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Sculpture on the wall : relief sculpture of the seventies : Lynda Benglis, John Chamberlain, Bryan Hunt, Donald Judd, Ellsworth Kelly, Robert Morris, Louise Nevelson, George Segal, Frank Stella

Author:
University of Massachusetts at Amherst University Gallery  Search this
Subject:
Benglis, Lynda 1941-  Search this
Physical description:
[16] p. : ill. ; 22 x 28 cm
Type:
Exhibitions
Place:
United States
Date:
1980
[1980?]
Topic:
Relief (Sculpture)  Search this
Call number:
NB212 .S39 1980
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_636749

Susanne Hilberry Gallery records

Creator:
Susanne Hilberry Gallery  Search this
Hilberry, Susanne, 1943-2015  Search this
Names:
Artschwager, Richard, 1923-  Search this
Benglis, Lynda, 1941-  Search this
Kaneko, Jun, 1942-  Search this
Katz, Alex, 1927-  Search this
MacKenzie, Warren  Search this
Mitchnick, Nancy, 1947-  Search this
Pfaff, Judy, 1946-  Search this
Phelan, Ellen, 1943-  Search this
Scanga, Italo, 1932-2001  Search this
Shapiro, Joel  Search this
Extent:
5.8 Linear feet
10.1 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Date:
1964-2016
bulk 1976-2016
Summary:
The records of the Susanne Hilberry Gallery measure 5.8 linear feet and 10.1 gigabytes, and date from 1964-2017, with the bulk of the material dating from 1976-2016. Gallery artists include Richard Artschwager, Lynda Benglis, Jun Kaneko, Ellen Phelan, Italo Scanga, Joel Shapiro, Alex Katz, Judy Pfaff, Warren MacKenzie, and Nancy Mitchnick, among many others. The collection consists largely of files grouped by artist containing correspondence, sales records, and exhibition records documenting the activities of the gallery including outside or traveling exhibitions and other initiatives. Also included are significant amounts of visual materials (photographs, slides, transparencies, and digital images) documenting gallery exhibitions and the oeuvres of the gallery artists, as well as digital video recordings in the form of video works, recordings of artist talks, and artwork documentation.
Scope and Contents:
The records of the Susanne Hilberry Gallery measure 5.8 linear feet and 10.1 gigabytes, and date from 1964-2017, with the bulk of the material dating from 1976-2016. Gallery artists include Richard Artschwager, Lynda Benglis, Jun Kaneko, Ellen Phelan, Italo Scanga, Joel Shapiro, Alex Katz, Judy Pfaff, Warren MacKenzie, and Nancy Mitchnick, among many others. The collection consists largely of files grouped by artist containing correspondence, sales records, and exhibition records documenting the activities of the gallery including outside or traveling exhibitions and other initiatives. Also included are significant amounts of visual materials (photographs, slides, transparencies, and digital images) documenting gallery exhibitions and the oeuvres of the gallery artists, as well as digital video recordings in the form of video works, recordings of artist talks, and artwork documentation.

The artist files document each gallery artist's exhibition history in the gallery and include correspondence with the artist or estate as well as files documenting significant outside exhibitions, projects and the placement of artworks. The group show files document the production of select group exhibitions organized throughout the span of the gallery's operation. Transparencies and slides document the respective artists' exhibitions at Susanne Hilberry Gallery, and also contain representations of individual works. The group show slides document select group exhibitions.
Arrangement:
The collection is arranged as 4 series.

Series 1: Artist Files, circa 1964-2016 (4.5 Linear feet; Boxes 1-5, 10.1 Gigabytes; ER01-ER08)

Series 2: Group Show Files, 1976-2016 (0.3 Linear feet; Box 5)

Series 3: Tranparencies, circa 1980-1999 (0.2 Linear feet; Box 5)

Series 4: Slides, circa 1976-1999 (0.8 linear feet; Boxes 6-7)
Biographical / Historical:
Susanne Hilberry Gallery was a contemporary art gallery opened by Susanne Hilberry in 1976 in the Detroit suburb of Birmingham. The gallery moved to Ferndale, Michigan in 2002, and closed in early 2017 following Hilberry's death in 2015. Susanne Hilberry was a pioneering presence in the Detroit art scene. Before opening her gallery she earned a degree in art history from Wayne State University and a master's degree from Yale in architectural history, and later served as an assistant to the curator of the Detroit Institute of Arts, Sam Wagstaff. Wagstaff encouraged Susanne to open her gallery, which focused on bringing emerging art trends and established artists not being shown otherwise in the area, as well as championing the careers of local artists. Hilberry's dedication to developing the local art scene played out in her encouragement and support of the Museum of Contemporary Art, Detroit, where she served as a steering committee member after its opening in 2006.
Related Materials:
Related materials include Wayne State University's Cass Corridor Artists Oral History Project, Oral History with Susanne Feld Hilberry, April 1, 2010.
Provenance:
Donated 2017 by the Susanne Hilberry Estate via Daniel Feld, Trustee.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and born-digital records with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- Michigan
Genre/Form:
Photographs
Citation:
Susanne Hilberry Gallery records, 1964-2017, bulk 1976-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.susahilb
See more items in:
Susanne Hilberry Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a0c340f7-2ea9-4ef9-b2d7-3686217ad2af
EDAN-URL:
ead_collection:sova-aaa-susahilb
Online Media:

