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Roy R. Neuberger papers

Creator:
Neuberger, Roy R.  Search this
Names:
Africano, Nicholas, 1948-  Search this
Ajay, Abe  Search this
Austin, Darrel, 1907-  Search this
Avery, Milton, 1885-1965  Search this
Baldessari, John, 1931-  Search this
Baziotes, William, 1912-1963  Search this
Bearden, Romare, 1911-1988  Search this
Brooks, James, 1906-1992  Search this
Browne, Byron, 1907-1961  Search this
Calder, Alexander, 1898-1976  Search this
Constant, George  Search this
Davis, Stuart, 1892-1964  Search this
Evergood, Philip, 1901-1973  Search this
Feininger, Lyonel, 1871-1956  Search this
Gatch, Lee, 1902-1968  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hurd, Peter, 1904-1984  Search this
Kinigstein, Jonah, 1923-  Search this
Knaths, Karl, 1891-1971  Search this
Kopman, Benjamin, b. 1887  Search this
Lamis, Leroy, 1925-  Search this
Laufman, Sidney, 1891-  Search this
Lawrence, Jacob, 1917-2000  Search this
Levine, Jack, 1915-2010  Search this
Levine, Les, 1935-  Search this
Maccoy, Guy C., 1904-1981  Search this
Magriel, Paul David, 1906-  Search this
Marin, John, 1870-1953  Search this
Moller, Hans, 1905-  Search this
Morris, George L. K., 1905-1975  Search this
Orr, Elliot, 1904-1997  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Quirt, Walter, 1902-  Search this
Rivers, Larry, 1925-2002  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Roth, Frank, 1936-  Search this
Rothschild, Judith  Search this
Schueler, Jon, 1916-  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Snyder, Joan, 1940-  Search this
Sonfist, Alan  Search this
Steinberg, Saul  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Weber, Max, 1881-1961  Search this
Wight, Frederick Stallknecht, 1902-  Search this
Extent:
5.4 Linear feet ((partially microfilmed on 2 reels))
0.2 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1940-1979
Scope and Contents:
Correspondence, printed material, photographs; and "birthday books" containing drawings and writings by artists sent to Neuberger on his 50th and 75th birthdays.
REEL NSM 1: A "Birthday Book," 1953, for Neuberger containing drawings, sketches and written birthday greetings from 38 artists, compiled by Mrs. Neuberger. Contributors include Alexander Calder, Byron Browne, George Constant, Adolph Gottlieb, Jack Levine, Lyonel Feininger, Lee Gatch, Benjamin Kopman, Jonah Kinigstein, Karl Knaths, William Baziotes, Peter Hurd, Walter Quirt, Milton Avery, Ben Shahn, George L. K. Morris, Hans Moller, Guy Maccoy, Irene Rice Pereira, Max Weber, Stuart Davis, Charles Sheeler, Jacob Lawrence, Romare Bearden, Darrel Austin, Philip Evergood, Saul Steinberg, Elliot Orr, and John Marin.
REEL 4588: A scrapbook containing illustrated birthday cards from artists sent to Neuberger on the occasion of his 75th birthday (1978). Included are cards from Nicolas Africano, Abe Ajay, John Baldessari, Romare Bearden, James Brooks, Les Levine, Judith Rothschild, Joan Snyder, and Alan Sonfist, and others.
UNMICROFILMED: Material relating to Neuberger's activities as an art collector, patron, and trustee consisting of: clippings, exhibiton catalogs and announcements; photographs; and correspondence with Leroy Lamis, Sidney Laufman, Paul David Magriel, Larry Rivers, Frank Roth, Jon Rudolf Schueler, Hudson Walker and Frederick Stallknecht Wight.
ADDITION: Correspondence with artists and other prominent people including: Edward Albee, Alexander Calder, Merce Cunningham, Lyonel Feininger, Henry Geldzahler, Henry Moore, Gerald Ford, Robert F. Kennedy, John V. Lindsay, George McGovern and Nelson Rockefeller. Also included are a letter from Mr. and Mrs. John Walker relating to their trip to Europe to return the "Mona Lisa" to the Louvre in 1963; printed material relating to Nelson Rockefeller; and four lists of art related papers remaining with Neuberger.
Biographical / Historical:
Art collector, patron; New York, N.Y. Born 1903. A collector of primarily American art. President of the American Federation of the Arts, 1958-1968; a trustee and member of Friends of the Whitney Museum of American Art; honorary trustee of the Metropolitan Museum of Art; member of the executive committee of the Council of Friends, Institute of Fine Arts, New York University; and many other positions and memberships. A large part of his private art collection was donated to the Roy R. Neuberger Museum of the State University of New York College at Purchase.
Provenance:
"Birthday books" on reels NSM 1 and 4588 lent for microfilming 1963 and 1992 by Neuberger. He donated the unmicrofilmed material in 1975 and 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art patrons -- New York (State) -- New York  Search this
Topic:
Art patronage -- New York (State) -- New York  Search this
Artists and patrons -- New York (State) -- New York  Search this
Artists' books  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Identifier:
AAA.neubroy
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neubroy

Oral history interview with Philip Pavia

Interviewee:
Pavia, Philip, 1915-2005  Search this
Interviewer:
Hooton, Bruce Duff, 1928-  Search this
Names:
Club (New York, N.Y.)  Search this
Baziotes, William, 1912-1963  Search this
De Kooning, Willem, 1904-1997  Search this
Hayter, Stanley William, 1901-1988  Search this
Kline, Franz, 1910-1962  Search this
Motherwell, Robert  Search this
Nakian, Reuben, 1897-1986  Search this
Extent:
1 Sound tape reel (Sound recording, 7 in.)
30 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1965 Jan. 19
Scope and Contents:
An interview of Philip Pavia conducted 1965 Jan. 19, by Bruce Hooton, for the Archives of American Art.
Pavia speaks of the group of artists who met nightly at the Waldorf cafeteria during and after the World War II years, including Willem de Kooning, Franz Kline and others; refugee artists who joined the group after the war; Dubuffet's influence; the Tenth Street group; the development of The Club; surrealism; the rise of abstract expressionism. He also recalls Robert Motherwell, Reuben Nakian and Stanley William Hayter.
Biographical / Historical:
Philip Pavia (1915-2005) was a sculptor from New York, N.Y. In 1948, Pavia founded the artists' group, the Club (also known as the Eighth St. Club), acted as treasurer, and organized it's Wednesday and Friday night panel discussions and lectures.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 26 min.
An unrelated interview of Donald Judd (2/3/65) conducted by B. Hooten is also on this tape.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Use requires an appointment.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Surrealism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pavia65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pavia65

