Letters, mostly from distinguished club members in behalf of candidates for membership, and some membership forms.
Correspondents are: James C. Beckwith, Norman Bel Geddes, Karl Bitter, Robert Blum, Gutzon Borglum, Arnold W. Brunner, Clarence C. Buel, Gelett Burgess, Charles C. Coleman, Royal Cortissoz, Lawrence Hutton, Richard Mansfield, Thomas Nast, Maxfield Parrish, Howard Pyle, F. Hopkinson, J. Alden Weir, and Stanford White.
Biographical / Historical:
New York City. Founded by Edwin Booth in 1888, the club had among its members many prominent actors, artists and writers.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Zolnay, George Julian, 1862 or 1863-1949 Search this
Extent:
0.4 Linear feet ((68 items on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1905
Scope and Contents:
Biographical forms completed by artists and illustrators for the Art League Publishing Company's ARTISTS YEAR BOOK. Each contains details written by the artist concerning parentage, exhibitions and collections containing his work, books illustrated, memberships in clubs, etc.
Included are forms from: Hugo Ballin, Frederick E. Bartlett, James C. Beckwith, William V. Birney, Karl Bitter, Albert D. Blashfield, Carle Joan Blenner, Frederick A. Bridgman, Bolton Brown, Ray Brown, George Elmer Browne, George De Forest Brush, Henry Kirke Bush-Brown, Walter A. Clark, Kenyon Cox, Lockwood De Forest, Harry Fenn, James E. Fraser, Walter Granville-Smith, Jules Guerin, Birge Harrison, Thomas A. Harrison, Ernest Haskell, Albert Herter, George Hitchcock, Lucius Wolcott Hitchcock, Edward Kemeys, William S. Kendall, Alonzo Kimball, Charles MacCord, Thomas R. Manley, Richard F. Maynard, George H. McCord, Thomas Meteyard, Francis D. Millet, John H. Mills, Edward P. Moran, Henry Mosler,
Herman D. Murphy, Leonard Ochtman, Frederick B. Opper, Eric Pape, Ernest Peixotto, Edward Penfield, Louis M. Potter, Edward W. Redfield, Henry Reuterdahl, Louis J. Rhead, Henry Sandham, William Sartain, Claude A. Shepperson, Florence Scovel Shinn, George H. Smillie, James D. Smillie, Frederic D. Steele, Julian Story, Lorado Taft, Henry O. Tanner, Frank W. Taylor, Dwight W. Tryon, Charles Henry Turner, Charles Yardley Turner, Ross S. Turner, Simon H. Vedder, Carleton Wiggins, Irving R. Wiles, Henry Wolf, Charles H. Woodbury, Rufus F. Zogbaum, and George J. Zolnay.
Biographical / Historical:
Art publishing house; Chicago, Ill. Published, THE ARTISTS YEAR BOOK: A HANDY REFERENCE BOOK WHEREIN MAY BE FOUND INTERESTING DATA PERTAINING TO ARTISTS, AND THEIR STUDIO, HOME, AND SUMMER ADDRESSES, FOR 1905-1906. Arthur Hosking was the editor.
Provenance:
Donated 1958.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Correspondence with dealers, artists, museums, publishers, photography studios, and others regarding art purchases, loans, and Shaw's collection; and 16 v. of scrapbooks containing photographs, letters, and biographical information on artists. Much of the correspondence with artists relates to Shaw's requests for the information which was then used in the scrapbooks. Also included is one volume compiled in 1947 outlining the contents of the scrapbooks.
REELS 1124-1125: 16 vol. of scrapbooks, 1864-1930, relating to artists represented in Shaw's collection, containing letters, many from artists, photographs of artists and their work, biographical data, clippings and articles, and comments on their work; and 1 v., "Notes: Edwin C. Shaw Collection of Paintings," compiled in 1947, and annotated "Used at Women's Art League Meeting at Miss Shaw's in 1947 by Mrs. [Jane S.] Barnhardt, who compiled it, and then given to the Art Institute Library," containing an outline of the contents of the 16 v. of scrapbooks.