Art Foundry and Art Foundry Editions Records

Creator:
Art Foundry  Search this
Art Foundry Editions  Search this
Names:
Allen, Terry, 1943-  Search this
Arnoldi, Charles, 1946-  Search this
Bell, Larry, 1939-  Search this
Benglis, Lynda, 1941-  Search this
Chicago, Judy, 1939-  Search this
Dill, Lesley, 1950-  Search this
Gabriel Orozco, 1962-  Search this
Hackett, Dwight  Search this
Hanbury, Una, 1904-1990  Search this
Houser, Allan, 1914-1994  Search this
Jimenez, Luis, 1940-2006  Search this
Lin, Maya Ying  Search this
Lord, Andrew  Search this
Morris, Robert, 1931-2018  Search this
Nauman, Bruce, 1941-  Search this
Otterness, Tom, 1952-  Search this
Rees, Michael, 1958-  Search this
Scholder, Fritz, 1937-2005  Search this
Shelton, Peter, 1951-  Search this
Smith, Kiki, 1954-  Search this
Soares, Valeska  Search this
Tuttle, Richard, 1941-  Search this
Extent:
25.7 Linear feet
0.891 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketches
Photographs
Date:
circa 1975-circa 2007
Summary:
The Art Foundry and Art Foundry Editions records measure 25.7 linear feet and 0.891 GB and date from circa 1975 to circa 2007. Records include administrative files; correspondence with artists, collectors, dealers, galleries, and others; eight gallery appointment books and fourteen notebooks; exhibition files; extensive artists' files; financial and legal materials; sculpture production and inventory files; and photographic and digital materials.
Scope and Contents:
The Art Foundry and Art Foundry Editions records measure 25.7 linear feet and 0.891 GB and date from circa 1975 to circa 2007. Records include administrative files; correspondence with artists, collectors, dealers, galleries, and others; eight gallery appointment books and fourteen notebooks; exhibition files; extensive artists' files; financial and legal materials; sculpture production and inventory files; and photographic and digital materials.

Administrative records document the daily operations of the Art Foundry and AFE. Correspondence is with artists, galleries, art collectors and dealers, patrons, and others.

The appointment books and notebooks document daily operations within the Foundry administrative offices, including phone messages and daily appointments, and also include notes and conversations regarding various artists' ongoing sculptural plans and projects. Entries have been made by Dwight Hackett, artists, and other staff members.

The bulk of the collection is comprised of artists' files representing over 132 artists, which may include scattered correspondence and notes; scattered exhibition materials; financial materials; photographic materials; digital materials; and sketches and plans for various sculptural productions and projects. Artists include Terry Allen, Larry Bell, Lynda Benglis, Judy Chicago, Lesley Dill, Una Hanbury, Luis Jimenez, Allan Houser, Maya Lin, Andrew Lord, Robert Morris, Bruce Nauman, Gabriel Orozco, Tom Otterness, Michael Rees, Fritz Scholder, Peter Shelton, Kiki Smith, Valeska Soares, and Richard Tuttle, among many others. Seven CD-Rs contain material related to artists Terry Allen, Charles Arnoldi, Lesley Dill, and Michael Rees.

Financial and legal materials include invoices and financial statements, consignment agreements, and miscellaneous legal documents.

Sculpture production and inventory files document casting guidelines and costs incurred; casting logs and records; sculpture production records for various artists; and inventory cards and photographs and digital documentation for various projects and works.

The collection contains hundreds of snapshots and Polaroids that depict the collaborative atmosphere Hackett was able to create at Art Foundry. There are also slides, negatives and nine photograph albums.
Arrangement:
This collection is arranged as 8 series. Researchers should note that Art Foundry and Art Foundry Editions records were merged prior to processing.

Missing Title

Series 1: Administrative Files, circa 1980-circa 2004 (0.5 linear feet; Box 1)

Series 2: Correspondence, 1985-2000 (0.6 linear feet; Boxes 1-2)

Series 3: Gallery Appointment Books and Notebooks, 1985-2000 (1.0 linear feet; Boxes 2-3)

Series 4: Exhibition Files, 1986-1997 (0.2 linear feet; Box 3)

Series 5: Artists' Files, circa 1980-circa 2007 (16.8 linear feet; Boxes 3-19, OV 27-31, 0.891 GB; ER01-ER03)

Series 6: Financial and Legal Materials, 1991-circa 2001 (1.2 linear feet; Boxes 19-20)

Series 7: Sculpture Production and Inventory Files, circa 1975-circa 2002 (2.4 linear feet; Boxes 20-23, OV 31)

Series 8: Photographic Materials, circa 1977-circa 2002 (3.0 linear feet; Boxes 23-26)
Biographical / Historical:
Art Foundry (est.1980-closed 2000) and Art Foundry Editions (est. 1992-closed 2000) were organizations founded and operated by Dwight Hackett in Santa Fe, New Mexico.

While working for another foundry in New Mexico, Dwight Hackett met Una Hanbury and began casting her work at his home, using a relatively new technique called cold casting. The process produced work that lighter than bronze and less expensive to produce. Una Hanbury helped Hackett travel to Washington, D. C. to study with Harvey Moore at his foundry. He formally established his studio, Art Foundry, in New Mexico, in 1980 with a loan from Hanbury and subsequent investment from the Apache sculptor Allan Houser. According to Hackett, Art Foundry's mission was to "collaborate with artists, not just work for them, and to challenge the limits of traditional casting technique."

In 1990, Hackett extended the operation by establishing Art Foundry Editions (AFE) through which he invited artists to come to Santa Fe for a residency and produce multiples of their work. AFE would acquire half of each artists' edition, and then market the works to galleries and collectors. One of AFE's first artists was Lynda Benglis, who purportedly came for a two-week residency and stayed for nine months.

Hackett sold Art Foundry and Art Foundry Editions in 2000.

