Artists files containing photographs and correspondence on artists Henry Benbridge, James Claypoole, George Washington Conarroe, John Singleton Copley, Joseph Delaplaine, Jacob Eichholtz, Erastus Salisbury Field, Francis Guy, Lowell Birge Harrison, Robert Charles Leslie, James McMurtrie, Mihaly Munkacsy, Robert Edge Pine, Severin Roesen, Charles Rudy, William Rush, John Smibert, John Vanderlyn, and John Wollaston. Also included are correspondence files pertaining to artistic subjects with the Pennsylvania Academy of the Fine Arts, the Detroit Institute of Arts, the Metropolitan Museum of Art, Peale family descendents (about Peale family artists), and others.
Biographical / Historical:
Art historian; Carlisle, Penn. Died 1980. Author of BENJAMIN FRANKLIN IN PORTRAITURE (1962) and MR PEALE'S MUSEUM: CHARLES WILSON PEALE AND THE FIRST POPULAR MUSEUM OF NATURAL SCIENCE AND ART (1980) and other works.
Related Materials:
Charles Sellers papers also located at Dickinson College.
Provenance:
Lent for microfilming 1987 as part of AAA's Philadelphia Arts Documentation Project. The papers were donated to the American Philosophical Society by Sellers' estate.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art historians -- Pennsylvania -- Carlisle Search this
To "My Dear Sally," presumably his sister Sarah, Aug. 17, 1770, mentioning Benjamin West's villa on the Thames and hoping that she has seen the portrait that Benbridge painted of him.
Biographical / Historical:
Assistant minister to Christ Church and St. Peter's in Philadelphia.
Provenance:
Microfilmed by the Historical Society of Pennsylvania for the Archives of American Art, 1955.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Research material gathered by Robert G. Stewart on Robert Edge Pine, Auguste Hervieu, Henry Benbridge, James Earl, and other artists, including correspondence, printed matter, notes, and photographs.
Scope and Contents:
Art historian Robert G. Stewart's research material dates from 1952 to 2004 and measures 3 linear feet. The collection contains correspondence, photographs, slides, negatives, notes, drafts, manuscripts, and printed matter such as excerpts from auction catalogs, magazines and publications. The records document Robert G. Stewart's research for publications and exhibitions. The collection relates primarily to his research for his publications on these artists, such as Robert Edge Pine: A British Portrait Painter in America 1784-1788, and artist biographies for American National Biography and the Dictionary of Art.
Arrangement:
The collection is arranged by artist, as five series.
Series 1: Henry Benbridge
Series 2: James Earl
Series 3: Auguste Hervieu
Series 4: Robert Edge Pine
Series 5: Various artists
Biographical / Historical:
Robert G. Stewart (March 5, 1931-November 17, 2005) served as Curator of Painting and Sculpture for the National Portrait Gallery, Smithsonian Institution from 1964 to 1994, when he became senior curator emeritus. He is the author of many works, including Nucleus for a National Collection, 1965;A Nineteenth-Century Galley of Distinguished Americans, 1969;Henry Benbridge (1743-1812), American Portrait Painter, 1971; andRobert Edge Pine, A British Artist in America 1784-1788, 1979.
Provenance:
Acquired from Robert G. Stewart.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Robert G. Stewart research material is owned by the Catalog of American Portraits, National Portrait Gallery, Smithsonian Institution, and is available for use by researchers. The collection is subject to all copyright laws.