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Alphaeus P. Cole papers

Creator:
Cole, Alphaeus Philemon, 1876-1988  Search this
Names:
National Academy of Design (U.S.)  Search this
Angel, John, 1881-1960  Search this
Benjamin-Constant, 1845-1902  Search this
Borglum, Solon Hannibal, 1868-1922  Search this
Bransom, Paul, 1885-  Search this
Buffalo Bill, 1846-1917  Search this
Cole, Timothy, 1852-1931  Search this
Coolidge, Calvin, 1872-1933  Search this
Crane, Bruce, 1857-1937  Search this
Curran, Charles C. (Charles Courtney), 1861-1942  Search this
Drake, Alexander, 1843-1916  Search this
Ertz, Edward Frederick, 1862-1954  Search this
Higgins, Eugene, 1874-1958  Search this
Laurens, Jean-Paul, 1838-1921  Search this
Low, Will Hicok, 1853-1932  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Pennell, Joseph, 1857-1926  Search this
Rio, Anita, 1873?-1971  Search this
Ryder, Chauncey F., 1868-1949  Search this
Steichen, Edward, 1879-1973  Search this
Strode, Hudson, 1892-1976  Search this
Tolman, Ruel P. (Ruel Pardee), 1878-1954  Search this
Young, Mahonri Sharp, 1911-1996  Search this
Extent:
4.5 Linear feet ((on 12 microfilm reels))
Type:
Collection descriptions
Archival materials
Drawings
Date:
1885-1988
Scope and Contents:
Biographical material; diaries; correspondence, financial material; notes; writings; art work; printed material; and photographs
REEL D30 (fr. 420, 521, 542): Three letters from Bruce Crane, 1930, mentioning his election to the Allied Artists of America, from Will Hicok Low, 1930, concerning Cole's election into an art organization, and from Chauncey Foster Ryder, 1921, saying "You may count on me."
REEL 420 (fr. 453-652): Letters written by Timothy Cole, 1885-1928, primarily to Alphaeus and to painter Edward Ertz of Sussex, England, discussing engraving, work for the CENTURY, World War I, and personal matters; a letter to Alphaeus from sculptor John Angel, 1946, discussing Alphaeus' portrait of him; a poem and notes for a speech by Timothy Cole; writings by Alphaeus describing his engraving techniques and his recollections of his father; printed material, including a program for a dinner honoring collector Alexander Wilson Drake, 1913, an address by Timothy to the National Arts Club, 1916, 11 exhibition catalogs for Timothy, 1927-1931, and for Alphaeus, 1922-1952, a catalog from the Grand Central School of Art, and a few clippings; and 2 photos of Alphaeus, ca. 1912 and 1970.
REEL 3481 (fr.467-700): 64 letters, 1910-1927, and 2 sonnets from his father Timothy Cole and a letter to his future daughter-in-law regarding her upcoming marriage to Alphaeus; a letter to Timothy Cole from Calvin Coolidge thanking him for an engraved bookplate; 12 letters to Cole, 1931-1964, from Maurice Bloch, Paul Bransom, A. B. Butts, Will H. Low, Hermann Dudley Murphy, Hudson Strode, R. P. Tolman, and Mahonri Young; a typescript of an article by Cole on Charles C. Curran; 2 photographs of Cole at work, and a photograph of 26 members of the National Academy of Design, ca. 1925, including 19 autographs on the mat; and miscellaneous printed material and writings.
REELS 4783-4791: Biographical accounts and documents; 70 diaries, 1889-1982, containing accounts of Cole's daily activities and 7 photographs; correspondence, 1891-1988, including letters from his father, Timothy Cole, and other family members, 2 notes from Jean Paul Laurens and Benjamin Constant, comments by Cole about his colleagues in 1901-1902, Solon Borglum, Joseph Pennell, Edward Steichen, and a Mr. Yeats, and a description of Buffalo Bill's Wild West Show, 1902; receipts for art expenses and doctor bills; 4 income tax returns, 1936-1980; an address book, ca. 1933; 6 notebooks on the German language, travels in Orvieto, religious symbols in art, and art history, 1889-1898;
writings by Cole and others, including poems to Eugene and Anita Higgins; prints and drawings by Cole, 1899-1958, including a self-portrait and a portrait drawing of Jean Paul Laurens; 2 prints by John W. Evans, 1935, and Keith Shaw Williams; 26 prints of religious paintings by Italian masters; printed material, including clippings, exhibition catalogs for others, reproductions of art work, material concerning Anita Rio, a postcard album, 1901-1934, and picture postcards, and miscellany; and photographs of Cole, Anita Rio, family, friends, models, residence, travels, art work by Cole and others, and gallery installations.
Biographical / Historical:
Painter, portrait painter; New York, N.Y. Born in New Jersey, Cole was the son of wood engraver Timothy Cole. After studying under Isaac Craig in Italy, he began studies at the Academie Julian in 1892, under Jean Paul Laurens and Benjamin Constant. His painting of Dante was exhibited in the Paris Salon of 1900. He moved to England and married sculptress Margaret Ward Walmsley in 1903. They moved to the United States in 1911, where Cole joined the Salmagundi Club, 1918, and served as president of the New York Water Color Club from 1931 to 1941. He taught at Cooper Union, 1924-1931, and was elected a National Academician in 1941. A widower in 1962, Cole married Anita Rio, the widow of painter Eugene Higgins.
Provenance:
Material on reel D30 donated 1955-1962 by Charles E. Feinberg, an active donor and friend of the Archives of American Art. Material on reels 420, 3481, and 4783-4791 donated 1965-1989 by Alphaeus Cole, in part through his nephew Orlando, and by his estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Identifier:
AAA.colealph
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-colealph