(Much of the biographical note was taken from collecting specialist Jason Stieber's acquisition report published in the Archives of American Art Journal, Volume Number 54, 2016.)
Provenance:
The Art Foundry and Art Foundry Editions records were donated by Dwight Hackett in 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Publishers and publishing  Search this
Sculpture  Search this
Function:
Foundries
Genre/Form:
Sketches
Photographs
Citation:
Art Foundry and Art Foundry Editions records, circa 1975-circa 2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artfoued
See more items in:
Art Foundry and Art Foundry Editions Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw909b27ecf-2d35-4327-a0d3-beffe4acb13e
EDAN-URL:
ead_collection:sova-aaa-artfoued
Online Media:

Oral history interview with Flora Mace and Joey Kirkpatrick

Interviewee:
Mace, Flora, 1949-  Search this
Kirkpatrick, Joey  Search this
Interviewer:
Herman, Lloyd E.  Search this
Names:
Foster/White Gallery  Search this
Habatat Galleries  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Pilchuck Glass Center (Stanwood, Wash.)  Search this
Rhode Island School of Design -- Students  Search this
Walla Walla Foundry  Search this
Anderson, Dale, 1944-  Search this
Anderson, Doug, 1943-  Search this
Ben Tré, Howard, 1949-2020  Search this
Benglis, Lynda, 1941-  Search this
Borenstein, Joan  Search this
Chihuly, Dale, 1941-  Search this
Dehoff, Bill  Search this
Dehoff, Sarah  Search this
Littleton, Harvey K.  Search this
Moore, Ben  Search this
Morris, William, 1957-  Search this
Pfaff, Judy, 1946-  Search this
Pilloff, Bensen  Search this
Pilloff, Francine  Search this
Rooney, Alice, 1926-2019  Search this
Rosenfield, Betsy  Search this
Royal, Rich  Search this
Saxe, Dorothy  Search this
Saxe, George  Search this
Scanga, Italo, 1932-2001  Search this
Shirley, Jon, 1938-  Search this
Shirley, Mary  Search this
Statom, Therman, 1953-  Search this
Stroemple, George R.  Search this
Tagliapietra, Lino  Search this
Vallien, Bertil, 1938-  Search this
Welch, Ann  Search this
Wilmarth, Christopher  Search this
Wolff, Ann  Search this
Zynsky, Toots, 1951-  Search this
Extent:
5 Items (Audio: 5 wav files (3 hrs., 17 min.), digital)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
2005 August 17-18
Scope and Contents:
An interview of Flora Mace and Joey Kirkpatrick conducted 2005 August 17-18, by Lloyd E. Herman, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artists' home and studio, in Seattle, Washington.
They discuss their first meeting at Pilchuck Glass School in Stanwood, Washington, in 1979; the structure of classes and teaching philosophies at Pilchuck in the late '70s and early '80s; the change in equipment and the growth of the Pilchuck campus through the years; their first projects together, which were wire drawings made by Flora and based on Joey's sketches; leaving Pilchuck after the summer session and moving together to Waterville, New Hampshire, where they worked in a studio at the Rhode Island School of Design with Dale Chihuly; building up a body of work and then having to decide whose work it was, at a time when collaborating and co-signing was not standard practice; going back to Pilchuck every summer for 14 years after first meeting there in 1979; beginning to teach as a collaborative team at Pilchuck in 1981, the first women to teach glass blowing at that school; building their house together on the grounds of Pilchuck, a design which was then emulated for dormitories at the school; convincing Dale Chihuly to lower the class size at Pilchuck to 10, down from 20, to allow teachers to work more closely with the students; early shows of their work at Habatat Galleries in Royal Oak, Michigan, Ivor Kurland Gallery in Los Angeles, California, and Foster-White Galleries in Seattle, Washington; the support of their sisters and families throughout the years, mostly in providing them a place to stay as they traveled cross country; their relationships with collectors; what each artist brings to the partnership, including vision, inspiration, and technique; the influence of water on their work, as both artists are drawn to the sea and the tides; the purpose of their work, and what they feel it can bring to the viewer; the challenge given to the artists by Joan Borenstein to make 30 glass goblets, all with different fruits and vegetables; having their work cast at the Walla Walla Foundry; and the ideas behind various bodies of work, including the "Bird Pages" and the large latticino fruit. A more in-depth discussion of each artist's childhood, education, and artistic experiences prior to their meeting at Pilchuck can be found in the individual artist's interviews. They recall Italo Scanga, Bill Morris, Ben Moore, Rich Royal, Howard Ben Tre, Toots Zynsky, Therman Statom, Harvey Littleton, Lino Tagliapetra, Chris Wilmarth, Judy Pfaff, Lynda Benglis, Alice Rooney, Bertil Vallien, Ann Wolff, Betsy Rosenfield, George and Dorothy Saxe, Doug and Dale Anderson, Jon and Mary Shirley, Sarah and Bill Dehoff, Francine and Benson Pilloff, George Stroemple, Ann Welch, and others.
Biographical / Historical:
Joey Kirkpatrick (1952- ) and Flora Mace (1949- ) are glass artists from Seattle, Washington. Lloyd E. Herman (1936- ) is a curator and former director of the Smithsonian American Art Museum's Renwick Gallery of Art and is currently from Seattle, Washington. Mace and Kirkpatrick have been working collaboratively on glass since the late 1970s.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 3 hrs., 17 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Decorative arts  Search this
Glass art -- Study and teaching  Search this
Glass art -- Technique  Search this
Glass art -- Equipment and supplies  Search this
Glass artists -- Washington (State) -- Seattle -- Interviews  Search this
Glass blowing and working -- Technique  Search this
Glass blowing and working -- Study and teaching  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mace05
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98d0bff3c-9050-48a3-b06f-e1e6ab7ef3f1
EDAN-URL:
ead_collection:sova-aaa-mace05
Online Media:

Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art

Creator:
Finch College. Museum of Art  Search this
Varian, Elayne H.  Search this
Names:
Acconci, Vito, 1940-  Search this
Anderson, David K., 1935-  Search this
Benglis, Lynda, 1941-  Search this
Benyon, Margaret, 1940-  Search this
Bochner, Mel, 1940-  Search this
Brooks, James, 1906-1992  Search this
Castelli, Leo  Search this
Chase, Doris, 1923-  Search this
Cross, Lloyd G.  Search this
Davis, Douglas  Search this
Dwan, Virginia  Search this
Feigen, Richard L., 1930-  Search this
Glimcher, Arnold B.  Search this
Gottlieb, Adolph, 1903-1974  Search this
Graham, Dan, 1942-  Search this
Hollander, Irwin  Search this
Insley, Will, 1929-2011  Search this
Jackson, Martha Kellogg  Search this
Janis, Sidney, 1896-1989  Search this
Kirby, Michael  Search this
Levine, Les, 1935-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Mazur, Michael, 1935-2009  Search this
Meyer, Ursula, 1915-  Search this
Nauman, Bruce, 1941-  Search this
O'Doherty, Brian  Search this
Parsons, Betty  Search this
Richter, Hans, 1888-1976  Search this
Siegelaub, Seth, 1941-  Search this
Smith, Tony, 1912-1980  Search this
Sonfist, Alan  Search this
Weiner, Sam  Search this
Wise, Howard  Search this
Extent:
20.9 Linear feet
Type:
Collection descriptions
Archival materials
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Date:
1943-1975
bulk 1964-1975
Summary:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.
Scope and Contents:
The exhibition records of the Contemporary Study Wing of the Finch College Museum of Art measure 20.9 linear feet and date from 1943 to 1975, with the bulk of records dating from the period its galleries were in operation, from 1964 to 1975. Over two-thirds of the collection consists of exhibition files, which contain a wide range of documentation including artist files, checklists, correspondence, writings, photographs, interviews, numerous films and videos, artist statements, printed materials, and other records. Also found within the collection are administrative records of the museum, artist files, and papers of the Contemporary Wing's director and curator, Elayne Varian, which were produced outside of her work at Finch College.

Administrative records include records relating to the general operation of the Contemporary Wing concerning fundraising, professional associations, budget, contact information for artists, donors, and lenders to exhibitions. Also found are records of the permanent collection of artworks acquired by the museum between 1964 and 1975 from contemporary artists and collectors of contemporary art.

Artist files contain basic biographical information on over 150 contemporary artists, with scattered correspondence, photographs, technical information about artworks, artist statements, and other writings. Artist files also include an incomplete run of artist questionnaires gathered by the New York Arts Calendar Annual for 1964.

Elayne Varian's personal papers include curatorial records, a course schedule and syllabus related to her teaching activities, and various writings. Curatorial projects documented in Varian's papers include three programs produced outside of Finch College, including a juried show at the New York State Fair in 1967, a film series at Everson Museum of Syracuse University, and an exhibition at Guild Hall in East Hampton in 1973. Several of Varian's writing projects involved interviews, which are also found in this series in the form of sound recordings and transcripts. Interview-based writing projects include individual profiles on Brian O'Doherty and Babette Newberger, and interviews conducted for an article on the artist-dealer relationship published in Art in America (January 1970). Dealers interviewed for the latter project include Leo Castelli, Virginia Dwan, John Gibson, Richard Feigen, Arnold Glimcher, Fred Mueller, Martha Jackson, Sidney Janis, Betty Parsons, Seth Siegelaub, and Howard Wise. Artists interviewed include Roy Lichtenstein, Adolph Gottlieb, and Charles Ross.

Exhibition files, comprising the bulk of the collection, document exhibitions held in the Contemporary Wing during its existence from 1964 to 1975. Types of records found in the series include exhibition catalogs, correspondence, loan agreements, lists, contact information, insurance valuations of artworks, photographs, biographical information on artists, clippings, posters, press releases, and other publicity materials. In addition to the rich textual and photographic records found for exhibitions, numerous audiovisual recordings are also found, some of which were made in preparation for an exhibition, some document mounted exhibitions, and others are artworks themselves or components of artworks exhibited in the galleries. Interviews with artists, dealers, and others involved in exhibitions include Alan Sonfist, Mel Bochner, Hans Richter, Ruth Richards, James Brooks and Janet Katz, Margaret Benyon, Irwin Hollander (transcript only), David Anderson, Doris Chase, Will Insley, Michael Kirby, Les Levine, Ursula Meyer, Brian O'Doherty, Charles Ross, Tony Smith, Douglas Davis, Jane Davis, Russ Connor, Les Levine, Michael Mazur, Paul Gedeohn, and physicists Lloyd G. Cross, Allyn Z. Lite, and Gerald Thomas Bern Pethick. Video artworks, recordings of performances, or components of multimedia artworks are found by artists Vito Acconci, Kathy Dillon, Douglas Davis, Dan Graham, Les Levine, Bruce Nauman, Michael Netter, Eric Siegel, and Robert Whitman. A film of the Art in Process: The Visual Development of a Structure (1966) exhibition is found, and video recordings of artists Lynda Benglis, Michael Singer, and Sam Wiener form as part of the documentation for the Projected Art: Artists at Work (1971) exhibition.
Arrangement:
The collection is arranged as 4 series.

Missing Title

Series 1: Administrative Records, 1950-1975 (2 linear feet; Boxes 1-2, 22, OV 23)

Series 2: Artist Files, 1958-1975 (2.4 linear feet; Boxes 3-4, 22, OV 23, FC 27-28)

Series 3: Elayne Varian Personal Papers, 1965-1970 (1.3 linear feet; Boxes 5-6)

Series 4: Exhibition Files, 1943-1975 (14.9 linear feet; Boxes 6-22, OV 24-25, FC 26)
Biographical / Historical:
The Contemporary Study Wing of the Finch College Museum of Art, later called simply the "Contemporary Wing," was established in 1964 by the president of Finch College, Roland De Marco, as an extension the Finch College Museum of Art in New York City.

Its mission was to educate art history students at the Manhattan women's college who were interested in working with contemporary art. DeMarco, himself an art collector, hired Elayne Varian as director and curator of the contemporary wing. DeMarco met Varian in the New York office of the prominent international art dealership Duveen Brothers, where she had worked since the mid-1940s, most recently as an art dealer. Varian received her art education in Chicago, where she studied art history and education at the University of Chicago, and took classes in film at the Bauhaus and in fine art the Art Institute of Chicago. Sensitive to emerging art movements in galleries and studios around the city of New York, as the contemporary wing's curator, Varian quickly established a reputation for thoughtfully conceived, cutting-edge exhibitions which were consistently well-received by the press.

