Electricity and Modern Physics, Division of, NMAH, SI. Search this
Container:
Box 533, Folder 18
Type:
Archival materials
Date:
undated
Scope and Contents:
Includes; jenkins Radiomovie Broadcasting Station W3XK, Betty Godwin of NBC, George Clark, people sitting around a radio, Bell Telephone Laboratories, and equipment.
Collection Restrictions:
The collection is open for research use.
Gloves must be worn when handling unprotected photographs, negatives, and slides.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
George H. Clark Radioana Collection, Archives Center, National Museum of American History, Smithsonian Institution
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements must be made to view some of the audio visual materials. Contact the Archives Center at 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Western Union Telegraph Company Records, Archives Center, National Museum of American History
Record labels, cover reproductions, correspondence, liner notes (draft), liner notes (final), record reviews
Collection Restrictions:
Access by appointment only. Contact the Ralph Rinzler Folklife Archives and Collections at rinzlerarchives@si.edu or (202) 633-7322 for additional information.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
The Smithsonian Speech Synthesis History Project, conducted by H. David Maxey from 1986 through 2002, created a collection of archival materials documenting the history and development of speech synthesis technology. Maxey collaborated with Dr. Bernard Finn, Elliot Sivowitch and Harold Wallace of the National Museum of American History's Division of Information, Technology, and Society.
Smithsonian Speech Synthesis History Project Original Website:
Smithsonian Speech Synthesis History Project website
This website was created by Dave Maxey in 2002 to document the history of the project and to provide extensive information about the collection materials.
Scope and Contents:
The collection documents a project done by H. David Maxey in collaboration with the Smithsonian Institution. The collection consists of administrative files containing correspondence, project reports, and other infomation about the Smithsonian Speech Synthesis History Project. The project files, arranged geographically and alphabetically contains information about specific speech synthesis projects and inventions. The reprints series consists of reprints of articles which Maxey collected and organized separately. This series is organized both numerically and alphabetically. The audiovisual materials contain the recordings of talks, meetings, and samples of speech synthesis described in the projects outlined in the project files.
Arrangement:
The original SSSHP numbers assigned by Dave Maxey are included in portions of the Container List. They are the basis for the organization of Maxey's original index to and description of the collection. Maxey assigned the numbers sequentially in the order he received each numbered item.
The collection is arranged into four series.
Series 1, Administrative Files,1986-2002
Series 2, Project Files, 1939-1999
Series 3, Reprints, 1939-1999
Series 4: Audiovisual Materials,1939-1999
Subseries 1, ¼" Open Reel Audiotape
Subseries 2, Audiocassettes
Subseries 3, Miscellaneous
Subseries 4, Reference and Protection Audiotapes and CDs
Biographical / Historical:
The Smithsonian Speech Synthesis History Project, conducted by H. David Maxey from 1986 through 2002, created a collection of archival materials including sound recordings documenting the history and development of speech synthesis technology. Maxey collaborated with Dr. Bernard Finn of the National Museum of American History's Division of Information, Technology, and Society. Elliot Sivowitch and Harold Wallace of the same division served as Smithsonian liaisons with the project.
"Speech synthesis technology" refers to the results of a long, evolutionary process in which researchers learned to create artificial sounds that people would interpret as speech. As early as the eighteenth century scientists were inventing mechanical machines to create sounds similar to human speech. Later electronics led to additional developments, The Voder was one of the earliest examples which was demonstrated to wide acclaim at the 1939 New York World's Fair. However, it was the widespread use of computers that led to the greatest progress in the field of speech synthesis.
Speech synthesis is the process by which a computer speaks. By contrast, speech recognition is when a computer can interpret spoken language. The application of both of these capabilities has been important for creating assistive computer technology for the visually impaired (speech recognition) and for individuals unable to speak (speech synthesis).