Arnold Newman photographs of artists

Creator:
Newman, Arnold, 1918-2006  Search this
Names:
Abercrombie, Gertrude, 1909-1977 -- Photographs  Search this
Albers, Josef -- Photographs  Search this
Albright, Ivan, 1897-1983 -- Photographs  Search this
Avery, Milton, 1885-1965 -- Photographs  Search this
Bacon, Peggy, 1895-1987 -- Photographs  Search this
Baziotes, William, 1912-1963 -- Photographs  Search this
Bemelmans, Ludwig, 1898-1962 -- Photographs  Search this
Blai, Boris, 1893-1985 -- Photographs  Search this
Bloch, Julius T. (Julius Thiengen), 1888-1966 -- Photographs  Search this
Botkin, Henry, 1896-1983 -- Photographs  Search this
Brook, Alexander, 1898-1980 -- Photographs  Search this
Burchfield, Charles Ephraim, 1893-1967 -- Photographs  Search this
Burliuk, David, 1882-1967 -- Photographs  Search this
Calder, Alexander, 1898-1976 -- Photographs  Search this
Castellón, Federico, 1914-1971 -- Photographs  Search this
Cikovsky, Nicolai, 1894- -- Photographs  Search this
Criss, Francis, 1901-1973 -- Photographs  Search this
Davidson, Jo, 1883-1952 -- Photographs  Search this
Davis, Stuart, 1892-1964 -- Photographs  Search this
De Kooning, Willem, 1904-1997  Search this
Evergood, Philip, 1901-1973 -- Photographs  Search this
Feininger, Lyonel, 1871-1956 -- Photographs  Search this
Florsheim, Richard A., 1916-1979 -- Photographs  Search this
Gropper, William, 1897-1977 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Groth, John, 1908-1988 -- Photographs  Search this
Guglielmi, Louis, 1906-1956 -- Photographs  Search this
Guston, Philip, 1913-1980 -- Photographs  Search this
Gwathmey, Robert, 1903-1988 -- Photographs  Search this
Hare, David, 1917- -- Photographs  Search this
Hirshfield, Morris, 1872-1946 -- Photographs  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
Hopper, Edward, 1882-1967 -- Photographs  Search this
Jenkins, Paul, 1923-2012 -- Photographs  Search this
Jules, Mervin, 1912- -- Photographs  Search this
Kantor, Morris, 1896-1974 -- Photographs  Search this
Kaplan, Joseph, 1900-1980 -- Photographs  Search this
Knaths, Karl, 1891-1971 -- Photographs  Search this
Kroll, Leon, 1884-1974 -- Photographs  Search this
Kuniyoshi, Yasuo, 1889-1953 -- Photographs  Search this
Lassaw, Ibram, 1913- -- Photographs  Search this
Laurent, Robert, 1890-1970 -- Photographs  Search this
Lawrence, Jacob, 1917-2000 -- Photographs  Search this
Levi, Julian E. (Julian Edwin), 1900-1982 -- Photographs  Search this
Levine, Jack, 1915-2010 -- Photographs  Search this
Lipchitz, Jacques, 1891-1973  Search this
Sheeler, Charles, 1883-1965 -- Photographs  Search this
Stella, Joseph, 1877-1946 -- Photographs  Search this
Extent:
0.6 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
ca. 1940-1960
Scope and Contents:
Photographs of 47 American artists taken by Newman.
REEL 153: Artists include: Gertrude Abercrombie, Josef Albers, Ivan Albright, Milton Avery, Peggy Bacon, William Baziotes, Ludwig Bemelmans, Boris Blai, Julis Bloch, Harry Botkin, Alexander Brook, Charles Burchfield, David Burliuk, Alexander Calder, Federico Castellon, Nicolai Cikovsky, Francis Criss (2), Jo Davidson, Willem De Kooning, Philip Evergood, Lyonel Feininger, Richard Florsheim, William Gropper, Chaim Gross (2), John Groth, Louis Guglielmi, Philip Guston, Robert Gwathmey, David Hare, Morris Hirshfield, Hans Hofmann, Edward Hopper, Paul Jenkins, Mervin Jules, Morris Kantor, Joseph Kaplan, Karl Knaths, Leon Kroll, Ibram Lassaw, Robert Laurent, Julian Levi, Jack Levine, and Jacques Lipchitz.
REEL 1027: Stuart Davis, Yasuo Kuniyoshi, and Charles Sheeler.
UNMICROFILMED: Jacob Lawrence (2) and Joseph Stella (2).
Biographical / Historical:
Portrait photographer; New York City; b. New York, N.Y., Mar. 3, 1918; d. June 6, 2006, New York, N.Y.
Provenance:
Donated 1961 by Arnold Newman.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Artists -- United States -- Photographs  Search this
Identifier:
AAA.newmarno
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-newmarno

Robert Burns Motherwell letter to William Baziotes

Creator:
Motherwell, Robert Burns, 1915-1991  Search this
Baziotes, William, 1912-1963  Search this
Type:
Correspondence
Date:
1944 Sept. 6
Record number:
(DSI-AAA)15066
See more items in:
William and Ethel Baziotes papers, circa 1900-1992, bulk bulk 1935-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_15066
Online Media:

Robert Motherwell letter to William Baziotes with illustrated envelope

Creator:
Motherwell, Robert Burns, 1915-1991  Search this
Baziotes, William, 1912-1963  Search this
Subject:
Motherwell, Robert Burns  Search this
Type:
Correspondence
Date:
1945 May 5
Record number:
(DSI-AAA)17836
See more items in:
William and Ethel Baziotes papers, circa 1900-1992, bulk bulk 1935-1980
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17836
Online Media:

William and Ethel Baziotes papers, circa 1900-1992, bulk bulk 1935-1980

Creator:
Baziotes, William, 1912-1963  Search this
Baziotes, Ethel, 1917-2017  Search this
Subject:
Alloway, Lawrence  Search this
Bodin, Paul  Search this
Halper, Nathan  Search this
Motherwell, Robert  Search this
Picasso, Pablo  Search this
Sievan, Maurice  Search this
Still, Clyfford  Search this
Barr, Alfred H., Jr.  Search this
Canaday, John  Search this
Castano, Giovanni  Search this
Greenberg, Clement  Search this
Guggenheim, Peggy  Search this
Hare, David  Search this
Hélion, Jean  Search this
Kootz, Samuel Melvin  Search this
Namuth, Hans  Search this
Pollock, Jackson  Search this
Schwabacher, Ethel  Search this
Bernshṭin, Me'ir  Search this
Blesh, Rudi  Search this
Janis, Harriet Grossman  Search this
Kamrowski, Gerome  Search this
Licht, Michel  Search this
Paneth, Donald  Search this
Ruiz-Picasso, Maya  Search this
Lee, Francis P.  Search this
Matta  Search this
Onslow-Ford, Gordon  Search this
Baziotes, Ethel  Search this
Baziotes, Harry  Search this
Motherwell, Maria  Search this
Zulieta, Orlando  Search this
Baziotes, Christos  Search this
Peterson, Charles  Search this
Ricci, F.  Search this
Schumm, Gertrud  Search this
Vazakas, Byron  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Solomon R. Guggenheim Museum  Search this
Peter A. Juley & Son  Search this
Kootz Gallery (N.Y.)  Search this
Type:
Sound recordings
Interviews
Photographs
Sketchbooks
Topic:
Abstract expressionism  Search this
Painters -- New York (State) -- New York  Search this
Art, Abstract  Search this
Record number:
(DSI-AAA_CollID)8872
(DSI-AAA_SIRISBib)211057
AAA_collcode_baziwill
Theme:
Sketches & Sketchbooks
Art Movements and Schools
Lives of American Artists
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211057
Online Media:

William Baziotes sketchbooks (microfilm), 1933

Creator:
Baziotes, William, 1912-1963  Search this
Record number:
(DSI-AAA_CollID)6127
(DSI-AAA_SIRISBib)216342
AAA_collcode_baziwills
Theme:
Sketches & Sketchbooks
Audio - Visual
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216342

Oral history interview with George Segal

Interviewee:
Segal, George, 1924-2000  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Hansa Gallery (New York, N.Y.)  Search this
Richard Green Gallery (New York, N.Y.)  Search this
Baziotes, William, 1912-1963  Search this
Bellamy, Richard  Search this
Delevante, Sidney, 1894-  Search this
Kaprow, Allan  Search this
Extent:
112 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 November 26
Scope and Contents:
An interview of George Segal conducted 1973 November 26, by Paul Cummings, for the Archives of American Art.
Segal speaks of his childhood and family life in the Bronx; his education at Rutgers and at Pratt Institute; studying at New York University with William Baziotes; abstract expressionism; his acquaintance with Allan Kaprow and the Hansa Gallery group; his search for an individual language as an artist; life and art on his New Jersey farm; exhibitions at the Hansa and Green galleries; his development of bandage and plaster sculpture. He recalls Sidney Delevante and Richard Bellamy.
Biographical / Historical:
George Segal (1924-2000) was a sculptor and painter from North Brunswick, N.J.
General:
Originally recorded 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 53 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Painters -- New Jersey -- Interviews  Search this
Sculptors -- New Jersey -- Interviews  Search this
Art -- Philosophy  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.segal73
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-segal73