Under Varian, the Contemporary Wing carried out a dual mission of showing work of living artists and educating students and the public about the artwork and museum work in general. Varian used the galleries to provide practical training to students interested in a gallery or museum career throughout its existence. For several years, she also maintained an assistantship position for post-graduate museum professionals to gain experience in the field, many of whom went on to careers in museums across New York State.

The Contemporary Wing's best-known exhibitions formed a series of six shows called Art in Process, held between 1965 and 1972. Each of the Art in Process shows took a different medium, including painting, sculpture, collage, conceptual art, installation art, and serial art, and brought the process of art-making into the gallery with the artworks in various ways. For example, for Art in Process V (1972), the show about installation art, the galleries were open to the public for the entire process of its installation, allowing visitors to watch the works take shape. Another show entitled Documentation (1968) exhibited artworks with documentation such as artist's notes, sales records, and conservation records, bringing to light the value of record-keeping in the visual arts. Two exhibitions entitled Projected Art were also innovative, with the first (1966-1967) bringing experimental films from the cinema to the galleries, and the second (1971) showing artists' processes via footage and slides of artists working. Another show, Artists' Videotape Performances (1971), involved both screening of and creation of works in the gallery using a range of experiments with recent video technology. The museum also participated in an experimental broadcast of an artwork entitled Talk Out! by Douglas Davis, in which a telephone in the gallery allowed visitors to participate in its creation while it was broadcast live from Syracuse, NY. Other exhibitions that showcased experimentation in art included N-Dimensional Space (1970), on holography in art, Destruction Art(1968), on destructive actions being incorporated into contemporary art-making, and Schemata 7 (1967), a show about the use of environments in contemporary art, whose working title was "Walk-in Sculpture."

Other popular exhibitions at the Contemporary Wing included shows on Art Deco (1970) and Art Nouveau (1969). Several shows mined the private collections of prominent contemporary art collectors including Martha Jackson, Betty Parsons, George Rickey, Paul Magriel, Jacques Kaplan, Josephine and Philip Bruno, and Carlo F. Bilotti. A number of exhibitions featured contemporary art from overseas including Art from Belgium (1965), Art from Finland (1973), Seven Swedish Painters (1965), and Art in Jewelry (1966), which featured mainly international jewelry artists. Retrospective exhibitions of Hans Richter, Hugo Weber, and James Brooks were also held.

Hundreds of contemporary artists were shown at the Contemporary Wing in the eleven years of its existence, including many who came to be leading figures in contemporary art, and some who already were, including Andy Warhol, Roy Lichtenstein, Mel Bochner, Eva Hesse, Lynda Benglis, Bruce Nauman, Robert Morris, Lawrence Weiner, Robert Smithson, Sol Le Witt, Dan Flavin, Philip Pearlstein, and Yayoi Kusama, to name just a few.

The Contemporary Wing and the entire Finch College Museum of Art shut its doors in 1975, when Finch College closed due to lack of funds. The permanent collection was sold at that time, and the proceeds were used to pay Finch College employee salaries. Elayne Varian went on to the position of curator of contemporary art at the John and Mabel Ringling Museum in Sarasota, Florida. She died in 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with curator Elayne Varian conducted by Paul Cummings, May 2, 1975.
Provenance:
The Archives of American Art acquired these records from the Finch College Museum of Art after it closed permanently in June 1975.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Video artists -- New York (State) -- New York  Search this
Museum administrators -- New York (State) -- New York  Search this
Museum curators -- New York (State) -- New York  Search this
Topic:
Sculptors -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Gallery directors  Search this
Gallery owners  Search this
Genre/Form:
Transcripts
Interviews
Photographs
Sound recordings
Video recordings
Museum records
Citation:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art, 1943-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.finccoll
See more items in:
Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ed5f13a2-eeb3-452a-8735-204ff25576b5
EDAN-URL:
ead_collection:sova-aaa-finccoll
Online Media:

Jack Brogan papers

Creator:
Brogan, Jack  Search this
Names:
Benglis, Lynda, 1941-  Search this
DeLap, Tony, 1927-  Search this
Irwin, Robert, 1928-  Search this
Therrien, Robert, 1947-  Search this
Turrell, James  Search this
Extent:
4.25 Linear feet
Type:
Collection descriptions
Archival materials
Designs
Drawings
Interviews
Photographs
Sketches
Transcripts
Date:
1968-2016
bulk 1971-2009
Summary:
The papers of technical artist, fabricator, and conservator Jack Brogan measure 4.25 linear feet and date from 1968 to 2016 with the bulk of the collection dating from 1971 to 2009. The collection documents Brogan's collaboration with many artists associated with Southern California Light and Space art to help realize their ideas. Papers include biographical material, project files, printed material, photographic material, and artwork. There is a 2.0 linear foot unprocessed addition to this collection donated in 2020 that includes files related to projects with Robert Irwin, Tony DeLap, Robert Therrien, Philip Aziz, Peter Alexander, Roy Lichtenstein, Lita Albuquerque and others. Some files relate to repairs to work by Lynda Benglis, Larry Bell, John McCracken, Hal Metzer. Several files relate to projects Brogan worked on for churches and synagogues, including First Baptiste Church, Pomona, California. Many contain multiple original drawings, sketches, and notes by artists. Material dates from 1973-2014.
Scope and Contents:
The papers of technical artist, fabricator, and conservator Jack Brogan measure 4.25 linear feet and date from 1968 to 2016 with the bulk of the collection dating from 1971 to 2009. The collection documents Brogan's collaboration with many artists associated with Southern California Light and Space art to help realize their ideas. Papers include biographical material, project files, printed material, photographic material, and artwork. There is a 2.0 linear foot unprocessed addition to this collection donated in 2020 that includes files related to projects with Robert Irwin, Tony DeLap, Robert Therrien, Philip Aziz, Peter Alexander, Roy Lichtenstein, Lita Albuquerque and others. Some files relate to repairs to work by Lynda Benglis, Larry Bell, John McCracken, Hal Metzer. Several files relate to projects Brogan worked on for churches and synagogues, including First Baptiste Church, Pomona, California. Many contain multiple original drawings, sketches, and notes by artists. Material dates from 1973-2014.

