Freedmen's Bureau, Reconstruction, crime, black prisoners, and black schools in the National Archives. Andrew Billingsley talks about conducting research on slavery and the Freedmen's Bureau at the National Archives and Howard University. Herbert G. Gutman speaks about his research and work about black families and freedmen. Alex Haley talks about his study of African American families and working with archival material. Other scholars and archival professionals speak about using oral histories, specifically oral tradition and eyewitness accounts, to research Afro-American experience; using presidential libraries as a source for research on Afro-Americans; and the work of the special advisory committee to the National Historical Publication Commission, a committee on the publication on the papers of blacks.
Conference. Part of Conference Recordings. AV003052: part 1, dated 19730603. AV003539: part 2, dated 19730603. AV000825: part 3, dated 19730603 and 19730604. AV000813: part 4, dated 19730605. AV003048: part 5, dated 19730605. AV003072: part 6, dated 19730605. Presentations often continue onto the following recording.
Local Numbers:
ACMA AV003539
ACMA AV000825
ACMA AV000813
ACMA AV003048
ACMA AV003072
General:
Title transcribed from physical asset.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Last Will and Testament: The Bethune Legacy presents Mary McLeod Bethune's life and work as an educator and civil rights leader to inspire African Americans with Bethune's philosophy and virtues. Includes interviews with Lucille Warren Stevens, Richard V. Moore, Alice A. Dunnigan, and Dorothy I. Height.
Short documentary film. Part of Broadcast Programs. Undated.
General:
Title transcribed from title card at beginning of recording.
Collection Restrictions:
Use of the materials requires an appointment. Some items are not accessible due to obsolete format and playback machinery restrictions. Please contact the archivist at acmarchives@si.edu.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
2 Items
Container:
Box 47
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Contact prints
Vignettes
Photographs
Retouching
Date:
[probably 1930s.]
Scope and Contents:
Job Number: 30467
Negative vignetted at bottom. Heavy pencil retouching in face on negative. Ink on negative edge: "30467 Mrs. Mary Bethune". "Defender Safety Base", maker edge marking. Contact print originally filed with negative.
General:
From negative Box A. No. 38 on original sleeve.
Prints in box 80.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Retouching -- Pencil
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 5
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Date:
[ca. 1930?]
Scope and Contents:
Job Number: 5[8]476
Ink on negative edge: "51476 Mrs. Mary McCloud [sic] Bethune 3 - 8 x 10." No manufacturer's mark on film edge.
General:
From negative Box A
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 5
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
[ca. 1930s.]
Scope and Contents:
Film edge marked "6 8 x 10 sq." No manufacturer edge markings.
General:
No number written on negative.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 5
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
[ca. 1930?]
Scope and Contents:
Job Number: 51476
Ink on negative edge: "51476 Mrs. Mary McCloud [sic] Bethune 3 - 8 x 10." No manufacturer's mark on film edge.
General:
From negative Box A.
Base beginning to warp; acetate odor; reticulation in center.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 5
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
[ca. 1930?]
Scope and Contents:
Ink on negative edge: "4 8x10 f 8". No manufacturer's mark on film edge.
General:
From negative Box A.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 5
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
[ca. 1950.]
Scope and Contents:
Job Number: 51476
Bethune stands on steps of house. Ink on film edge: "51476. Mrs. Mary McC. Bethune. 6 glossy."
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 2
Type:
Archival materials
Studio portraits
Photographs
Retouching
Scope and Contents:
Job Number: 22142
No. 37 on original envelope. Ink on negative edge: "232214 Mrs. Mary Bethune". Eastman--Kodak.
General:
In Freezer storage Box 2.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Retouching -- Pencil
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 33
Type:
Archival materials
Vignettes
Photographs
Retouching
Date:
[probably 1930s.]
Scope and Contents:
Job Number: 30467
Negative vignetted at bottom. Heavy pencil retouching in face on negative. Ink on negative edge: "30467 Mrs. Mary Bethune". "Defender Safety Base", maker edge marking.
General:
From negative Box A. No. 13 on original sleeve.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Retouching -- Pencil
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
[Mary McLeod Bethune seated in chair, full length, wearing hat and striped suit with corsage, with another woman standing beside her : acetate film photonegative,]
Scurlock, George H. (Hardison), 1919-2005 Search this
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Extent:
1 Item
Container:
Box 318
Type:
Archival materials
Photographs
Retouching
Date:
1939 June
Scope and Contents:
Job Number: 41833
Pencil retouching in faces on negative. Ink on negative edge: "41883 Mrs. Mary McLeod Bethune 3 - 5x7 reg." "Defender Safety Base", maker edge marking.
General:
From negative Box A. Date and no. 24 on original sleeve.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Retouching -- Pencil
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Extent:
1 Item
Container:
Box 318
Type:
Archival materials
Photographs
Retouching
Date:
1939 June
Scope and Contents:
Job Number: 41833
Pencil retouching in face on negative. Ink on negative edge: "41883 Mrs. Mary McLeod Bethune 3 - 5x7 reg." "Defender Safety Base", maker edge marking.
General:
From negative Box A. Date and no. 25 on original sleeve.
Prints in box 80.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Retouching -- Pencil
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Extent:
1 Item
Container:
Box 318
Type:
Archival materials
Photographs
Retouching
Date:
1939 June
Scope and Contents:
Job Number: 41833
Pencil retouching in face on negative. Ink on negative edge: "41883 Mrs. Mary McLeod Bethune 6 - 5x7 reg." "Defender Safety Base", maker edge marking.
General:
From negative Box A. Date and no. 26 on original sleeve.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Retouching -- Pencil
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Scurlock, Robert S. (Saunders), 1917-1994 Search this
Extent:
3 Items
Type:
Archival materials
Photographs
Retouching
Date:
[June 1939.]
Scope and Contents:
Pencil retouching in face on negative. Ink on negative edge: "41883 Mrs. Mary McLeod Bethune 6 - 5x7 reg." "Defender Safety Base", maker edge marking. Two prints originally filed with negative (neither is a contact print, both enlargements); 5" x 7" has studio stamp on verso with zip code; 8" x 10" has CustomCraft and "Please credit photography by Robert S. Scurlock" stamps on verso.
General:
From negative Box A. Date and no. 23 on original sleeve.
Negative In freezer box 49. Prints in box 26.
Exhibitions Note:
Reproduction print exhibited in "The Scurlock Studio and Black Washington: Picturing the Promise" held in NMAAHC Gallery, NMAH, January 30-November 15, 2009; image reproduced in exhibit's companion book.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Retouching -- Pencil
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
This description is for Series 3 of the Percival Bryan collection.
The collection contains 298 autograph albums. Mr. Bryan collection started in 1941 with book 1. At this time he obtained the autographs of Attorney General Homer S. Cummings and several other members of Franklin Delano Roosevelt's cabinet. From that point Byran collected over 160,000 autographs from average people and celebrities alike. Within the pages of these books are general greetings, expository, poems, sketches, and even a few watercolors.
Local number:
ACMA 06-001.2
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
