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Aline Meyer Liebman papers

Creator:
Liebman, Aline Meyer, 1879-1966  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Adams, Ansel, 1902-1984  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bluemner, Oscar, 1867-1938  Search this
Borglum, Gutzon, 1867-1941  Search this
Lachaise, Gaston, 1882-1935  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Marin, John, 1870-1953  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Stieglitz, Alfred, 1864-1946  Search this
Strand, Paul, 1890-1976  Search this
Weston, Edward, 1886-1958  Search this
Extent:
1.3 Linear feet
0.4 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1906-1978
Scope and Contents:
Correspondence, photographs, business and financial records, printed matter, scrapbooks, and exhibition catalogs document Mrs. Liebman's acquisition of modern American art, European painting and decorative arts, her interest in and support of photography, her encouragement of individual artists, the inception and early history of the Museum of Modern Art, and her own painting career.
REEL 4203: Correspondence with Ansel Adams, Oscar Bluemner, Gutson Borglum, Gaston Lachaise, Stanton Macdonald-Wright, John Marin, the Museum of Modern Art, Alfred Stieglitz and An American Place, Paul Strand and Edward Weston, among many others. Among the business records are receipts for works of art purchased by Mrs. Liebman. Photographs show a photography exhibition opening (1935). Printed matter, mainly newspaper clippings and gallery announcements, relates to artists represented in the Liebman Collection, exhibitions which included loans from the Liebman Collection, and events in which Aline Meyer Liebman participated. Four scrapbooks (1936-1947), comprised of printed matter, correspondence, and photographs, relate to Aline Meyer Liebman's career as a painter. Six exhibition catalogs date from 1921 to 1935. Other material concerns Edgar Degas, Artistide Maillol, Pablo Picasso, Diego Rivera, and Gino Severini.
ADDITION (NOT MICROFILMED): Letters, 1906-1978; invoices for paintings purchased, 1929-1931; financial statements; photographs of Liebman's apartment, works in the Liebman Collection, paintings by Aline Meyer Liebman, and exhibition installations; and a catalog of Parke-Bernet's 1955 Liebman sale.
Biographical / Historical:
Aline Meyer Liebman (1879-1966) was a painter, art patron, and collector of modern art from New York, N.Y. Born in Los Angeles, Calif., Aline Meyer Liebman studied at Barnard College, and with Stefan Hirsch and Henry Mosler. She exhibited at Walker Galleries (1936), San Francisco Museum of Modern Art (1937), Bennington College (1937), Portland Museum (1939), and Weyhe Gallery (1943), among others.
Provenance:
Donated 1986 and 1989 by Margaret Liebman Berger, Aline Meyer Liebman's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art patrons -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- United States  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century -- United States -- Collectors and collecting  Search this
Art patronage -- New York (State) -- New York  Search this
Modernism (Art) -- Collectors and collecting  Search this
Photography, Artistic -- Collectors and collecting  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.liebalin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-liebalin