Biographical material includes resumes; correspondence; materials related to Jack Brogan's business, Design Concepts; interview drafts; and writings about Brogan.

Project files include research material related to companies and products, as well as files for fabrication and conservation projects in collaboration with artists, including Tony DeLap, James Turrell, Lynda Benglis, Robert Therrien, Robert Irwin, and others. These files typically include financial information, notes, and correspondence, and may also include photographic material, sketches, and printed material.

Printed material includes exhibition announcements and catalogs, press releases, magazines, newspaper and magazine clippings, published interviews, newsletters, and a transcript of the dedication ceremonies for the bicentennial sculpture, Flight, in Fullerton, California.

Photographic material includes contact sheets, negatives, photographs, slides, snapshots, and transparencies, primarily depicting works of art and installation. Also included are images of works of art in Brogan's studio and personal snapshots.

Artwork includes sketches and designs for unidentified projects.
Arrangement:
The collection is arranged in six series.

Series 1: Biographical Material, 1973-2011 (Box 1; 7 folders)

Series 2: Project Files, circa 1969-2016 (Boxes 1-2, OV 4; 1.2 linear feet)

Series 3: Printed Material, 1970-2012 (Box 2, OV 5; 0.3 linear feet)

Series 4: Photographic Material, circa 1969-circa 1990s, undated (Boxes 2-3; 1.1 linear feet)

Series 5: Artwork, 1988, undated (Box 2, OV 4; 0.1 linear feet)

Series 6: Unprocessed Addition (Boxes 6-7, 2.0 linear feet)
Biographical / Historical:
Jack Brogan (1930-) is a technical artist, fabricator, and conservator in Los Angeles, California. Born and raised in Tennessee, Brogan moved to Los Angeles in 1958, where he opened a cabinetmaking and furniture repair shop. After he met and began working with Robert Irwin, word spread of his expertise and other artists sought him out to work with on their own pieces. In 1965 Brogan founded his business, Design Concepts, to address the varying material and production needs of the artists, architects, and industrial designers he works with to fabricate prototypes and unique objects.

Brogan built prototypes for Lockheed, NASA, and has provided custom interior furnishings for numerous commercial and residential spaces. His ability to address projects that are technically challenging due to unconventional methods or limited production runs has also proved well-suited to the concerns and working methods of visual artists. Among his most noteworthy projects are those of Robert Irwin, including a series of prismatic acrylic columns from 1969-1970 and a major commission for the Central Garden of the Getty Center in Los Angeles.
Provenance:
The papers were donated to the Archives of American Art by Jack Brogan in 2017, 2018 and 2020.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Occupation:
Conservators -- California -- Los Angeles  Search this
Topic:
Artists -- California -- Los Angeles  Search this
Genre/Form:
Designs
Drawings
Interviews
Photographs
Sketches
Transcripts
Citation:
Jack Brogan papers, 1968-2016, bulk 1971-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.brogjack
See more items in:
Jack Brogan papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw996c244b9-60d9-4f4a-aacd-016a1b98ae7e
EDAN-URL:
ead_collection:sova-aaa-brogjack

Oral history interview with Lynda Benglis

Interviewee:
Benglis, Lynda, 1941-  Search this
Interviewer:
Tannenbaum, Judith, 1944-  Search this
Extent:
49 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 November 20
Scope and Contents:
An interview of Lynda Benglis conducted 2009 November 20, by Judith Tannenbaum, for the Archives of American Art, at Benglis' studio, in New York, New York.
Biographical / Historical:
Lynda Benglis (1941- ) is a sculptor in New York, New York. Benglis is known for working with wax and latex.
General:
Originally recorded on 3 memory cards. Reformatted in 2010 as 3 digital wav files. Duration is 2 hrs., 46 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Feminism and art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bengli09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97ebb0585-ad17-4e65-98d2-d3a2d4d01fce
EDAN-URL:
ead_collection:sova-aaa-bengli09
Online Media:

Oral history interview with Lynda Benglis, 2009 November 20

Interviewee:
Benglis, Lynda, 1941-  Search this
Benglis, Lynda, 1941-  Search this
Interviewer:
Tannenbaum, Judith E., 1944-  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
Women sculptors  Search this
Feminism and art  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15741
(DSI-AAA_SIRISBib)286914
AAA_collcode_bengli09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_286914
Online Media:

Zabriskie Gallery records

Creator:
Zabriskie Gallery  Search this
Names:
Galerie Zabriskie  Search this
Archipenko, Alexander, 1887-1964  Search this
Baizerman, Saul, 1889-1957  Search this
Benglis, Lynda, 1941-  Search this
Christenberry, William, 1936-2016  Search this
Crawford, Ralston, 1906-1978  Search this
Davis, Stuart, 1892-1964  Search this
Frank, Mary, 1933-  Search this
Hartley, Marsden, 1877-1943  Search this
King, William, 1925-2015  Search this
Lozowick, Louis, 1892-1973  Search this
Nordfeldt, Bror Julius Olsson, 1878-1955  Search this
Siskind, Aaron  Search this
Snelson, Kenneth, 1927-2016  Search this
Stankiewicz, Richard, 1922-1983  Search this
Sugarman, George, 1912-1999  Search this
Tacha, Athena, 1936-  Search this
Tworkov, Jack  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Wilmarth, Christopher  Search this
Yunkers, Adja, 1900-1983  Search this
Zabriskie, Virginia M., 1927-1991  Search this
Extent:
120.7 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1951-2010
Scope and Contents:
Records of the New York and Paris locations of Zabriskie Gallery, including artist and subject files, financial records, and business records.
Artist files contain correspondence with artists, galleries and collectors, photographs of artists and their work, inventories, resumes, exhibition catalogs, press releases, and clippings. Artists include Ansel Adams, Pat Adams, Alexander Archipenko, Eugen Atget, George Ault, Saul Baizerman, Lynda Benglis, Isle Bing, Nell Blaine, Claude Cahun, Harry Callahan, William Christenberry, Ralston Crawford, Imogen Cunningham, Stuart Davis, Kiki de Montparnasse, Marcel Duchamp, Arnold Friedman, Joan Fontcuberta, Mary Frank, Lee Friedlander, Marsden Hartley, Geroges Hugnet, Allan Kaprow, William King, William Klein, Yasuo Kuniyoshi, Ellen Lanyon, Louis Lozowick, Man Ray, Elie Nadelman, Nicholas Nixon, B.J.O. Nordfeldt, Alfonso Ossorio,Albert Renger-Patzch, Jorge Ribalta,Theodore Roszak, Tomoko Sawada, Aaron Siskind, Kenneth Snelson, Ralph Steiner, Richard Stankiewicz, Alfred Stieglitz, George Sugarman, Athena Tacha, Dorothea Tanning, Jack Tworkov, Junko Uoda, Vaclav Vytlacil, Abraham Walkowotz, Christopher Wilmarth, Adja Yunkers and William Zorach, among others.
Gallery correspondence is between the Paris and New York galleries and with artists, dealers, clients, and other galleries. Financial records includes artists account statements, administrative files, Zabriskie transaction records, sales books, and price lists. Also included are signed guest books, floor plans, and inventory cards.
Also found are blueprints and line drawings by Richard Stankiewicz, with copies of designs and information relating to Stankiewicz's sculpture and studio building (0.2 linear ft.).
Arrangement:
The collection is arranged into twelve series.