John Haberle papers

Creator:
Haberle, John, 1856-1933  Search this
Names:
Benjamin-Constant, 1845-1902  Search this
Clairin, Georges, 1843-1919  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Gérôme, Jean Léon, 1824-1904  Search this
Munkácsy, Mihály, 1844-1900  Search this
Rochegrosse, Georges, 1859-1938  Search this
Extent:
1.1 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1882-1985
bulk 1882-1931
Scope and Contents:
Biographical material, letters, notes and writings, a monograph design, printed material, a scrapbook, and photographs.
REEL 2813: Eighteen letters to Haberle regarding the exhibition and sale of his work, 1891-1901; and a letter from J. William Middendorf to Haberle's son-in-law, Victor Demmer, concerning a Haberle exhibition at the Whitney Museum of Art, 1966.
REEL 3753: 176 drawings, 1882-1931, and 24 commercially printed greeting cards.
UNMICROFILMED: Biographical material; an autobiographical account, 1925; letters to Haberle from colleagues discussing his work, 1870-1915; letters from Haberle to his wife Sarah "Sadie" Haberle, 1893-1898, and his daughter Vera, 1898; and letters to Vera and Victor Demmer and Gladys Haberle Fresnada concerning Haberle's work, 1960-1971, from Alfred Frankenstein and others; notes and writings including poems, 1925, musical annotations, a card file on writing, 8 pages from a travel journal, 1931, and "directions for finishing the painting donated to New Britain."
Also included are a monogram design, 1903; photographs of Haberle, members of his family, 1894, works of art, 1888, views of 2 houses, 1960, and artists in their studios including Georges Clairin, Benjamin Constant, Jean Léon Gérome, Mihaly Munkacsy, and Georges Rochegrosse; clippings, 1887-1970; a scrapbook containing greeting cards and stickers; and printed material, 1874-1932.
Biographical / Historical:
Still-life painter, art instructor; New Haven, Conn. Haberle was apprenticed to a lithography and engraving company during the 1870s, studied at the National Academy of Design between 1884 and 1885 and later founded the New Haven Sketch Club, where he also taught. He specialized in trompe l'oeil still-life paintings, producing most of this work between 1887 and 1900. Deteriorating eyesight caused him to paint broader, more traditional still-lifes and landscapes in later life.
Provenance:
Material on reel 2813 was donated 1969 by Mrs. Vera Haberle Demmer, the daughter of John Haberle. Material on reel 3753 lent, and unmicrofilmed material donated 1986 by James and Claudia Mize, descendants of Haberle.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Painters -- Connecticut -- New Haven  Search this
Topic:
Artists' studios -- Photographs  Search this
Trompe l'oeil painting  Search this
Painting, American  Search this
Still-life painting  Search this
Identifier:
AAA.habejohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-habejohn