Oral history interview with Richard Haas

Interviewee:
Haas, Richard, 1936-  Search this
Interviewer:
Berman, Avis  Search this
Creator:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Names:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Extent:
1 Item (Sound recording, master: 1 data compact disc (6 hr., 11 min.), digital, 4 WMA files)
133 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 Jan. 13 and Mar. 16
Scope and Contents:
An interview of Richard Haas conducted 2009 Jan. 13 and Mar. 16, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at Haas' studio, in New York, N.Y.
Haas discusses his early interest in architecture; his family connection to Frank Lloyd Wright; attending Taliesin for two summers in 1955 and '56; Meeting Joseph Friebert while an undergraduate student at the University of Wisconsin-Milwaukee; taking studio classes and experimenting with different art styles and techniques; the influence of Abstract Expressionism and Post-Impressionism on his artworks; joining the ROTC program and painting his first mural at Fort Leonard Wood, MO; viewing the murals of Thomas Hart Benton and John Steurt Curry; going to graduate school at the University of Minneapolis, MN and meeting Jack Tworkov and Peter Busa; visiting Mexico on his honeymoon and viewing the murals of "Los Tres Grandes"; teaching art at Michigan State and developing his series, Boxes; the evolution of his art while teaching at Bennington college in Vermont and the shift from architectural drawings into murals; moreover, Haas speaks about the rise of street art in the 1970s and '80s in New York; his first mural at 112 Prince Street; his collaboration with Doris Freeman; the political challenges associated with doing public art; the collaborative process between the artist and architect; the importance of location when choosing a mural and the work's relationship to its environment; furthermore, Haas discusses his GSA projects in Kansas and West Virginia; his other mural commissions, particularly White House Detention Center, 1997; and the impact of technology on the medium. Throughout the conversation, Haas speaks about fellow artists Richard Serra, James Rosinquist, Malcolm Myers, as well as architects Philip Johnson, Grant Marani and Tim Vreeland.
Biographical / Historical:
Richard Haas (1936- ) is a trompe l'oeil muralist from New York, N.Y. Haas was educated at the University of Wisconsin and University of Minnesota.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Muralists -- New York (State) -- New York -- Interviews  Search this
Trompe l'oeil painting  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.haas09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-haas09
Online Media:

Oral history interview with Barbara Bloom

Interviewee:
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Bennington College -- Students  Search this
Biennale di Venezia  Search this
California Institute of the Arts -- Students  Search this
Baldessari, John, 1931-  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul, 1939-  Search this
Duchamp, Marcel, 1887-1968  Search this
Fischl, Eric, 1948-  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Gorney, Jay, 1896-1990  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick, 1938-1998  Search this
Irwin, Robert, 1928-  Search this
Kappe, Ray, 1927-  Search this
Kienholz, Edward, 1927-  Search this
Knowles, Alison, 1933-  Search this
Mullican, Matt, 1951-  Search this
Mulvey, Laura  Search this
Orr, Eric, 1939-1998  Search this
Paik, Nam June, 1932-  Search this
Palestine, Charlemagne  Search this
Paz, Octavio, 1914-  Search this
Ruppersberg, Allen, 1944-  Search this
Ruscha, Edward  Search this
Salle, David, 1952-  Search this
Sontag, Susan, 1933-2004  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney, 1925-  Search this
Trockel, Rosemarie, 1952-  Search this
Wheeler, Doug, 1939-  Search this
Wilde, Oscar, 1854-1900  Search this
Young, La Monte  Search this
Extent:
9 Items (Sound recording: 9 sound files (6 hr., 12 min.), digital, wav)
132 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and Travel
Holland -- Description and Travel
Netherlands -- description and travel
Date:
2012 October 18-2013 January 31
Scope and Contents:
An interview of Barbara Bloom conducted 2012 October-2013 January 31, by James McElhinney, for the Archives of American Art, at Bloom's home and studio, in New York, New York.
Bloom speaks of growing up in Brentwood, California; her first experience with art; her childhood and exposure to creativity; the influence of art and philosophy; going to museums as a kid; living in Monte Factor and then Los Angeles; her creative process, influences, and life as an artist; art mentors and art lessons with Cathy Herman; traveling with her family; her mom being an actress; attending Bennington College in Vermont, the 1960s, the and collage aesthetic; attending CalArt; the changes in art education at the university level; drugs use; Fluxus; John Cage and attending 4'33; living in Europe and specifically Netherlands, Germany, and Holland; books and love of reading; her daughter; the post-studio era; film and meta-movies; making "The Diamond Lane;" images and objects' connection to meanings; The Gaze; undressing the wall; Homage to Jean Seberg, Godard, Berlin; East Germany; being agnostic and Jewish; Venice Biennale; collectors; cycle of shows; MFA programs; The Tip of the Iceberg; surgeries; hospital visit, personal training, and recovery; The Seven Deadly Sins; her father; Tellus Magazine; Judaism; fabrications and drawings; archives; relationship between the artist and the viewer; her husband; 010011.net; recent show; and As It Were, So To Speak. Bloom also recalls Monte and Betty Factor, Ed Kienholz, Ron Kappe, Robbie Robe, Ray Kappe, Matt Mullican, Eric Orr, Robert Irwin, Doug Wheeler, Total: digital recordings; Claire Steinman, Rosemarie Trockel, Ash Grove, James Lee Byars, Frances Rey, Sidney Tillim, Norman O. Brown, Paul Cotton, Paul Brock, Buckminster Fuller, John Baldessari, Nam June Paik, Dick Higgins, Alison Knowles, Serge Tcherepnin, Simone Forte, Charlemagne Palestine, La Monte Young, David Salle, Eric Fischl, Marcel Broodthaers, Susan Sontag, Tim Maul, Caroline Tisdale, Marcel Duchamp, Laura Mulvey, John Berger, Oscar Wilde, Ed Ruscha, Isabella Kacprzak, Octavio Paz, Leo Castelli, Allen Ruppersberg, Jay Gorney, Claudia Gould, Susan Bronstein, Donald Judd, Robert DuGrenier, Pistoletto, Anthony Coleman, Mel Bochner, and Ken Saylor.
Biographical / Historical:
Barbara Bloom (1951- ) is a photographer, designer, and installation artist in New York, New York. James McElhinney (1952- ) is an artist and professor in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Designers -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Women artists  Search this
Women photographers  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.bloom12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bloom12
Online Media:

Oral history interview with Paulus Berensohn

Interviewee:
Berensohn, Paulus  Search this
Interviewer:
Shapiro, Mark, 1955-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bennington College -- Students  Search this
Columbia University -- Students  Search this
Goddard College -- Students  Search this
Juilliard School -- Students  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
New York Philharmonic  Search this
Pendle Hill (School : Wallingford, Pa.) -- Faculty  Search this
Penland School of Crafts -- Faculty  Search this
Swarthmore College -- Faculty  Search this
Yale University -- Students  Search this
Anderson, Ian, 1947-  Search this
Bennion, Joseph W., 1952-  Search this
Brown, Carolyn  Search this
Brown, William J. (William Joseph), 1923-1992  Search this
Callahan, Harry M.  Search this
Charlip, Remy  Search this
Cowles, Fleur  Search this
Cunningham, Merce  Search this
Dunn, Robert G.  Search this
Ekman, June  Search this
Garfinkel, Ron  Search this
Graham, Martha  Search this
Karnes, Karen, 1925-2016  Search this
Kokis, George  Search this
Mendes, Jerry  Search this
Oliver, Mary, 1935-  Search this
Peterson, Mary  Search this
Pieser, Jane  Search this
Raine, Yvonne  Search this
Richards, Mary Caroline  Search this
Stanford, Verne  Search this
Stannard, Ann  Search this
Supree, Burton  Search this
Takaezu, Toshiko  Search this
Williams, Gerald, 1926-2014  Search this
Extent:
60 Pages (Transcript)
7 Items (Sound recording: 7 sound files (4 hr., 13 min.), digital, wav)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Australia -- Description and Travel
Date:
2009 March 20-21
Scope and Contents:
An interview of Paulus Berensohn conducted 2009 March 20-21, by Mark Shapiro, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Berensohn's home and studio, in Penland, North Carolina.
Berensohn speaks of growing up in New York City and his family; his brother Lorin Bernsohn, cellist with the New York Philharmonic; his problems with dyslexia as a child and yet his interest in reading and learning; an early interest in dance and the lack of support he received from his family; his admittance into Yale University, from where he quickly removed himself to attend Goddard College in Vermont; after Goddard attending Columbia University, Juilliard, and Bennington College while studying dance; studying under both Martha Graham and Merce Cunningham; his relationship with M.C. Richards; his first teaching job at Pendle Hill in Pennsylvania that lead to teaching at Swarthmore College for four years; his want to become a production potter while living on a farm in rural Pennsylvania where he created an artist commune; working with pinched pots and moving to Penland, North Carolina to teach workshops at the Penland School of Crafts; his book, "Finding Your Way With Clay," which started as a journaling and teaching project while at Penland; his interest in book art via his interest in journaling; the importance of clay as a healing material that connects humanity and the earth and his role as an advocate for clay; his work in and travels to Australia; recent photography projects and his busy and active schedule. Berensohn also recalls Remy Charlip, June Ekman, Fleur Cowles, John Cage, Robert Dunn, Yvonne Rainer, Carolyn Brown, Mary Oliver, Karen Karnes, Burt Supree, Toshiko Takaezu, Ann Stannard, Gerry Williams, George Kokis, Joe Bennion, Bill Brown, Jane Pieser, Ron Garfinkel, Jenny Mendes, Ian Anderson, Verne Stanford, Meg Peterson, and others.
Biographical / Historical:
Paulus Berensohn (1933-2017) was a poet, ceramic artist, dancer, and educator in Penland, North Carolina. Mark Shapiro (1955- ) is executive director of Lumina Art Gallery, in New York.
General:
Originally recorded on 4 SD memory cards. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 13 min.
Related Materials:
The Archives of American Art also holds the papers of Paulus Berensohn.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Artists  Search this
Topic:
Artists' books  Search this
Ceramicists -- North Carolina -- Interviews  Search this
Clay  Search this
Communal living  Search this
Dance -- Study and teaching  Search this
Diaries -- Authorship  Search this
Dyslexia  Search this
Photography  Search this
Poets -- North Carolina -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.berens09
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-berens09
Online Media:

Oral history interview with Helen Frankenthaler

Interviewee:
Frankenthaler, Helen, 1928-2011  Search this
Interviewer:
Rose, Barbara  Search this
Names:
Bennington College  Search this
De Kooning, Willem, 1904-1997  Search this
Dzubas, Friedel, 1915-1994  Search this
Feeley, Paul, 1910-1966  Search this
Greenberg, Clement, 1909-1994  Search this
Hartigan, Grace  Search this
Hofmann, Hans, 1880-1966  Search this
Kandinsky, Wassily, 1866-1944  Search this
Motherwell, Robert  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Tamayo, Rufino, 1899-  Search this
Extent:
1 Sound tape reel (Sound recording, 7 in.)
41 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1968
Scope and Contents:
An interview of Helen Frankenthaler conducted 1968, by Barbara Rose, for the Archives of American Art.
Frankenthaler speaks of studying art at Bennington College with Paul Feeley; the influence of Picasso and Kandinsky on her work; Clement Greenberg and his relationship with Frankenthaler and other artists; studying with Hans Hofmann and Rufino Tamayo; her childhood; meeting Robert Motherwell; the New York School; and Jackson Pollock, his paintings, technique, and influence on her. She also describes her technique, painting on the floor, titles, and color versus drawing. Frankenthaler recalls Grace Hartigan, Friedel Dzubas, Willem de Kooning, and others.
Biographical / Historical:
Helen Frankenthaler (1928- 2011) was a painter from New York, N.Y.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Sound quality is very poor.
Topic:
Sculptors -- United States -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Painting -- Technique  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.franke69
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-franke69
Online Media:

Patricia Johanson papers, 1964-1998

Creator:
Johanson, Patricia, 1940-  Search this
Johanson, Patricia, 1940-  Search this
Type:
Articles
Interviews
Photographs
Transcripts
Topic:
Sculpture, Modern -- 20th century  Search this
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6794
(DSI-AAA_SIRISBib)208921
AAA_collcode_johapatr
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208921
Online Media:

Bennington College

Collection Creator:
Spero, Nancy, 1926-2009  Search this
Container:
Box 8, Folder 5
Type:
Archival materials
Date:
1997
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Nancy Spero papers, 1940s-2009. Archives of American Art, Smithsonian Institution.
See more items in:
Nancy Spero papers
Nancy Spero papers / Series 5: Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-spernanc-ref103

