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Bellamy, Richard

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 173, Folder 52
Type:
Archival materials
Date:
1974
1970
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 11: Consignment Records / 11.2: Consignments from Other Galleries
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e5643cf0-0978-4d2b-9b0a-10bfd6b0df74
EDAN-URL:
ead_component:sova-aaa-andremmg-ref5230

Bellamy, Richard

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 186, Folder 23
Type:
Archival materials
Date:
1959-1971
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery Records and André Emmerich Papers
André Emmerich Gallery Records and André Emmerich Papers / Series 13: Other Financial and Legal Records / 13.2: Partner Account Statements
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ab88da6f-4f7b-4064-a390-b69271c372de
EDAN-URL:
ead_component:sova-aaa-andremmg-ref6317

Oral history interview with Leo Castelli

Interviewee:
Castelli, Leo  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Club (New York, N.Y.)  Search this
Leo Castelli Gallery  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bellamy, Richard  Search this
Callahan, Harry M.  Search this
Drouin, René  Search this
Flavin, Dan, 1933-  Search this
Johns, Jasper, 1930-  Search this
Johnson, Philip, 1906-2005  Search this
Karp, Ivan C., 1926-2012  Search this
Lichtenstein, Roy, 1923-1997  Search this
List, Vera  Search this
Ludwig, Peter, 1925-  Search this
Nauman, Bruce, 1941-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Scull, Robert C.  Search this
Serra, Richard, 1938-  Search this
Solomon, Alan R., 1920-1970  Search this
Sonnabend, Ileana  Search this
Tremaine, Burton  Search this
Extent:
194 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1969 May 14-1973 June 8
Scope and Contents:
Interview of Leo Castelli conducted 1969 May 14-1973 June 8, by Paul Cummings, for the Archives of American Art.
Castelli speaks of his background; fleeing Europe, 1940-1941; his U.S. Army service; The Club; establishing his New York galleries; his first wife, Ileana Sonnabend, and her success as an art dealer; galleries in the 1940s and 1950s; his staff; prints; commissioned works; exhibitions and sales of works by Dan Flavin, Jasper Johns, Roy Lichtenstein, Bruce Nauman, Robert Rauschenberg, Richard Serra, Frank Stella, and others; collectors including Philip Cortelyou Johnson, Vera G. List, Peter Ludwig, Mr. and Mrs. Robert Scull, and Mr. and Mrs. Burton Tremaine. Castelli recalls Alfred H. Barr, Richard Bellamy, John Cage, René Drouin, Ivan C. Karp, and Alan Robert Solomon.
Biographical / Historical:
Leo Castelli (1907-1999) was an art dealer from New York, New York.
General:
Originally recorded as 8 sound tape reels. Reformatted in 2010 as 15 digital wav files. Duration is 14 hr., 12 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.castel69may
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw991dbedb1-b314-4a60-b12e-b9a46ecce37c
EDAN-URL:
ead_collection:sova-aaa-castel69may
Online Media:

Oral history interview with Henry Geldzahler

Interviewee:
Geldzahler, Henry  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Endowment for the Arts  Search this
Bellamy, Richard  Search this
Bingham, Lois A.  Search this
Castelli, Leo  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Hale, Robert Beverly, 1901-1985  Search this
Hoving, Thomas, 1931-  Search this
Lowe, Harry, 1922-  Search this
Rorimer, James J. (James Joseph), 1905-1966  Search this
Scull, Robert C.  Search this
Stella, Frank  Search this
Stevens, Roger L.  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
2 Sound tape reels (Sound recording, 7 in.)
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1970 Jan. 27
Scope and Contents:
An interview of Henry Geldzahler conducted 1970 Jan. 27, by Paul Cummings, for the Archives of American Art. Geldzahler speaks of his youth and family background; his early interests; his education at Yale and Harvard; the decision to pursue an art career; working with the Metropolitan Museum of Art for Robert Beverly Hale; working with James Rorimer; his first exhibit; artists and curators he has been associated with; working with Roger Stevens at the National Endowment for the Arts; public interest in museums; working with Thomas Hoving; his opinion of critics; and how he selects works for exhibitions. He recalls Richard Bellamy, Harry Lowe, Lois Bingham, Robert Scull, Leo Castelli, Frank Stella, Andy Warhol, and Rene D'Harnoncourt.
Biographical / Historical:
Henry Geldzahler (1935-1994) was a curator in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Curators -- New York (State) -- New York -- Interviews  Search this
Function:
Art museums -- New York (State) -- New York
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.geldza70
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw930961b87-e75b-4509-b6de-2f4dadabd532
EDAN-URL:
ead_collection:sova-aaa-geldza70