Artists represented in the scrapbooks include J. Carroll Beckwith, Frank W. Benson, Ralph Blakelock, Emil Carlsen, William Merritt Chase, Timothy Cole, Elliott Daingerfield, Cyrus B. Dallin, Charles Davis, Warren Davis, Gleb Derujinsky, Charles M. Dewey, Thomas W. Dewing, Paul Dougherty, Frank Duveneck, Charles Eaton, Frederick Frieseke, George Fuller, Lillian Genth, Childe Hassam, Charles Hawthorne, William Morris Hunt, George Inness, John Johansen, Isidore Konti, John La Farge, William Lathrop, Frederick MacMonnies, Hermon A. MacNeil, Willard Metcalf, Herman Dudley Murphy, J. Francis Murphy, A. Phimister Proctor, Henry Ward Ranger, William Ritschel, Felix Russmann, Albert P. Ryder, Eugenie F. Shonnard, Lars Gustaf Sellstedt, Elliot Torrey, Dwight Tryon, Helen M. Turner, John Twachtman, Elihu Vedder, Bessie P. Vonnoh, Robert Vonnoh, Horatio Walker, J. Alden Weir, Frederick Ballard Williams, Henry Wolf and "The Ten."
REEL 4597: Correspondence, ca. 1916-1941, concerning art acquisitions with dealers Erwin S. Barrie of Grand Central Art Galleries; Thomas Whipple Dunbar; Frederic Newlin Price and T.H. Russell of Ferargil Galleries; W. Frank Purdy of the Gorham Co. Dept. of Sculpture and later the School of American Sculpture; D.H. Hatfield of Hatfield & Clark; Thomas Gerrity of M. Knoedler & Co.; Robert Macbeth, Robert McIntyre and Henry Miller of the Macbeth Gallery; Albert Milch of E.& A. Milch, Inc.; Newman Montross of Montross Gallery; J.E. Batts of the Thurber Art Galleries; Robert C. Vose of R.C. & N.M. Vose and Vose Galleries, and their frame shop, Carrig-Rohane; Howard Young of Howard Young Galleries; and J.W. Young; correspondence with artists and/or their families requesting the artist's portrait, biographical information and background, including letters from Elliot Daingerfield, Charles Dewey, Thomas Wilmer Dewing, John C. Johansen, Willard Leroy Metcalf, Hervey W. Minns, Hermann Dudley Murphy, A.P. Proctor, Eugenie Shonnard, Elliot Torrey, Dwight W. Tryon, Helen M. Turner, and Horatio Walker, and the families of J. Carroll Beckwith, George Inness, Lars Gustaf Sellstedt, John Henry Twachtman and J. Alden Weir; correspondence with the Dayton Art Museum and the Metropolitan Museum of Art regarding works lent for exhibition; with publisher Frederic Fairchild Sherman; with photography studios; and other miscellaneous correspondence.
Biographical / Historical:
Art collector; Akron, Ohio. Shaw, a BF Goodrich executive and avid collector of post-Civil War American art, was one of the founders of the Akron Art Institute, now the Akron Art Museum.
Provenance:
Lent for microfilming 1976 and 1992 by the Akron Art Museum. Shaw bequethed his art collection and papers to the Museum, then named the Akron Art Institute.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
J. Carroll (James Carroll) Beckwith. J. Carroll (James Carroll) Beckwith to John M. Donaldson, 1913. John M. Donaldson papers, 1873-1938. Archives of American Art, Smithsonian Institution.
Beckwith, J. Carroll (James Carroll), 1852-1917 Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1871-circa 1991
bulk 1875-1917
Summary:
The papers of New York painter James Carroll Beckwith measure 3.2 linear feet and date from 1871 to circa 1991, bulk 1875-1917. The collection includes biographical material, correspondence, numerous diaries, writings, printed material, photograph albums, and photographs.
Scope and Contents:
The papers of New York painter James Carroll Beckwith measure 3.2 linear feet and date from 1871 to circa 1991, bulk 1875-1917. The collection includes biographical material, correspondence, numerous diaries, writings, printed material, photograph albums, and photographs.
Biographical material mostly consists of estate papers related to disputes between the Beckwith Estate and the National Academy of Design. There is also one art inventory notebook titled "Record of Pictures."
Correspondence includes letters by Beckwith, his wife, and researchers concerning Beckwith's paintings and career. Notable correspondents include artists such as Carolus-Duran and William Anderson Coffin, the art dealer Roland Knoedler, as well as other colleagues.
The collection includes 38 of James Carroll Beckwith's diaries and one diary that belonged to his wife Bertha Beckwith. The artist's diaries contain sporadic entries describing teaching, traveling, and daily events.
Writings include Beckwith's autobiography Souvenirs and Reminiscences, a notebook that chronicles his time in Paris, notes, essays on art and architecture, lists of artwork, and one essay about Beckwith by an unidentified writer.
Printed materials consist of a sales catalog of Beckwith's work, clippings about Beckwith and John Singer Sargent, and a few exhibition catalogs and announcements.