Oral history interview with Rebecca Reis

Interviewee:
Reis, Rebecca G., 1896-1988  Search this
Interviewer:
McNaught, William  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Mark Rothko and His Times Oral History Project  Search this
Baziotes, William, 1912-1963  Search this
Chagall, Marc, 1887-1985  Search this
Ernst, Max, 1891-1976  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gottlieb, Adolph, 1903-1974  Search this
Grosz, George, 1893-1959  Search this
Guggenheim, Peggy, 1898-  Search this
Guston, Philip, 1913-1980  Search this
Kline, Franz, 1910-1962  Search this
Lipchitz, Jacques, 1891-1973  Search this
Motherwell, Robert  Search this
Pollock, Jackson, 1912-1956  Search this
Reinhardt, Rita  Search this
Reis, Bernard J.  Search this
Rivers, Larry, 1925-2002  Search this
Rothko, Mark, 1903-1970  Search this
Extent:
123 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1980
Scope and Contents:
An interview of Rebecca Reis conducted in 1980, by William McNaught, for the Archives of American Art's Mark Rothko and His Times oral history project.
Reis speaks of her life in New York City. At their home in the city they entertained artists, art dealers, and other art lovers and had a great desire to provide a haven for people who loved art. Reis recalls many stories of the people they met and supported including Jacques Lipchitz, George Grosz, Jackson Pollock, Peggy Guggenheim, Max Ernst, Marc Chagall, Larry Rivers, Philip Guston, Robert Motherwell, Helen Frankenthaler, William Baziotes, Franz Kline, Adolph Gottlieb, and Mark Rothko, the legal case involving Rothko's estate, and Rothko's relationship with Rita Reinhardt. They were particular friends of Peggy Guggenheim. Bernard Reis gave financial advice to many people in the art world. The latter portion of the interviews concentrates on their great friend, Mark Rothko, his suicide, and subsequent court case brought by the family.
Biographical / Historical:
Rebecca Reis (1896-1988) was a collector, from New York, New York. She was married to Bernard Reis, one of the executors of Mark Rothko's will.
General:
Originally recorded on 4 sound reels. Reformatted in 2010 as 7 digital wav files. Duration is 7 hr., 20 min.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Bernard Braddon, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Herbert Ferber, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Jack Kufeld, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Maurice Roth, Sidney Schectman, Aaron Siskind, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Abstract expressionism  Search this
Art -- Collectors and collecting -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.reis80
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-reis80

Oral history interview with Herbert Ferber

Interviewee:
Ferber, Herbert, 1906-1991  Search this
Interviewer:
Tuchman, Phyllis  Search this
Creator:
Mark Rothko and His Times Oral History Project  Search this
Names:
Betty Parsons Gallery  Search this
Mark Rothko and His Times Oral History Project  Search this
Marlborough Gallery  Search this
Rothko Chapel (Houston, Tex.)  Search this
Baziotes, William, 1912-1963  Search this
Gorky, Arshile, 1904-1948  Search this
Gottlieb, Adolph, 1903-1974  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Reinhardt, Ad, 1913-1967  Search this
Rothko, Mark, 1903-1970  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
1 Cassette (Sound recording, analog)
12 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Cassettes
Pages
Sound recordings
Interviews
Date:
1981 June 2
Scope and Contents:
An interview of Herbert Ferber conducted 1981 June 2, by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project.
Ferber talks about the development of his friendship with Rothko through the Betty Parsons Gallery and Rothko's personality and habits. He speaks of Rothko's work, particularly the Houston chapel, and his feelings for other artists. He briefly mentions his involvement in the lawsuit against the Marlborough Galleries. He recalls Adolph Gottlieb, Clyfford Still, Barney Newman, Robert Motherwell, William Baziotes, Arshile Gorky, Ad Reinhardt, and many others.
Biographical / Historical:
Herbert Ferber (1906-1991) was a sculptor and painter from New York, N.Y.
Provenance:
This interview was conducted as part of the Archives of American Art's Mark Rothko and his Times oral history project, with funding provided by the Mark Rothko Foundation.
Others interviewed on the project (by various interviewers) include: Sonia Allen, Sally Avery, Ben-Zion, Ernest Briggs, Rhys Caparn, Elaine de Kooning, Esther Gottlieb, Juliette Hays, Sidney Janis, Buffie Johnson, Jacob Kainen, Louis Kaufman, Jack Kufeld, Katharine Kuh, Stanley Kunitz, Joseph Liss, Dorothy Miller, Betty Parsons, Wallace Putnam, Rebecca Reis, Maurice Roth, Aaron Siskind, Joseph Solman, Hedda Sterne, Jack Tworkov, Esteban Vicente and Ed Weinstein. Each has been cataloged separately.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Abstract expressionism  Search this
Painters -- New York (State) -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ferber81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ferber81