Oral history interview with Jackie Ferrara

Interviewee:
Ferrara, Jackie  Search this
Interviewer:
Berman, Avis  Search this
Creator:
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Names:
Michigan State University -- Students  Search this
United States. General Services Administration. Design Excellence and the Arts Oral History Project  Search this
Wayne State University -- Students  Search this
Addams, Charles, 1912-1988  Search this
Andre, Carl, 1935-  Search this
Beauchamp, Robert, 1923-  Search this
Bellamy, Richard  Search this
DeLap, Tony, 1927-2019  Search this
Eisenhauer, Lette  Search this
Ferrara, Don  Search this
Forst, Miles, 1923-  Search this
Frank, Mary, 1933-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gallo, Frank, 1933-  Search this
Graves, Nancy Stevenson, 1940-1995  Search this
Gross, Sally  Search this
Hesse, Eva, 1936-1970  Search this
Hofmann, Hans, 1880-1966  Search this
Judd, Donald, 1928-1994  Search this
LeWitt, Sol, 1928-2007  Search this
Marcus, Marcia, 1928-  Search this
Motherwell, Robert  Search this
Oldenburg, Claes, 1929-  Search this
Protetch, Max  Search this
Rockburne, Dorothea  Search this
Rosenquist, James, 1933-  Search this
Samaras, Lucas, 1936-  Search this
Smithson, Robert  Search this
Extent:
3 Items (Sound recording: 3 sound files (5 hr., 12 min.), digital, WMA files)
115 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 16-February 13
Scope and Contents:
An interview of Jackie Ferrara conducted 2009 January 16-February 13, by Avis Berman, for the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project, at the Ferrara's home, in New York, New York.
Ferrara speaks of growing up in Detroit, Michigan; her early interest in mathematics and its ever present role in her work; attending Michigan State University for one year; taking fashion drawing classes at Wayne State University and her supposed lack of drawing skills; an early interest in pottery and leather making; moving to New York City in 1951 on a night train from Detroit; working at the Henry Street Playhouse and its influential role on her art; her relationship with Robert Beauchamp and her friendship with many artists in Provincetown, Massachusetts; early works, including the cotton batting works and the rope works, most of which were destroyed; her dislike of traveling and her use of imagination for inspiration; participating in the performances and happenings of Claes Oldenburg; her friendship with Robert Smithson and his influence on her later works; working with Max Protetch; never teaching art because she herself did not attend art school; her creation process of her wood and stone pieces, including their conception in early drawings; having a positive attitude towards her pieces being rebuilt because of decay; quickly moving into public art in the late 1970s, early 1980s; living and working in the same loft in New York for over 40 years; the helpful role the women's movement played in her successful career though she did not participate; receiving art grants to enable her to work for a year or two without having to find an odd job to support herself; various public art projects around the country, how they came to be, creating the works and their significance to her. Ferrara also recalls Charlotte Tokayer, Don Ferrara, Alvin Nikolai, Richard Bellamy, Mary and Paul Frank, Miles and Barbara Forst, Sally Gross, Hans Hofmann, Robert Motherwell, Helen Frankenthaler, Nat Halprin, Lucas Samara, Letty Lou Eisenhauer, James Rosenquist, Marcia Marcus, Charles Addams, Eva Hesse, Frank Gallo, Tony DeLap, Dorothea Rockburne, Time Doyle, Sol LeWitt, Donald Judd, Carl Andre, Nancy Graves, Marty Greenbaum, Abe Sachs, Mel Bochner, Jan Groover, Alice Aycock, Alice Adams, Jackie Windsor, Scott Burton, Siah Armajani, Michelle Stuart, Lucy Lippard, Zaha Hadid, Max Hutcinson, Andrea Blum, and others.
Biographical / Historical:
Jackie Ferrara (1929- ) is a sculptor. Ferrara works with the built environment in her designs for courtyards and architectural structures.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Audio: ACCESS RESTRICTED; Use requires written permission.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Draftsmen (artists) -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ferrar09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9efd0b315-7933-452d-945c-e6f5dc917f90
EDAN-URL:
ead_collection:sova-aaa-ferrar09
Online Media:

Stephanie Chrisman photographs of artists

Photographer:
Chrisman, Stephanie  Search this
Names:
Bellamy, Richard  Search this
Christensen, Dan, 1942-  Search this
Duran, Robert  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Greenberg, Clement, 1909-1994  Search this
Kingsley, Sidney, 1906-1995  Search this
Leslie, Alfred, 1927-  Search this
Marden, Brice, 1938-  Search this
McLuhan, Marshall, 1911-1980  Search this
Noland, Kenneth, 1924-2010  Search this
Novros, David, 1941-  Search this
Olitski, Jules, 1922-2007  Search this
Stein, Michael, 1865-1938  Search this
Extent:
23 Items
Type:
Collection descriptions
Archival materials
Date:
1967-1979
Scope and Contents:
Twenty three black and white photographs of artists and art related figures taken by photographer Stephanie Chrisman including Richard Bellamy, Dan Christiansen, Robert Durand, Buckminster Fuller, Clement Greenberg, Sidney Kingsley, Alfred Leslie, Brice Marden, Marshall McLuhan, Kenneth Noland, David Novros, Jules Olitski, and Michael Stein.
Biographical / Historical:
Stephanie Chrisman is a photographer in New York, New York. and Chicago, Illinois. Chrisman's married name is Stephanie Duran.
Provenance:
Donated 2010 by Stephanie Chrisman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Artists -- Photographs  Search this
Women artists  Search this
Women photographers  Search this
Identifier:
AAA.durastep
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e7773ff6-c159-418d-b351-4fe3b414c314
EDAN-URL:
ead_collection:sova-aaa-durastep

Oral history interview with Ivan C. Karp

Interviewee:
Karp, Ivan C., 1926-2012  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Club (New York, N.Y.)  Search this
Hansa Gallery (New York, N.Y.)  Search this
O.K. Harris Gallery (New York, N.Y.)  Search this
Richard Green Gallery (New York, N.Y.)  Search this
Artschwager, Richard, 1923-2013  Search this
Bellamy, Richard  Search this
Castelli, Leo  Search this
Johns, Jasper, 1930-  Search this
Lichtenstein, Roy, 1923-1997  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rosenquist, James, 1933-  Search this
Scull, Robert C.  Search this
Sonnabend, Ileana  Search this
Twombly, Cy, 1928-  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
1 Sound tape reel (Sound recordings: (2 hours 30 min.), 7 in.)
78 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1969 March 12
Scope and Contents:
An interview of Ivan C. Karp conducted 1969 March 12, by Paul Cummings, for the Archives of American Art at the Leo Castelli Gallery.
Karp discusses the invention of the names "OK Harris" and "Green Gallery"; his work for Leo Castelli including gallery exhibitions, expenses, collectors, critics and staff; the work of Richard Artschwager, Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, James Rosenquist, Cy Twombly, Gerry Vanderweil, Andy Warhol, and others; The Club; "soft art"; and the art market. He recalls Richard Bellamy, Ileana Sonnabend, Robert C. Scull, and others. Karp speaks of growing up in the boroughs of New York City, his reading and writing interests, commercial film making, his work for the Hansa Gallery and Martha Jackson, summers in Provincetown, Massachusetts, and the art scene in New York City in the late 1950s.
Biographical / Historical:
Ivan C. Karp (1926- ) is an art dealer and director of the OK Harris Gallery in New York, New York.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Optical art  Search this
Pop art  Search this
Soft sculpture -- United States  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.karp69
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw937490cff-69fe-4cbc-b150-25706f2b3bb9
EDAN-URL:
ead_collection:sova-aaa-karp69
Online Media:

Oral history interview with Robert Scull

Interviewee:
Scull, Robert C.  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Andrejevic, Milet, 1925-1989  Search this
Bellamy, Richard  Search this
De Maria, Walter, 1935-2013  Search this
Di Suvero, Mark, 1933-  Search this
Heizer, Michael, 1944-  Search this
Johns, Jasper, 1930-  Search this
Karp, Ivan C., 1926-2012  Search this
Kline, Franz, 1910-1962  Search this
Leslie, Alfred, 1927-  Search this
Newman, Barnett, 1905-1970  Search this
Rosenquist, James, 1933-  Search this
Rutherford, Judith  Search this
Segal, George, 1924-2000  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 June 15-28
Scope and Contents:
Interview of Robert Scull conducted by 1972 June 15-28, Paul Cummings, for the Archives of American Art. Scull speaks of his early life and education in New York City; attending night classes at the Art Students League; the importance of museum visits; becoming assistant art director for Saks 34th Street; financially successful ventures; the start of his collection in 1954; his criteria for acquisition; his relationships with artists; the pop art scene; portraits of Scull by various artists; the effects of publicity surrounding his collection; his interest in the future of art; the disposition of his collection; critics; relationships with dealers and museums.
He recalls Barnett Newman, Richard Bellamy, Franz Kline, Jasper Johns, James Rosenquist, George Segal, Andy Warhol, Alfred Leslie, Ivan Karp, Mark Di Suvero, Michael Heizer, Walter De Maria, Milet Andrejevic, and Judith Rutherford.
Biographical / Historical:
Robert Scull (1917-1986) was a collector from New York, N.Y.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 5 digital wav files. Duration is 4 hr., 28 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art -- Collectors and collecting -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.scull72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92e6d142c-02e1-45d2-8775-abf54ad8de91
EDAN-URL:
ead_collection:sova-aaa-scull72
Online Media:

Oral history interview with Robert Grosvenor

Interviewee:
Grosvenor, Robert, 1937-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Bellamy, Richard  Search this
Congdon, William, 1912-1998  Search this
Di Suvero, Mark, 1933-  Search this
Dwan, Virginia  Search this
Extent:
1 Sound tape reel (Sound recording, 5 in.)
54 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1972 Aug. 9
Scope and Contents:
Interview of Robert Grosvenor conducted 1972 Aug. 9, by Paul Cummings, for the Archives of American Art.
Grosvenor speaks of his early life and education in Newport, R.I.; studying in Europe; his first formal art instruction in Dijon, France; the art and architecture scene in Paris; his U.S. Army service; meeting Mark di Suvero, and his influence; his one-man show at the Dwan Gallery; materials; and the impermanence of his pieces. He recalls Richard Bellamy, Virginia Dwan, and William Congdon.
Biographical / Historical:
Robert Grosvenor (1937-) is a sculptor from New York N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
ACCESS RESTRICTED; written permission required.
Use requires an appointment.
Occupation:
Art students -- France -- Paris  Search this
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.grosve72
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9383e459b-83e9-4103-bf40-d9e95197721e
EDAN-URL:
ead_collection:sova-aaa-grosve72

Oral history interview with Lee Bontecou

Interviewee:
Bontecou, Lee, 1931-  Search this
Interviewer:
Ashton, Dore  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Brooklyn College -- Faculty  Search this
Leo Castelli Gallery  Search this
Bellamy, Richard  Search this
Brackman, Robert, 1898-  Search this
Calder, Alexander, 1898-1976  Search this
Doyle, Tom  Search this
González, Julio, 1876-1942  Search this
Hesse, Eva, 1936-1970  Search this
Stankiewicz, Richard, 1922-1983  Search this
Zorach, William, 1887-1966  Search this
Extent:
118 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 10
Scope and Contents:
An interview of Lee Bontecou conducted 2009 January 10, by Dore Ashton, for the Archives of American Art, at Knoedler and Company, in New York, New York.
Bontecou speaks of her interest in art as a young child and her parents' encouragement and influences; her two years at community college before studying painting then sculpture under William Zorach at the Arts Students League in New York City; her time working, living and studying in Rome though the Fulbright Scholarship; her abstracted figural works in Rome influenced by ancient Greek and Roman sculpture; her exploration in Europe of non-American influences and her admiration of the strong design sense in Italy; returning to the United States and working in the New York City art scene and exhibiting her works at Leo Castelli's Gallery; different techniques including welding and vacuum forming; meeting her husband, Bill Giles, and raising her daughter, Vallie, in New York City; leaving New York City and the Castelli Gallery for Pennsylvania and the ability to experiment in her artwork; teaching at Brooklyn College where she worked with Morris Dorsky and enjoyed a wide range of students; her lack of affiliation with art movements, including Pop Art; her illness and her current work; and her strong belief that an M.F.A. is useless and that young artists have to make themselves. Bontecou also recalls Robert Brackman, Julio Gonzales, Alexander Calder, Richard Bellamy, Gabriel Kahn, Richard Stankewiczs, Tom Doyle, Eve Hesse, Sandra and Jack Beale, and others.
Biographical / Historical:
Lee Bontecou (1931- ) is a sculptor and printmaker from New York, New York. Bontecou studied at the Art Students League of New York and taught at Brooklyn College.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 2 hr., 42 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Sculptors -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Pop art  Search this
Sculpture -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bontec09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ba6e775-8110-44d8-a119-a263342d346d
EDAN-URL:
ead_collection:sova-aaa-bontec09
Online Media:

Subject Files

Collection Creator:
Vogel, Dorothy  Search this
Vogel, Herbert  Search this
Extent:
9.8 Linear feet (Boxes 31-41)
Type:
Archival materials
Date:
1969-2008
Scope and Contents:
This series contains letters, greeting cards, and notes; scattered loan and purchase records; and printed materials from or about people and institutions around the art world including collectors, colleges and universities, dealers, gallerists and galleries, historians, museums, and writers. Among the correspondents are Jack and Maryon Adelaar, Jourdan Arpelle, Peter Bellamy, Richard Bellamy, Paul Bianchi, Edgar Brunner, Steven H. Cardin, Leo Castelli, Ellen Donahue, Norman Dubrow, Elin Lake Ewald, David Findlay, Peter Frank, Dee and David Garrett, Francis Greenburger, Annie Herron, Sidney Janis, Poppy Johnson, Ralph and June Obler, Timotheus Pohl, Charles Rand Penny, Sandy Seawright, Riki Simons, and Bernadine Tabler. Many of the materials found here comment on the close and personal relationship between the Vogels and people within the art world. There are birthday cards, baby shower invitations and birth announcements, holiday cards, wedding invitations, and retirement cards. Fan mail includes short letters written to the Vogels, many concerning the Vogel's pledge to donate their artwork to the National Gallery of Art. Files titled 'jokes' contain clippings from comic strips. Files on museums and colleges and universities may include loan records and exhibition materials.
Arrangement:
Most folder titles have been transcribed from the original, however in some cases they have been standardized.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy and Herbert Vogel papers, 1960s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.vogedoro, Series 3
See more items in:
Dorothy and Herbert Vogel papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93bcbcd74-1730-4ac8-ad65-35d199d66abb
EDAN-URL:
ead_component:sova-aaa-vogedoro-ref4

Barbara Rose papers

Creator:
Rose, Barbara  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Andre, Carl, 1935-  Search this
Bannard, Walter Darby, 1934-  Search this
Bellamy, Richard  Search this
Bierman, A. K., 1923- (Arthur Kalme)  Search this
Bladen, Ronald, 1918-1988  Search this
Bowles, John  Search this
Castelli, Leo  Search this
Davis, Jim, 1901-1974  Search this
Davis, Ron, 1937-  Search this
De Forest, Roy, 1930-2007  Search this
Di Suvero, Mark, 1933-  Search this
Dzubas, Friedel, 1915-  Search this
Flavin, Dan, 1933-  Search this
Frazier, Charles  Search this
Geldzahler, Henry  Search this
Hare, David, 1917-1992  Search this
Hopps, Walter  Search this
Judd, Donald, 1928-  Search this
Karp, Ivan C., 1926-2012  Search this
Kauffman, Craig, 1932-2010  Search this
Krasner, Lee, 1908-1984  Search this
LeWitt, Sol, 1928-2007  Search this
Lefebre, John  Search this
Lichtenstein, Roy, 1923-1997  Search this
Locks, Seymour, 1919-  Search this
Lye, Len, 1901-1980  Search this
Mack, Heinz, 1931-  Search this
McCracken, John, 1934-2011  Search this
McShine, Kynaston  Search this
Meier, Richard, 1934-  Search this
Morris, Robert, 1931-2018  Search this
Motherwell, Robert  Search this
Mundt, Ernest Karl, 1905-  Search this
Murray, Robert, 1936-  Search this
Myers, John Bernard  Search this
Oldenburg, Claes, 1929-  Search this
Padovano, Anthony  Search this
Piene, Otto, 1928-  Search this
Poons, Larry  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rexroth, Kenneth, 1905-1982  Search this
Rose, Barbara  Search this
Rudolph, Paul, 1918-  Search this
Sandler, Irving, 1925-  Search this
Segal, George, 1924-2000  Search this
Stella, Frank  Search this
Taylor, Edward Silverstone  Search this
Wasserman, Tamara E.  Search this
Wesselmann, Tom, 1931-2004  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Transcripts
Sound recordings
Lectures
Date:
1962-circa 1969
Summary:
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, writings, printed material, interviews with artists, panel discussions, and lectures relating to Barbara Rose's research as an art historian.
Scope and Contents:
The Barbara Rose papers date from 1962 to circa 1969 and measure 1.4 linear feet. Papers include letters, interviews with artists, panel discussions, lectures, writings, and printed material relating to Barbara Rose's work as an art historian and critic.