Photographs of artists in their Paris studios

Compiler:
George Walter Vincent Smith Museum  Search this
Names:
Abbéma, Louise, 1858-1927  Search this
Aublet, Albert, 1851-1938  Search this
Bellcourt, Riene  Search this
Benjamin-Constant, 1845-1902  Search this
Besnard, Paul Albert  Search this
Bompard, Maurice  Search this
Bonnat, Léon Joseph Florentin, 1833-1922  Search this
Bouguereau, William Adolphe, 1825-1905  Search this
Boulanger, Gustave Clarence Rodolphe, 1824-1888  Search this
Bridgman, Frederick Arthur, 1847-1928  Search this
Béraud, Jean, 1849-1935  Search this
Cabanel, Alexandre, 1823-1889  Search this
Carolus-Duran, 1837 or 8-1917  Search this
Clairin, Georges, 1843-1919  Search this
Collin, Louis Joseph Rapheal  Search this
Cormon, Fernand  Search this
Courtois, Gustave, 1852-1923  Search this
Dagnan, Pascal Adolphe Jean  Search this
Detaille, Jean Baptiste Edouard  Search this
Duez, Ernest-Ange, 1843-1896  Search this
Falguiére, Jean-Alexandre-Joseph, 1831-1900  Search this
Fleury, T. R.  Search this
Frappa, J.  Search this
Gay, Walter, 1856-1937  Search this
Gervex, Henri, 1852-1929  Search this
Gérôme, Jean Léon, 1824-1904  Search this
Healy, G. P. A. (George Peter Alexander), 1813-1894  Search this
Hebert, Antoine Auguste Ernest  Search this
Henner, Jean-Jacques, 1829-1905  Search this
Jacques, Charles  Search this
Laurens, Jean-Paul, 1838-1921  Search this
Lefebvre, Jules, 1836-1911  Search this
Maignan, Albert  Search this
Merson, Luc Olivier, 1846-1920  Search this
Morot, Aime Nicolas  Search this
Munkácsy, Mihály, 1844-1900  Search this
Puvis de Chavannes, Pierre, 1824-1898  Search this
Rochegrosse, Georges, 1859-1938  Search this
Roll, Alfred Philippe, 1846-1919  Search this
Sargent, John Singer, 1856-1925  Search this
Smith, George Walter Vincent, 1832-1923  Search this
Stevens, Alfred  Search this
Storey, G. A. (George Adolphus), 1834-1919  Search this
de Neuville, Alphonse Wane  Search this
Extent:
47 Items
Type:
Collection descriptions
Archival materials
Date:
1880-1890
Scope and Contents:
47 photographs of 43 artists in their Paris studios. Artists include: Louise Abbema, Albert Aublet, Riene Bellcourt, Jean Beraud, Paul Albert Besnard, Maurice Bompard, Leon Joseph Florentin Bonnat, Gustave Rodolphe Clarence Boulanger, William Adolphe Bouguereau, Frederick Arthur Bridgman, Alexandre Cabanel, Pierre Puvis de Chavannes, Georges Jules Victor Clairin, Louis Joseph Rapheal Collin, Jean-Joseph Benjamin Constant, Fernand Cormon, Gustave Courtois, Pascal Adolphe Jean Dagnan, Jean Baptiste Edouard Detaille, Ernest Ange Duez, Carolus Duran, Jean Alexandre Joseph Falguiere, T. R. Fleury, J. Frappa, Walter Gay, Jean Leon Gerome, Henri Gervex, George Peter Alexander Healy, Antoine Auguste Ernest Hebert, Jean Jacques Henner, Charles Jacques, Jean Paul Laurens, Jules Lefebvre, Albert Maignan, Luc Olivier Merson, Aime Nicolas Morot, Mihaly Munkacsy, Alphonse Wane de Neuville, Georges Rochegrosse, Alfred Philippe Roll, John Singer Sargent, Alfred Stevens, and George Adolphus Storey.
The studios show mainly a strong Moorish influence.
Provenance:
Donated by the George Walter Vincent Smith Museum, Springfield, Massachusetts, 1971, which had received them from a Mrs. Kirkham?, a painter who probably purchased them while studying in Paris.
Occupation:
Artists -- United States  Search this
Topic:
Artists -- France -- Paris -- Photographs  Search this
Expatriate artists -- France -- Paris -- Photographs  Search this
Function:
Artists' studios
Identifier:
AAA.photartiparis
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-photartiparis