Patricia Johanson papers

Creator:
Johanson, Patricia, 1940-  Search this
Extent:
1.5 Linear feet
Type:
Collection descriptions
Archival materials
Articles
Interviews
Photographs
Transcripts
Date:
1964-1998
Summary:
Papers of sculptor Patricia Johanson include professional and personal correspondence, 1967-1998; writings on public art, articles, and reviews; a transcript of an interview of Johanson conducted by Jan Evans; a copy of a Master's thesis written on Johanson's sculpture; clippings, exhibition catalogs and announcements; and photographs of Johanson and her work. The collection measures 1.5 linear feet and dates from 1964 to 1998.
Scope and Content Note:
Papers of sculptor Patricia Johanson include professional and personal correspondence, 1967-1998; writings on public art, articles, and reviews; a transcript of an interview of Johanson conducted by Jan Evans; a copy of a Master's thesis written on Johanson's sculpture; clippings, exhibition catalogs and announcements; and photographs of Johanson and her work. The collection measures 1.5 linear feet and dates from 1964 to 1998.
Arrangement:
The collection is arranged as 5 series:

Missing Title

Series 1: Biographical Material, 1975-1997 (Box 1; 1 folder)

Series 2: Correspondence, 1967-1998, n.d. (Box 1; 17 folders)

Series 3: Writings, 1968-1997, n.d. (Box 1 and OV 3; 7 folders)

Series 4: Printed Material, 1966-1998, n.d. (Boxes 1-2 and OV 3; 12 folders)

Series 5: Photographs, 1962-1996, n.d. (Box 2 and OV 3; 8 folders)
Biographical Note:
Patricia Johanson, born in 1940, is an environmental sculptor and architect who creates large scale public works to solve environmental problems and create habitat and public recreational space. She graduated from Bennington College in 1962 and earned an M.A. in art history at Hunter College (1964). Johanson took civil engineering classes at New York's City College School of Architecture, earning a Bachelor's degree in Architecture in 1977. Inspired by the enormous canvases of the Abstract Expressionists, Johanson created huge sculptures such as Stephen Long (1968) which went beyond the field of vision and interacted with the environment. Johanson designed sculpture for Con Edison's Indian Point Nuclear Generating Plant (1972), the Whitney Colleges at Yale University (1972), and Columbus East High School, Columbus, Indiana (1973). Her architectural projects include Fair Park Lagoon in Dallas, Texas (1981-1982), Tidal Sculpture Garden for Pelham Bay Park in New York (1984), and the San Fransisco baywalk which transformed a new sewer into a public amenity and work of art. Her Park for the Amazon Rainforest (1992), commissioned for the Earth Summit, is an environmental sculpture that provides access from ground level up through the forest canopy along the Amazon River near Obidos, Brazil. Johanson's more recent projects include a master plan and ecological playgrounds for Ulsan Dragon Park (1996), a 912-acre site in South Korea, and the Rocky Marciano Trail and Salisbury River Greenway in Brockton, Massachusetts. Her husband is art historian Eugene C. Goossen.
Provenance:
Patricia Johanson donated her papers in 1975, 1983, 1989, 1997, and 1998.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Articles
Interviews
Photographs
Transcripts
Citation:
Patricia Johanson papers, 1964-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.johapatr
See more items in:
Patricia Johanson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-johapatr