Letters consist of responses to queries and questionnaires Rose and Irving Sandler sent to contemporary artists as research for writing projects. Questionnaires were sesnt in preparation for an article in Art in America on artists' sensibility of the 1960s, with responses from Robert Motherwell, Robert Craig Kauffman, Len Lye, Robert Morris, George Segal, David Hare, and others. A separate query asked sculptors for their assessment of contemporary sculptor's needs and the potential for patronage, and responses are found from Carl Andre, Charles Frazier, Robert Murray, Anthony Padovano, Ron Bladen, Roy Lichtenstein, Len Lye, Sol LeWitt, Heinz Mack, Otto Peine, Dan Flavin, and Donald Judd.

Interviews conducted by Rose between 1965 and circa 1969 are found with Richard Bellamy, Leo Castelli, James E. Davis, Henry Geldzahler, Ivan Karp, Lee Krasner, John Lefebre, John Myers, Donald Judd with Frank Stella, and Tom Wesselmann. All interviews include original sound recordings, and the Judd and Stella, Krasner, and Myers interviews include transcripts. Panel discussions and lectures include sound recordings and transcripts of seven events on a variety of contemporary art and architecture subjects held between 1962 and 1968. Sound recordings are present for five of the events on 10 sound tape reels, and transcripts are present for all events. Participants in the panel discussions and lectures include Barbara Rose, Ronald Davis, Dan Flavin, Robert Kauffman, John Harvey McCracken, Friedel Dzubas, Ansel Adams, Arthur Bierman, Kenneth Rexroth, Edward Taylor, Ernst Karl Mundt, John Bowles, Roy Dean De Forest, Seymour Locks, Walter Hopps, Mark Di Suvero, Donald Judd, Robert Morris, Kynaston McShine, Walter Darby Bannard, Donald Judd, Larry Poons, Robert Rauschenberg, Richard Meier, Paul Rudolph, Claes Oldenburg, and Robert Murray.

Writings include photocopied typescripts of "Myth, Symbol, or Me," by Emily Wasserman and "Excerpts from a Work Journal on Flying Sculpture," by Charles Frazier. Printed material consists of two copies of the premiere issue of the 57th Street Review, from Nov. 15, 1966.
Arrangement:
This collection is arranged as 4 series.

Missing Title

Series 1: Letters (0.2 linear feet; Box 1)

Series 2: Interviews (0.6 linear feet; Box 1)

Series 3: Panel Discussions and Lectures (0.5 linear feet; Boxes 1-2)

Series 4: Writings and Printed Material (0.1 linear feet; Box 2)
Biographical / Historical:
Barbara Rose is an American art historian and critic who has published widely in the field of modern American art. Born in 1938 in Washington, DC, Rose studied at the Sorbonne, Smith College, Barnard, and finally, Columbia University under Meyer Shapiro. Rose became immersed in the New York-based circle of modernist artists and curators in the late 1950s and early 1960s, and made her substantial contribution to the discourse on contemporary art with the insider's perspective this afforded her. In 1961, she married the painter Frank Stella and they had two children before their divorce in 1969.