Photographs include 2 albums and many board-backed prints. One album mostly contains travel photographs, the other is mostly dedicated to paintings by other artists in Europe. There are many photographs of Beckwith's paintings, mostly portraits. A few photographs of exhibition installations are also included.
Arrangement:
The collection is arranged as 6 series.
Series 1: Biographical Material, 1878-circa 1991 (Box 1; 0.3 linear feet)
Series 2: Correspondence, 1883-1940 (Box 1; 10 folders)
Series 3: Diaries, 1871-1917 (Boxes 1-2; 1.3 linear feet)
Series 4: Writings, 1875-circa 1920 (Box 2; 0.2 linear feet)
Series 5: Printed Material, circa 1900-1956, bulk 1910-1918 (Box 2; 4 folders)
Series 6: Photographs, 1875-1915 (Boxes 2-6; 1.4 linear feet)
Biographical / Historical:
James Carroll Beckwith (1852-1917) was a portrait and landscape painter in New York, New York and a member of the National Academy of Design.
James Carroll Beckwith, often referred to as Carroll Beckwith, was born in 1852 in Hannibal, Missouri. He was raised in Chicago, Illinois. After the Great Chicago Fire of 1871, Beckwith moved to New York City and studied art at the National Academy of Design until 1873, when he moved to France. In Paris, he studied at the École des Beaux-Arts and under Carolus-Duran. Painter John Singer Sargent was also one of Carolus-Duran's students and Beckwith shared a Paris studio with him until 1878.
When Beckwith returned to New York in 1878, he started teaching as a professor in the Art Students League departments of painting and drawing. He continued to teach there until 1882 and then for a second span of time from 1886 to 1887. He married Bertha Hall in 1887.
Beckwith gained widespread recognition for his portraits and among his subjects are the artist William Merritt Chase and President Theodore Roosevelt. Beckwith is also known for created skillful copies of Old Masters paintings which he saw in galleries across Europe during his time abroad.
In 1894, Beckwith was elected as a member of the National Academy of Design. From 1910 to roughly 1912, he lived in Italy and France. He then returned to New York City and had a studio at 57 West 45th Street until his death in 1917.
Related Materials:
The Archives of American Art also has microfilm (reel 800) of a 1895 James Carroll Beckwith diary. The original is located at the New York Historical Society.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 1418 and 1454) including letters from John Singer Sargent, Clyde Fitch, Edwin Howland Blashfield, Jacob Schiff, Richard Mansfield, and others, 4 cartoon sketches; a sketchbook which also includes a list of works, 1878-1892, and a few writings; 5 photograph albums and photographs, 1902-1917, of European travels, studios, homes, paintings, family, and friends, among them Samuel Clemens, Worthington Whittredge, and Robert Reid; Bertha Beckwith's diary, 1904; and printed material. Other material available only on microfilm includes a sketchbook, "Amsterdam August 10, 1887" (reel 4802) containing sketches for portraits, notes of Monet's composition at Giverny, a watercolor, and studies of hands; and photographs of portraits of Beckwith, Beckwith in his studio, and Beckwith with his Art Students League classes, 1888-1892 (reel 4803). The sketchbook and photographs were returned to the National Academy of Design after microfilming.
Provenance:
The collection, except for the estate related material, was initially lent for microfilming by the National Academy of Design in 1993. The National Academy of Design received Beckwith's papers as a gift in 1926 from the Bertha H. Beckwith estate. Beckwith related National Academy of Design correspondence and photographs were combined with the papers by the Academy. In 2018, the James Carroll Beckwith papers were donated to the Archives of American Art by the National Academy of Design via Maura Reilly, Executive Director. Papers on reels 1418, 1454 were lent for microfilming in 1978 by J. Carter Courtney, Beckwith's great-neice.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Citation:
James Carroll Beckwith papers, 1871-circa 1991, bulk 1875-1917. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art.
Beckwith, J. Carroll (James Carroll), 1852-1917 Search this
Extent:
0.3 Linear feet (Box 1)
Type:
Archival materials
Date:
1878-circa 1991
Scope and Contents:
Biographical material mostly consists of James Carroll Beckwith estate papers. There are extensive legal records and some correspondence regarding settlements and disputes between the Beckwith Estate and the National Academy of Design, especially related to the management of the estate. In addition, there is an art inventory notebook titled "Record of Pictures" that lists titles, dimensions, and expenses of Beckwith's works in chronological order.
Arrangement:
This series is in chronological order.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
James Carroll Beckwith papers, 1871-circa 1991, bulk 1875-1917. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art.