Whitney Museum of American Art artists' files and records

Creator:
Whitney Museum of American Art  Search this
Names:
Whitney Studio Club  Search this
Whitney Studio Galleries  Search this
Baziotes, William, 1912-1963  Search this
Bellows, George, 1882-1925  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bloom, Hyman, 1913-  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Burlin, Paul, 1886-1969  Search this
Cadmus, Paul, 1904-1999  Search this
Cassatt, Mary, 1844-1926  Search this
Curry, John Steuart, 1897-1946  Search this
Davis, Stuart, 1892-1964  Search this
De Creeft, José, 1884-1982  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Evergood, Philip, 1901-1973  Search this
Feininger, Lyonel, 1871-1956  Search this
Gatch, Lee, 1902-1968  Search this
Glackens, William J., 1870-1938  Search this
Gorky, Arshile, 1904-1948  Search this
Graves, Morris, 1910-  Search this
Gross, Chaim, 1904-1991  Search this
Grosz, George, 1893-1959  Search this
Harnett, William Michael, 1848-1892  Search this
Hartley, Marsden, 1877-1943  Search this
Henri, Robert, 1865-1929  Search this
Hofmann, Hans, 1880-1966  Search this
Hopper, Edward, 1882-1967  Search this
Inness, George, 1825-1894  Search this
Karfiol, Bernard, 1886-1952  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lachaise, Gaston, 1882-1935  Search this
Lawson, Ernest, 1873-1939  Search this
MacIver, Loren, 1909-1998  Search this
Marin, John, 1870-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Motherwell, Robert  Search this
Mount, William Sidney, 1807-1868  Search this
Nevelson, Louise, 1899-1988  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Pollock, Jackson, 1912-1956  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Pène Du Bois, Guy , 1884-1958  Search this
Reder, Bernard, 1897-1963  Search this
Rimmer, William, 1816-1879  Search this
Rivers, Larry, 1925-2002  Search this
Rothko, Mark, 1903-1970  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sheeler, Charles, 1883-1965  Search this
Sloan, John, 1871-1951  Search this
Smith, David, 1906-1965  Search this
Stella, Joseph, 1877-1946  Search this
Tobey, Mark  Search this
Twachtman, John Henry, 1853-1902  Search this
Tworkov, Jack  Search this
Walkowitz, Abraham, 1880-1965  Search this
Weber, Max, 1881-1961  Search this
Wyant, A. H. (Alexander Helwig), 1836-1892  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Zorach, William, 1887-1966  Search this
Extent:
78 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1914-1966
Scope and Contents:
REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.
REELS N599-N604: Notebooks of Edwin W. Dickinson; photographs and provenance information for works by Philip Evergood; a catalog of information and some photographs of Chinese ink drawings and other works by Reginald Marsh; and photographs and information on Bernard Reder, Jack Tworkov, Max Weber (portions also microfilmed on reel NY59-8 (fr. 497-658), reel NY59-9 (fr. 1-51), and William Zorach.
REELS N604-N609: Exhibition catalogs, 1946-1966, for artists and groups shows at the Museum, including Robert Feke, William Rimmer, Ralph Blakelock, Albert Maurer, Albert Pinkham Ryder, Yasuo Kuniyoshi, Thomas Cole, Max Weber, Arshile Gorky, Mark Tobey, John Sloan, Loren MacIver, I. Rice Pereira, George Grosz, Reginald Marsh, Charles Burchfield, Morris Graves, Theodore Roszak, John Marin, Hans Hofmann, Bradley Tomlin, Stuart Davis, Milton Avery, Lee Gatch, Jose De Creeft, Maurice Prendergast, Edward Hopper, Hyman Bloom, Robert E. Jones, Balcomb Greene, Karl Zerbe, Arthur G. Dove, William Zorach, Philip Evergood, Bernard Reder, Herbert Feber, Oliver O'Connor Barrett,Arthur B. Davies, Jose De Rivera, Paul Burlin, Joseph Stella, Jack Tworkov, Ivan Albright, Stuart Davis, Edwin Dickinson, John Quidor, and Niles Spencer.
REELS N646-N694: Artists' files on: Oliver O'Connor Barrett,William Baziotes, George Bellows, Thomas Hart Benton, Peter Blume, James Brooks, Patrick Henry Bruce, Charles Burchfield, Paul Burlin, David Burliuk, Paul Cadmus, Mary Cassatt, Thomas Cole, Glenn Coleman, Jon Corbino, John Steuart Curry, Jo Davidson, Arthur B. Davies, Jose DeCreeft, Charles Demuth, Jose De Rivera, Arthur Dove, Guy Pène du Bois, Stuart Davis, Frank Duveneck, Ralph Earl, Eastman Johnson, The Eight, Philip Evergood, Robert Feke, Lyonel Feininger, Ernest Fiene, George Fuller, Lee Gatch, William Glackens, Arshile Gorky, Balcomb Greene, Chaim Gross, George Grosz, William Harnett, Marsden Hartley, Childe Hassam, John Heliker, Robert Henri, Hans Hofmann, George Inness, Leon Kelly, Franz Kline, Karl Knaths, Leon Kroll, Walt Kuhn, Yasuo Kuniyoshi, Gaston Lachaise, Robert Laurent, Ernest Lawson, Jack Levine, Seymour Lipton, George B. Luks,
Stanton Macdonald-Wright, Loren MacIver, John Marin, Reginald Marsh, Alfred Maurer, K. H. Miller, Robert Motherwell, William Mount, Jerome Myers, Louise Nevelson, Georgia O'Keeffe (portions also microfilmed on reels NY59-13 (fr. 98-115, 406-424, 586-685), reel NY59-14 (entire), and reel NY59-15 (fr. 1-140, 145-153), I. Rice Pereira, Bernard Perlin, Joseph Pollett, Jackson Pollock, Reginald Pollack, Henry V. Poor, Richard Pousette-Dart, Maurice Prendergast, Abraham Rattner, Bernard Reder, Ad Reinhardt, William Rimmer, Larry Rivers, Hugo Robus, Theodore Roszak, Mark Rothko, Concetta Scarvaglione, Henry Schnakenberg, Ben Shahn, John Sloan, David Smith, Eugene Speicher, Theodoros Stamos, Joseph Stella, Maurice Sterne, Mark Tobey, Bradley Tomlin,Trajan, Allen Tucker, John Twachtman, Jack Tworkov, Abraham Walkowitz (also on reel NY/59-15) , Max Weber, James M. Whistler, Gertrude Whitney, Grant Wood, Alexander Wyant, Mahonri Young, and William Zorach.
REELS NWH 1-NWH 7: Artist files on Charles Sheeler, Bernard Karfiol, Louis Eilshemius; scatterred records of the Whitney Studio Club and Museum, 1914-1945, including minutes, Oct. 15, 1930, and Whitney Studio ledgers, 1928-1931; catalogs of one-man shows, 1932-1945; catalogs of annual painting exhibitions, 1932-1940, sculpture, watercolor and drawing exhibitions, 1933-1945, and group exhibitions, 1932-1945; and clippings, Oct. 1935-1936.
REELS NY59/8 (fr. 256-end)-NY59/10: Files on Max Weber, including biographical material, lists of work, and miscellany. Also found (NY59/8 frames 354-383) are ca.20 letters from Weber to Abraham Walkowitz, 1907-1924.
Biographical / Historical:
Whitney Museum of American Art is an American art museum in New York, New York. Founded by Gertrude Vanderbilt Whitney and formally opened in 1931. Previous to its opening as a museum it was known as the Whitney Studio Club (1914-28) and Whitney Studio Galleries (1928-30).
Provenance:
The Weber files on reels NY59/8-10 were lent for microfilming 1959 by the Whitney Museum of American Art; the remainder was lent 1964-1967; additional material from the Museum was lent at the same time, and subsequently donated, including the papers of Lloyd Goodrich, Juliana Force, Thomas B. Clarke, the American Art Research Council, and Gertrude Vanderbilt Whitney; these have each been cataloged separately. Portions of Weber, and O'Keeffe material that was microfilmed in 1959 were refilmed in 1967.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, Modern -- 20th century -- United States  Search this
Artists -- Exhibitions -- New York (State) -- New York  Search this
Art, American  Search this
Function:
Art museums -- New York (State) -- New York
Identifier:
AAA.whitmuse
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whitmuse

William Chapin Seitz papers

Creator:
Seitz, William Chapin  Search this
Names:
University of Virginia -- Faculty  Search this
Ashton, Dore  Search this
Banks-Woodson, Ellen  Search this
Barr, Alfred Hamilton, 1902-  Search this
Baziotes, William, 1912-1963  Search this
Conner, Bruce  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Duchamp, Marcel, 1887-1968  Search this
Elliott, Philip Clarkson, 1903-1985  Search this
Gorky, Arshile, 1904-1948  Search this
Gottlieb, Adolph, 1903-1974  Search this
Krebs, Rockne, 1938-2011  Search this
Monet, Claude, 1840-1926  Search this
Rosati, James, 1912-1988  Search this
Segal, George, 1924-2000  Search this
Seitz, Irma  Search this
Stella, Frank  Search this
Extent:
32.5 Linear feet
Type:
Collection descriptions
Archival materials
Resumes
Poems
Photographs
Awards
Sound recordings
Interviews
Sketches
Notebooks
Drafts (documents)
Lectures
Date:
circa 1930-1995
Summary:
The papers of educator, painter, and art historian William Chapin Seitz measure 32.5 linear feet and date from circa 1930-1995. The collection includes biographical information, correspondence, notebooks, subject and people files, thesis research files, interviews and lecture recordings, teaching files, personal business records, scattered printed materials, photographs, and artwork. The bulk of the papers focus on Seitz's research and teaching career.
Scope and Contents note:
The papers of educator, painter, and art historian William Chapin Seitz measure 32.5 linear feet and date from circa 1930-1995. The collection includes biographical information, correspondence, notebooks, subject and people files, thesis research files, interviews and lecture recordings, teaching files, personal business records, scattered printed materials, photographs, and artwork. The bulk of the papers focus on Seitz's research and teaching career.