Rose taught at Yale University, Sarah Lawrence, University of California at Irvine and San Diego, and the American University Art in Italy program, and was senior curator at the Museum of Fine Arts, Houston, from 1981-1985. A prolific writer, Rose is the author of American Art Since 1900 (1967), The Golden Age of Dutch Painting (1969), American Painting: The 20th Century (Skira, 1969), and monographs on the artists Magdalena Abankawicz, Helen Frankenthaler, Robert Rauschenberg, Alexander Liberman, Larry Rivers, and others, as well as dozens of exhibition catalog essays. She held editorial positions at Art in America, Vogue, Artforum, Partisan Review, and Journal of Art, and her writing has also appeared in Art International, Studio International, Arts Magazine, and ARTnews, among many others.
Related Materials:
Barbara Rose papers, 1940-1993 (bulk 1960-1985) are located at The Getty Research Institute Special Collections.
Separated Materials:
Additional papers of Barbara Rose are held by The Getty Research Institute.
Provenance:
Donated 1971-1977 by Barbara Rose.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Art critics -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Genre/Form:
Interviews
Transcripts
Sound recordings
Lectures
Citation:
Barbara Rose papers, 1962-circa 1969. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rosebarb
See more items in:
Barbara Rose papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94ba999c5-8b4b-480e-ae02-6477a9b5920f
EDAN-URL:
ead_collection:sova-aaa-rosebarb

Bellamy, Richard

Collection Artist:
Cornell, Joseph  Search this
Container:
Box 1, Folder 46
Type:
Archival materials
Date:
1972
Scope and Contents:
2 black and white photographs. Includes photographs of suspected Cornell box, purchased by Noah Goldowsky and Richard Bellamy from Charles Cowles, and letter requesting authentication.
Collection Restrictions:
Access to the collection requires an advanced appointment. Contact collection staff at least two weeks prior to preferred date, at AmericanArtCornellStudy@si.edu.

Series 9: Artifacts and Ephemera, Series 13: Personal Library and Book Collection, and Series 14: Record Album Collection, are still undergoing processing and preservation and may not be available for research use. Record albums are unavailable for playback. Contact collection staff for full lists of publications and record albums.
Collection Rights:
Unpublished materials are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.
Collection Citation:
Joseph Cornell Study Center collection, 1750-1980, bulk 1930-1972. Joseph Cornell Study Center, Smithsonian American Art Museum.
See more items in:
Joseph Cornell Study Center Collection
Joseph Cornell Study Center Collection / Series 2: Correspondence / 2.1: General Correspondence
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
GUID:
https://n2t.net/ark:/65665/ih756fa9102-9278-4911-bd1c-0067ec53345c
EDAN-URL:
ead_component:sova-saam-jcsc-1-ref1217

Interview with Richard Bellamy

Creator:
Bellamy, Richard, 1927-1998  Search this
Wilson, Judith  Search this
Type:
Sound Recording
Date:
1985 June 18
Citation:
Richard Bellamy and Judith Wilson. Interview with Richard Bellamy, 1985 June 18. Judith Wilson papers, 1966-2010. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)24770
See more items in:
Judith Wilson papers, 1966-2010
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_24770

Bellamy, Richard (Green Gallery)

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 3, Folder 10
Type:
Archival materials
Date:
1963-1965
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91131f9a0-e248-4589-a178-f33392df95b7
EDAN-URL:
ead_component:sova-aaa-leocast-ref8214