Portrait of George W. Childs

Artist:
Jean Joseph Benjamin Constant, 1845 - 1902  Search this
Sitter:
George William Childs, 12 May 1829 - 3 Feb 1894  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 119.4 × 101.6cm (47 × 40")
Type:
Painting
Date:
1893
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
Home Furnishings\Drape  Search this
Architecture\Window  Search this
Architecture\Window  Search this
George William Childs: Male  Search this
George William Childs: Communications\Publisher\Newspaper  Search this
George William Childs: Literature\Writer\Biographer  Search this
George William Childs: Society and Social Change\Socialite  Search this
George William Childs: Communications\Publisher\Book  Search this
George William Childs: Performing Arts\Philanthropist  Search this
Portrait  Search this
Credit Line:
Owner: Drexel University Collection
Object number:
27 DUC
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm422fff0ce-9f2f-48b3-a5b4-6e34ab1544a9
EDAN-URL:
edanmdm:npg_27_DUC

Portrait of Anthony J. Drexel

Artist:
Jean Joseph Benjamin Constant, 1845 - 1902  Search this
Sitter:
Anthony J. Drexel, 1826 - 1893  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 114.9 × 94cm (45 1/4 × 37")
Type:
Painting
Date:
1894
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Architecture\Arch  Search this
Costume\Dress Accessory\Glove\Gloves  Search this
Personal Attribute\Facial Hair\Mustache  Search this
Architecture\Wall  Search this
Architecture\Column  Search this
Architecture\Balcony  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Anthony J. Drexel: Male  Search this
Anthony J. Drexel: Business and Finance\Businessperson\Financier  Search this
Anthony J. Drexel: Business and Finance\Businessperson\Banker  Search this
Portrait  Search this
Credit Line:
Owner: Drexel University Collection
Object number:
366 DUC
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm419f945c0-c6e6-4db0-a352-6b5fcb4f281c
EDAN-URL:
edanmdm:npg_366_DUC

Portrait of Francis Martin Drexel

Artist:
Jean Joseph Benjamin Constant, 1845 - 1902  Search this
Sitter:
Francis Martin Drexel, 1792 - 1863  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 228.6 × 147.3cm (90 × 58")
Type:
Painting
Date:
19th Century
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
Printed Material\Papers  Search this
Home Furnishings\Furniture\Desk  Search this
Costume\Dress Accessory\Tie\Necktie  Search this
Equipment\Drafting & Writing Implements\Writing implement  Search this
Francis Martin Drexel: Male  Search this
Francis Martin Drexel: Visual Arts\Artist\Painter  Search this
Francis Martin Drexel: Business and Finance\Businessperson\Banker  Search this
Portrait  Search this
Credit Line:
Owner: Drexel University Collection
Object number:
624 DUC
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm465dee04b-afb4-4ffe-89d3-bbf4ebe61b71
EDAN-URL:
edanmdm:npg_624_DUC

Benjamin Constant in his studio

Subject:
Benjamin-Constant  Search this
Type:
Photographs
Place:
Paris, France
Date:
ca. 1890
Topic:
Artists at or with their work  Search this
Artists' studios  Search this
Painting  Search this
Record number:
(DSI-AAA)3823
See more items in:
Photographs of artists in their Paris studios, 1880-1890
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_3823

Benjamin-Constant : marvels and mirages of orientalism / edited by Nathalie Bondil ; with the assistance of Samuel Montiège ; authors, Valerie Behiery [and 16 others]

Title:
Marvels and mirages of orientalism
Editor:
Bondil, Nathalie  Search this
Montiège, Samuel  Search this
Author:
Behiery, Valerie  Search this
Author:
Benjamin-Constant 1845-1902 Paintings Selections  Search this
Host institution:
Montreal Museum of Fine Arts  Search this
Musée des Augustins  Search this
Subject:
Benjamin-Constant 1845-1902  Search this
Physical description:
399 pages : illustrations (chiefly color), portraits ; 32 cm
Type:
Exhibitions
Date:
2014
Topic:
Orientalism in art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1048818

Benjamin Constant, 1845-1902 [Folder]

Contents:
Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs.
Topic:
Artists  Search this
Location:
Art & Artist files at the Smithsonian American Art Museum/ National Portrait Gallery Library
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILAF_65025

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