Among the leading researchers and organizations involved with the development of speech synthesis technologies are the Anerican Telephone and Telegraph Company (AT&T), Bell Telephone Laboratories, International Business Machines Corporation (IBM), the Massachusetts Institute of Technology (MIT), Dennis H. Klatt, and Ray Kurzweil.
Today speech synthesis is a common feature of daily life from the cultured voice on the GPS saying exactly which road to take to making a train reservation on the telephone. However, many speech synthesis developers continue to explore and design methods to make the speech sound less mechanical, with the ultimate challenge being natural sounding speech that shows emotion.
Dave Maxey's dedication to the project, with support from members of the staff of the National Museum of American History, has ensured the preservation of materials documenting the early history of electronic and computer engineered synthetic speech.
Related Materials:
Artifacts related to this collection are in the Division of Work & Industry, Electricity Collections.
Provenance:
The collection was created for the Smithsonian Institution from 1986-2002 by Dave Maxey in collaboration with Dr. Bernard Finn of the National Museum of American History's Division of Information, Technology, and Society, assisted by Elliot Sivowitch and Harold Wallace of the same division.
Restrictions:
Collection is open for research. Only reference copies of audiovisual materials may be used.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Access to the archive requires an advance appointment. Please contact Paik Archive staff by email at PaikArchive@si.edu.
Collection Rights:
Unpublished materials are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.
Collection Citation:
Nam June Paik Archive, Smithsonian American Art Museum; Gift of the Nam June Paik Estate
Sponsor:
This collection was processed with support from the Smithsonian Collection Care and Preservation Fund.
Access to the archive requires an advance appointment. Please contact Paik Archive staff by email at PaikArchive@si.edu.
Collection Rights:
Unpublished materials are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.
Collection Citation:
Nam June Paik Archive, Smithsonian American Art Museum; Gift of the Nam June Paik Estate
Sponsor:
This collection was processed with support from the Smithsonian Collection Care and Preservation Fund.
This series includes project files (artificially created) and the artist's own "source files." The project files, artificially created by the archivist processing the collection, consist primarily of documentation in the form of proposals, budgets, correspondence, and printed material from several of Paik's single channel video works such as Bye-Bye Kipling, Don't Lick Stamps for China and Suite 212. There are also files on video productions related to Seoul Olympics; unrealized projects such as the Brandenburg Concerto with Joseph Beuys; and folders containing punch cards, computer printouts, and reference manuals related to Paik's work at Bell Telephone Laboratories in the mid-1960s.
Source files are a small group of files that maintain the original order created by the artist. They contain a mixture of photographs, correspondence, writings, and newspaper and magazine clippings. Some folders are titled (among them "Charlotte" and "Time-Life"); others are untitled. Although it is not certain, Paik may have collected, arranged, and retained these items as potential source material for realized or unrealized projects.
Arrangement:
Project files are arranged chronologically by the creation date of the project. They are followed by project files related to Paik performance pieces, projects by others, and the artist's own source files.
Collection Restrictions:
Access to the archive requires an advance appointment. Please contact Paik Archive staff by email at PaikArchive@si.edu.
Collection Rights:
Unpublished materials are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.
Collection Citation:
Nam June Paik Archive, Smithsonian American Art Museum; Gift of the Nam June Paik Estate
Sponsor:
This collection was processed with support from the Smithsonian Collection Care and Preservation Fund.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Jerome Clarke Hunsaker Papers, NASM.XXXX.0001, National Air and Space Museum, Smithsonian Institution.
This correspondence represents the period when Hunsaker was with Bell Telephone Laboratories. This is also the beginning of his civilian career. It contains memoranda for file relevant to letters written in 1927/1928, arranged alphabetically.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Jerome Clarke Hunsaker Papers, NASM.XXXX.0001, National Air and Space Museum, Smithsonian Institution.
"A Survey Of Air Transport And Its Communication Problems," by JCH while at Bell Telephone Laboratories dated July 1, 1927.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Jerome Clarke Hunsaker Papers, NASM.XXXX.0001, National Air and Space Museum, Smithsonian Institution.