Oral history interview with Barbara Bloom, 2012 October 18-2013 January 31

Interviewee:
Bloom, Barbara, 1951-  Search this
Bloom, Barbara, 1951-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Baldessari, John  Search this
Berger, John  Search this
Brock, Paul  Search this
Broodthaers, Marcel  Search this
Byars, James Lee  Search this
Castelli, Leo  Search this
Cotton, Paul  Search this
Duchamp, Marcel  Search this
Fischl, Eric  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Gorney, Jay  Search this
Gould, Claudia, (Art museum curator)  Search this
Higgins, Dick  Search this
Irwin, Robert  Search this
Knowles, Alison  Search this
Kappe, Ray  Search this
Kienholz, Edward  Search this
Mullican, Matt  Search this
Mulvey, Laura  Search this
Orr, Eric  Search this
Paik, Nam June  Search this
Palestine, Charlemagne  Search this
Paz, Octavio  Search this
Ruppersberg, Allen  Search this
Ruscha, Edward  Search this
Salle, David  Search this
Sontag, Susan  Search this
Tcherepnin, Serge  Search this
Tillim, Sidney  Search this
Trockel, Rosemarie  Search this
Wheeler, Doug  Search this
Wilde, Oscar  Search this
Young, La Monte  Search this
Bennington College  Search this
California Institute of the Arts  Search this
Biennale di Venezia  Search this
Type:
Interviews
Sound recordings
Place:
Europe -- description and travel
Germany -- description and travel
Germany (East) -- Description and travel
Holland -- description and travel
Netherlands -- description and travel
Topic:
Art -- Collectors and collecting  Search this
Art -- Study and teaching  Search this
Fluxus (Group of artists)  Search this
Judaism  Search this
Women artists  Search this
Women photographers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)16106
(DSI-AAA_SIRISBib)362118
AAA_collcode_bloom12
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_362118
Online Media:

Bennington College Visual Arts Department records, 1948-1982

Creator:
Bennington College. Visual Arts Dept  Search this
Bennington College. Visual Arts Dept  Search this
Topic:
Art -- Study and teaching -- Vermont -- Bennington  Search this
Art in universities and colleges  Search this
Theme:
Ephemera, Miscellany, and General Art Related  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Record number:
(DSI-AAA_CollID)8448
(DSI-AAA_SIRISBib)210623
AAA_collcode_benncoll
Theme:
Ephemera, Miscellany, and General Art Related
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210623

Bennington College Visual Arts Department records

Creator:
Bennington College. Visual Arts Dept  Search this
Extent:
3 Microfilm reels (circa 2500 items )
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1948-1982
Scope and Contents:
The microfilmed Bennington College Visual Arts Department records contain 164 exhibition files. Included in these files are biographical data; correspondence; a list of Bennington art majors from 1936 to 1956; a list of art faculty from 1942 to 1969; loan agreements; price lists; checklists; entry forms; press releases; exhibition catalogs and announcements; printed material; and photographs.
Biographical / Historical:
Bennington College (founded 1932) is a private liberal arts college in Bennington, Vermont. Founded as a women's college in 1932, it became co-educational in 1969. Bennington claims to be the first college in the country to put the visual and performing arts at the center of a liberal arts education.
Provenance:
Lent for microfilming 1982 by Bennington College Visual Arts Department.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art -- Study and teaching -- Vermont -- Bennington  Search this
Art in universities and colleges  Search this
Function:
Universities and colleges -- Departments
Citation:
Bennington College Visual Arts Department records. Owned by Bennington College. Microfilmed by the Archives of American Art, Smithsonian Institution.
Identifier:
AAA.benncoll
See more items in:
Bennington College Visual Arts Department records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-benncoll

Art Faculty & Others

Collection Creator:
Bennington College. Visual Arts Dept  Search this
Container:
Reel 2529.bennington
Type:
Archival materials
Microform [31027000126116]
Date:
April 1982
Collection Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Collection Citation:
Bennington College Visual Arts Department records. Owned by Bennington College. Microfilmed by the Archives of American Art, Smithsonian Institution.
See more items in:
Bennington College Visual Arts Department records
Bennington College Visual Arts Department records / Series 1: Bennington College Visual Arts Department records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-benncoll-ref10