Series 1: Administrative Files, 1969-2010 (1.6 linear feet; Boxes 1-2)

Series 2: Guestbooks, 1954-1995 (1.3 linear feet; Boxes 2-3)

Series 3: Desk Diaries, 1968-1997 (3.4 linear feet; Boxes 3-7)

Series 4: Correspondence,

Series 5: Registrar Files,

Series 6: Artist Files,

Series 7: Exhibition Files,

Series 8: Institution Files,

Series 9: Financial Records,

Series 10: Printed Material,

Series 11: Photographic Material,

Series 12: Virginia Zabriskie Personal Records
Biographical / Historical:
Art gallery, New York City and Paris (Galerie Zabriskie) owned by Virginia Zabriskie. The New York gallery opened in 1954; Galerie Zabriskie in Paris officially opened in January 1977, but work began there the previous year and closed in 1998.
Provenance:
Donated by Virginia Zabriskie, 1992-2011.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art, Modern -- 20th century  Search this
Function:
Art galleries, Commercial -- France
Art galleries, Commercial -- New York (State)
Identifier:
AAA.zabrgall
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zabrgall

Claire Falkenstein : matter in motion, celebrating a career in painting and sculpture : Michael Rosenfeld Gallery New York, NY, April 6 - June 9, 2018 ; Claire Falkenstein : time elements : University at Buffalo Anderson Gallery, Buffalo, NY : May 5 - July 29, 2018 / Claire Falkenstein ; Michael Rosenfeld Gallery

Title:
Matter in motion, celebrating a career in painting and sculpture
Interviewee:
Falkenstein, Claire 1908-1997  Search this
Contributor:
Benglis, Lynda 1941-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Host institution:
Michael Rosenfeld Gallery  Search this
UB Art Gallery  Search this
Subject:
Falkenstein, Claire 1908-1997  Search this
Falkenstein, Claire 1908-1997 Interviews  Search this
Michael Rosenfeld Gallery  Search this
Physical description:
194 pages : color illustrations ; 26 x 28 cm
Type:
Exhibitions
Interviews
Exhibition catalogs
Place:
United States
Date:
2018
20th century
Topic:
Art, Modern  Search this
Women artists  Search this
Sculpture, Abstract  Search this
Painting, Abstract  Search this
Call number:
N6537.F188 A4 2018
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1097937

Art : a woman's sensibility / [Miriam Schapiro, editor]

Issuing body:
California Institute of the Arts Feminist Art Program  Search this
Editor:
Schapiro, Miriam 1923-2015  Search this
Author of introduction:
Metzger, Deena  Search this
Artist:
Adams, Pat 1928-  Search this
Antin, Eleanor  Search this
Asher, Elise 1914-  Search this
Baber, Alice  Search this
Benglis, Lynda 1941-  Search this
Bernstein, Judith 1942-  Search this
Blaine, Nell 1922-1996  Search this
Brenner, Susan  Search this
Brody, Sherry 1932-  Search this
Brown, Joan 1938-1990  Search this
Burko, Diane 1945-  Search this
Campbell, Gretna 1922-1987  Search this
Caparn, Rhys 1909-1997  Search this
Caroompas, Carole  Search this
Carson, Karen 1943-  Search this
Danielli, Edie  Search this
Edelheit, Martha  Search this
Fine, Perle 1905-1988  Search this
Flack, Audrey  Search this
Freed, Hermine  Search this
Freilicher, Jane 1924-2014  Search this
Getchoff, Sonia  Search this
Graves, Nancy 1940-1995  Search this
Grigoriadis, Mary  Search this
Haerer, Carol 1933-2002  Search this
Hall, Susan  Search this
Hammond, Harmony  Search this
Harris, Pamela  Search this
Hartigan, Grace  Search this
Hirsch, Gilah Yelin  Search this
Horowitz, Ida  Search this
Jacobs, Jessica  Search this
Katzen, Lila  Search this
Knowles, Alison 1933-  Search this
Korman, Harriet  Search this
Kozloff, Joyce  Search this
Krasner, Lee 1908-1984  Search this
Lansner, Fay  Search this
Lanyon, Ellen  Search this
Leaf, June 1929-  Search this
Leonard, Joanne  Search this
Levi, Linda  Search this
Mainardi, Patricia  Search this
Mangold, Sylvia Plimack 1938-  Search this
Marcus, Marcia 1928-  Search this
Morgan, Barbara Brooks 1900-1992  Search this
Maas Mosen, Nancy  Search this
Neel, Alice 1900-1984  Search this
Newburger, Babette  Search this
Palfi, Marion 1907-1978  Search this
Picard, Lil  Search this
Pindell, Howardena 1943-  Search this
Piper, Adrian 1948-  Search this
Rachel, Vaughan  Search this
Remington, Deborah  Search this
Reynal, Jeanne 1903-  Search this
Saar, Betye  Search this
Savage, Naomi 1927-  Search this
Schneemann, Carolee 1939-  Search this
Semmel, Joan 1932-  Search this
Slavin, Arlene  Search this
Sleigh, Sylvia  Search this
Smith, Barbara Turner 1931-  Search this
Snyder, Joan 1940-  Search this
Spero, Nancy 1926-2009  Search this
Speyer, Nora  Search this
Stevens, May  Search this
Strider, Marjorie  Search this
Stuart, Michelle 1933-  Search this
Tavenner, Patricia  Search this
Van Fleet, Ellen 1942 or 1944-  Search this
Wayne, June 1918-2011  Search this
Wilke, Hannah  Search this
Zehr, Connie  Search this
Zucker, Barbara M. 1940-  Search this
Physical description:
82 pages : illustrations ; 18 x 31 cm
Type:
Books
Place:
United States
Date:
1975
20th century
Topic:
Feminism and art  Search this
Women artists  Search this
Painters  Search this
Call number:
N43 .C35 1975
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1095826