Biographical materials consist of resumes and CV's, identification cards including one from the WPA, documents from the memorial held at the University of Virginia for Seitz, poetry written by Irma for William on their wedding anniversaries, and x-rays.

The majority of Seitz's correspondence is professional and concerns job offers and opportunities, lectures requests, recommendation letters for Seitz and for others by Seitz, the Kress Fellowship, exhibitions, awards, and organizations. Also found are posthumus materials to Irma Seitz concerning book royalites. Personal correspondence is scattered and includes condolence letters sent to Irma.

Personal business records focus on Seitz's personal art collection, copyright information, publishing records including royalty statements, reports, scholarship and fellowship information, and professional organization membership records.

The bulk of the collection consists of research and writing files which include notebooks, subject and people files, thesis research files and drafts, general research which include writings by Seitz, card files, and recordings of lectures and interviews. Subject and people files may include correspondence, printed materials, research notes, photographs, works of art, and writings concerning and by artists, art historians, curators, subjects, and art movements. Research files are found for Dore Ashton, Alfred H. Barr Jr., William Baziotes, Bruce Conner, Rene D'Harnoncourt, Marcel Duchamp, Arshile Gorky, Adolph Gottlieb, Rockne Krebs, George Segal, James Rosati, and Frank Stella among many others. Also found are research materials on Claude Monet, some of which are written in French.

Teaching files contains extensive reference material likely used by Seitz during his career as well as correspondence, exams, and lecture materials used in specific classes.

Printed material is scattered and includes clippings, exhibition announcements, and articles. Exhibition announcements and catalogs are for Seitz's personal works and for exhibitions he curated.

The bulk of the photographs are of works of art by William Seitz, Irma Seitz, and others which were likely owned by Seitz. Also found are phtographs of exhibition installations at the Univeristy of Virginia and scattered photographs of Seitz with others.

Artwork include several pencil sketches by Seitz, two works by Ellen Banks-Woodson, and a sketch by Phil Elliott.
Arrangement note:
The collection is arranged as 8 series:

Series 1: Biographical Information, 1930s-1974 (Box 1; 7 folders)

Series 2: Correspondence, 1945-1995 (Boxes 1-2; 1.6 linear feet)

Series 3: Personal Business Records, circa 1947-1990 (Boxes 2-3; 0.4 linear feet)

Series 4: Research and Writing Files, 1940s-1970s (Boxes 4-26; 23.5 linear feet)

Series 5: Teaching Files, 1945-1970s (Boxes 27-31, OV 34-35; 5 linear feet)

Series 6: Printed Material, 1937-1984 (Boxes 31-2; 0.5 linear feet)

Series 7: Photographs, 1940s-1981 (Box 32, 33; 11 folders)

Series 8: Artwork, circa 1950s-1972 (Box 32, 33; 6 folders)
Biographical/Historical note:
William Chapin Seitz (1914-1974) was an art historian and scholar, painter, educator, and museum curator who worked primarily in New York and Virginia. He completed the first dissertation on Abstract Expressionism while a student at Princeton University in 1955.

Born in 1914 in Buffalo, New York, William Chapin Seitz studied at the Albright Art School at the University of Buffalo and the Art Institute of Buffalo. Seitz met artist Irma J. Siegelman, whom he married in 1938. Due to the Depression, he left school and worked with the Federal Arts Project in New York City in the 1930s and worked as an aircraft fuel cell deigner for the Hewitt Rubber Company during World War II. Returning to the University of Buffalo after the war, Seitz completed his undergraduate degree and remained by accepting a teaching job.

Although he saw success as a painter and exhibited in one-man shows, Seitz focused his career in academia and enrolled at Princeton University for a graduate degree in Art History. Princeton faculty held divided views on Seitz's desire to write a dissertation on the Abstract Expressionist movement and debated the subject for over a year. Seitz's dissertation topic was eventually approved and in addition to writing the first dissertation on Abstract Expressionism, Seitz received the first PhD in Modern Art from Princeton. Seitz remained at Princeton as an assistant professor and advised students such as Frank Stella.

In 1960, he accepted a job as a curator at the Museum of Modern Art in New York City. At MOMA, Seitz curated The Art of Assemblage (1961), The Responsive Eye (1965), and an exhibition on Monet (1960). Other MOMA exhibitions focused on artists Mark Tobey, Arshile Gorky, and Hans Hofmann. Additionally, he served as director of the Rose Art Museum of Brandeis University from 1965-1970. During that time, Seitz organized the United States exhibition at the Ninth Biennial in Sao Paulo (1967) and the Seventh Biennial of Canadian Painting (1968). In 1971, Seitz returned to teaching at the University of Virginia in Charlottesville, Virginia and was the Visiting Kress Professor at the National Gallery of Art from 1972-1973.

In addition to his successes in painting, education, and the curatorial field, Seitz was an accomplished writer. He published many articles, essays, and books on art and artists including Art in the Age of Aquarius, on which he worked until his death.

William Seitz died of cancer in 1974.
Related Archival Materials note:
The Museum of Modern Art Archives in New York City holds the William C. Seitz papers which contain exhibition files and records relating to an interview with Marcel Duchamp. Correspondence relating to the debate concerning the viability of Seitz's dissertation are found in the Alfred H. Barr, Jr. papers also at the Museum of Modern Art Archives.
Provenance:
The William Chapin Seitz papers were donated to the Archives of American Art by Seitz's widow, Irma Seitz, in 1975 and 2003. A transcript of an interview with Mark Tobey by Seitz was donated by Rebecca Massie Lane in 1988. Seitz gave these transcripts to Lane for her graduate work and they remined in her possession after his death.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The William Chapin Seitz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- Virginia -- Charlottesville  Search this
Educators -- Virginia  Search this
Art historians -- Virginia -- Charlottesville  Search this
Genre/Form:
Resumes
Poems
Photographs
Awards
Sound recordings
Interviews
Sketches
Notebooks
Drafts (documents)
Lectures
Citation:
William Chapin Seitz papers, circa 1930-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.seitwill
See more items in:
William Chapin Seitz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-seitwill

David S. Rubin papers

Creator:
Rubin, David S., 1949-  Search this
Names:
Alf, Martha, 1930-  Search this
Baziotes, William, 1912-1963  Search this
Lloyd, Gary, 1943-  Search this
Mesches, Arnold, 1923-  Search this
Thiebaud, Wayne  Search this
Extent:
23 Linear feet
57.68 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Video recordings
Date:
1960-2017
Summary:
The papers of curator and art critic David S. Rubin measure 23 linear feet and 57.68 gigabytes and date from 1960 to 2017. The papers are comprised of biographical materials, interviews, correspondence, writing projects and notes, artists' files, exhibition files, professional files, subject and research files, printed materials, and photographic materials documenting Rubin's work in California, Arizona, and other locations throughout the United States.
Scope and Contents:
The papers of curator and art critic David S. Rubin measure 23 linear feet and 57.68 gigabytes and date from 1960 to 2017. The papers are comprised of biographical materials, interviews, correspondence, writing projects and notes, artists' files, exhibition files, professional files, subject and research files, printed materials, and photographic materials documenting Rubin's work in California, Arizona, and other locations throughout the United States.

Biographical materials include 16 appointment books, 2 guest books, identification cards, curriculum vitae, and student records from UCLA. Interviews are with Rubin regarding William Baziotes, Rubin with Gary Lloyd and Wayne Thiebaud, and an interview about the exhibition Chelsea Rising. Mixed personal and professional correspondence is with curators, colleagues, and friends regarding exhibitions, symposiums and panels, and Rubin's job searches.