Parrish, Maxfield

Collection Creator:
Bennington College. Visual Arts Dept  Search this
Container:
Reel 2530.bennington
Type:
Archival materials
Microform [31027000126124]
Collection Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Collection Citation:
Bennington College Visual Arts Department records. Owned by Bennington College. Microfilmed by the Archives of American Art, Smithsonian Institution.
See more items in:
Bennington College Visual Arts Department records
Bennington College Visual Arts Department records / Series 1: Bennington College Visual Arts Department records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-benncoll-ref100

Parsons, Betty

Collection Creator:
Bennington College. Visual Arts Dept  Search this
Container:
Reel 2530.bennington
Type:
Archival materials
Microform [31027000126124]
Collection Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Collection Citation:
Bennington College Visual Arts Department records. Owned by Bennington College. Microfilmed by the Archives of American Art, Smithsonian Institution.
See more items in:
Bennington College Visual Arts Department records
Bennington College Visual Arts Department records / Series 1: Bennington College Visual Arts Department records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-benncoll-ref101

Pearson, Nicholas Sculpture

Collection Creator:
Bennington College. Visual Arts Dept  Search this
Container:
Reel 2530.bennington
Type:
Archival materials
Microform [31027000126124]
Collection Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Collection Citation:
Bennington College Visual Arts Department records. Owned by Bennington College. Microfilmed by the Archives of American Art, Smithsonian Institution.
See more items in:
Bennington College Visual Arts Department records
Bennington College Visual Arts Department records / Series 1: Bennington College Visual Arts Department records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-benncoll-ref102

Perlman, Joel

Collection Creator:
Bennington College. Visual Arts Dept  Search this
Container:
Reel 2530.bennington
Type:
Archival materials
Microform [31027000126124]
Collection Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Collection Citation:
Bennington College Visual Arts Department records. Owned by Bennington College. Microfilmed by the Archives of American Art, Smithsonian Institution.
See more items in:
Bennington College Visual Arts Department records
Bennington College Visual Arts Department records / Series 1: Bennington College Visual Arts Department records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-benncoll-ref103

Photography Exhibitions

Collection Creator:
Bennington College. Visual Arts Dept  Search this
Container:
Reel 2530.bennington
Type:
Archival materials
Microform [31027000126124]
Collection Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Collection Citation:
Bennington College Visual Arts Department records. Owned by Bennington College. Microfilmed by the Archives of American Art, Smithsonian Institution.
See more items in:
Bennington College Visual Arts Department records
Bennington College Visual Arts Department records / Series 1: Bennington College Visual Arts Department records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-benncoll-ref104

Piranesi Etchings

Collection Creator:
Bennington College. Visual Arts Dept  Search this
Container:
Reel 2530.bennington
Type:
Archival materials
Microform [31027000126124]
Collection Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Collection Citation:
Bennington College Visual Arts Department records. Owned by Bennington College. Microfilmed by the Archives of American Art, Smithsonian Institution.
See more items in:
Bennington College Visual Arts Department records
Bennington College Visual Arts Department records / Series 1: Bennington College Visual Arts Department records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-benncoll-ref105

Pollack, Charles

Collection Creator:
Bennington College. Visual Arts Dept  Search this
Container:
Reel 2530.bennington
Type:
Archival materials
Microform [31027000126124]
Collection Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Collection Citation:
Bennington College Visual Arts Department records. Owned by Bennington College. Microfilmed by the Archives of American Art, Smithsonian Institution.
See more items in:
Bennington College Visual Arts Department records
Bennington College Visual Arts Department records / Series 1: Bennington College Visual Arts Department records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-benncoll-ref106

Pollack, Jackson

Collection Creator:
Bennington College. Visual Arts Dept  Search this
Container:
Reel 2530.bennington
Type:
Archival materials
Microform [31027000126124]
Collection Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Collection Citation:
Bennington College Visual Arts Department records. Owned by Bennington College. Microfilmed by the Archives of American Art, Smithsonian Institution.
See more items in:
Bennington College Visual Arts Department records
Bennington College Visual Arts Department records / Series 1: Bennington College Visual Arts Department records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-benncoll-ref107

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