Just Pink and Turquoise, (sculpture)

Sculptor:
Benglis, Lynda 1941-  Search this
Medium:
Neon and iron
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by State of Florida Art in State Buildings Program The Capitol Tallahassee Florida 32399
Located University of South Florida Student Services Center, on wall in breezeway Tampa Florida Accession Number: BR-599
Date:
1988
Topic:
Abstract  Search this
Control number:
IAS 65880014
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_297242

Maquette for Nalia, (sculpture)

Sculptor:
Benglis, Lynda 1941-  Search this
Medium:
Hammered and riveted brass and copper
Type:
Sculptures-Model
Sculptures
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1982.61
Date:
1981
Topic:
Abstract  Search this
Study--Maquette  Search this
Control number:
IAS 08580125
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_30930

Nalia, (sculpture)

Sculptor:
Benglis, Lynda 1941-  Search this
Medium:
Sculpture: bronze and copper; Base: granite
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by United States General Services Administration Washington District of Columbia
Located Leo W. O'Brien Federal Building Courtyard Albany New York
Date:
Completed Nov. 20, 1982
Topic:
Abstract  Search this
Control number:
IAS 75002822
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_5173

Lynda Benglis, Louise Bourgeois : circa 70

Title:
Louise Bourgeois
Circa 70
Author:
Benglis, Lynda 1941-  Search this
Bourgeois, Louise 1911-2010  Search this
Pincus-Witten, Robert  Search this
Cheim & Read  Search this
Subject:
Benglis, Lynda 1941-  Search this
Bourgeois, Louise 1911-2010  Search this
Physical description:
[25] p. : col. ill. ; 33 cm
Type:
Exhibitions
Date:
2007
C2007
20th century
Topic:
Sculpture, Modern  Search this
Feminism and art  Search this
Call number:
NB237.B4348 A4 2007
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_831457

Lynda Benglis : soft off : April 8-May 31, 2002 / essay by Carter Ratcliff

Title:
Soft off
Author:
Benglis, Lynda 1941-  Search this
Ratcliff, Carter  Search this
Locks Gallery  Search this
Subject:
Benglis, Lynda 1941-  Search this
Physical description:
44 p. : col. ill. ; 23 cm
Type:
Books
Exhibitions
Date:
2002
C2002
Call number:
N6537.B453 A4 2002
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_701311

Lynda Benglis, 1968-1978 : [exhibition]

Author:
Benglis, Lynda 1941-  Search this
Schjeldahl, Peter  Search this
Miami-Dade Community College, South campus Art Gallery  Search this
University of South Florida Teaching Gallery  Search this
Subject:
Benglis, Lynda 1941-  Search this
Physical description:
24 p. : ill
Type:
Books
Exhibitions
Date:
1980
Call number:
NB237.B4348 A4 1980
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_740229

Lynda Benglis / essay by Richard Marshall

Author:
Benglis, Lynda 1941-  Search this
Marshall, Richard 1947-2014  Search this
Cheim & Read  Search this
Subject:
Benglis, Lynda 1941-  Search this
Physical description:
1 v. (unpaged) : chiefly col. ill. ; 30 cm
Type:
Books
Exhibitions
Date:
2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_782157

Lynda Benglis : recent sculpture and a screening of the 1973 video Female sensibility

Title:
Recent sculpture and a screening of the 1973 video Female sensibility
Author:
Benglis, Lynda 1941-  Search this
Benglis, Lynda 1941- Female sensibility  Search this
Gilbert-Rolfe, Jeremy  Search this
Cheim & Read  Search this
Subject:
Benglis, Lynda 1941-  Search this
Physical description:
1 sheet (10 p., folded) : ill. ; 23 cm
Type:
Books
Exhibitions
Date:
1998
Call number:
N6537.B453 A4 1990b
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_626254

Lynda Benglis, John Chamberlain, Joel Fisher, Mel Kendrick, Robert Therrien : Februari-Mars 1988 / text by Carter Ratcliff

Author:
Ratcliff, Carter  Search this
Benglis, Lynda 1941-  Search this
Chamberlain, John 1927-2011  Search this
Fisher, Joe (Joel)  Search this
Kendrick, Mel 1949-  Search this
Therrien, Robert 1947-  Search this
Subject:
Benglis, Lynda 1941-  Search this
Chamberlain, John 1927-  Search this
Fisher, Joe (Joel) Exhibitions  Search this
Kendrick, Mel 1949-  Search this
Therrien, Robert 1947-  Search this
Physical description:
[42] p. : col. ill. ; 26 cm
Type:
Books
Exhibitions
Place:
United States
Date:
1987
Topic:
Sculptors  Search this
Call number:
NB212 .L96 1987
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_638885

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