Writing projects and notes consist of student work including Rubin's unfinished Ph.D. dissertation, class notes, and student papers; articles and essays; a book project; lists; and lectures. Artist files contain printed materials relating to the artists' careers, and notes regarding exhibitions and artist biographical information. Files for exhibitions contain records for It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art (1995) and other major exhibitions curated by Rubin. Professional files consist of records for employment, committees, consulting, and other professional activities. Subject and research files contain research material and notes on topics of interest and exhibition themes.

Printed materials include clippings, flyers, exhibition announcements and catalogs, and other material relating to Rubin and exhibitions. Photographic materials consist of photographs and slides of Rubin by Martha Alf, Arnold Mesches, and Bruce Houston; photographs by Rubin of Alf and other artists; events; friends; and works of art.
Arrangement:
The collection is arranged as 10 series.

Series 1: Biographical Materials, 1969-2011 (Box 1; 0.7 linear feet)

Series 2: Interviews, 1982-circa 2001 (Boxes 1-2; 0.4 linear feet)

Series 3: Correspondence, 1971-2017 (Boxes 2-5, OV 28; 3.0 linear feet)

Series 4: Writing Projects and Notes, 1970-2010 (Boxes 5-6, 27; 1.0 linear feet)

Series 5: Artist Files, 1960-2015 (Boxes 6-20, 27, OV 28; 15.0 linear feet)

Series 6: Exhibition Files, 1980-2008 (Boxes 21-23, 27; 2.5 linear feet)

Series 7: Professional Files, 1976-2009 (Boxes 23-24; 1.0 linear feet)

Series 8: Subject and Research Files, 1980-2002 (Boxes 24-25; 0.8 linear feet)

Series 9: Printed Materials, circa 1975-circa 2008 (Boxes 25, 27; 0.4 linear feet)

Series 10: Photographic Materials, 1979-2010 (Boxes 25-26; 1.0 linear feet)
Biographical / Historical:
David S. Rubin (1949- ) is a curator and art critic in Los Angeles, California. Rubin has curated exhibitions throughout the United States, primarily in Southern California, New Orleans, Louisiana, Cleveland, Ohio, and San Antonio, Texas.

Rubin received his Bachelor of Arts degree in philosophy in 1972 from the University of California in Los Angeles. He went on to earn a Master of Arts in art history from Harvard University. He began researching automatism in New York for a doctorate degree at Harvard but did not complete his dissertation. Rubin also attended the Museum Management Institute in 1989. He has been a curator at the San Francisco Art Institute, Albright College's Freedman Gallery, Museum of Contemporary Art in Cleveland, Phoenix Art Museum, Contemporary Arts Center in New Orleans, and the San Antonio Museum of Art. He has curated exhibitions, including It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art (1995) and the controversial Old Glory: The American Flag in Contemporary Art (1994), throughout the United States, primarily in California. Rubin is also a prolific essayist on contemporary art.
Provenance:
The papers were donated by David S. Rubin in 2016 and 2017.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and born-digital records with no duplicate copies requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no Processing Manual Archives of American Art representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information
Occupation:
Art museum curators -- California  Search this
Art critics -- California  Search this
Genre/Form:
Interviews
Sound recordings
Video recordings
Citation:
David S. Rubin papers, 1960-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.rubidavi
See more items in:
David S. Rubin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rubidavi

Oral history interview with Leo Rabkin

Interviewee:
Rabkin, Leo  Search this
Interviewer:
Cummings, Paul  Search this
Names:
American Abstract Artists  Search this
Baziotes, William, 1912-1963  Search this
Reinhardt, Ad, 1913-1967  Search this
Extent:
97 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1968 Dec. 4
Scope and Contents:
An interview of Leo Rabkin conducted 1968 Dec. 4, by Paul Cummings, for the Archives of American Art. Rabkin speaks of his youth in Cincinnati in a Russian-Jewish family; his early study of music; teaching; his watercolor techniques; prints on plastic; the importance of the box in his life; his concern with light; his collections of wood furniture and folk art. He recalls William Baziotes, and Ad Reinhardt, and discusses his involvement with the American Abstract Artists group.
Biographical / Historical:
Leo Rabkin (1919-2015) was a painter and sculptor from New York, N.Y.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 3 hr., 14 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Sculptors -- United States -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rabkin68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rabkin68

Robert Motherwell postcard to William Baziotes

Creator:
Motherwell, Robert  Search this
Names:
Baziotes, William, 1912-1963  Search this
Extent:
1 Item ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1944
Scope and Contents:
Motherwell writes inviting Baziotes to a preview of his work.
Biographical / Historical:
Abstract expressionist painter. Close friend of Baziotes.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Abstract expressionism  Search this
Identifier:
AAA.mothrobe2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mothrobe2

William Baziotes (1912-1963) : the formation of a subjectively based imagery / by Melinda Anne Lorenz

Creator:
Lorenz, Melinda A.  Search this
Names:
Baziotes, William, 1912-1963  Search this
Extent:
132 Pages
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
Scope and Contents:
Photocppy of thesis (M.A.)--University of Maryland, College Park, 1972. Thesis is a study of "major themes and images in William Baziotes' paintings during the late 1930's and 1940's..."
Biographical / Historical:
Art historian. Born in Evanston, Ill. B.A., Univ. of Maryland, 1968. Taught Art History at Mary Washington College, Fredericksburg, Va. M.A., Univ. of Maryland, 1972. Ph.D., Univ. of Calif., 1981. Baziotes was an abstract painter whose work was noted for its mysterious expressions. Studied under Leon Kroll at the National Academy of Design in New York.
Other Title:
Melinda A. Lorenz papers.
Provenance:
Donated by Mrs. Ethel Baziotes, who received it from Lorenz upon its completion, 1972. Photocopy discarded after microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Painters  Search this
Topic:
Art, Abstract -- New York (State) -- New York  Search this
Identifier:
AAA.loremeli
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-loremeli

Richard Lippold papers

Creator:
Lippold, Richard, 1915-2002  Search this
Names:
Albers, Josef  Search this
Baziotes, William, 1912-1963  Search this
Gabo, Naum, 1890-1977  Search this
Graves, Morris, 1910-  Search this
Gropius, Walter, 1883-1969  Search this
Rothko, Mark, 1903-1970  Search this
Saarinen, Eero, 1910-1961  Search this
Tobey, Mark  Search this
Extent:
1.7 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1944-1977
Scope and Contents:
Correspondence; writings; articles; speeches; tv and film scripts; exhibition catalogs; clippings; and motion picture films.
REEL D342: Correspondence relating to Lippold's commissions; writings; articles and speeches; exhibition catalogs; miscellaneous publications; and clippings. Correspondents include: Josef Albers, William Baziotes, Naum Gabo, Morris Graves, Walter Gropius, Mark Rothko, Eero Saarinen, and Mark Tobey.
REEL N69-24: Correspondence; catalogs; clippings; writings; and papers relating to the Conference on Government Participation in the Arts and Humanities.
UNMICROFILMED: Correspondence, writings, and printed matter, 1953-1977, and a motion picture, "The Sun and Richard Lippold." Much of the correspondence relates to Lippold's sculpture commissions, such as work for St. Mary's Cathedral in San Francisco, and for the North Carolina National Bank. Also included are personal letters, catalogs, speeches, film and television scripts, other writings, and two films with footage of Lippold's "World Tree" at Harvard University, and "Orpheus and Apollo" at the Lincoln Center in New York City.
Biographical / Historical:
Sculptor; New York, N.Y.
Provenance:
Material on reel D342 and unmicrofilmed material donated 1968 & 1977 by Richard Lippold; material on reel N69-24 lent for microfilming 1969 by Lippold.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Topic:
Sculpture, Modern -- 20th century  Search this
Identifier:
AAA.lipprich
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipprich

Kootz Gallery records

Creator:
Kootz Gallery  Search this
Names:
Baziotes, William, 1912-1963 -- Photographs  Search this
Braque, Georges, 1882-1963  Search this
Hare, David, 1917-1992  Search this
Hofmann, Hans, 1880-1966 -- Photographs  Search this
Kootz, Samuel M., 1898-1982  Search this
Marca-Relli, Conrad, 1913-2000 -- Photographs  Search this
Mathieu, Georges, 1921 -- Photographs  Search this
Picasso, Pablo, 1881-1973 -- Photographs  Search this
Pierre Soulages, 1919- -- Photographs  Search this
Ronald, William, 1926 -- Photographs  Search this
Sugai, Kumi, 1919 -- Photographs  Search this
Extent:
7.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Signatures (names)
Notes
Date:
1923-1966
Summary:
The records of modernist New York City Kootz Gallery measure 7.1 linear feet and date from 1923-1966. They consist of scattered correspondence and exhibition files; photograph files of artists, including ones for Picasso, William Baziotes, and Hans Hofmann, among many others; 23 scrapbooks; photographs and slides of the gallery and exhibitions; and scattered personal papers of Samuel M. Kootz.
Scope and Contents note:
The records of modernist New York City Kootz Gallery measure 7.1 linear feet and date from 1923-1966. They consist of scattered correspondence and exhibition files; photograph files of artists, including ones for Picasso, William Baziotes, and Hans Hofmann, among many others; 23 scrapbooks, photographs and slides of the gallery and exhibitions; and scattered personal papers of Samuel M. Kootz.

There are two folders of scattered routine incoming letters. Three folders of exhibition files contain limited documentation of the 1952 Kootz Gallery exhibition "To South America," and printed material related to the 1951 exhibition "Art for a Synagogue" held at the Synagogue of Congregation B'nai Israel in Millburn, New Jersey.

Artists' Photograph Files contain mostly photographs of 52 artists, their artwork, and their exhibitions. In addition to photographs, there is one folder of artists' autographs. Pablo Picasso and Hans Hofmann's close friendship with Kootz is reflected in this series, as numerous informal personal photos are found in their respective files. A few folders also contain documents, such as transcript notes for a lecture and other writings by Hans Hofmann and a brief review of the work of Georges Braque and David Hare.

Printed Material consists of exhibition announcements and catalogs, advertisements, and newspaper and magazine clippings on the gallery and artists associated with the gallery. There are catalogs for Kootz Gallery exhibitions, including "The Intrasubjectives" show of 1949.

Twenty-three scrapbooks date from 1931 through 1966 and include exhibition announcements, catalogs, photographs, clippings, and miscellaneous printed material. Scrapbook 1, 1947-1948, focuses on Pablo Picasso. Scrapbooks 2-21 document approximately one year of Kootz Gallery events and press coverage from 1945 to 1966, and Scrapbooks 22-23, 1950-1958, focus on architectural models and exhibitions.

Photographic material includes photographs, transparencies, and slides of Kootz Gallery New York and Kootz Gallery Provincetown; interior design photographs showcasing Kootz Gallery artwork hanging in office and residential spaces; group and unidentified exhibitions; group and unidentified artists/artwork; and informal photographs of Samuel Kootz and of his wife, Jane.

Samuel Kootz Personal Papers consist of a cocktail party invitation and a copy of the 1923 Phi Epsilon Pi Quarterly, Vol. 6, No. 1.
Arrangement note:
The collection is arranged as 7 series:

Series 1: Correspondence, 1950-1962 (Box 1; 2 folders)

Series 2: Exhibition Files, circa 1944-1966 (Box 1; 3 folders)

Series 3: Artists Photographs Files, 1936-1966 (Boxes 1-2, 5; 1.5 linear feet)

Series 4: Printed Material, circa 1944-1966 (Boxes 2, 5; 0.5 linear feet)

Series 5: Scrapbooks, 1931-1966 (Box 3, BV 6-23; 4 linear feet)

Series 6: Photographic Material, circa 1944-1966 (Boxes 4-5; 11 folders)

Series 7: Samuel Kootz Personal Papers, circa 1923-1957 (Box 4; 2 folders)
Biographical/Historical note:
Samuel M. Kootz officially opened the Kootz Gallery in 1945 in New York City. In 1953, he opened a satellite gallery in Provincetown, Massachusetts that closed one year later.

Samuel M. Kootz (1898-1982) received his law degree from the University of Virginia in 1921 and practiced law briefly before moving to New York City to accept a job as an advertising account executive. While still in law school, he began visiting New York art galleries and was particularly drawn to works by modern artists that were showing at the Stieglitz Gallery and the Charles Daniel Gallery. In 1930, he independently published his first book, Modern American Painters and began to regularly contribute articles on painting and photography to various periodicals, including The Times. In 1942, he curated an abstract expressionist showcase for Macy's and published New Frontiers in American Painting one year later. Kootz's second book was one of the first to examine the emerging abstract expressionist movement and marked the beginning of his full transition into the art world.

In 1944, Kootz resigned from his advertising job to represent Robert Motherwell and William Baziotes as a professional art dealer. He officially opened the Kootz Gallery opened in 1945 and showcased the work of both American and European abstract expressionists, including Hans Hofmann and Adolph Gottlieb. In 1946, during the Kootz Gallery's preparation for Pablo Picasso's first one man exhibition in America, Picasso became quite friendly with Kootz and his wife Jane. Upon the artist's suggestion, Kootz agreed to close his gallery and represent Picasso and his other artists as a private dealer. Although this was a successful venture, Kootz missed the structure of an office and decided to reopen his gallery on Madison Avenue in 1949. The gallery's first show at the new location was "The Intrasubjectives," a term Kootz had coined for abstract expressionists. The exhibition included four artists from his stable, William Baziotes, Robert Motherwell, Adolph Gottlieb, and Hans Hofmann, along with Jackson Pollock, Arshile Gorky, Willem de Kooning, Mark Rothko, Ad Reinhardt, Morris Graves, Mark Tobey, and Bradley Walker Tomlin.

In 1953, Kootz opened a satellite gallery in Provincetown, Massachusetts that was managed and operated by gallerist Nathan Halper. In 1954, they mutually agreed to dissolve their partnership and Kootz focused his energies on his New York gallery, which grew to include Herbert Ferber, David Hare, Philippe Hosiasson, Ibram Lassaw, Conrad Marca-Relli, Georges Mathieu, Raymond Parker, William Ronald, Gerard Schneider, Emil Schumacher, and Pierre Soulages.