Barbara Rose papers, 1962-circa 1969

Creator:
Rose, Barbara, 1938-2020  Search this
Subject:
Dzubas, Friedel  Search this
Davis, Ron  Search this
Frazier, Charles  Search this
Davis, Jim  Search this
Geldzahler, Henry  Search this
Flavin, Dan  Search this
Di Suvero, Mark  Search this
De Forest, Roy  Search this
Bierman, A. K. (Arthur Kalme)  Search this
Hopps, Walter  Search this
Bannard, Walter Darby  Search this
Bellamy, Richard  Search this
Castelli, Leo  Search this
Hare, David  Search this
Bladen, Ronald  Search this
Bowles, John  Search this
Adams, Ansel  Search this
Mack, Heinz  Search this
Meier, Richard  Search this
Andre, Carl  Search this
Rexroth, Kenneth  Search this
Krasner, Lee  Search this
Kauffman, Craig  Search this
Karp, Ivan C.  Search this
Judd, Donald  Search this
Lichtenstein, Roy  Search this
LeWitt, Sol  Search this
Lefebre, John  Search this
Murray, Robert  Search this
Padovano, Anthony  Search this
Wesselmann, Tom  Search this
Myers, John Bernard  Search this
Poons, Larry  Search this
Morris, Robert  Search this
McCracken, John  Search this
Rose, Barbara  Search this
Sandler, Irving  Search this
Oldenburg, Claes  Search this
Mundt, Ernest Karl  Search this
Stella, Frank  Search this
Taylor, Edward Silverstone  Search this
Piene, Otto  Search this
Lye, Len  Search this
Wasserman, Tamara E.  Search this
Locks, Seymour  Search this
Segal, George  Search this
Rudolph, Paul  Search this
Motherwell, Robert  Search this
Rauschenberg, Robert  Search this
McShine, Kynaston  Search this
Type:
Interviews
Transcripts
Sound recordings
Lectures
Citation:
Barbara Rose papers, 1962-circa 1969. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)9961
(DSI-AAA_SIRISBib)212633
AAA_collcode_rosebarb
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212633
Online Media:

Stephanie Chrisman photographs of artists, 1967-1979

Creator:
Chrisman, Stephaine  Search this
Subject:
Bellamy, Richard  Search this
Christensen, Dan  Search this
Duran, Robert  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Greenberg, Clement  Search this
Kingsley, Sidney  Search this
Leslie, Alfred  Search this
Marden, Brice  Search this
McLuhan, Marshall  Search this
Noland, Kenneth  Search this
Novros, David  Search this
Olitski, Jules  Search this
Stein, Michael  Search this
Citation:
Stephanie Chrisman photographs of artists, 1967-1979. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- Photographs  Search this
Women artists  Search this
Women photographers  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)15899
(DSI-AAA_SIRISBib)296334
AAA_collcode_durastep
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_296334

Oral history interview with George Segal, 1973 November 26

Interviewee:
Segal, George, 1924-  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Baziotes, William  Search this
Bellamy, Richard  Search this
Delevante, Sidney  Search this
Kaprow, Allan  Search this
Richard Green Gallery (New York, N.Y.)  Search this
Hansa Gallery (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with George Segal, 1973 November 26. Archives of American Art, Smithsonian Institution.
Topic:
Art, American  Search this
Sculptors -- New Jersey -- Interviews  Search this
Art -- Philosophy  Search this
Record number:
(DSI-AAA_CollID)12613
(DSI-AAA_SIRISBib)213086
AAA_collcode_segal73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213086
Online Media:

Oral history interview with Ivan C. Karp, 1963 October 18

Interviewee:
Karp, Ivan C., 1926-2012  Search this
Interviewer:
Baker, Richard Brown, 1912-2002  Search this
Subject:
Kaprow, Allan  Search this
Leslie, Alan  Search this
Ting, Walasse  Search this
Müller, Jan  Search this
Benton, Thomas Hart  Search this
Avedisian, Edward  Search this
Segal, George  Search this
Rauschenberg, Robert  Search this
Bellamy, Richard  Search this
Stout, Myron  Search this
Stankiewicz, Richard  Search this
Wilson, Jane  Search this
Follett, Jean  Search this
Force, Miles  Search this
Hansa Gallery (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Ivan C. Karp, 1963 October 18. Archives of American Art, Smithsonian Institution.
Topic:
Artist-run galleries -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)13094
(DSI-AAA_SIRISBib)215602
AAA_collcode_karp63
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215602

Oral history interview with Lee Bontecou, 2009 January 10

Interviewee:
Bontecou, Lee, 1931-  Search this
Interviewer:
Ashton, Dore, 1928-2017  Search this
Subject:
Bellamy, Richard  Search this
Brackman, Robert  Search this
Calder, Alexander  Search this
Doyle, Tom  Search this
González, Julio  Search this
Hesse, Eva  Search this
Stankiewicz, Richard  Search this
Zorach, William  Search this
Art Students League (New York, N.Y.)  Search this
Brooklyn College  Search this
Leo Castelli Gallery  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Lee Bontecou, 2009 January 10. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women sculptors  Search this
Women printmakers  Search this
Pop art  Search this
Sculpture -- Technique  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15647
(DSI-AAA_SIRISBib)282214
AAA_collcode_bontec09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282214
Online Media:

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