A number of factors, including competition from new galleries, commoditization of art by investment collectors, and the public's interest in emerging pop art, influenced Kootz's decision to close his gallery in 1966.
Related Archival Materials note:
Also found among the holdings of the Archives of American Art are oral history interviews with Samuel M. Kootz by John Morse on March 2, 1960 and by Dorothy Seckler on April 13, 1964. Records of Kootz Gallery are also interspersed among the records of Nathan Halper's galleries.
Separated Materials note:
Records loaned for microfilming in 1965 included eight articles from the publication Modern Artists in America (1951) which were not included in the later donation and are now available on microfilm reel NY65-1.
Provenance:
Samuel M. Kootz donated the gallery records in two increments in 1971. Nearly all of the same records had been loaned in 1965 for microfilming.
Restrictions:
Use of original papers requires an appointment. All scrapbooks are CLOSED due to their fragile condition; #1-#5 have been digitized and are available on the Archives of American Art's website, and #6-#23 are only available for use on microfilm reels 1318-1320 and 1322-1323.
Rights:
The Kootz Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Artists -- United States -- Exhibitions  Search this
Genre/Form:
Scrapbooks
Photographs
Signatures (names)
Notes
Citation:
Kootz Gallery records, 1923-1966. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kootgall
See more items in:
Kootz Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kootgall
Online Media:

William and Ethel Baziotes papers

Creator:
Baziotes, William, 1912-1963  Search this
Names:
Kootz Gallery (N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Peter A. Juley & Son  Search this
Solomon R. Guggenheim Museum  Search this
Alloway, Lawrence, 1926-1990  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Baziotes, Christos  Search this
Baziotes, Ethel  Search this
Baziotes, Harry  Search this
Bernshṭin, Meʼir, -1978  Search this
Blesh, Rudi, 1899-1985  Search this
Bodin, Paul, 1910-1994  Search this
Canaday, John, 1907-1985  Search this
Castano, Giovanni, 1896-1978  Search this
Greenberg, Clement, 1909-1994  Search this
Guggenheim, Peggy, 1898-  Search this
Halper, Nathan  Search this
Hare, David, 1917-1992  Search this
Hélion, Jean, 1904-1987  Search this
Janis, Harriet Grossman  Search this
Kamrowski, Gerome  Search this
Kootz, Samuel Melvin, 1898-1982  Search this
Lee, Francis P.  Search this
Licht, Michel, 1893-1953  Search this
Matta, 1912-2002  Search this
Motherwell, Maria  Search this
Motherwell, Robert  Search this
Namuth, Hans  Search this
Onslow-Ford, Gordon  Search this
Paneth, Donald  Search this
Peterson, Charles  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Ricci, F.  Search this
Ruiz-Picasso, Maya  Search this
Schumm, Gertrud  Search this
Schwabacher, Ethel, 1903-1984  Search this
Sievan, Maurice  Search this
Still, Clyfford, 1904-1980  Search this
Vazakas, Byron  Search this
Zulieta, Orlando  Search this
Extent:
6.3 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Photographs
Sketchbooks
Date:
circa 1900-1992
bulk 1935-1980
Summary:
The papers of New York City abstract expressionist painter William Baziotes and his wife Ethel measure 6.3 linear feet and date from circa 1900-1992, bulk 1935-1980. The collection includes William Baziotes biographical material, correspondence, writings, printed material, and photographs. The papers of Ethel Baziotes consists of correspondence mostly dated after her husband's death regarding exhibitions of his work, along with limited biographical material and writings.
Scope and Contents:
The papers of New York City abstract expressionist painter William Baziotes and his wife Ethel measure 6.3 linear feet and date from circa 1900-1992, bulk 1935-1980. The collection includes William Baziotes biographical material, correspondence, writings, printed material, and photographs. The papers of Ethel Baziotes consists of correspondence mostly dated after her husband's death regarding exhibitions of his work, along with limited biographical material and writings.

Biographical material on William Baziotes consists of a bibliography, teaching files, a sound recording of an interview, membership cards, sales records, a sketchbook, and other miscellaneous material. There is one folder regarding Ethel Baziotes containing a few certificates and her college diploma.

Correspondence consists of letters to William and Ethel Baziotes. Notable correspondents include Lawrence Alloway, Alfred Barr, Andre Breton, Clement Greenberg, Peggy Guggenheim, David Hare, Jean Helion, Maria and Robert Motherwell, Jackson Pollock, and others. There are also letters from the Samuel M. Kootz Gallery regarding the sales of William Baziotes's artwork and letters written by William Baziotes to his brother Christos. Letters to Ethel Baziotes include condolence letters as well as letters from museum and galleries regarding exhibitions of her husband's work.

Writings include William Baziotes's notes on various subjects, a list of book titles, and a transcript for a speech. Writings by others include essays about William Baziotes and other subjects.

Printed materials consist of clippings, announcements, magazines, and many exhibition catalogs, mostly on group exhibitions which included artwork by William Baziotes.

Photographs are of William Baziotes, Ethel Baziotes, family and friends, their residence, and his artwork. There are a also photographs of Meir Bernstein, Samuel Kootz, Paul Bodin, Maria Motherwell, Pablo and Maya Picasso, Rudi Blesh, Nathan Halper, Ethel Schwabacher, Clyfford Still, and others.
Arrangement:
The collection is arranged as 5 series.

Series 1: Biographical Material, 1933-1982 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1936-1988 (Boxes 1-2; 1 linear feet)

Series 3: Writings, circa 1950-1992 (Box 2; 0.2 linear feet)

Series 4: Printed Material, 1944-1992 (Boxes 2-7, 9; 4.1 linear feet)

Series 5: Photographs, circa 1900-1979, bulk 1940-circa 1963 (Boxes 7-9; 0.7 linear feet)
Biographical / Historical:
William Baziotes (1912-1963) was an abstract expressionist painter in New York City. Born in Pittsburgh, Pennsylvania, Baziotes moved to New York City in 1933, where he studied painting at the National Academy of Design, 1933-1936. He participated on the Works Progress Administration's Federal Art Project as a teacher, 1936-1938, and painted for the Easel Painting Project, 1938-1940.

In 1941 he married Ethel Copstein. He had his first one-man show at Peggy Guggenheim's Art of This Century Gallery in 1944. The Samuel M. Kootz Gallery, Inc. held a solo show for Baziotes in 1946 and continued to exhibit his works until 1958.

Baziotes taught at Subjects of the Artist, 1948; the Brooklyn Museum Art School and New York University, 1949-1952; the People's Art Center at the Museum of Modern Art, 1950-1952; and Hunter College, 1952-1962. Baziotes died in 1963.
Provenance:
The William and Ethel Baziotes papers were donated by Ethel Baziotes, widow of William Baziotes, in several installments from 1969 to 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Abstract expressionism  Search this
Painters -- New York (State) -- New York  Search this
Art, Abstract  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Sketchbooks
Citation:
William and Ethel Baziotes papers, circa 1900-1992, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.baziwill
See more items in:
William and Ethel Baziotes papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-baziwill

William Baziotes sketchbooks (microfilm)

Creator:
Baziotes, William, 1912-1963  Search this
Extent:
2 Items (volumes (on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1933
Scope and Contents:
Two hard-cover sketchbooks, ca. 1933. One (auction no. 90.5) contains 42 single-sided drawings and 26 double-sided drawings, in both pencil and pen and ink. The second (no. 115.5) contains 71 single-sided drawings and 26 double-sided drawings, all in pencil except for one charcoal drawing on frontispiece. The sketches are primarily of people; some animals and landscapes are also included. Landscapes may be of Baziotes' hometown area of Reading, Pa., where he often returned in the summer.
Biographical / Historical:
Painter; New York, N.Y. Born in Pittsburgh, Pa., Baziotes moved to New York City in 1933, where he studied painting at the National Academy of Design, 1933-1936. He participated on the Works Progress Administration's Federal Art Project as a teacher, 1936-1938, and painted for the Easel Painting Project, 1938-1940. In 1941 he married Ethel Copstein. He had his first one-man show at Peggy Guggenheim's Art of This Century Gallery in 1944. Baziotes taught at Subjects of the Artist, 1948; the Brooklyn Museum Art School; New York University; 1949-1952; the People's Art Center at the Museum of Modern Art, 1950-1952; and Hunter College, 1952-1962. Died June 1963, at age 52.
Provenance:
Lent for microfilming 1998 by John Castagno, a dealer who purchased the sketchbooks at auction. The auctioneer's label (Pennypacker-Andrews Auction Centre, N.Y.) affixed to each cover identifies the sketchbooks: "From the Private Collection of Constance and the Late Harry Baziotes, Purchased on September 25, 1995. Each page is stamped "Wm A. Baziotes Estate"
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Identifier:
AAA.baziwills
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-baziwills

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